Hein Cooper and Uncle Noel Butler Release Powerful Single, “The Weatherman”

As we experience a cooler-than-expected start to summer off the back of seemingly endless La Nina rains, the weather seems to be occupying the thoughts of many of us these days. It’s certainly been on the mind of Hein Cooper, who collaborated with lifelong mentor and Yuin/Ulladulla elder Uncle Noel Butler and songwriter Rene Le Feuvre on his new track “The Weatherman.”

Uncle Noel Butler introduces the song by inviting the four winds to rise. He also plays didgeridoo on the track. While Hein and Uncle Noel’s names are the ones on the single, it’s much bigger than that. The voices you hear are those of members of the Yuin/Ulladulla and South Coast community, who joined Hein to write songs to release their frustrations about the way rain and the pandemic had impacted their region. Hein also collected ambient background noise from the Badawang Hills, ensuring even the flora and fauna of this area made its mark on the song.

“Who is the weatherman? This is the deep question behind the song,” Hein explained. “Is it the one who’s paid big bucks by large companies to read off a script? Or is it he who feels into nature, into the forest, the wind and the water, the animals and plants? I believe nature has all of the answers to our current issues, and this song is a mantra to tap into those secrets, especially through the Indigenous knowledge carried by elders still willing to share.”

“(The song’s introduction) is asking for help, for the creator to send a wind spirit, to bring the different winds from the different directions,” Uncle Noel added. “The North-East; can you bring the wind? From the North; bring the wind. From the West: only bring a little bit as it can be nasty – the fighting man’s wind. This song is about understanding what’s been given to you, understanding what’s called nature – it’s all there, the answers are all around us, even the weather.”

Kiarama/Kiama creative Mikey Conlon brought the song to life with a powerful video that uses an archaic TV as an effigy of the horrific fires that plagued the South Coast.

“I brought the initial idea of a TV in the forest to Uncle Noel and he loved it, because it really emphasized how out of place it would seem especially to him,” Hein explained. “He wanted to make sure we included the fact that these horrific fires had still just recently torn through most of the East Coast of Australia due to poor management and lack of controlled burning and not to forget that, as his property was completely decimated. He has these keys to a sustainable future that he’s desperately working to share. I feel the same now, not that I have the keys, but that I’m willing to listen and feel into what they are through people like him. This whole song is a mantra to that.”

Hein and Uncle Noel will celebrate the single’s release with a very special launch show at Barn on the Ride in Yuin/Morton on December 23.

Image used with permission from beehive; credit: Dane Singleton

Siobhan Cotchin Embraces Her Inner Rock Chick With “How Does It Feel?”

It feels like Siobhan Cotchin really arrived this year. I couldn’t stop listening to her solo singles “Fill My Cup” and “Growing Pains” and I loved her work on Kav Temperley’s album, Machines of Love & Grace. She also wowed at BIGSOUND and earned a stack of nominations at the WAM Awards. So I’m thrilled that she’s delivering one more single this year, the gorgeous new cut “How Does It Feel?” It’s got more of a rock edge than her previous releases. I really hope she leans more into that genre, because her voice is perfect for it.

“I had the lyrics for a while and wrote the melody and chords after watching a Baby Animals documentary. I was so inspired by Suzie DeMarchi and her powerful vocals and just pure rock n roll energy, so I wanted to recreate it in my own way,” Siobhan explained.

“‘How Does It Feel’ is about being with someone that doesn’t give you exactly what you deserve. Instead of returning the love you give them, they just take it and take you for granted. The message I want listeners to take away from this song is to never change for someone else and know your worth.”

Siobhan is currently on tour to support the single’s release. Catch her at one of the remaining shows:

16 December 2022 – Mojos Bar, Walyalup/Fremantle
30 December 2022 – Settlers Tavern, Wooditchup/Margaret River (FREE)
1 January 2022 – Clancy’s, Quedjinup/Dunsborough

Image used with permission from beehive; credit: Jarrad Levy

Nigel Wearne and Lauren Housley Release Brilliant Duet “To the Edge”

Victorian singer-songwriter Nigel Wearne has teamed up with UK songstress Lauren Housley for “To the Edge,” one of the coolest duets I’ve heard in some time. When I say cool, I mean cool. Smoky bars in the American Wild West kind of cool. Americana with a hint of jazz kind of cool. Horns, minor keys, and just the right amount of tension kind of cool. Just listen and you’ll hear what I mean.

The pair met in early 2019 at the Arts Café in Montreal when they were both in town for the Folk Alliance International. With a mutual respect for John Prine and some dry witty banter, they became firm friends. After reconnecting in New Orleans in early 2020, they began working together remotely during the pandemic and this fantastic song was born.

