Reece Mastin has taken out this year’s X Factor competition, narrowly beating Andrew Wishart by just 1% of the votes.
Yes, I’m a bit late with the news, but can we all agree that more than two hours of television is far too long for this kind of thing? After all, we only want to hear “The winner is Reece,” right? All those retrospectives and random celebrity performances padding out the time seem completely unnecessary. My vote next year is for five minutes in between other programs, something like the Lotto draw.
So I didn’t watch it all the way through, but it seems that Johnny Ruffo fell out of the race early. While he’d improved immensely in recent weeks that seems fair; Reece and Andrew were our consistent standouts. I would have loved to see Andrew win it, as he moved me more than any of the other contestants, but I can’t deny Reece has the goods. Killer vocals, incredible stage presence, and he’s adorable to boot. I can’t say I’m looking forward to that “Good Night” single saturating the airwaves, but I look forward to what he produces once he gains some creative control.
We’re at the pointy end of The X Factor competition, with just three acts remaining. Andrew Wishart, Reece Mastin, and Johnny Ruffo had another chance to win us over tonight with some solo numbers and a duet with one of the visiting stars.
Andrew kicked things off with his audition song, Adele’s “Someone Like You.” It was fitting to see him perform it live again after all this time. It didn’t so much showcase growth but just how solid he’s always been. He is what he is, and I love that.
In contrast Johnny showed us just how far he’s come with Jay Sean’s “Do You Remember.” He was singing well and dancing well; I couldn’t fault him technically. However I also feel like I’ve seen it all before. He’s improved immensely, but I still don’t see X factor. And let’s remember that, rather than growth, is really what it’s all about.
Reece also showed us he’s developed that extra special something since first treating us to Rooster’s “Come Get Some.” There seems to be a bit more swagger to him, some extra confidence and self belief. He was good in the auditions, but tonight he was great.
Pairing The Fray with Andrew seemed like a natural fit, but I don’t think their version of “You Found Me” did him any favours. It felt too low throughout, and consequently he never got to show us his sweet spot. The arrangement was a real injustice here. Hopefully his fans don’t care; I’d hate to see him go on the back of this.
I’m not even going to bother re-reviewing Johnny’s performance of “Sir Duke.” It was good the first time and it was good again. Certainly this was his best, but did we really need to see it again with all the same staging and choreography?
Ditto Reece’s performance of Aerosmith’s “Dream On” and Andrew’s retake on “Dakota.”
Johnny Ruffo was outclassed in performing a medley of some Salt N Pepa hits. He held his own with the dancing but his rapping skills were very under par. This was fun though just for the trip down memory lane. Those ladies have lost nothing over the years.
Then Reece treated us to his potential single “Good Night.” Perhaps treated is a bit generous, because I found it to be pretty middle of the road pop. The verses felt like virtual carbon copies of Pink’s “Raise Your Glass.” All in it didn’t feel like Reece, which is really disappointing when the singles are supposed to be tailored to the artists.
I don’t remember the name of Andrew’s potential single if it was mentioned, but I wasn’t thrilled by it. He sang it beautifully but the song itself seemed a bit mediocre and aimless. I didn’t actively dislike it, but I’d probably switch over the radio after hearing it a few times. Seriously, where are they getting these songs?
I don’t know what Johnny’s single is called either, but the Eurovision nut in me lapped it up. It’s super cheesy, but also lots of fun. For the first time this year I seriously considered the merits of Johnny winning this thing. I expect to see Belarus covering this in Azerbaijan next year.
The duets hadn’t impressed me until Reece and Kylie Minogue took to the stage for “Kids.” His vocals were a bit rough in places but they really seemed to gel and that mattered more than the notes. What a way to end the show.
Really what happened tonight didn’t change my views one way or another. I’m firmly on Team Andrew. Who’s your pick?
I haven’t heard anything from The Demon Parade since they released their debut EPGod Said It’s Legal last year. But now they’re back on my radar with their new single “All The Cool Kids.”
The Melbourne lads are sticking to what works here, serving up more of the Brit-pop influence psychedelia that first turned my head. It might have been nice to see a little more growth, but this is clearly a band that knows its sound.
Made in Japan are going from strength to strength since they were signed up to General Pants Co’s Major Label last April. They’re preparing to release their debut album Sights & Sounds next February, but are already giving fans a taste with the title track.
I love the tracks cruisy retro feel, which has me anticipating more. If it makes you feel that way too you can check out a few other songs at Made in Japan’s Bandcamp page.
London’s April Albert will bring her passion project Die Knef to Melbourne next month.
The show pays tribute to the life and music of Hildegard Knef, one of the biggest stars of post-war Germany. It’s an unflinching look at this important but oft overlooked talent, retracing her scandals and affairs as well as the songs that made her such a force. This video gives you a little taste of what you’re in for.
