Kobie Dee and Stan Walker Team Up For “Father’s Eyes”

Gomeroi man Kobie Dee channels the frustrations and lessons learnt from his childhood into his powerful new single “Father’s Eyes.” Featuring former Australian Idol champ Stan Walker, the lyrics touch on breaking familiar cycles, creating generational change, and beating the system. It’s hard-hitting, but ultimately so uplifting.

Kobie and Stan traveled to unceded Bidjigal Lane for the video, directed by Kieran Satour of GARUWA, who is a Gurindji, Pertame Arrernte, and Worimi man.

“Working with Kobie and Stan on this clip was such a blessing,” Keiran said. “This special song, deeply grounded in their own experiences as Indigenous fathers and sons, is about highlighting the strength and resilience of all the families out there striving to break cycles.”

“It was really important to me to work with someone I trust and have a Creative Director like Kieran lead this project and help apply a cultural lens and make sure both our Aboriginal and Māori cultures were represented appropriately and in a strong, beautiful way,” Kobie added. “It was a great collaboration and I feel everyone that was involved really resonated with what the track was about and really captured the vision for the video clip.”

“Father’s Eyes” is Kobie’s first solo release since he dropped “Basics” in 2022. Way to come back to the game!

Photo credit: Tristan Stefan Edouard

Matt Corby Releases Smooth Summer Anthem, “Desert Land”

Matt Corby is bringing some serious summer vibes with his latest track “Desert Land.” It’s a cool, breezy number that makes me think of sipping cocktails and relaxing in the sun. It takes its cues from classic yacht rock, but there’s a modern freshness that I know you’re going to love.

Matt says the song was “inspired by the close relationships we have that operate in tandem with our vices and addictions, and how both of those things influence each other”.

Matt wrote this one with his good friends and regular collaborators Chris Collins (Gang of Youths, Middle Kids, Skegss) and Nat Dunn (Rita Ora, Charli XCX, Tkay Maidza). Matt and Chris also produced “Desert Land.”

Following recent shows in the United Kingdom, Europe, and North America, Matt should be in fine form when he plays some solo shows and festivals here and in New Zealand in the coming months.

1 December 2023 – Powerstation, Auckland
2 December 2023 – Anderson Park, Wellington (with Allen Stone)
8 December 2023 – Fremantle Prison, Walyup/Fremantle
10 December 2023 – Fremantle Prison, Walyup/Fremantle
14 January 2024 – SummerSalt @ Mornington Racecourse, Bunurong Country/Mornington
28 March – 1 April 24 – Bluesfest 2024, Cavanbah/Byron Bay

Photo credit: Matt & Madeline Johnson

Moonsea Celebrates Emotional Side With “Sensitive”

Like so many women, I’ve been called “too sensitive” more than once. So I really connect with moonsea’s moving new single “Sensitive,” which celebrates this tendency to feel things deeply.

“I grew up as a pretty sensitive kid,” moonsea recalled. “I would cry readily, laugh unreservedly and feel things fully and deeply. This got the well-meaning adults in my life worried. If I cried every time I heard a sad story, saw a bug get squashed or got told off by a teacher, how would I make it through this life in one piece?”

Over time she came to discover that “being sensitive could possibly be a good thing, a superpower even. Some of the strongest and most empathetic women were sensitive kids. Feeling deeply allows you to experience the depth of the human experience and connect with other people in a really meaningful way.”

“Sensitive” is paired with a heartwarming music video, which sees the character of Cece Moon enter the Moonville Talent Show ten times, persevering until she finally wins the judges over. Watch it and I know you’ll feel better about the world and your place in it.

Photo credit: Barbara Luyza

Zachary Leo Gets Me Grooving With “Time After Time”

A little funk never goes astray on a Sunday morning, right? If you’re still coming down from the night before, you’ll appreciate the smooth vibes of “Time After Time,” the latest track from Naarm/Melbourne-based artist Zachary Leo. It sounds every bit as cool as he looks!

“‘Time After Time’ is a song about a conflict that has arisen between two people in a relationship, when one person isn’t being the best version of themselves,” Zachary explained. “The song is sung from that person’s perspective as they try to piece together what has caused these problems and how they can make amends. The song constantly shifts between external and internal dialogue and is a mirror into overthinking and overanalysing situations.”

