“Wicked” @ Lyric Theatre, Eora/Sydney

I haven’t seen Wicked since it played at the Capitol Theatre in 2009. I remember enjoying it without falling totally in love with it. My husband was enamoured though, and my parents wished they’d seen it, so I found myself at the Lyric on the weekend ready to experience it all again. I wasn’t especially excited, but I reasoned enough time had passed that I was bound to have a good time.

I wondered how the latest cast could possibly match the talents of Jemma Rix and Lucy Durack, who perfectly inhabited the lead roles, or even stellar supporting players like Rob Mills and Bert Newton. I needn’t have worried about it though. This country has a habit of producing such incredible performers. I’d always thought Lucy Durack was the perfect Glinda, but Courtney Monsma is at the very least her equal. She made the role her own, playing up the character’s brattiness and bringing true heart when required. My husband always judges a Glinda by their performance of “Thank Goodness.” At its conclusion, he leaned over to me and told me she’d nailed it. Elphaba is such a demanding role, but I think Sheridan Adams was solid in it. I could hear a little strain as she tackled those stratospheric notes, but I wouldn’t be surprised if they become more effortless as the season progresses. Liam Head charmed as Fiyero, as any good Fiyero should do, and Todd McKenney made the most of every moment as The Wizard.

As the story played out, I found myself enjoying it more than I thought I might. Anticipating the twists and turns, the way the pieces would fall into place, was comforting. Rather than holding my breath as I did the first time around, I could take pleasure in what was around the corner. My familiarity with the songs saw me looking forward to my favourites, which were always performed so perfectly. My husband plays the soundtrack so often I’d forgotten how much richer these songs are with the rich visuals of the stage.

The Australian musical theatre scene has typically played it safe over recent years. With the notable exception of Hamilton, most major productions have been jukebox musicals, adaptations of Disney films, or shows that regularly grace our stages (I’m looking at you Hairspray). I’m relying on community theatre groups to bring me something new, but with 14 years passing since Wicked’s last showing this almost feels fresh. If you’ve never seen Wicked before, don’t sleep on this one. And if you have like me, this production certainly makes it worth a second look.

Wicked is at the Lyric Theatre in Eora/Sydney until December 30. Tickets are available through Ticketmaster.

Kiwat Kennell Collaborates With Dan Sultan on “Disconnected”

I’ve been so impressed by the music coming out of The Archie Roach Foundation’s Singing Our Futures program. This initiative which pairs emerging First Nations artists with some iconic mentors is giving a leg up to some extraordinary talents like Kiwat Kennell, who’s just released his latest single “Disconnected.” Kiwat worked with none other than Dan Sultan to tell his story through this song.

“’Disconnected’ tells the story of how my father saved my life, from my own actions, in one of the darkest periods of my life,” he admitted. “The yearning for a connection of any kind in a post-lockdown life is one that too many of us have all experienced. Through an unhealthy relationship with my mental health, I lost many personal relationships, resulting in a downward spiral, solo journey, that would eventually have me reconnect with my father, after many years of being apart. What began as a deeply negative and traumatic experience, has me now connecting to family, culture, and life!”

While the song came from feelings of being disconnected, it also sparked a very powerful connection between Kiwat and his mentor, Dan Sultan.

“We had known each other socially for a few years, but when I found out that Dan would be my mentor, and I would have the chance to work with him in a professional capacity, I couldn’t believe it. Dan Sultan has always been a huge influence on my career, his ability to captivate a whole audience with just his voice and a guitar, will always astound me! Being able to collaborate with Dan on this track has really changed how I approach songwriting. He taught me that the story, or song, that you start writing at one point in time, doesn’t have to be finished at that moment. Because like in life, you evolve … and your story isn’t finished yet. Sometimes you have to walk the path, to see where it leads.”

“Disconnected” is the latest track from the Singing Our Futures EP, which drops later this year.

Image used with permission from On the Map PR; credit: Jacinta Keefe

Luca Brasi Announce Tour, Play Goo Goo Dolls For “Like a Version”

Tassie punk-rock act Luca Brasi announced their upcoming tour in style recently, appearing in the triple j studios for Like a Version. As a Goo Goo Dolls fan, I get a little protective over the band’s material, but Luca Brasi’s take on “Iris” is utter perfection.

Luca Brasi were joined in the studio by Naarm/Melbourne indie-folk act Eaglemont, who’ll not so coincidentally play support on all these upcoming shows. OK Hotel are also on the stacked bill. Luca Brasi should be in fine form, as they’ve just wrapped up shows with Canada’s Alexisonfire. Tickets are on sale now.

