Jazz in the Vines @ Tyrell’s Winery, Pokolbin – 26 October 2013

After spending so many weekends consumed by moving house and the associated fall-out, it was blissful to head to the Hunter Valley on Saturday for the annual Jazz in the Vines show. It doesn’t really matter who’s on the bill; this is one yearly event I make sure that I never miss. And once again, this stellar regional show didn’t disappoint.

Pokolbin was bathed in the eerie haze of bushfires, but thankfully you couldn’t really smell smoke on the Jazz in the Vines site. In fact, I think we enjoyed the best weather we have had in years. Far too often Mother Nature turns on a scorcher, but this year it was a pleasant 27 degrees with a gentle breeze which made even the dancers down the front feel comfortable.

I wish I could show you pictures of all the fun we had, but sadly my camera decided to give up the ghost the moment I tried to take a snap. Instead you’ll just have to take my word for it. The Admirals Own Big Band and Bob Barnard satisfied the taste of traditional jazz enthusiasts with old standards and instrumental gems. These mellow offerings gave us all a chance to chill out a little with the superb food on offer. What other festival do you know treats you to dishes like rock oysters and soft shell crab sliders? Talk about decadence!

With bellies full it was time for Jan Preston to bust out a little boogie woogie. It was just what the crowds ordered, and they were on their feet quickly. The makeshift grassy dance floor near the dual stages became even more crowded once modern funksters The Bamboos appeared. This soulful young outfit brought a youthful energy to a festival often dominated by more established acts. They did it without alienating the older audience members, which takes some skill. My parents, at 60 and 58, marvelled at Kylie Auldist’s pipes and the outfit’s tight brassy sound.

Then it was time for some of those more established acts I’ve alluded to. Festival favourite James Morrison showed why the organisers keep asking him back. I’ve seen him play so many times at the festival, but fatigue never seems to set in. Perhaps that’s due to his decision to work with various guest vocalists. This time around we were treated to the vocal stylings of Roxane LeBrasse, who I’d assumed had fallen off the face of the earth following Australian Idol. I loved her on the reality show, but was wowed by her vocals on Saturday. She’s matured and developed an incredible stage presence. Hearing her take on soul classics like “Chain of Fools,” and come out sounding every bit as good as Aretha Franklin, was something special.

James Morrison had us dancing, and Marcia Hines knew no one was quite ready to stop. There’s a reason why Miss Marcia continues to be such a musical force. Her voice has lost nothing over the years, and she’s a consummate professional on stage. She had me captivated from start to finish.

I wish I could say the same for the closing act, Canadian band The Shuffle Demons. My dad told me early in the first song that it would have to get better for us to stick around. It didn’t, so we hightailed it out of there two songs in. They might have looked like a party act with their silly headpieces and brass instruments, but they didn’t sound like one. There were no hooks or melodies, nothing for me to connect with at all. I just didn’t get it. Looking at the punters also packing up their stuff as we made for the exit, it seems I’m not alone.

After a day of great music, even the aural assault of The Shuffle Demons couldn’t dampen my enthusiasm for Jazz in the Vines. The day wasn’t perfect, but it was close enough to it to ensure I’ll be back again next year.

The Good Ship Plays Shows to Support The Seven Seas

With Kat Cooke swapping her trumpet for a microphone, The Good Ship are preparing to launch their recently released third studio album, The Seven Seas.

What I love most about this Brisbane band is that they do it their way. No one else is singing sea shanties like the lead single “World Spin Round,” a dark number which tells of a boy looking to exact revenge upon the sea for taking his father and brother. More than just a gimmick, the eight-piece’s unique musical outlook is backed up by plenty of talent.

The Seven Seas was inspired by their sell-out hybrid musical theatre show, so it’s going to be best experienced on the stage. Fans can do just that when The Good Ship play the following shows along Australia’s East Coast.

15 November 2013 – The Powerhouse Theatre, Brisbane (All Ages)
7 December 2013 – Spectrum, Sydney
8 December 2013 – The Toff in Town, Melbourne
13 December – Festival of the Sun, Port Macquarie

Saskwatch Delight with “Hands”

Seriously, how good are Saskwatch? Just when I think I can’t love this energetic soul outfit any more than I already do, they release a song like “Hands.” If you’re feeling down, press play and dance around your lounge room. I guarantee you’ll feel better.