Zachary will perform a couple of shows for hometown fans in the coming months to support his release. You know you’ll have a good time at one of the following gigs:

4 November 2023 – Northcote Social Club, Naarm/Melbourne (supporting Great Gable)
8 December 2023 – The Gasometer, Naarm/Melbourne

Image used with permission from Good Intent

Ridzyray Drops Inspiring Single “Keep Ya Head Up” As Part of Singing Our Futures Program

Such amazing music is coming out of the Singing Our Futures program. If you’re not already across is, the Archie Roach Foundation initiative pairs emerging First Nations artists with more established mentors for songwriting and recording sessions. The latest track released as part of the program is “Keep Ya Head Up,” a feelgood song of hope from Wemba-Wemba MC Ridzyray, who worked with hip hop act DOBBY.

“I don’t really know how to describe it; music is still such a new thing for me so most of the time I just throw some sounds and words together till I feel good about it so I guess it’s a ‘feel good sound’,” Ridzyray admitted. “’Keep Ya Head Up’ is kind of like a message and reminder to myself to be proud of the things I’ve over come in life, what I have accomplished and who I am and to not let that self-doubt and negativity consume my brain. And I’m hoping that people can relate. Plus, all the family always ask for a shout out in the songs so I threw in as many as I could at the end there.”

Speaking of working with DOBBY, Ridzyray said “The experience was so simple and smooth. I had an idea of what I wanted and shared it with him. It’s like he knew exactly what I wanted and what it needed to bring it to life and next thing I know we had a track there ready to go.”

“For me, Uncle Archie Roach stands as a symbol of what is possible for Indigenous artists,” he added. “He’s paved the way for so many of us, and I’m honoured to be mentioned in the same sentence. I was always playing sport and was sure that would be what I’d end up doing but injuries led to mental health issues which led to addictions and substance abuse and the only way out of that hole for me seemed to be music. I’m just doing what brings me joy, I feel very, very lucky.”

The program’s music will come together with the release of the Singing Our Futures Vol. 1 EP, slated for release on November 17.

Photo credit: Jacinta Keefe

SOULSLEEP Impress on Debut With “Glass Heart”

Eora/Sydney-based alt-rockers SOULSLEEP have just dropped their debut track “Glass Heart,” and I can’t stop listening. It’s so innovative, blending elements of alternative metal, emo, pop-punk, and dance together for a really fresh sound.

SOULSLEEP guitarist Jayden Zago got raw when explaining the inspiration and meaning behind “Glass Heart.” “When the COVID pandemic began, my mental health deteriorated. I was depressed and angry and felt like I had no quality of life. I was encouraged to see a psychologist and was lucky to get an appointment. I ended up on medication, and for someone who always thought things like that were ‘all in your head’, it was a huge reality check, and I am now aware of how naive I was,” he said. “Music is how I express myself. With all of the lockdowns and restrictions, my outlet was taken away. Like glass, we are breakable, not indestructible, and speaking up and getting help is not weak.”

The music video, directed by Colin Jeffs, was filmed at a warehouse and SOULSLEEP keyboardist Jimi Fischer’s home studio.

“We built a stage out of an MDF board, which we found quite challenging, as we had to design it in a way that it could be put together and dismantled in a time efficient way and still be able to hold the weight of all of us and our equipment,” Jayden recalled.

If the release of “Glass Heart” is any indication, SOULSLEEP will be a band to watch.

Image used with permission from Good Intent

Lara Villani Makes Powerful Debut With “STOP”

Naarm/Melbourne-based singer-songwriter Lara Villani has just dropped her debut single, “STOP,” and it’s really something special. Through its deeply personal lyrics, Lara shares the physical and mental challenges she’s overcome to emerge the artist she is today. While it deals with darkness, it’s ultimately so uplifting.

“‘STOP’ is a very important track for me,” Lara shared. “Not only is it my first single, but it is a deeply personal song which is drawn from a really difficult and personal experience I had in my life. When I was 19-20 years old, I was in a really bad place. I had just been through an extremely awful experience and found myself severely lonely and left badly hurt. ‘STOP’ is about this journey and the mental and physical battles that I was overcoming.”

That journey is brought to life in the music video for “STOP”, directed by Mertcan Damoglu and produced by Tier One Productions’ Caleb Keyte. In it we see scenes of Lara at her piano juxtaposed with a car crash victim, a physical representation of her pain and hurt.