6 May 2023 – Du Cane Brewery, Launceston
12 May 2023 – Cambridge Hotel, Mulubinba/Newcastle
13 May 2023 – Crowbar, Eora/Sydney
19 May 2023 – Max Watt’s, Naarm/Melbourne
20 May 2023 – The Zoo, Meeanjin/Brisbane
2 June 2023 – Jive Bar, Tartanya/Adelaide
3 June 2023 – Rosemount Hotel, Boorloo/Perth

Image used with permission from Deathproof PR; credit: Tom Wilkinson

Congratulations to Royston Sagigi-Baira, Your New Australian Idol

Last night Australia crowned a new Australian Idol. In case you missed it (and given the ratings for the season, you probably did), Royston Sagigi-Baira took home the $100,000 cash prize and Sony Music contract over Phoebe Stewart. But of course, television isn’t just about ratings, or it shouldn’t be. While many media outlets will call the season a failure as it trailed behind reality juggernauts Married at First Sight and Survivor, I think Channel Seven has done a pretty good job revamping the original singing show.

Firstly, and perhaps most importantly, it showcased talent. Like, properly showcased talent. We saw these contestants sing at their auditions, the Sydney boot camp (several times), on live shows, and eliminations if they were in the bottom three. That’s a lot of exposure, and what I’ve always thought gave Idol contestants careers beyond the show. It’s not that the people who sing on The Voice are lacking, but consider just how often they sing in front of Australia. I really hope that exposure serves all these contestants well, because there were some real diamonds. I personally wish we could go back to the old days of eliminating just one contestant each show, but this is Idol for a different time, and the ratings probably don’t justify anything other than this shorter, snappier season. I think Seven got the balance right here.

Speaking of balance, I was pleasantly surprised by the judges. Yes, it was incredibly white-bread, but there was a good balance of intelligent critique and showmanship. Kylie Sandilands even played nice, for the most part. Even though there was reportedly some tension behind the scenes, they never let it overshadow the contestants or make the show feel awkward (anyone else remember that year of American Idol with Mariah Carey and Nicki Minaj?). Professionals, every single one of them.

Only time will tell what happens with Royston, Phoebe, third-place getter Josh, and the rest of this year’s finalist, but I hope there’s been enough eyeballs on them for some doors to open. It’s a little unfair to compare ratings for the current incarnation to the original run, because it’s a vastly different television landscape. Those were the days before streaming, multi-channels, and the easy recording of PVRs. They were the days before sensational reality TV with its water-cooler moments. Some might say that means there’s no place for Idol any more, but I really hope we see it back on our screens next year. Congratulations to Royston and all this year’s Idol finalists. May they have every success. Here’s a throwback to Royston’s audition so you can see how his “Idol journey” began:

LOSER Drop Rocking New Single “The More I Know” Ahead of East Coast Tour

I’ve been really impressed watching Stadium Dreams On a Bedroom Budget, the new EP from LOSER, unfold. In case you missed it, these local rockers have opted to drop a new track every few weeks, giving us time to sit with each one, rather than just dumping them all at once. You might think that four tracks in the project might be losing steam, but the latest cut, “The More I Know” might just be my favourite. It’s giving me serious Foo Fighters stadium vibes. Crank it up and you’ll hear what I mean.

“After lockdown it was hard to get back to regular programming, I lost faith in playing music and I was questioning whether I wanted to do it anymore. Craig and I sat down and punched this song out in a day,” explained the band’s frontman, Tim Maxwell. “The lyrics are the most meaningful on the EP. It’s about getting out of that rut and wanting to succeed more than ever after spending so much creative energy trying to make ends meet.”

This would be a great time to let you know that LOSER will tour the East Coast in May to celebrate the release of Stadium Dreams On a Bedroom Budget. While you’re at the shows, you may be lucky enough to score one of the limited edition signed clear 12” vinyls. LOSER will randomly draw a ticket holder’s name in the middle of each set to score one of these babies, which are the only physical merch available for this release.

“Call it crazy, call it genius, call it something in between – either way we thought this was the best and coolest way to share something special for this EP with our fans,” the band said. “It’s a gift to the people who come to see us live and hopefully a cool collectible in the future as we won’t ever be pressing this release again in its current form. We’re yet to know if our signatures will actually de-value the vinyl or not.”

