Daughtry Showcase @ The Gaelic Theatre, Sydney – 25 September 2007

Sydney was treated to an outstanding rock show last night when American band Daughtry joined Brisbane’s Small Mercies at The Gaelic Theatre. It took me some effort to drag myself to Sydney for the show, as I’d been feeling unwell all day, but I’m so glad I did.

The tiny Surry Hills venue was crowded with hundreds keenly anticipating Daughtry’s first Sydney appearance. The upper level, usually the place to be for a relaxed concert experience, was reserved for VIPs, leaving the average punters packed in like sardines. I really didn’t think I was up to standing all night, but a lovely security guard took pity on my poor health and promptly found me a stool and water. I may not have lasted til the end of the show without him!

Now comfortably sitting and a little more hydrated, I was feeling pretty good when Small Mercies took the stage. I’d never seen these guys before, but they’ve been big in Queensland for years. After seeing their set, I’m glad the rest of the country appears to be catching on. The four-piece showed real diversity in their half-hour slot. Their heavy tracks pleased the rock-loving crowd, who also enjoyed singing along to the new single “Innocent.”

Daughtry were up next, with a blistering set that matched the anticipation in the room. They made it clear they were there to rock, opening with “Crashed.”

Chris Daughtry is such an engaging frontman. He didn’t take his foot from the throttle at any point, delivering each track with maximum intensity. And there’s no denying that he’s sexy as all get out.

But I also appreciated the way he engaged with the audience. Yes, he encouraged the crowd to sing along and clap their hands, but his efforts went beyond that. He’d only been in Australia for a few days, yet he managed to weave some of our more colourful terms into his banter. He called us “mates,” asked how all the “sheilas” were, and even admitted that he was a “bogan.”

The concert was billed as an album showcase, so it was little surprise to hear most of the tracks from Daughtry’s self-titled album. Their killer cover of Alice in Chains’ “Nutshell” was an unexpected treat. The hour-long set was over far too quickly and soon we were hearing the last song of the night, the frantic “There and Back Again.”

Chris said they’ll be back next year, and I look forward to doing it all again then. Of course, next time they’ll play much larger venues than this, and the tickets will be more expensive. Knowing this just makes me appreciate last night’s gig that much more.

If you couldn’t make it to the show, or you’d just like to relive it, here’s a video my husband took last night during “It’s Not Over.” Unfortunately he realised he was filming side-on a little too late, but he does right it during the first chorus!

Image source: own photo

Australian Idol Goes Disco

Last night our Australian Idol hopefuls showed they can bust a move with outstanding disco grooves. There were plenty of top-notch performances, but last night’s standout was Matt Corby who scored the season’s first touchdown.

Tarisai Vushe started the night with the disco classic “Hot Stuff.” She definitely looked the part, but I wasn’t entirely convinced by her performance which verged on shouting in places. It was a solid effort, but not the showstopper I expected from her.

Ben McKenzie almost scored a touchdown for his take on “Don’t Stop ‘Til You Get Enough.” I loved how Ben built this, taking it from emotive ballad to dance floor filler. He had all the moves down and interpreted the song perfectly. A really good job.

Mark Da Costa played it smart, choosing “Nutbush City Limits.” The song fit the disco genre without forcing Mark to stray too far from his rock roots. He matched Tina Turner’s rasp perfectly and got the crowd dancing.

Lana Krost also made a smart song choice with Moloko’s “Bring it Back.” So often performers stumble by choosing songs they don’t really understand from decades before. By keeping it contemporary, Lana really shone. She’s still a bit weaker than some of the other performers, but every week she’s improving and that needs to be commended.

Jacob Butler was one of the performers most likely to struggle with disco. Unlike Mark, who chose a rock-edged disco number, Jacob decided to tackle one of the genre’s modern masters with Jamiroquai’s “Canned Heat.” I admire that he embraced the genre and decided to play it straight, but it didn’t quite work for me. Jay Kay’s vocals are so demanding, and Jacob’s voice wasn’t really up to the task.

Marty Simpson decided to give Hot Chocolate’s “You Sexy Thing” a reggae vibe. While the judges’ verdicts were mixed, I personally love what he did here. I’m not a huge disco fan, but I think he actually delivered his best performance this competition. It was a really clever choice for a guy that was always going to struggle with straight disco.

Daniel Mifsud also gave one of his best performances with his cover of The Rolling Stones’ “Miss You.” Song choice was always going to be critical this week, with so many Idols stepping into unfamiliar territory. This was another canny decision, combining disco with Daniel’s preferred genres of rock and soul. I felt this was his most believable performance since the auditions, a real return to form.

