Happy Australia Day!

Happy Australia Day Sounds of Oz readers! I hope that whatever you’re doing, whether it’s planning a big family barbeque or simply having a day off work, you’re enjoying it.

I always like to post a video on January 26 that makes me pause and think how good we’ve got it, and how special this country is. While watching Oprah’s Australian advertorials this month, I knew what I’d have to post in 2011. “I Still Call Australia Home” has always been a song that’s affected me. I honestly think it should be our national anthem, as it stirs me much more than “Advance Australia Fair.”

But that’s a discussion for another time. For now it’s just an amazing song made better by the presence of some of our best entertainers, and a great big Aussie flag.

Guy Sebastian Reclaims ARIA Number One

After being ousted from the top spot last week, Guy Sebastian has returned to the number one position on the ARIA Singles Charts this week with “Who’s That Girl.”

Again he’s keeping company with Jessica Mauboy, who’s holding on to the top 10 by her fingernails with “Saturday Night.”

There doesn’t seem to be any stopping Altiyan Childs, who is again holding down the number three spot on the album charts with his self-titled debut. Guy Sebastian is nipping at his heels though, with Twenty Ten moving up two places to sit at number six.

Click below to see the entire ARIA top 10!

Continue reading “Guy Sebastian Reclaims ARIA Number One”

Icecream Hands Reunite for Sweeter Than the Radio

Melbourne’s Icecream Hands will play for their home town one more time later this month. The indie band hasn’t played together since their 2007 album, The Good China.

The one-off show will see Icecream Hands going back in the vault to play their 2000 release, Sweeter Than The Radio, in its entirety. The acclaimed disc was nominated for Best Adult Contemporary Album at that year’s ARIA Awards.

To mark this very special reunion, Dust Devil Music will sell the band’s rare live acoustic album Live at Manchester Lane at the show. If you want a copy, and to relive a bit of Australian music history, make sure you get down to the Northcote Social Club on January 29. And until then, check out this awesome video filmed at that Manchester Lane show!

Bye Bye 2010, Bring on the New Year!

The bubbly is chilling and folks are getting together as we prepare to bid 2010 adieu. The year our Aussie artists produced some cracking tunes which should help get your NYE party started!

Sia has been a musical force for some time, but 2010 saw her step into the spotlight with her fab album We Are Born. It spawned so many singles, including the irrepressibly “Clap Your Hands.”

Washington was this year’s breakthrough artist and with good reason. Bucket loads of charisma, insightful lyrics, and some damned good tunes are a recipe for success in anyone’s language. “Sunday Best” was the song that had me dancing around my lounge room this year.

John Butler Trio’s “One Way Road” is a bit rootsier than the other tracks, but no less fun. I am in awe of the way JB manages to get his mouth around those rapid fire lyrics!

Amy Meredith definitely didn’t get the recognition they deserved this year. I enjoyed their first two singles, but they wowed me with the nostalgic “Young at Heart.” The fun retro feel sent me right back to my childhood! This is definitely the tune to play as the evening is winding down.

What will you be spinning tonight?

Merry Christmas!

Merry Christmas Sounds of Oz readers! I hope you’re all enjoying the day, spending time with your families or friends, eating too much, and playing with a few shiny new toys. Unless you scored a new laptop, there’s probably no reason for you to be online reading my blog!

But if you are, thank you, and here’s some Tim Minchin for your trouble. This gorgeous Christmas tune, “White Wine in the Sun,” really captures the Aussie experience of Christmastime. It’s certainly more poignant than any songs about winter wonderlands, isn’t it? So enjoy dear readers, and have yourself a merry little Christmas!

Musicians Go LIVE at Sydney Festival Art Installation

There are so many exciting musical acts winging their way to New South Wales’ capital for the annual Sydney Festival. Emmylou Harris, Sufjan Stevens, and Paul Kelly’s A to Z shows are grabbing all the headlines, but I think one of the most interesting events is LIVE: An Intimate Video Study of the Art of Performing.

It’s an installation which features some of Australia and the world’s most exciting musicians captured on film. Each artist has performed a song of their choosing against a simple white background. Visitors wear wireless headphones to choose the artists they want to hear, while they watch the visuals projected on one of four large screens.

The idea is that by stripping away the lighting, the screaming crowds, and the theatrics, we get closer to the heart of the song and the performer presenting it.  So many fantastic and fascinated artists are represented here, including Rufus and Martha Wainwright, Jarvis Cocker, Peaches, Juliette Lewis and our own Jimmy Little, Clare Bowditch, and as seen in this video snippet, Gareth Liddiard from The Drones.

Gareth will also perform on the LIVE opening night, along with Sarah Blasko, Kram, and Laura Jean. Tickets for the January 13 opening cost $45. If you can’t make it for that night you can see the LIVE installation from January 14 to 23 for $15, or $12 for concession holders. All tickets are available from the Sydney Festival website.

The X Factor Contestants Take on Chart Topppers

Tonight The X Factor finalists looked set to show some star quality with the theme of “chart toppers.” I must admit, I was a little nervous about this theme as so often my favourite tunes never win any popularity polls. However with Robin Gibb acting as guest mentor I hoped our final four could pull something worth watching out of the bag.

Andrew Lawson made all of my fears come true with his rendition of “Uptown Girl.” I love the Billy Joel version, but this felt more like that lacklustre Westlife take, with an added dose of awkward. It was totally cheesy and there was a real lack of dynamics or connection. You just can’t count on the dancers to win it for you.