If you want one, you’re just going to have to get to one of these gigs!

4 May 2023 – Oxford Arts Factory Gallery Bar, Eora/Sydney
5 May 2023 – Cambridge Sideroom, Mulubinba/Newcastle
6 May 2023 – Dicey Riley’s, Woolyungah/Wollongong (FREE)
11 May 2023 – Vinnie’s Dive Bar, Yugambeh Country/Gold Coast
12 May 2023 – Black Bear Lodge, Meeajin/Brisbane
13 May 2023 – Northcote Social Club, Naarm/Melbourne

Image used with permission from beehive; credit: Ian Laidlaw

Come From Away @ Civic Theatre, Mulubinba/Newcastle – 4 March 2023

My husband and I watched the pro-shot of Come From Away when it dropped on Apple+ in September 2021, 20 years since terrorists drove their planes into the Twin Towers and other aeroplanes en route to the United States were diverted to the small Newfoundland town of Gander. We instantly fell in love with this musical that managed to somehow find the balance between comedy and tragedy. It was so truly heartwarming that when it travelled to Mulubinba/Newcastle, we couldn’t wait to introduce my mother to it.

I must admit, I had my reservations though. The Apple+ pro-shot featured the original Broadway cast. Jenn Colella won Drama Desk and Outer Critics Circle awards for her role, and arguably should have taken home the Tony. Could this Aussie cast possibly measure up? How could they convincingly bring us this American story that still resonates so deeply with the people of that country? As with Hamilton, I needn’t have worried. There was not one person in this production that wasn’t at the very least the equal of the Broadway cast. From the soul-stirring opening “Welcome to The Rock,” I found myself swept away again.

In fact, I think this time I was even more invested. While I knew the outcome, I found myself wiping away tears at a poignant moment that hadn’t made me weepy the first time around. While pro-shots are fabulous at drawing your attention to small details, seeing the show from the dress circle I could take it all in.

If like me, you’ve enjoyed the pro-shot of Come From Away, don’t make the mistake of thinking that you’ve already seen the show. You need to see this musical in person. And if you’re yet to discover Come From Away, there’s a reason why so many people rave about it. Do yourself a favour and check it out. Come From Away finishes its Mulubinba/Newcastle season today but will soon open at Her Majesty’s Theatre in Tartanya/Adelaide. It’ll then head to Boorloo/Perth’s Crown Theatre in May and Ngunnawal Country/Canberra in June.

Carla Webhe Enchants With “knight To e5”

Eora/Sydney singer-songwriter Carla Wehbe has floored me with her new single “knight To e5.” It’s an emotional slow burner that builds so beautifully to a powerful crescendo. I really felt this one. This is how you get people excited about your upcoming EP.

“If you’re a Harry Potter fan you might get the title reference from the first film. In the same way Ron sacrifices his knight so Harry could win the game of wizards chess, the concept of ‘Knight To E5’ is about sacrificing your happiness or self for the happiness of someone you care about, essentially putting them before you,” Carla explained. “It’s one of the more heartbreaking songs I’ve written, which touches on deep regret and the fear of not living your life for yourself because you’re trying to protect someone else’s happiness.”

As I mentioned, Carla has a new EP on the way. Listen out for Jupiter and Mars when it drops on March 24.

Image used with permission from Warner Music Australia; credit: Kyle Caulfield

Conrad Sewell Back to His Best With “Ferris Wheel”

It’s been five years since Conrad Sewell charted in this country. If there’s any justice, we’ll see him back in the top 10 with the release of his fantastic new single “Ferris Wheel”. It’s the definition of radio-friendly, ultra-catchy, upbeat goodness.

“’Ferris Wheel’ is a song about a second chance, never giving up on your dream, life, or love,” he explained. “Life is hard but you never know what’s around the corner. I wanted the song to have a very nostalgic 90s feel to it and really paint that picture.”

When you’re taking a listen, make sure you let the rest of his new tracks play out. They’re all brilliant, suggesting Conrad’s new album Precious, which drops on March 3, will be awesome. Conrad is currently on tour. Catch him at the following venues at the end of the month:

24 February 2023 – York on Lilydale, Wurrundjeri Country/Mount Evelyn
25 February 2023 – Village Green Hotel, Bunurong Country/Mulgrave

Image source: Eva Rinaldi @ Wikimedia Commons

Siobhan Cotchin Embraces Her Inner Rock Chick With “How Does It Feel?”

