Press Club Drop Another Stellar Single, “I Can Change” Ahead of Album Release

I was already pretty psyched about the release of Press Club’s new album in a couple of weeks, but the release of the band’s latest single “I Can Change” has me even more pumped.

“‘I Can Change’ is about constantly being on the road, and needing to slow down/stay still because of the challenges it brings, emotionally and physically – fighting that feeling and wishing you could change cause it all you ever dreamt about. Then BAM, Covid comes along, smacks you in the face and takes it all away from you! And obviously you’ll never take it for granted again, if you ever get it back cause it’s everything you ever wanted,” explained lead singer Nat.

“I Can Change” is the latest track lifted from Press Club’s new album Endless Motion, which drops on October 14. The album came about through the downtime forced on them during the pandemic, but they’re making up for lost time. Press Club will tour this album around the country before heading to the UK and Europe. Here are all the dates you need!

13 October 2022 – The Cambridge, Awabakal Land/Newcastle
14 October 2022 – UOW, Dharawal Land/Wollongong
15 October 2022 – Crowbar, Gadigal Land/Sydney
16 October 2022 – The Zoo, Turrbal Land/Brisbane
17 October 2022 – Brunswick Ballroom, Wurundjeri Land/Melbourne
18 October 2022 – Singing Bird, Bunurong Land/Frankston (All Ages)
28 October 2022 – Kasbah Club, Limerick
29 October 2022 – Whelans Upstairs, Dublin
31 October 2022 – Hyde Park Book Club, Leeds
1 November 2022 – Stereo, Glasgow
3 November 2022 – The Flapper, Birmingham
4 November 2022 – Deaf Institute, Manchester
5 November 2022 – OSLO, London
6 November 2022 – The Exchange, Bristol
8 November 2022 – 1999, Paris
9 November 2022 – Trix, Antwerp
10 November 2022 – Paradiso, Amsterdam
11 November 2022 – Vera, Groningen
14 November 2022 – Cassiopeia, Berlin
15 November 2022 – Chapeau Rouge, Prague
16 November 2022 – Chelsea, Vienna
18 November 2022 – Bogen F, Zurich
19 November 2022 – Strom, Munich
20 November 2022 – MTC, Cologne

Image used with permission from Little Gian Agency; credit: Nick Manuell

Kav Temperley Releases Powerful New Single “Last of the Wine”

If you needed further proof that Kav Temperley is one of the best songwriters this country has ever produced, wrap your ears around “Last of the Wine”. This is a straight-up pop-rock banger, the sort of song that deserves to be all over radio. While the catchy melody hooks you in instantly, it’s the lyrics that will stay with me. Tap into them and you’ll discover this song’s true power.

“’Last Of The Wine’ is about drinking and domestic violence and how the two often meet in the middle,” Kav explained. “I imagined a love story where someone is locked in a room dreaming about someone somewhere else while dealing with a complex love-hate relationship that they can’t escape from, jumping at shadows and flinching every time they lean in for a kiss. At night they stare out at the moon with a glass of wine in their hand and imagine the same moon shining its light down on the one they love and just for a moment they feel alright.”

“Last of the Wine” is the latest track lifted from Kav’s forthcoming solo album Machines of Love and Grace. He set the bar so high with his first solo effort All Your Devotion, so I’m pretty psyched to hear this one when it drops on October 19. If you missed him on his recent regional tour or want another serve, it won’t be too long before Kav’s back on the road. Expect to hear about capital city and regional shows slated for early next year really soon.

Image used with permission from On the Map PR; credit: Jarrad Levy

GEM Lets Audiences In With “RUINS”

Has it really been three years since LA-based Aussie DJ and producer GEM brought us The 2070s? That album showcased what she could do with classic pop songs, but with her latest single “RUINS” she’s revealing a little more of herself. It’s a beautiful slow-burn ballad with GEM’s ethereal voice front and centre. If you love what you hear, you won’t need to wait too much longer for more. GEM’s new EP Healing Feelings drops tomorrow.

“I wanted the EP to reintroduce myself, starting with the parts that I hide the most. The story begins with ‘Ruins’,” GEM explained. “I was holding on so tightly to an idea that didn’t exist anymore – once I let that relationship shatter, the breakthrough begun and the healing started. I wanted the EP to start in mess, tangled, unsure, inching your way into the day as we all sometimes do and slowly, step by step, track by track find that voice, that inner knowing that sets you right again. I made a very deliberate decision to connect all the pieces of myself and make whole, regardless how popular that may or may not be”.

If you’re new to GEM’s music or like me you’re ready to get reacquainted, make sure you listen out for Healing Feelings tomorrow.

Image used with permission from On the Map PR; credit: Jordan Knight

Gareth Leach Releases Bold New Single “Habitual Line Stepper”

If you love your country with some grit, check out Gareth Leach’s new track “Habitual Line Stepper.” We’re all familiar with heavy rock and heavy metal; this single introduces you to a new genre: heavy country. It’s a hard-hitting song about toxic relationships that puts its foot on the throttle and stays the course.

The music video gives you an insight into what it’s like seeing Gareth live. It also features great rodeo footage captured when Glen and his band played the Bendigo M5 Pro Rodeo.

“Habitual Line Stepper” is the third track lifted from Gareth Leach and the Narratives of Hope’s third album, scheduled for released next year. In the lead-up, Gareth has booked plenty of festival performances. Catch him at the following events:

18 & 19 November 2022 – Sale Country Music Festival @ Sale Racecourse, Wayput/Sale
4 & 5 March 2023 – Country by the Bay @ Frankston Foreshore, Bunurong Country/Frankston
1 & 2 April 2023 – Goulburn Country Music Festival, Kanny-goopna/Shepparton

Image used with permission from Rock This Country

Yorke Releases Ultimate Road Trip Track, “i’ll keep driving”

I’ve been a Yorke fan since she dropped the singles from Liberosis back in 2020, and it seems she just keeps on getting better. If you’re a fan too or you’re yet to discover her brilliance, wrap your ears around her new single “i’ll keep driving.” I swear this pop banger will make your Monday feel better.

Yorke says she wrote the track about “the realisation that the concept of home can be whatever you want it to be, even a person. I was constantly on the move and craving stability so it took me some time to realise that a healthy relationship can also ground you in a similar way.”

If you’re a Yorke fan like me, you’ll love the visualiser.

“We shot the visualiser at this random cabin in regional Victoria and gave the place a temporary makeover. It’s still in the same world as ‘next life’, just a bit of time has passed… consider it the bridge between the last video and what’s to come. There are also lots of little Easter eggs hidden in the background too. What you can’t see is me shivering, it was eight degrees and the heater didn’t work. I had my hot water bottle on me at all times!”

Yorke’s new EP ten feet tall drops in November. Before that, she’ll appear at Oxford Art Factory in Sydney on October 1 supporting Peach PRC.

Image used with permission from Island Records Australia; credit: Jess Gleeson

Able Joseph Charms With “Lonely LA”

If you love a tender, stripped-back ballad as much as I do, Able Joseph’s new single “Lonely LA” will be right up your alley. This song is the classic case of less is more, with a simple acoustic guitar melody wrapping around gorgeous lyrics and Able’s voice. I’m in.

“There’s a beautiful side to two people having to adjust to life’s curveballs and facing change as a team — be that changing dreams, homes, realities … this isn’t a love song, it’s a relationship song,” Able explained. “This song is a homage to songwriting. We wanted to keep the structure as simple as possible but still weave in different moments and transitions that take you somewhere unexpected. The outro is a deeply honest conversation between two people and the production reflects that; it’s closer to the mic, more intimate and raw. I’m really proud of the story we tell.”

More like this please!

Image used with permission from beehive; credit: Trevor Conrad

Riley Catherall Wows Me With “Bark at the Moon”

Riley Catherall is one of those artists that makes you want to hear everything they’ve ever written. I intended to write about his new single “Bark at the Moon” hours ago, but then I found myself falling down the Spotify rabbit hole, becoming equally enamoured with every carefully crafted song in his catalogue. But back to matters at hand. “Bark at the Moon” is the first single Riley’s dropped after the release of his critically acclaimed debut album When I Go, and it shows its accolades were no fluke. The secret, it seems, is just letting the music flow.

“This song was a real exercise in not trying to overwrite new material,” Riley said, noting that he felt a real pressure to deliver something fresh. “This meant lots of unfinished songs abandoned and wondering whether I’d be able to write another good song.”
Rest assured, this song isn’t just good. It’s great.

“’Bark at the Moon’ was one of those magical instances where it sort of fell out in about an hour and with each line I grew more excited about it. I was so caught up in that once it was written, another hour went by, and I had demoed it using a basic recording set up in my room.”