In my mind, Carl Riseley was last night’s surprise package. No one could accuse him of straying from the genre this week, with his traditional delivery of Earth, Wind and Fire’s “September.” His falsetto was a bit weak, but it didn’t matter. What I loved most about this is that it looked like Carl was having fun for the first time this year. And that’s exactly what disco is all about!

Matt Corby also decided to dazzle us with a little Earth, Wind and Fire. His version of “Got To Get You Into My Life” actually earned him the season’s first touchdown. Great vocals, great interpretation, a touchdown that was well deserved.

If we hadn’t seen a little Gloria Gaynor on disco night I would have been sorely disappointed. Natalie Gauci came through with the goods, delivering a near perfect rendition of “I Will Survive.” I say near perfect, because like Mark the vocal gymnastics bug me too. Hopefully she takes this advice on board and gets that touchdown next week.

It’s going to be a close race before tonight’s elimination. My heart thinks Jacob Butler might go, considering how close he came last week. It’ll be a real shame though, as he certainly gave this week his all. Lana Krost’s run may also come to an end, which would also be a shame as she’s learning so much. Still, I’m at that point where I don’t really want anyone to leave! Who’s your pick to go?

Holly Weinert: Australian Idol’s First Casualty

Victoria’s Holly Weinert was the first Idol hopeful to get the chop last night, after her new punk image failed to impress.

Holly took a big risk singing The Gossip’s “Standing in the Way of Control,” a dramatic departure from her regular alt-country fare.

“I had a feeling,” she told the crowd last night. “I knew sort of all the way along that the song choice was not one that everyone would know, but I think I have to be true to myself and that’s who I am.”

Honestly, I think it was statements like this that saw Holly ousted from the comp. I’m all for versatility, but throughout the competition she presented herself as a mellow indie folkster. Such a major shift, coupled with the insistence that this is who she is, undoubtedly alienated the fans who’d voted her into the competition, myself included. Perhaps Holly would have been better off saving this aspect of her personality for next week’s rock-themed show.

Don’t worry about Holly though. In an interview with Central Coast radio station Star FM this morning, she said she was “relieved” to be free of the competition’s pressure. She was also quick to laugh off rumours of a budding romance between Brianna Carpenter and Matt Corby, insisting the two are just good friends.

Australian Idol Performances: Contestant’s Choice

The Australian Idol finals kicked off with a bang last night. The topic was Contestant’s Choice, and our top 12 were encouraged to choose songs that represented them.

Ben McKenzie showed a maturity beyond his years, keeping his composure despite being first up on the big stage. I loved what he did to Maroon 5’s “Sunday Morning,” slowing it down and upping the emotional content. Ben’s such a likeable sweet kid, and he shows more and more diversity every time we see him.

Mark Da Costa turned up the volume with his cover of U2’s “Vertigo.” I’m still not feeling any real connection with this guy. It feels like he’s simply imitating the artists he covers, rather than being himself. I’ve never liked this song, and he didn’t do anything to change my mind.

Poor little Lana Krost. She’s a very sweet, very talented girl, but she really seems to struggle to keep her nerves under control. I also felt the song choice was a curious one. “Shiver” was never one of Natalie Imbruglia’s biggest hits, and I didn’t feel Lana really connected with it either. I honestly would have preferred to hear her sing something from the world of theatre. As that’s her background and that’s where she feels most comfortable, I think it would have helped her keep those nerves under control.

Daniel Mifsud didn’t convince the judges, but I really appreciated what he tried to do with “Cry Me a River.” I groaned when I heard he was covering Justin Timberlake (unlike most girls, I just don’t like the guy), but the guitar heavy arrangement made it much cooler. However, while this was also the redeeming feature, it was also what let him down. Daniel did a great job, but the band was just too overpowering.

Carl Riseley was the surprise package of the night, delivering a swing version of Australia’s unofficial anthem, “Waltzing Matilda.” I spent the first half of it asking myself whether he was kidding, and the second half certain this was the smartest song choice of the night. It was an incredibly weird pairing, but we’re such a patriotic lot that it somehow worked.

Holly Weinert came out with something to prove, determined to show Australia that she’s not the alt-country chick she’s been branded. A cover of The Gossip’s “Standing in the Way of Control” was certainly the way to do it. Her vocals and presence were really strong, but I just didn’t like it. I would have bought an album with music along the lines of her cover of “Easy,” but I wouldn’t buy this.