I was pretty thrilled to see Mahogany was taking on one of my favourite guilty pleasures, Bryan Adam’s “Heaven.” Throw in a key change, those magnificent harmonies, and a stripped back performance free of those distracting dancers and pyrotechnics and you’ve got something magical. This is a classic example of the old adage “less is more.”

Sally Chatfield gave another strong performance this week with Pink’s “Just Like a Pill.” Vocally I can’t fault her but I’m starting to feel a gloss that undermines the connection to the songs. I couldn’t help casting my mind back to Nathan from Australian Idol a few years ago, the way he delivered it with such rawness and intensity. While she was high fiving the audience and fist pumping that message, that truth about the song was just a bit lost.

After lamenting the lack of connection shown by other acts, Altiyan Childs delivered what I was after. “The Living Years” is one of those songs I have a deep personal connection to. I was released just after my grandfather’s death, and it really painted the picture of the relationship he had with my own dad. I wasn’t sure he could do it justice considering all of the meaning I have invested in it, but he did. Altiyan is starting to become the heart of the show, and honestly I think that’s more important than a pretty voice.
Continue reading “The X Factor Contestants Take on Chart Topppers”

Great ARIA Awards, Shame About the Ceremony

The ARIA Awards are intended to celebrate the year that was, and on paper they did just that. Angus and Julia Stone deservingly took home the lion’s share of the pointy statues. Their sophomore effort Down The Way was named album of the year, best adult alternative album, and best cover art, its second single “Big Jet Plane” single of the year, and the duo was named producers of the year.

I was also thrilled to see Washington bag a double for female artist of the year and breakthrough artist, and outgoing act Powderfinger recognized by the new popular awards for album and artist.

What a shame that the ceremony itself wasn’t fitting of the artists it recognised. I use the word ceremony loosely, because really there wasn’t anything ceremonial about it. I’m not suggesting the ARIAs need a great deal of pomp, but this thing was so relaxed that it got messy.

I cringed watching presenters wading through crowds to hand out the gongs, and seeing speeches given amongst the throng. The concept of making the awards accessible to the public looks good on paper; this music is for the people after all. But the execution was lacking last night. I’m not sure whether it made any more sense at the event, but at home watching on the TV it appeared shambolic.

The performances helped to save it, of course. We can always rely on our musicians to turn out quality acts, and they did. I loved Washington’s saucy delivery of “Sunday Best,” and Dan Sultan stepping in for INXS. If they’re looking for a replacement for JD Fortune any time soon, he’d do a great job.

While those musical numbers helped make the event watchable, they couldn’t save it completely. I only hope that next year our musicians get the ceremony they deserve.

The X Factor Celebrates Oz

With ARIAs fever in the air, our X Factor finalists took on Aussie hits.

Luke and Joel kicked things off with The Living End’s “White Noise.” It was a smart choice as The Living End have always been more about the energy than the technical skills. This is where these boys excel. They didn’t blow me away as they did last week, but that landed them in the bottom two; maybe it’s better to be solid at this point.

When I heard Sally Chatfield was taking on The Veronicas, I’d hoped she’d do “Everything I’m Not.” But I don’t know; there were some really nice moments but it just didn’t quite jump off the page for me. I loved the way she asserted herself, and that lovely spontaneous moment with the guitarist, but I’m just not sure she gave us all of herself. They seemed to lap it up in the studio, but I just wasn’t feeling it at home.

Andrew Lawson dished up a bit of Sam Sparro’s “Black and Gold.” This was so theatrical and over the top. The song choice was lovely and his vocals were brilliant, but for me it was just too glossy to take seriously. I think if it was stripped back this would have been much more convincing. I’ve often felt that The X Factor goes overboard on the production, and this is a prime example.

I never would have thought of picking a bit of Daryl Braithwaite for Mahogany, but I thought their version of “The Horses” was brilliant. Well done to Guy for remembering that Australian music didn’t start with the naughties. This was the most believable performance of the night. I can’t imagine Mahogany being in the bottom two after this.

Altiyan Childs closed the night with a really lovely version of “Never Tear Us Apart.” It was all those things I’ve been banging on about, being believable and authentic and stripping it all back to the root of the song. He’s definitely coming into his own, and it’s a beautiful thing to see.

After a fairly uneven night it’s hard to say who will go. I know who my favourites were, but we’ve all got to factor in that sympathy element. We’ll find out tomorrow night where the axe will fall.

The X Factor Gets Set for Summer

This week The X Factor finalists gave us a bit of summer loving with feel-good summer hits.

Altiyan Childs kicked things off with a little Bryan Adams and “Summer of ’69.” What a way to start a show. He is a real rock star, and he’s just looking better and better each week. This was a bit more restrained than we’ve seen him, and it only showed that he doesn’t need the gimmicks to impress.

From the high of Altiyan to the low of Hayley Teal’s take on “California Gurls.” I feel like Natalie keeps pushing her into this generic pop mode, with choreography and middle of the road songs that just doesn’t work for her. She seemed so much more comfortable when she was taking on Led Zeppelin a couple of weeks back. There was no connection at all, which really isn’t her fault. I really hope that Natalie starts to give her some meatier material to sink her chops into; this just isn’t the Hayley I fell in love with.

Andrew Lawson gave us a cruisy take on Maroon 5’s “Sunday Morning.” I really liked the arrangement, and couldn’t fault the vocals. However I still feel there’s a veneer about him. It’s all a bit saccharine, as if he’s delivering what he thinks us girls want rather than what he actually is. It just doesn’t quite ring true for me.

Continue reading “The X Factor Gets Set for Summer”