The X Factor Contestants Take on Chart Topppers

Tonight The X Factor finalists looked set to show some star quality with the theme of “chart toppers.” I must admit, I was a little nervous about this theme as so often my favourite tunes never win any popularity polls. However with Robin Gibb acting as guest mentor I hoped our final four could pull something worth watching out of the bag.

Andrew Lawson made all of my fears come true with his rendition of “Uptown Girl.” I love the Billy Joel version, but this felt more like that lacklustre Westlife take, with an added dose of awkward. It was totally cheesy and there was a real lack of dynamics or connection. You just can’t count on the dancers to win it for you.

I was pretty thrilled to see Mahogany was taking on one of my favourite guilty pleasures, Bryan Adam’s “Heaven.” Throw in a key change, those magnificent harmonies, and a stripped back performance free of those distracting dancers and pyrotechnics and you’ve got something magical. This is a classic example of the old adage “less is more.”

Sally Chatfield gave another strong performance this week with Pink’s “Just Like a Pill.” Vocally I can’t fault her but I’m starting to feel a gloss that undermines the connection to the songs. I couldn’t help casting my mind back to Nathan from Australian Idol a few years ago, the way he delivered it with such rawness and intensity. While she was high fiving the audience and fist pumping that message, that truth about the song was just a bit lost.

After lamenting the lack of connection shown by other acts, Altiyan Childs delivered what I was after. “The Living Years” is one of those songs I have a deep personal connection to. I was released just after my grandfather’s death, and it really painted the picture of the relationship he had with my own dad. I wasn’t sure he could do it justice considering all of the meaning I have invested in it, but he did. Altiyan is starting to become the heart of the show, and honestly I think that’s more important than a pretty voice.
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Sarah McLeod Does “Dancing in the Dark”

Sarah McLeod has put her unmistakable stamp on a Bruce Springsteen classic with her new single “Dancing in the Dark.” The track comes from her forthcoming album Madness, which is part one of an ambitious trilogy.

I’m still not sure how I feel about Australia’s rock girl experimenting with so many dance and electro sounds of late, so I was thrilled to see this song takes things back to basics. It’s a very different treatment to be sure, but there’s also a lovely organic quality to it that I’m really warming to.

Given the nostalgia attached to the original I’m expecting this cover to polarise audiences. What do you think of it?

The Jezabels New “Mace Spray” Video

The latest song to get my blood pumping is “Mace Spray,” the lead single from The Jezabels’ third EP Dark Storm.

The EP name is an appropriate one, not just for all the gloomy grey weather we’ve been experiencing but that delicious moodiness that hangs over this song. Hayley Mary’s vocals are gorgeous, and all the musicians play their part to create a lovely brooding atmosphere.

The Sydney band are currently strutting their stuff in Canada, but they’ll be back soon enough to play a string of shows around the country. It seems I’m not the only one who’s fallen for this indie four-piece as many of the capital city shows have already sold out. If that’s not an excuse for a road trip I don’t know what is!

See them with new Canadian pals Two Hours Traffic at the following shows.


Great ARIA Awards, Shame About the Ceremony

The ARIA Awards are intended to celebrate the year that was, and on paper they did just that. Angus and Julia Stone deservingly took home the lion’s share of the pointy statues. Their sophomore effort Down The Way was named album of the year, best adult alternative album, and best cover art, its second single “Big Jet Plane” single of the year, and the duo was named producers of the year.

I was also thrilled to see Washington bag a double for female artist of the year and breakthrough artist, and outgoing act Powderfinger recognized by the new popular awards for album and artist.

What a shame that the ceremony itself wasn’t fitting of the artists it recognised. I use the word ceremony loosely, because really there wasn’t anything ceremonial about it. I’m not suggesting the ARIAs need a great deal of pomp, but this thing was so relaxed that it got messy.

I cringed watching presenters wading through crowds to hand out the gongs, and seeing speeches given amongst the throng. The concept of making the awards accessible to the public looks good on paper; this music is for the people after all. But the execution was lacking last night. I’m not sure whether it made any more sense at the event, but at home watching on the TV it appeared shambolic.

The performances helped to save it, of course. We can always rely on our musicians to turn out quality acts, and they did. I loved Washington’s saucy delivery of “Sunday Best,” and Dan Sultan stepping in for INXS. If they’re looking for a replacement for JD Fortune any time soon, he’d do a great job.

While those musical numbers helped make the event watchable, they couldn’t save it completely. I only hope that next year our musicians get the ceremony they deserve.

The X Factor Celebrates Oz

With ARIAs fever in the air, our X Factor finalists took on Aussie hits.

Luke and Joel kicked things off with The Living End’s “White Noise.” It was a smart choice as The Living End have always been more about the energy than the technical skills. This is where these boys excel. They didn’t blow me away as they did last week, but that landed them in the bottom two; maybe it’s better to be solid at this point.

When I heard Sally Chatfield was taking on The Veronicas, I’d hoped she’d do “Everything I’m Not.” But I don’t know; there were some really nice moments but it just didn’t quite jump off the page for me. I loved the way she asserted herself, and that lovely spontaneous moment with the guitarist, but I’m just not sure she gave us all of herself. They seemed to lap it up in the studio, but I just wasn’t feeling it at home.

