Australian Idol Semis Kick Off

The Australian Idol semifinals are underway! Predictably there were some nerves and some flashes of brilliance. So let’s get into it!

Chrisyln Hamilton was up first. What a big job for a 17-year-old, but she showed she was up to the task. Her decision to take on Tina Turner’s version of “Proud Mary” was a little predictable, but it was also a smart choice. It allowed her to show a little light and shade and deliver those big crowd-pleasing notes. This girl’s got bucketloads of personality and I’d love to see her in the finals.

Country boy Mitchell Steele’s another one of our teenagers. He made a really smart choice, singing Tom Cochrane’s “Life is a Highway.” It stayed true to his country roots while veering a little closer the mainstream. Vocally there wasn’t a lot to fault, but he really needs to loosen up. He was holding on to the microphone stand for grim death and he looked petrified when he left it!

Jaden Dowd was up next with “Finally.” It’s such a big song and I honestly didn’t feel like she did it justice. Was it just me or was she pitchy? She did perform the hell out of it, but I think perhaps the energy she gave there made her vocals suffer. Either way, it was disappointing.

Olly Corpe performed next with James Morrison’s “Wonderful World.” He didn’t do a bad job of it, but it was a little shaky. He’s a young kid and the Idol stage is such a high pressure environment, it’s not surprising he was nervous! Despite a few pitchy moments though, I enjoyed it. When his voice really kicked in, it soared. Olly’s got a lovely presence. But I wonder whether he might feel a little more comfortable if he chose those quirkier tracks as Dicko suggested.

Nicole Banks was like a breath of fresh air with her jazzy take on Sam Sparro’s “Black and Gold.” Again I find myself agreeing with Dicko: it was an inspired song choice and one which will hopefully pay dividends with the voting public. I’ve always liked her, but seeing her sing alongside everyone else I grew to love her.

They really did save the best for the last tonight. Wes Carr followed Nicole with an excellent take on the Foo Fighters’ “Times Like These.” The reworking was fresh without losing the song’s intent. Wes is such a natural performer, and his experience showed.

If Wes doesn’t get through tomorrow night I’m a poor judge. I’d like to think Nicole will take the second slot in the top 12 based on her performance tonight, but there’s a lot of support out there for Chrislyn so she may scrape through to the finals. I think I’d be happy either way. There’s always the wildcard round after all!

Image source: Creative Daw @ Stock.xchng

Jason Mraz @ The Enmore, Sydney – 9 August 2008

Last night I headed to Newtown to catch Jason Mraz at The Enmore. The theatre was cleverly organized so all the fans could experience the concert their way. The seats in the floor section were cleared out to make way for those enthusiastic young girls who wanted to dance and sing along with their idol. Up in the dress circle the vibe was a lot more mellow, with seats allowing us older folks to properly relax to Mraz’s laidback grooves.

But before all that we were treated to a set from Melanie Horsnell. I’d heard her name before but never any of her music, so I was keen to see what she could do. I was impressed with her instantly accessible lyrics and rich country-tinged voice. Although, as seems to be a common complaint with me, I really could have done without the chatter in the room. Am I the only person who listens to support acts any more? The audience did seem to take a little more notice when she performed a breathtaking acoustic version of Bernard Fanning’s “Songbird,” but this focus was short lived. It’s a shame because she was really very good.

All the chatter was replaced with rapturous applause once Jason Mraz stepped out. He drew everyone in with his easy personality and warmth and didn’t let go. This was my third time seeing him live, but with the first with the full band set up. It’s something I wasn’t sure about as I tend to prefer acoustic sets, but in the end I needn’t have worried. The set was lush and varied. Some songs utilised all the instruments and they were richer for it, while for other songs he knew all they needed was an acoustic guitar.

Continue reading “Jason Mraz @ The Enmore, Sydney – 9 August 2008”

Peter and Jordan Assault Our Ears Again

A couple of year’s ago plastic lovebirds Peter Andre and Katie “Jordan” Price figured it’d be a good idea to record “A Whole New World.” It was utterly terrible. Peter never had the greatest voice in the world, but singing alongside Jordan makes him sound as smooth as Michael Bublé.