It feels like Siobhan Cotchin really arrived this year. I couldn’t stop listening to her solo singles “Fill My Cup” and “Growing Pains” and I loved her work on Kav Temperley’s album, Machines of Love & Grace. She also wowed at BIGSOUND and earned a stack of nominations at the WAM Awards. So I’m thrilled that she’s delivering one more single this year, the gorgeous new cut “How Does It Feel?” It’s got more of a rock edge than her previous releases. I really hope she leans more into that genre, because her voice is perfect for it.

“I had the lyrics for a while and wrote the melody and chords after watching a Baby Animals documentary. I was so inspired by Suzie DeMarchi and her powerful vocals and just pure rock n roll energy, so I wanted to recreate it in my own way,” Siobhan explained.

“‘How Does It Feel’ is about being with someone that doesn’t give you exactly what you deserve. Instead of returning the love you give them, they just take it and take you for granted. The message I want listeners to take away from this song is to never change for someone else and know your worth.”

Siobhan is currently on tour to support the single’s release. Catch her at one of the remaining shows:

16 December 2022 – Mojos Bar, Walyalup/Fremantle
30 December 2022 – Settlers Tavern, Wooditchup/Margaret River (FREE)
1 January 2022 – Clancy’s, Quedjinup/Dunsborough

Image used with permission from beehive; credit: Jarrad Levy

The ARIA Awards 2022 Wrap

So the dust has settled on the ARIA Awards for another year and it seems like everyone has an opinion. I can’t help but feel like most of those opinions come from people who haven’t taken the time to listen to a new Australian album in years who simply want to reminisce about the “good old days”. That’s not to say that the awards were perfect by any stretch of the imagination, but I hardly think they’re the shambles that many made them out to be. Most of the performances were solid and a fantastic showcase for the diversity of Australian music today. I also thought Natalie Imbruglia, G-Flip, and Ruel, who stepped in at the 11th hour when Lewis Capaldi pulled out, were personable hosts.

Having said that: Christian Wilkins and Froomes – you had one job. I don’t know whether a few glasses of vino made them a little too relaxed, but there’s really no excuse for getting album names wrong. Multiple times. While they got the tributes for Uncle Archie Roach and Judith Durham so right, Olivia Newton-John deserved better. It felt like a number from the Schools Spectacular, not a professional celebration of the life of one of Australia’s most loved artists. I was disappointed to see Gang of Youths go home empty-handed, but thrilled for Baker Boy and The Wiggles’ wins.

Anyway, if you missed the awards or you simply want to check the correct names of those albums, here are all the winners.

Album of the Year: Baker Boy – Gela
Best Solo Artist: Baker Boy
Best Group: Amyl and the Sniffers
Michael Gudinski Breakthrough Artist: King Stingray
Best Independent Release: Archie Roach – One Song
Best Pop Release: The Kid LAROI – “Thousand Miles”
Best Hip Hop Release: Baker Boy – Gela
Best Soul/R&B Release: Budjerah – Conversations
Best Dance/Electronic Release: Luude feat. Colin Hay – “Down Under”
Best Rock Album: Amyl and the Sniffers – Comfort To Me
Best Hard Rock/Heavy Metal Album: The Chats – Get Fucked
Best Adult Contemporary Album: Julia Jacklin – Pre Pleasure
Best Country Album: Casey Barnes – Light It Up
Best Blues & Roots Album: William Crighton – Water And Dust
Best Children’s Album: The Wiggles – Rewiggled
Best Classical Album: Melbourne Symphony Orchestra and Sir Andrew Davis – The Enchanted Loom: Orchestral Works By Carl Vine
Best Jazz Album: Mildlife – Live From South Channel Island
Best Original Soundtrack/Musical Theatre Cast Album: Australian Chamber Orchestra and Richard Tognetti – River (Original Motion Picture Soundtrack)
Best World Album: Joseph Tawadros with William Barton – History Has A Heartbeat
Best Video: William Bleakley – “Every Side Of You” (Vance Joy)
Best Australian Live Act: The Wiggles
Song of the Year: Tones and I – “Cloudy Day”
Most Popular International Act: Harry Styles
Music Teacher Award: Matt Orchard (Apollo Bay P-12 College)
Best Cover Art: Adnate – Gela (Baker Boy)
Best Mixed Album: Pip Norman, Andrei Eremin & Dave Hammer – Gela (Baker Boy)
Best Produced Album: RÜFÜS DU SOL – Surrender (RÜFÜS DU SOL)