It almost seemed like the Idols were deliberately choosing material by bands I hate. The big difference with Matt Corby and his cover of the snoozeworthy Coldplay song “The Scientist” is that he made me love it. The performance had so much control and intensity it was captivating. I think it just may have been the best performance of the night.

Natalie Gauci stripped back Powderfinger’s rock anthem “On My Mind.” She’s just such a competent performer, she never seems to put a foot wrong. Unlike Mark Da Costa, Natalie really seems to know who she is and she’s able to inject that into every song she sings. This was very cool.

Jacob Butler turned a corner with a rocking cover of The Killers’ smash “When You Were Young.” At times his energetic performance compromised the vocals, but it was so enjoyable that it hardly mattered. What was important is that Jacob was finally cutting loose. So long as he does more of this, he’ll be fine.

Next up we had the consummate professional, Tarisai Vushe. She built her cover of Alicia Keys’ “If I Was Your Woman” like a woman who’s been singing for a lot longer. What I love most about Tarisai is that she has a big voice, but she doesn’t overuse it. When she does bring it out though, it’s spectacular.

Marty Simpson showed why you shouldn’t necessarily sing songs that you love with his take on “Can’t Stand Losing You.” He’s obviously a really big Police fan, he even has a tattoo to prove it, but it really didn’t work for me. Marty just doesn’t have this kind of intensity (he’s a surfer from the laidback Central Coast after all) and he’d be better off sticking to mellower material.

Brianna Carpenter brought a touch of cabaret to her cover of The Beach Boys’ classic “God Only Knows.” I thought the arrangement was great, but her pitch problems really let her down. Perhaps this was a case of nerves? I’ve heard her sing a lot better than this, and I hope we get the opportunity to see her do so again.

So tonight we’ll lose one of them. I think Lana’s time may be up, but I’d love to hear your views!

Australian Idol Wildcard Round

After the wildcard round last night, Australian Idol is one step closer to the finals. Tonight we’ll discover the four singers who’ll round out the top 12, and the games will really start. All the singers last night knew they needed to really impress to earn their place amongst the chosen ones. Some people brought their “A Game,” yet others failed to live up to expectations.

Jack Byrnes kicked off the show with his take on The Doobie Brothers’ classic “Long Train Runnin’.” I love Jack’s energy, and he has a really distinctive voice. Yet I find his performance a bit affected. It seems like he’s more interested in the big notes and how the song goes together rather than what’s behind it. He just feels false to me.

No one could say the same thing for our next performer Husny Thalib. It was a very different Husny this week. The flashy campiness of his Lenny Kravitz cover was a world away from his take on “I Believe.” It certainly wasn’t perfect. This bare bones track exposed every one of Husny’s vocal weaknesses. But, for some reason, it didn’t matter. He was just so believable, so passionate, and I found that so much more compelling. You can teach someone how to sing with the right training, but you can’t teach someone how to really interpret the way Husny does. I loved it.

Carl Riseley really surprised me with his swing interpretation of The Everly Brothers’ smash, “Bye Bye Love.” I didn’t particularly like the arrangement, but his vocals were much stronger than I’ve heard before. This kid’s really improving. He’s got to learn some stage presence and how to move, but just look how far he’s come. Last night I finally saw him though Marcia’s eyes.

Sarah Lloyde did her best to show her diversity with the sassy Christina Aguilera hit, “Candyman.” She’s vocally very strong, but the arrangement really let her down. I know it must be hard to compress a song into one and a half minutes, but there was too much dead time here. Even when she was singing, most of it was just ad-libbing and wailing. She’s a real talent, but this just didn’t show us that. I absolutely loved her outfit though.

Another talent who suffered from another underwhelming performance was Dave Andrews. He tackled “The Dolphin’s Cry,” a risky move that didn’t pay off. He certainly had the right intensity in the first verse, but somewhere in there it became karaoke to me.

Early favourite Daniel Mifsud delivered the sort of performance I’d hoped he would. I must admit, I was nervous when I heard he’d chosen “Lay Your Love On Me.” It was more of the same middle of the road soft rock that saw him miss out last time. Yet the arrangement was genius, and that saved this from being more forgettable blandness. Yes, yes, yes.

Natalie Gauci was another early favourite who used the wildcard to show why she deserved to be in the top 12 all along. Nina Simone’s “Feeling Good” was the perfect song choice for her – strong, different, and feminine. I loved the way she used the stage, and she sang flawlessly. Natalie’s never really put a foot wrong in the competition, and I’m almost positive she’ll be in the top 12 after this.

Mark Da Costa closed the show with more straight-up rock, this time a cover of “Evie Part 1.” Mark’s another performer with great energy, but I still can’t see what the judges are raving about. His voice has a wonderful rock and roll rasp, but it seems like he falls off just about every note. He’s good, but I don’t think he’s that good.

So who’ll go through? My money’s on Daniel Mifsud, Mark Da Costa, and Natalie Gauci. The judges rave about these three so much that I’m sure they’ll choose whoever the viewers don’t. The fourth spot is really anyone’s guess. I’d love to think it’ll be Husny, but I wouldn’t be surprised if the safer performers like Sarah or Jack get a run.

Australian Idol Semifinals: Group 4

After a couple of days predicting, I actually got it right last night! I was thrilled that the two Central Coast boys, Ben McKenzie and Marty Simpson, were voted through the top 12. Well done boys! Australia definitely got it right this time.

With the announcement out of the way, it was time to hear the final group of girls. Sarah Lloyd started us off with a gutsy rendition of Jennifer Hudson’s Dreamgirls hit, “And I’m Telling You I’m Not Going.” I thought she performed really well, but I just don’t find her very interesting. There was nothing to fault here, but I wouldn’t go out and buy her albums.

Morgan Hosking is more my kind of performer. Funnily enough though, while she has the interest factor, the vocals let her down. She insisted a bad case of nerves marred her performance of Alanis Morissette’s “You Learn,” and maybe that’s all it is. The sad thing is, we hadn’t seen a lot of Morgan before last night so Australia’s going to take her on face value. I think she could have brought something very cool to the competition, but she won’t go through with this effort.

After some half-good acts, Holly Weinert was a breath of fresh air. During the audition rounds this chick from Mildura got lost amongst all the other guitar girls. Yet last night she held her own and established herself as a unique force in the competition. I loved everything about her stripped-back version of “Easy.”

While Holly provided a point of difference, our next singer Madison Pritchett showed she’s incredibly bland. Her voice is really nothing spectacular, and her stage presence didn’t impress me either. Her take on Avril Lavigne’s “When You’re Gone” was far too sugary sweet. I can see this girl modelling for Dolly magazine, not on the world music stage.

From the bland to the extraordinary, enter one of my favourite contestants, Brianna Carpenter. Some of my first loves let me down this week, so I was thrilled at this performance. Regina Spektor’s “Fidelity” was the perfect song for her: unique, kooky, and playful. I just hope that Australia understands how great this was and votes her through, as the competition really needs someone like her.

Seasoned Idol performer Rosie Ribbons closed with a very different take on REM’s indie anthem “Everybody Hurts.” There’s no denying that Rosie’s a great singer. But it feels like she’s putting together a collection of impressive notes, rather than really singing and connecting with a song. Maybe that’s enough to do well over in Britain, but this kind of superficial performance won’t impress Australia. I found it downright painful.

I really hope Holly and Brianna join the top 12 after last night. Their performances were the only ones that really had star quality for me. Having said that, I wouldn’t be surprised at all if Sarah took one of their places. Disappointed, but not surprised.

So tonight we’ve got the girls’ verdict, and the wildcard announcements. Given the talent that’s been rejected, Sunday’s going to be one hell of a night!

Australian Idol 5 Semifinals: Group One

Australian Idol 5 is off and racing after a cracking first semifinal. Following a thoroughly entertaining show last night I’m left wondering who will stay, and who will go. Some of the favourites underachieved, leaving some others to rise to the top of the pack. Right now, it really seems like it’s anyone’s game.

First up with the crowd-pleasing teen Matt Corby. So much has been said about Matt in this blog so far, but did his rendition of Stevie Wonder’s “I Wish” live up to the hype? Honestly, I think so. Sure, the performance could have been a bit more dynamic, but he certainly nailed the vocals. The performance showed real depth, and for his first time on the Idol stage I think he did a credible job.

This week the Idol forums were buzzing about Junior To’o. We’ve barely seen anything of this Sydney dad, yet there he was fighting for his place in the top 12 amongst early crowd favourites. While he may not have the profile of some of the other contestants, Junior took it in his stride to deliver a very mature performance of “Dear Mr President.” Junior brought a great sadness and believability to the song, and it was wonderful.

Carl Riseley showed yet again why I call him a poor man’s Michael Bublé. This time around he tackled “Home,” a song that should have been right up his alley considering his Navy background. But this guy just simply isn’t good enough. He didn’t do a bad job, but he’s just not strong enough to compete at this level.

Next up we had Daniel Mifsud, my early favourite, with Diesel’s “Tip of my Tongue.” When the judges said this was “underwhelming” I think they were spot on. He sang well, he performed well, but on the whole it was all just very average. I’d expect to hear something on a par with this performance at any local pub. He was so popular he may find himself in the top 12 anyway, but based on that performance alone he doesn’t deserve it.

It seems people either love or hate Husny Thalib. Personally, I fall into the former category. He brings a sense of drama and theatrics to Idol that we haven’t seen since drag queen Courtney Act. While the song “If You Can’t Say No” may alienate a few people, he really sold it to me. Really strong vocals, distinctive dance moves, outrageous costuming: this boy has style.

The show was closed out with serial reality TV offender Jacob Butler. I was a bit of a fan of Jacob’s work on The X Factor, but I can’t say he won me over here. “Chasing Cars” is such a monotonous song that he really had nowhere to go with it. It’s a shame. He’s a strong performer, but I doubt this will win him votes.

I predict Matt and Daniel will probably win their places in the top 12, based purely on their popularity. However, I’d really love to see Husny take Daniel’s place. He worked his leather-clad butt off for it, and he really deserves it.

Request Spot: Matt Corby

It’s taken some time, some tears, and some tantrums, but Australian Idol 2007 has been whittled down to just 24 competitors. If you believe the hype, and the comments on the blog, the one all the girls are watching this year is Matt Corby.

But don’t think this 16-year-old is just a pretty face. While his piercing blue eyes and shaggy hair may have sent hearts fluttering, it’s his soulful voice and guitar skills that saw him cement a place amongst the best of the best.

But the road to Idol fame and fortune won’t be easy for Matt. He’s in one of the toughest semifinal groups this Sunday. So how will he fare against fellow glamour boy Daniel Mifsud, former X Factor contestant Jacob Butler, swing king Carl Riseley, 80’s loving oddball Husny Thalib, and islander underdog Junior To’o? Remember kids: the only way to ensure he makes top 12 is to vote, vote, vote!

And now, as requested by some of Matt’s biggest fans Stacey and Mikaela, here’s a video of the man himself!

Rocky Horror’s No Drag for iOTA

His days of playing Hedwig may be behind him, but singer-songwriter iOTA isn’t hanging up his fishnet stockings just yet. The Hedwig and the Angry Inch star will play Dr Frank N Furter in a new production of the acclaimed rock musical, The Rocky Horror Show.

If his Helpmann Award-winning turning as Hedwig is any indication, iOTA is sure to bring the necessary flamboyance to the outrageous role.

He’ll be ably assisted by caberet star Paul Capsis, who plays Riff Raff, and Dusty’s Tamsin Carroll, as Magenta.

Mama Mia star Kellie Rode will star as the squeaky-clean Janet, while Michael Cormick will play Eddie and Dr Scott.

The freaks, sex, and rock and roll of The Rocky Horror Show come to Sydney’s Star City Casino next February. But don’t worry if you live outside New South Wales. The show should visit other major centers after its Sydney run.

Snap up your tickets when they go on sale on August 27.

Musicial Icons Inducted Into ARIA Hall of Fame

The ARIA Hall of Fame just got a little more crowded, with six acts awarded the honour last night in Melbourne. Australian musical masters joined some of the hottest new talent to celebrate the new inductees.

Sneaky Sound System‘s Connie Mitchell duetted with disco diva and Australian Idol judge Marcia Hines, before Harry M Miller inducted her into the Hall of Fame. The legendary stage producer watched over a young Marcia when she starred in Hair.

Western Australian roots outfit The Waifs performed “I Remember You” in tribute to inductee Frank Ifield.

Jimmy Barnes then took the stage to introduce fellow musical icon and new Hall of Famer, Brian Cadd. Barnesy compared Brian’s songwriting skills to American masters Ray Charles and Hank Williams. As if to prove a point, Brian performed two of his biggest hits: “Ginger Man” with The Audreys, and “Little Ray of Sunshine” with Thirsty Merc’s Rai Thistlethwayte.

Other inductees included punk pioneers Radio Birdman, the Hoodoo Gurus, and Jo Jo Zep and the Falcons. Music manager John Woodruff, best remembered for his work with Savage Garden, was given a lifetime achievement award.

Stay tuned for a final Hall of Fame inductee to be revealed ahead of October’s ARIA Awards ceremony.