So it’s a bit scary to read the husband and wife team are planning to record an album together. A whole album? Oh god no.

“Some people out there might say ‘don’t’ but we’re going to do an extra long album,” Peter told a UK talk show.

An extra long album? Yes Peter, I’m one of those people saying don’t. Please don’t.

If you don’t remember how torturous it was last time, here’s a live performance of the song without all the studio wizardry. Don’t say I didn’t warn you!

Michael Johns Impresses on American Idol

Yes, yes, yes, yes, yes! I’ve just watched Michael Johns’ performance from tonight’s episode of American Idol and I’m thrilled to say the boy is back to his best.

Who thought he’d come out with his best performance on Dolly Parton week? His rendition of “It’s All Wrong, But It’s All Right” is so sexy and soulful and bluesy, he’s definitely guaranteed his place in the top 8. I’ve been saying for weeks he needed to step things up a notch and I am so glad I did. Go Michael!

Aussie Vibe Takes Over American Idol

This week the American Idols tackled songs recorded in the years of their births. I love these very open-ended themes because they really allow the contestants to shine. Michael Johns did just that this week, pulling out not one, but two, Queen classics. “We Will Rock You” got the crowd warmed up, while “We Are the Champions” allowed him to soar. Awesome stuff.

As a bonus I thought I’d also post a video from one of the other contestants, David Archuleta. This little Anthony Callea in training put his spin on John Farnham’s “You’re the Voice.” I know this song was released in the US, but I certainly didn’t expect to hear him cover it!

More Beatles from "American Idol" Hopeful Michael Johns

It seems the folks at American Idol are having trouble coming up with themes. Last week we had the Lennon and McCartney songbook. This week we’ve got the songs of The Beatles. At least this way we can bring out some George Harrison gems I suppose.

I thought Michael sounded great this week (although Simon disagreed with me!) and he delivered “A Day in the Life” with real conviction. But I think the biggest problem for him was trying to compress this opus into a minute and forty. It just sounded really choppy and I think that made it hard for him to really build it.

But the crowd seemed to love it, and they’re the ones voting right? His popularity alone should see him survive another week in the comp.

Michael Johns Does The Beatles on "American Idol"

Isn’t it funny? In recent weeks the American Idol judges have been so excited about Michael Johns’ mediocre performances. This week I thought he was back to his best, but the reception from the judges was less than enthusiastic.

At the end of the day it doesn’t matter what they said. Our Aussie boy is through to the top 11. I just hope he keeps delivering more performances like this, with killer vocals and plenty of genuine conviction. With that combination he can’t go wrong.

Michael Johns Takes on the 80s

Australia’s American Idol hopeful Michael Johns was at it again this week with a cool rendition of “Don’t You Forget About Me.” I’m fairly biased about this song, but I thought this was a lot better than the other stuff we’ve seen him pull out in recent weeks. I enjoyed it and had to watch it a second time to hear him sing rather than myself!

However I’m still not sure he’s hitting the highs he did in the early rounds of the competition. Simon may be on to something when he says he should go back to a more soulful sound.

And no, I can’t believe Randy Jackson thought this was an INXS song either.

Michael Johns Performs "Go Your Own Way" on "American Idol"

This week was 70s week on American Idol, and Aussie hopeful Michael Johns opened the show with Fleetwood Mac’s “Go Your Own Way.” I’ve got to be honest, this performance has me worried. Again the judges seemed fairly positive, but from where I sat it was vocally pretty weak and a little bit pitchy.

I’d hate to think we’ve seen the best of Michael Johns in the preliminary rounds, because this is where the performances really matter. I just hope his fan base is strong enough to get him through. I’m not sure he deserves it based on this performance, but I do believe he’s got a lot more to give us.

Here’s this week’s vid!