Nigel has a couple more Victorian dates before he flies out to the United Kingdom to play shows with Lauren. UK music lovers, you are in for a treat! Then he’ll jet to the US for the Folk Alliance International showcase MerleFest, the country’s top roots festival. Here are all the dates you need:

10 December 2022 – Odessa at Leaver’s Hotel, Dja Dja Wurrung Country/Creswick
11 December 2022 – Union Hotel Brunswick, Bulleke-bek/Brunswick
13 January 2023 – West End Centre, Aldershot (Lauren Housley)
14 January 2023 – Chapel Arts, Bath (Lauren Housley)
15 January 2023 – Edge of The Wedge, Portsmouth (Lauren Housley)
17 January 2023 – The Witham, Barnard Castle (Lauren Housley)
18 January 2023 – The Crescent, York (Lauren Housley)
19 January 2023 – The Met, Bury (Lauren Housley)
20 January 2023 – Philharmonic, Liverpool (Lauren Housley)
21 January 2023 – Alder Bar, Sheffield (Lauren Housley)
22 January 2023 – The Hive, Shrewsbury (Lauren Housley)
24–25 January 2023 – OFFICIAL SHOWCASE UK Americana Music Week, London
27 January 2023 – The Stables, Milton Keynes (Lauren Housley)
28 January 2023 – Thimblemill Library, Birmingham (Lauren Housley)
2-5 February 2023 – Folk Alliance Showcase, Kansas City
27-30 April 2023 – MerleFest USA, Wilkesboro

Image used with permission from I Hear Django; credit: Ian Laidlaw

jnr. Drops Fab New Single, “Say (Light Me Up)”

I don’t know about you, but I think Hump Days become more challenging as the year wears on. You’re so ready for a Christmas break, but it seems there’s always a mad rush before you can take it. Thankfully I’ve found something that takes the edge off: “Say (Light Me Up)”, the latest single from self-produced Eora/Sydney artist jnr.

This is such good pop music. It’s fresh and fun, with an accessible sound that’s sure to win over fans of acts like LANY and Conan Gray. If that’s you, you won’t want to miss this one. A little birdie tells me jnr. will release several more singles in 2023, which is definitely something to look forward to.

Rock Out to The Velvet Club’s “Thinking Straight”

Naarm/Melbourne rock outfit The Velvet Club have got my toes tapping with their latest single “Thinking Straight.” This is a straight-up banger with totally relatable lyrics about escaping chaotic thoughts. Hot tip, turning a track like this up and just enjoying the music is the perfect way to get your head right!

“Lyrically, ‘Thinking Straight’ is about getting stuck in your own head and doubting yourself but at the same time recognising that you’re in your head and taking five to relax and reset,” explained lead singer AJ. “It’s just about recognising that at times things get overwhelming and to accept that and find ways to relax and get back on track when it happens instead of dwelling in it and trying to avoid it.”

The Velvet Club have been impressing crowds recently opening up for Ra Ra Viper. They’ve got just three shows for that tour left, plus some other gigs in the coming months. Here are all the places you can see them:

1 December 2022 – Liberty Alive, Boorloo/Perth (supporting South Summit)
3 December 2022 – Mojos, Waylyup/Fremantle (ALL AGES supporting Ra Ra Viper)
3 December 2022 – Mojos, Waylyup/Fremantle (18+ supporting Ra Ra Viper)
4 December 2022 – Mojos, Waylyup/Fremantle (18+ supporting Ra Ra Viper)
18 February 2023 – Now & Again Festival @ Werribee Park, Wirribi-yaluk/Werribee

Image used with permission from Habit Music Co; credit: Tim Lambert

Yorke Drops Poptastic Single “when the honeymoon is over” Ahead of EP Release

Yorke has dropped another taste of her new EP which has me even more excited about its launch later this week. With the release of new single “when the honeymoon is over,” we’ve now heard three stellar pop gems from this five-track EP. While I’m really looking forward to hearing the final pieces of the puzzle, I’m also relishing this song for a little while.

I also love the video, the second Yorke’s created with her director and partner Kyle Caulfield. I hear it took a month of long days and nights, including countless trips to Bunnings, but it’s come together beautifully.

“Love can sort of just sneak up on you at the least expected of times, these heart balloons are the visual metaphor for those feelings of love starting to introduce themselves into life, in a way that can’t be ignored,” Kyle explained.

Yorke’s new EP ten feet tall drops on December 2. Fresh from supporting Peach PRC, she’ll play the following headlining shows along the East Coast in the New Year to support its release.