Die Knef will play The Butterfly Club in South Melbourne from December 1 to 4. There are just four performances, so I don’t expect tickets to last too long. You can get yours from the Die Knef website.
After last week’s lacklustre evening, I was psyched to see what the X Factor would serve up tonight. I was really impressed by the theme, which asked the contestants to uplift us and break our hearts.
Andrew Wishart is the perfect artist for a theme that plays on emotion. However if you don’t get the right song, it’s all going to fall apart. Neon Trees’ “Animal” was the wrong song on so many levels. The song itself is pleasurable, but hearing Andrew deliver it was more than a bit awkward. It also didn’t sit in his vocal sweet spot. Everything was against him, and it showed. Thank god he gets another song to play with.
Again Johnny Ruffo gave us a solid vocal with Ne-Yo’s “So Sick.” As far as sticking to the brief of delivering heartbreak though, he failed. There just wasn’t enough edge or emotion to it, which is probably down to a combination of the wrong song and the wrong performer. I just don’t think he’s got that in him. However he did what he did well.
Reece Mastin delivered the first truly heartbreaking song of the night with “Breakeven.” And considering he’s a young kid who’s probably never had his heart truly broken, I think he did a pretty good job. I certainly felt more watching him than I did on any other performance to that point, and that certainly counts for something. It didn’t quite match the original, but I still really enjoyed it.
When I heard Three Wishez were taking on The Black Eyed Peas “The Time/Dirty Bit” my heart sank. Then I held my ears. I hated when The Black Eyed Peas raped the Dirty Dancing classic, and Three Wishez didn’t make me change my mind. Was this the pleasure or the pain song? They may have received rave reviews, but I loathed every second. Continue reading “X Factor Tackles Pleasure and Pain”→
I’m pretty excited at the coming together of one of my favourite Australian singers and my favourite musical decade. After tackling the standards more than once, show tunes, and the sounds of the swinging sixties, David Campbell is setting his sights on the 80s.
Next week David will release Let’s Go, an album featuring covers of tunes by Wham, Dexy’s Midnight Runners, and The Style Council. Oh and there’s this version of Soft Cell’s “Tainted Love.” Not to mention a version of my favourite song ever, “True.” Needless to say, I’m beyond excited.
Let’s Go hits stores on November 18, which is not so coincidentally the day that tickets go on sale for his next Aussie tour. David never does these things by halves; I’m sure you’ll be able to catch him busting out the retro numbers somewhere near you!
16 February 2012 – Belmont 16ft Sailing Club, Belmont
17 February 2012 – State Theatre, Sydney
25 February 2012 – Festival Theatre, Adelaide
10 March 2012 – QPAC Concert Hall, Brisbane
16 & 17 March 2012 – Palms @ Crown, Melbourne
12 & 13 April 2012 – Wagga Wagga Civic Theatre
14 April 2012 – Civic Theatre, Orange
19 April 2012 – Manning Entertainment Centre, Taree
20 April 2012 – Glasshouse Theatre, Port Macquarie
21 April 2012 – Civic Theatre, Newcastle
27 April 2012 – Llewellyn Theatre, Canberra
28 April 2012 – Regional Entertainment Centre, Bathurst
3 & 4 May 2012 – Performing Arts Centre, Wangarratta
5 May 2012 – Entertainment Centre, Albury
10 & 11 May 2012 – Regional Theatre & Convention Centre, Dubbo
12 May 2012 – West Tamworth Leagues Club, Tamworth
16 May 2012 – Performing Arts Centre, Mandurah
17 May 2012 – Queens Park Theatre, Geraldton
18 May 2012 – Perth Concert Hall
19 May 2012 – Regional Entertainment Centre, Bunbury
31 May 2012 – Performing Arts Centre, Colac
1 June 2012 – Warnambook Entertainment Centre, Warnambook
2 June 2012 – Sir Robert Helpmann Theatre, Mt Gambier
7 & 8 June 2012 – Capital Theatre, Bendigo
9 June 2012 – Eastbank Centre, Shepparton
14 June 2012 – Performing Arts Centre, Frankston
15 June 2012 – Her Majesty’s Theatre, Ballarat
16 June 2012 – GPAC Playhouse Theatre, Geelong
After enduring more dance songs than I cared to last week, I was happy to watch The X Factor contestants singing songs from music legends tonight.
Johnny Ruffo kicked things off with Stevie Wonder’s “Sir Duke.” I’ve been pretty hard on Johnny in recent weeks, but I’ve never heard him sounding better. Finally the vocals matched his pretty boy looks and dance moves. I’ve had him doomed to the bottom two for weeks now, but this time I’m not so sure.
I wasn’t too enthusiastic about the idea of Andrew Wishart singing “I Still Haven’t Found What I’m Looking For.” But this guy can really do no wrong. It doesn’t matter what he’s given; he nails it vocally and I believe every word he sings. That’s all he needs to do, and he does it consistently.
Declan Sykes shook up The Beatles “Help,” and when it came out the other end I just didn’t like it. I still like him and what he stands for, but when you take risks some of them just won’t pay off. I don’t think the treatment worked, and in some places his vocals suffered from all that jumping around. The judges might have liked it, but it just wasn’t my cup of chai.
Three Wishez has blown me away in recent weeks, so I was a bit disappointed by their take on Phil Collins’ “In the Air Tonight.” I certainly didn’t hate it, but it didn’t reach the dizzy heights of their past couple of performances. Perhaps they set the bar too high too early?
I was nervous when I heard Reece Mastin was taking on Celine Dion. I was much happier to hear that really he was covering Eric Carmen. Either way, his version of “All By Myself” allowed us to see a vulnerability he doesn’t often show. He didn’t always nail the vocals, but I think he hit the notes that counted. He didn’t get glowing reviews, but I still liked this.
There was a lot of like tonight and not a lot of love. I wasn’t blown away, and actually think Johnny Ruffo’s performance was the strongest. What a topsy-turvy night! Given all that, I’m not even going to guess who’ll be in the bottom two tomorrow night. What do you think?
I must admit, I approached this week’s X Factor with some serious trepidation. Dance music really isn’t my thing. I don’t mind some old school disco, but I can take or leave the Rihannas, Beyonces, and Lady Gagas of this world. And considering the trend in recent weeks, I wasn’t feeling optimistic that the judges would head back to dance music’s heyday. But this is X Factor so I found myself tuning in in spite of myself.
Reece Mastin gave me the old school dance I was craving with a rock edge with a really cool version of “Staying Alive.” I’m not sure the mash-up of the Bee Gees track and “Kashmir” was completely successful, but it was really interesting. I think it’s smart to play with the songs and make them fit the artist. You wouldn’t ask an established musician to step outside their genre, so why should he?
Guy got song choice right again in giving Declan Sykes some Empire of the Sun. Sure the falsetto was thin and not always on the money, but on the whole this was still gorgeous. Declan doing dance could have gone all wrong, but with Guy guiding him Declan got it so right this week.
I expected a predictable modern dance song from Christina Parie, and I got it with David Guetta’s “When Love Takes Over.” Mel B really needs a few song choice pointers. I was nervous as so often this song gets screechy when performed. She managed to avoid that, but in doing so it seemed a bit under. Perhaps there’s just no pleasing me when it comes to this track.
I was hoping to hear Andrew Wishart busting out some old school funk. Sadly it didn’t happen but Nat Bass still got it right with David Guetta’s “Titanium.” It had the emotional heart that is missing in so many dance songs. He came through this week surprisingly well.
Johnny Ruffo again turned to one of his idols with Usher and David Guetta’s “Without You.” Again the vocals were under and again I was bored. He’s a lovely chap but I feel like his time is up.
Three Wishez made this child of the 80s very happy with their mash-up of Chaka Khan’s “I Feel for You” and Salt N Pepa’s “Push It.” They slayed it. I am so glad they did this instead of the Black Eyed Peas Mel B suggested. What a way to end the show?
We’re getting down to the nitty gritty now. I feel Johnny’s been biding his time for a while so he’s the obvious choice for the bottom three. He might be sharing the spotlight with Christina or Declan, but surely the judges have to send him packing this week, right?
This week The X Factor contestants were celebrating homegrown tunes with their Aussie Anthems special.
Mitchell Callaway kicked things off with “Throw Your Arms Around Me.” Again it was strange to see Nat picking a non-country song for her act, but I thought this suited him down to the ground. It’s the best I’ve heard him sing since the auditions, although I felt a real wall between him and the audience. Even when he was touching the hands of the audience it felt very uneasy. He needs to become more comfortable as a performer if he’s going to go much further in this competition.
Johnny Ruffo shot for the moon in taking on Delta Goodrem’s “Lost Without You.” Sadly the song exposed all his vocal shortcomings. He certainly tried, but he never got there. In parts it was bearable, but it was also flat and tuneless far too often. I admired his intensity, but it had more than a bit of Eurovision cheese to it.
Three Wishez gave what I think was the performance of the season so far with John Farnham’s “You’re the Voice.” This was just incredible. It had so much joy and patriotism; it brought a tear to my eye. Last week when Ronan lost YMS I wondered whether the competition was all over for him. With this though, Three Wishez showed they’ve got what it takes to win this thing. More of this please! Continue reading “The X Factor Celebrates Aussie Anthems”→