The feelgood track is accompanied by a cute clip starring travelling rabbits Larry and Alphy. Director Jason Galea spliced image of the rabbits with old VHS tapes and other vintage footage to create the “feel-good rabbit road trip film of the year.” As a final vintage touch, Saskwatch will release “Hands” as a 7” vinyl single on November 1.

Saskwatch will launch “Hands” with an extensive Aussie tour next month. Here are all the places you can see this exciting local act play!

1 November 2013 – Transit Bar, Canberra
2 November 2013 – Eden Whale Festival, Eden (FREE)
8 November 2013 – Black Bear Lodge, Brisbane
9 November 2013 – The Spotted Cow, Toowoomba
15 November 2013 – The Republic Bar, Hobart
16 November 2013 – JIVE, Adelaide
22 November 2013 – Karova Lounge, Ballarat
23 November 2013 – Queenscliff Music Festival, Queenscliff
27 November 2013 – Sosueme @ Beach Road Hotel, Bondi (FREE)
28 November 2013 – The Small Ballroom, Newcastle
29 November 2013 – GoodGod Small Club, Sydney
7 December 2013 – The Corner Hotel, Melbourne

Sam Buckingham & Buffalo Tales Pair Up for “Shackles”

If you were umming and aahing about getting to one of Sam Buckingham and Buffalo Tales’ upcoming gigs, this video might be just the thing to tip you over the edge. It features the talented twosome in the studio performing “Shackles,” a fan favourite from Sam’s I’m a Bird album.

Music doesn’t get much better than this folks. If you agree, make sure you get to one of the following gigs.

30 October 2013 – Royal, Exchange Theatre, Newcastle
31 October 2013 – The Rhythm Hut, Gosford
1 November 2013 – Venue 505, Surry Hills
4 December 2013 – Revolver, Prahan

Astrid & The Asteroids Launch EP with Hometown Show

Brisbanenites, your Sunday entertainment is sorted. Astrid & The Asteroids will launch their self-titled EP at the Kerbside Bar from 6:30 pm, a totally respectable time for an evening out before a workday. Best of all, the event’s completely free!

The band’s second EP showcases their refusal to adhere to genres. Instead they like to dabble in pop, jazz, and soul, as we hear on their latest single “Autopsy.” The likeable number tells the not so likable story of Charles Whitman, a sniper whose undiagnosed brain tumour might have had something to do with his suicidal killing spree.

The EP came about when Astrid & The Asteroids won the 2012 Billy Thorpe Scholarship, and they acknowledge that it might never have come to fruition without that support.

“The financial support it gave us allowed us to focus on putting our heart and soul into our music, without the mind-numbing worry of money,” frontwoman Astrid Jorgenson explained. “For entrusting us with this honour, we are eternally grateful.”

If you’re not in Brisbane, don’t worry. Astrid & The Asteroids promises to announce a string of EP launch shows soon!

Damien Leith Prepares to Launch “Chapter Seven”

Damien Leith won the Australian Idol title in 2006, but his career since has been overshadowed by the year’s runner-up Jessica Mauboy. Damien’s refused to just fade away though. Instead he’s worked consistently, releasing album after album and playing small venues to promote them. On November 1 he’ll release his seventh, appropriately titled Chapter Seven.

Chapter Seven is a collection of gentle acoustic pop and folk numbers that are clearly close to Damien’s heart. He wrote every one of the 12 tracks, including lead single “Without a Fight,” and recorded most of them in the Sydney studio he built with his own two hands. Damien also produced the album which is his first release as an independent artist.

“In the album I cover a lot of different themes, love, loss and everything in between. But I’ve tried to approach them from a positive outlook,” Damien explained. “It’s true to the style people know me for.”

Damien will introduce audiences around the country to his new songs, and reacquaint them with old favourites, at the following shows.

31 October 2013 – Ellington Jazz Club, Perth
1 November 2013 – Ellington Jazz Club, Perth
2 November 2013 – The BLVD Tavern, Perth
3 November 2013 – Mandurah Bowling and Recreation Club, Mandurah
7 November 2013 – The Sound Lounge, Gold Coast
8 November 2013 – Mon Komo Hotel, Brisbane
9 November 2013 – Broncos Leagues Club, Brisbane
10 November 2013 – Victoria Point Sharks Club, Brisbane
13 November 2013 – Roth’s Wine Bar, Mudgee
14 November 2013 – Clarendon Guest House, Katoomba
15 November 2013 – The Brass Monkey, Sydney
16 November 2013 – The Heritage Hotel, Wollongong
22 November 2013 – Launceston Country Club, Launceston
23 November 2013 – Wrest Point Showroom, Hobart
29 November 2013 – The Abbey, Canberra
30 November 2013 –  Velvet Room @ Thornbury Theatre, Melbourne
6 December 2013 – Dural Country Club, Dural
7 December 2013 – Studio @ Shoalhaven Entertainment Centre, Nowra
8 December 2013 – Speers Point Carols @ Speers Point Park, Newcastle
12 December 2013 – Bean Bar and Café, Taree
13 December 2013 – Pier One @ Panthers, Port Macquarie
14 December 2013 – The Basement, Sydney

Convaire Get Toes Tapping with “Talk in Technicolour”

My days of clubbing are far behind me, but if I were heading out tonight to celebrate the arrival of the weekend I’d want the DJ to spin something like Convaire’s new single “Talk in Technicolour.”

The Sydney four-piece has built on the sound they showcased on their 2011 debut. The synthesizers are still front and centre, but they’re much slicker this time around. “Talk in Technicolour” takes all the fun of disco and brings it into the 21st century.

More of this please!

Image used with permission from Positive Feedback

Jordie Lane Releases Video Ahead of Aussie Tour

Jordie Lane kicks off his national homecoming tour tomorrow! To celebrate Jordie’s return to our shores, and the recent release of his EP Not Built to Last, Jordie’s released the video for his killer new single “Here She Comes.” The clip gets us up close and personal with this incredible alt-country talent. If you dig it, make sure you get to one of the following shows.

25 & 26 October 2013 – Fleurieu Folk Festival, Willunga
27 October 2013 – Fremantle Arts Centre, Fremantle (afternoon show)
27 October 2013 – Ellington Jazz Club, Perth
31 October 2013 – Spotted Cow, Toowoomba
1 November 2013 – Black Bear Lodge, Brisbane (early evening show)
2 November 2013 – Red Hot Music, Devonport
3 November 2013 – Republic Bar, Hobart (afternoon show)
7 November 2013 – Beav’s Bar, Geelong
8 November 2013 – Theatre Royal, Castlemaine
9 November 2013 – Thornbury Theatre, Melbourne (with full band)
10 November 2013 – Caravan Club, Oakleigh (afternoon show)
13 November 2013 – Street Theatre, Canberra
14 November 2013 – Yours & Owls, Wollongong
15 November 2013 – Clarendon Guesthouse, Katoomba
16 November 2013 – The Basement, Sydney (with full band)
17 November 2013 – Grand Junction, Maitland
18 November 2013 – Music Lounge, Manly
20 November 2013 – Lizotte’s, Kincumber
21 November 2013 – Lizotte’s, New Lambton
22 November 2013 – Mullumbimby Music Festival, Mullumbimby

Audego Get it Right with “Fight”

I must admit, I wasn’t really feeling Audego when they released their last single “Sleepy”, but with their follow-up “Fight” they’ve really turned my head.

I think the difference here is the strong emotional core. More than just an intriguing electronic number, it’s a powerful snapshot of a marriage gone wrong. Producer Paso Bionic plays the role of an abusive husband while vocalist Big Fella takes on the part of his victimised trophy wife. The surrealistic clip, created by the talented team at Round 3 Creative, charts the deterioration of the toxic union. The song comes from Audego’s sophomore album Beneath the Static and the Low.

Audego will launch the album with a show at Sydney’s FBi Social on October 26 and another at The Hideaway in Brisbane on November 9.

The Acfields Need Your Help for Album Funding

With 18 days to go, Dan and Hannah Acfield are still well short of their Pozible goal. If they don’t reach it, these super-talented siblings will run out of the cash they need to finish their first full-length album.

Giving to the cause is well worth your while. Not only will you enjoy the satisfaction of knowing that you’ve helped The Acfields bring their music to the masses. A donation of just $5 will give you a digital copy of their EP Turning a Page. Start splurging and you could have Dan become your music mentor or Hannah become your op-shopping buddy.

So browse the options and give, give, give people! This brother-sister duo make such beautiful folk-pop music, and it deserves to be heard by all!