3 February 2022 – Northcote Social Club, Naarm/Melbourne
9 February 2022 – The Lansdowne, Eora/Sydney
10 February 2022 – Black Bear Lodge, Meeanjin/Brisbane

Image used with permission from Island Records Australia

The ARIA Awards 2022 Wrap

So the dust has settled on the ARIA Awards for another year and it seems like everyone has an opinion. I can’t help but feel like most of those opinions come from people who haven’t taken the time to listen to a new Australian album in years who simply want to reminisce about the “good old days”. That’s not to say that the awards were perfect by any stretch of the imagination, but I hardly think they’re the shambles that many made them out to be. Most of the performances were solid and a fantastic showcase for the diversity of Australian music today. I also thought Natalie Imbruglia, G-Flip, and Ruel, who stepped in at the 11th hour when Lewis Capaldi pulled out, were personable hosts.

Having said that: Christian Wilkins and Froomes – you had one job. I don’t know whether a few glasses of vino made them a little too relaxed, but there’s really no excuse for getting album names wrong. Multiple times. While they got the tributes for Uncle Archie Roach and Judith Durham so right, Olivia Newton-John deserved better. It felt like a number from the Schools Spectacular, not a professional celebration of the life of one of Australia’s most loved artists. I was disappointed to see Gang of Youths go home empty-handed, but thrilled for Baker Boy and The Wiggles’ wins.

Anyway, if you missed the awards or you simply want to check the correct names of those albums, here are all the winners.

Album of the Year: Baker Boy – Gela
Best Solo Artist: Baker Boy
Best Group: Amyl and the Sniffers
Michael Gudinski Breakthrough Artist: King Stingray
Best Independent Release: Archie Roach – One Song
Best Pop Release: The Kid LAROI – “Thousand Miles”
Best Hip Hop Release: Baker Boy – Gela
Best Soul/R&B Release: Budjerah – Conversations
Best Dance/Electronic Release: Luude feat. Colin Hay – “Down Under”
Best Rock Album: Amyl and the Sniffers – Comfort To Me
Best Hard Rock/Heavy Metal Album: The Chats – Get Fucked
Best Adult Contemporary Album: Julia Jacklin – Pre Pleasure
Best Country Album: Casey Barnes – Light It Up
Best Blues & Roots Album: William Crighton – Water And Dust
Best Children’s Album: The Wiggles – Rewiggled
Best Classical Album: Melbourne Symphony Orchestra and Sir Andrew Davis – The Enchanted Loom: Orchestral Works By Carl Vine
Best Jazz Album: Mildlife – Live From South Channel Island
Best Original Soundtrack/Musical Theatre Cast Album: Australian Chamber Orchestra and Richard Tognetti – River (Original Motion Picture Soundtrack)
Best World Album: Joseph Tawadros with William Barton – History Has A Heartbeat
Best Video: William Bleakley – “Every Side Of You” (Vance Joy)
Best Australian Live Act: The Wiggles
Song of the Year: Tones and I – “Cloudy Day”
Most Popular International Act: Harry Styles
Music Teacher Award: Matt Orchard (Apollo Bay P-12 College)
Best Cover Art: Adnate – Gela (Baker Boy)
Best Mixed Album: Pip Norman, Andrei Eremin & Dave Hammer – Gela (Baker Boy)
Best Produced Album: RÜFÜS DU SOL – Surrender (RÜFÜS DU SOL)

Matt Cornell on Solo Comeback Trail With “Stick Around

It’s been five years since his last solo single, but five-time Golden Guitar nominee Matt Cornell is coming back with a vengeance. After focusing on his work with duo Cornell & Carr and playing with acts like Shannon Noll and Adam Brand, Matt’s latest track “Stick Around” is a real return to form. It’s a country-rock anthem with a classic feel that draws on Matt’s love of ‘80s music.

“‘Stick Around’ explores the weird phenomenon that True Love often strikes when we least expect it,” Matt explained. “The idea that something so solid and long lasting can be borne out of one boozy fleeting flirty moment. I feel in a way, where I’m at in my life, ‘Stick Around’ is kind of a wish for me personally, I’m currently single, & wanting to settle down to start a family one day, in this song, the guy meets his life partner, has the two kids & a dog, there’s hope for me yet.”

On the back of the single, Matt will play a string of big shows in 2023. Check him out at the following events:
18 February 2023 – Sydney Harbour Cruise, Eora/Sydney
11 March 2023 – The Stock Route Country Music Festival, Wiradjuri Country/Dubbo
14 July 2023 – