Naarm/Melbourne rock act Pretty Moi have won me over with their back-to-basics new single “ROAD DOG.” It’s got a fantastic garage rock sound, free of studio bells and whistles that might dilute its intensity. I also appreciate the surf and psychedelic rock influences that Pretty Moi wears proudly on their musical sleeve.
In a world where there seems to be so much division, Maxon’s new folk-rock track “Everybody” is like chicken soup for the soul. It’s an uplifting anthem that reminds us of the humanity that unites us all.
“You Won’t Be There” was already one of the highlights from Riley Pearce’s 2025 album The Weight of Our Dreaming. But he’s just elevated the track with the help of Irish singer-songwriter Sorcha Richardson, who was last on our shores for Misneach. The artists collaborated remotely on the duet single, “You Won’t Be There (Time Zone Version),” which hit the streaming services today.
Dharawal Country/Wollongong singer-songwriter franxie has wowed me with her latest single “Nobody’s Home.” This gentle indie-folk single drew me in with its hushed vocals, acoustic sound, and introspective lyrics exploring dissociation and emotional shutdown. It’s heavy subject matter, but themes that are worth sitting with when they’re presented so exquisitely. Take a moment to really listen to this one and take in its beauty, because it deserves so much more than becoming background to your workday!
After wowing me with “sliding doors,” Naarm/Melbourne-based talent Sidney is impressing me all over again with her latest release “long haul.” This track cements her reputation as one of the best indie-pop acts in the country. With serious songwriting skills, a knack for crafting unforgettable melodies, and a compelling voice, she’s really one to watch.
In the 2010s, fantastic songs like “Ivy” and “Afterthought” put Eora/Sydney act Winters End on my radar. However, in 2020 they disappeared from view when founding member Christopher Pinto passed away suddenly from a head injury. After several years of grief and soul searching, his sister and collaborator Marissa Pinto has decided to continue Winters End. The new single “Deadtree” is a heartbreaking tribute to Christopher. Marissa’s voice has always captivated me, but I’ve never been quite so moved by it as I am listening to this song.
Rubibi/Broome-based artist Amy Pania is laying her heart bare under a brand new musical moniker, Amyrah. She admits her latest single “Inside Out” is the “rawest” track she’s ever released.
Last year I felt division within Australia in a way I’ve never felt before. I happened to catch a train full of people heading to Eora/Sydney for an anti-immigration march. It was packed with white retirees holding flags sounding off about migrants taking over their country. I watched in horror as one man said loudly that he should have worn his steel-capped boots as an Asian woman apologised while trying to make her way through the crowd and get off the train. That same night an Asian man wearing a Make America Great Again cap asked me whether I had a problem with him. Of course I said no, swiftly looked down, but wondered what would have happened if I’d answered in the affirmative. A couple of months later, I found myself sitting in a crowded park during a local seafood festival, trying to enjoy my fish and chips, when more white Boomers began sounding off about immigration. Then of course there was the terrorist attack in Bondi, a frightening reminder that hatred against people based on they are can turn deadly.
The ultra-talented Sewell siblings – Conrad Sewell and his sister Grace Sewell – are teaming up for some intimate shows in the major capitals next June. The tour announcement comes off the back of the release of Conrad’s gorgeous new single, “Deserve.”
She’s probably still best known for rocking out front of Killing Heidi, but I really dig the country feel of Ella Hooper’s solo material. Her latest single “Growing Up is Hard to Do” is a fantastic example of the brilliant new music she’s making. It’s so much fun with its relatable, introspective lyrics and catchy country-rock sound. Just when you think it can’t get any better, that sax solo from Mika Kohlman kicks in!