Andrew Lawson dished up a bit of Sam Sparro’s “Black and Gold.” This was so theatrical and over the top. The song choice was lovely and his vocals were brilliant, but for me it was just too glossy to take seriously. I think if it was stripped back this would have been much more convincing. I’ve often felt that The X Factor goes overboard on the production, and this is a prime example.

I never would have thought of picking a bit of Daryl Braithwaite for Mahogany, but I thought their version of “The Horses” was brilliant. Well done to Guy for remembering that Australian music didn’t start with the naughties. This was the most believable performance of the night. I can’t imagine Mahogany being in the bottom two after this.

Altiyan Childs closed the night with a really lovely version of “Never Tear Us Apart.” It was all those things I’ve been banging on about, being believable and authentic and stripping it all back to the root of the song. He’s definitely coming into his own, and it’s a beautiful thing to see.

After a fairly uneven night it’s hard to say who will go. I know who my favourites were, but we’ve all got to factor in that sympathy element. We’ll find out tomorrow night where the axe will fall.

Butterfingers’ Singer Evil Eddie’s Ode to Queensland

Former Butterfingers’ front man Evil Eddie is paying tribute to his home state with his new single “Queensland.” Butterfingers enthusiasts should love this solo effort, as has that same hip hop/punk core and “brilliantly uncouth” lyrics that made the iconic band so successful.

The “Queensland” single offers real value for music fans, with the inclusion of a radio edit and Bewilderbeats remix. It comes from the forthcoming debut album, tentatively titled Welcome to Flavour Country. We may not know exactly what it’ll be called yet, but we do know that Eddie plays almost all the instruments himself, bar drums, which is pretty impressive.

No doubt we’ll get to hear “Queensland” and some more new tracks when Evil Eddie takes to the stage at the upcoming Peats Ridge Festival on the Central Coast on December 29, and the Woodford Folk Festival on December 30 and 31. He’ll be backed by an all star band boasting members of Butterfingers, Laneous and the Family Yah, Bang Boss Kelly, The Disables, and Spitfireliar. I hear they might also pop up and play a few secret shows, so keep your eyes peeled and your ears to the ground music fans!


Image used with permission from Reckoning Entertainment

Addicted to Bliss N Eso’s Awesome New Music Video

Have you seen the film clip for Bliss N Eso’s new song “Addicted”? The amazing stop-motion video has set YouTube alight with nearly 50, 000 views since it was posted on Tuesday.

I’ll bet the lads are glad their hard work is being seen by so many. After working for three months on the clip, which was shot using more than 2200 photos and more than 300 cans of paint you’d want it to go viral!

If you haven’t seen it yet, what are you waiting for?

R.I.P. James Freud

Like so many of you out there, I was shocked and saddened to hear of the death of The Models front man James Freud.

It appears that he committed suicide after a long battle with alcohol. His struggles were well documented in his memoirs, but it’s still shocking to hear that he’s gone.

“It is with much sorrow that we share the news of the passing of James Freud,” a statement from Mushroom Music read. “James Freud passed away this morning. James’ battle with alcoholism has been well chronicled. His two books on his recovery and five years sobriety were bestsellers and gave a lot of people who were suffering the same affliction comfort and hope. Unfortunately, James has succumbed to his disease and taken his own life this morning.”

I remember feeling his absence while watching The Models being inducted into the ARIA Hall of Fame last weekend. What a shame he wasn’t there to take that final bow.

The Models back catalogue was exhaustive, but “Out of Mind, Out of Sight” was always my favourite track. It’s a predictable choice I suppose, but there’s a reason why radio flogs these songs. Sometimes they’re just that good.

So I wanted to post it and remember James in better times. If you’ve got any fond memories of The Models or James, please share them.

The X Factor Gets Set for Summer

This week The X Factor finalists gave us a bit of summer loving with feel-good summer hits.

Altiyan Childs kicked things off with a little Bryan Adams and “Summer of ’69.” What a way to start a show. He is a real rock star, and he’s just looking better and better each week. This was a bit more restrained than we’ve seen him, and it only showed that he doesn’t need the gimmicks to impress.

From the high of Altiyan to the low of Hayley Teal’s take on “California Gurls.” I feel like Natalie keeps pushing her into this generic pop mode, with choreography and middle of the road songs that just doesn’t work for her. She seemed so much more comfortable when she was taking on Led Zeppelin a couple of weeks back. There was no connection at all, which really isn’t her fault. I really hope that Natalie starts to give her some meatier material to sink her chops into; this just isn’t the Hayley I fell in love with.

Andrew Lawson gave us a cruisy take on Maroon 5’s “Sunday Morning.” I really liked the arrangement, and couldn’t fault the vocals. However I still feel there’s a veneer about him. It’s all a bit saccharine, as if he’s delivering what he thinks us girls want rather than what he actually is. It just doesn’t quite ring true for me.

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Abbe May Gets Retro with “Mammalian Locomotion”

Don’t confuse her with Kylie; Perth girl Abbe May is introducing us to a very different kind of locomotion with her dark and brooding new single “Mammalian Locomotion.”

The title track from her forthcoming debut album features smoldering vocals and wailing guitars. Abbe May headed to Brooklyn to shoot this video with UK director Zena Loxton. If you love retro roller dancing, you’re going to lap this up.

Abbe May is currently touring Western Australia before she brings her music to the rest of the country with a national tour early next year. And from there? Why the world of course!