Lara plans to release several more songs through 2024, so make sure you keep an eye on her socials to learn about them first.

Image used with permission from Lara Villani

Imogen Clark Drops Brilliant New Single, “If I Want In”

“If I Want In”, the latest song from indie-pop act Imogen Clark, is one of those rare songs that is every bit as brilliant as it sounds on paper. When I heard she’d recorded her latest single at Abbey Road Studios with Georgia Maq from Camp Cope and members of Gang of Youths, my expectations were raised pretty high. However, it’s every bit as good as its credentials suggest.

“‘If I Want In’ is about making the choice to go your own way and become the person you have to become, even though everything and everyone around you is trying to pull you back onto the expected path,” Imogen explained. “It’s about acknowledging where I come from and how it shaped me, but I won’t let it define me. It’s about a little girl who spent her days at Penrith High School and her nights playing covers at Western Sydney pubs, dreaming of the big world out there and finding her place in it.”

Imogen shot the music video in Gandangara and Darug Country/Western Sydney, where Imogen played her first gigs as a teenager, and in other iconic locations that her music’s taken her, including Nashville, Los Angeles, and Venice Beach. It finished up at the Oxford Art Factory in Eora/Sydney, where we see Imogen rocking out with her band.

“If I Want In” comes from Imogen’s upcoming solo album, which she’ll release early next year. Before then, Imogen will bring her Holiday Hootenanny shows to Eora/Sydney and Naarm/Melbourne. These annual festive events, which started in 2020, feature a whole bunch of brilliant special guests who’ll perform their songs, songs from the other artists present, and some surprising covers. They should like they’ll be a lot of fun, so make sure you grab some tickets!

23 November 2023 – Holiday Hootenanny @ The Vanguard, Eora/Sydney (with The Buckleys, Clews, Lindsay McDougall, Sarah Belkner, and Timothy James Bowden)
9 December 2023 – Holiday Hootenanny @ The Gasometer, Naarm/Melbourne (with Alex Lahey, Darcy Fox, Demi Louise, Eilish Gilligan, Jess Hitchcock, Shannen James, and Katie Wighton)

Image used with permission from Chinwag PR

A Swift Farewell Release Latest Emo Banger, “Like This (I Don’t Wanna Die)”

The lads from Eora/Sydney pop-punk trio A Swift Farewell are back doing what they do best with the release of “Like This (I Don’t Wanna Die)”. This is their fourth release of the year and the music’s still sounding fresh.

“’Like this (I Don’t Wanna Die)’ is a song about being deeply unhappy and unsatisfied with where you are in life and letting it ruin your mental health,” explained A Swift Farewell’s vocalist, Ryo Andi. “We wrote it last year when the band wasn’t really doing anything or playing shows. Because of that I felt like my life was just wake up – work at my boring job – sleep – repeat … And it made me feel so depressed that I started withdrawing from things and people … I guess this song was a way to say ‘Hey, sorry I’m not replying to texts but I feel so stuck in a hole right now and I just hope I won’t feel like this forever.’”

A Swift Farewell headed to Metronome Studio to film the single’s music video, which they also produced.

“We love focusing on angles and aesthetic and trying to re-create these old school/’90s emo vibes with the blue wash effect and the fish eye looks was a fun challenge,” Ryo added.

Thankfully A Swift Farewell should be out of that rut because they’ve played plenty of shows in 2023, and they’re not slowing down. They’ll support Bellweather on their “Bloodline” release show at The Vanguard in Eora/Sydney on November 18.

Photo credit: Gabrielle Michael

WAMALA Wows Me With “My Whole Life”

WAMALA brought us upbeat vibes with his debut single “Dance Again” earlier this year. But there’s more to this Ugandan/Australian alternative talent than meets the eye. This Naarm/Melbourne-based artist shows his softer side with the release of his latest song “My Whole Life.” While “Dance Again” was a real bop, this new track shows real depth. WAMALA’s stunning voice and the eight-piece string ensemble backing him up make it a song of such rare cinematic beauty. Take a moment to stop what you’re doing and listen, but it deserves your full focus.

WAMALA says he wrote the song after the love of his life randomly appeared in his newsfeed while he was doom scrolling during the 2020 lockdowns. This song perfectly captures the random beauty that can come out of the darkness at a time you least expect it.

“My Whole Life” is the latest track lifted from WAMALA’s forthcoming EP, Fitter, Better, Healthier.