The music video, shot by Tyler Ridgeway, features Riley cruising around the Dandenong Ranges in a classic 1989 Mitsubishi Magna. “I wanted to replicate that teenage dream era of driving around in the early hours, trying to find the best place to see the sunrise,” he explained.
Riley is doing a lot of travelling at the moment taking his music to the people of the eastern states. Here are all his upcoming shows:

22 September 2022 – The Citadel, Kalibai Country/Murwillumbah (supporting Charm of Finches)
24 September 2022 – Junk Bar, Meeanjin/Brisbane
24 September 2022 – Dust Temple, Yugambeh Country/Gold Coast (supporting Charm of Finches)
25 September 2022 – Flow Bar, Biripi and Worimi Country/Old Bar (FREE)
5 October 2022 – The Midnight Special, Eora/Sydney
8 October 2022 – Shellharbour Rocks the Park Festival, Yerrowah/Shellharbour (FREE)
13 October 2022 – Little Alberts, Wiradjuri Country/Bathurst
14 October 2022 – The Front, Ngunnawal Country/Canberra
27 October 2022 – The Gasometer Upstairs, Naarm/Melbourne
28 October 2022 – The Taproom, Dja Dja Wurrung Country/Castlemaine (FREE)
30 October 2022 – The Barwon Club, Djilang/Geelong

Image used with permission from Wildheart Publicity

Dyan Tai Will Lift Your Spirits With “We Can’t Forget”

Eora/Sydney singer, DJ, music producer, radio host, and all-round super talent Dyan Tai has teamed up with award-winning Guzheng artist Mindy Meng Wang 王萌 on dance-pop anthem, “We Can’t Forget.”I love the way this track incorporates the classical sounds of the Guzheng, a traditional Chinese harp, with fresh pop beats. This upbeat number is just what you need to bounce back from hardships, whether you’re facing the kind of breakup that inspired it or simply the slog of the working week.

“”We Can’t Forget” is about rejection and heartbreak and how those feelings never truly leave,” Dyan explained. “It is also about finding comfort in your tribe and the (queer) community.”

Dyan features that community in the vibrant music video. As the founder of Worship Queer Collective, Dyan helped nurture all the emerging QTPOC artists featured in the clip. What a great celebration of their artistry! Dyan has several shows coming up over the coming months. Catch them at the following events:

16 September 2022 – Rina Sawayama Official Album Launch @ The Imperial Erskineville, Eora/Erskineville (Live & DJ Set)
1 October 2022 – Coastal Twist Dance Party & Fair Day, Darkinjung Country/Central Coast
14 October 2022 – Astronaughty, Pride of Our Footscray, Naarm/Melbourne (with Dirty Versachi)
22nd October 2022 – Dynasty: Drag & Dumpling @ Festival Hub: Trades Hall – ETU Ballroom, Naarm/Carlton (Naarm/Melbourne Fringe Premiere)
24 November 2022 – Powerhouse Museum, Eora/Ultimo (EP Launch with AnSo and Salllvage)

Image credit: Chris Quyen

The Vanns Impress Again With “Making It Out Alive”

Can The Vanns ever put a foot wrong? I’ve been a little slow to listen to their latest track “Making It Out Alive,” but I am so glad I’ve taken the time to listen this morning. Perhaps it’s that new-music rush talking, but this single might just be their best yet.

“Making It Out Alive’ is one of a bunch of songs we recorded with Chris [Collins, producer] earlier this year,” The Vanns explained. “The song wasn’t finished being fully written until the night before we tracked it, which is always a fun timeframe to record in. It also features some great saxophone work by Dusty Boots, who’s so talented and an absolute legend.”

Life’s been good for The Vanns, with the band selling out their entire Red Light national tour, recently wrapping up a successful regional run, and sharing stages with The Wombats. And they’re still not done. Check them out at the following shows:

4 October 2022 – The Fortitude Music Hall, Meeanjin/Fortitude Valley (supporting The Kooks)
6 October 2022 – Festival Hall, Naarm/West Melbourne (supporting The Kooks)
29 December 2022 – Lost Paradise, Darkinjung Country/Glenworth Valley
29-31 December 2022 – Falls Festival @ Pennyroyal Plains, Burai Gurray/Birregurra
31 December 2022-2 January 2023 – Falls Festival @ North Byron Parklands, Cavanbah/Byron Bay
7-8 January 2023 – Falls Festival @ Fremantle Park, Walyalup/Fremantle

Image used with permission from Beehive PR; credit: Todd Hardingham

Geniie Boy’s New Track Bound to Make You Feel “Better”

The weekend’s far too far away, but Geniie Boy are here to put a spring in your step with their feel-good new pop single “Better”. If Alisha Todd’s summery vocals and that slick drum motif don’t make you smile, nothing will.

“The old saying – ‘if you love something, you’ve gotta let it go’ is almost the entire moral of this story, and that perhaps if we ‘let go of our hold’ on things, we can see the bigger picture more clearly,” Alisha explained of the song’s inspiration.

I also adore the film clip, which seems inspired by quirky cult flick Frank. Surely three giant paper mache-headed musicians are better than one!

Image used with permission from Kick Push PR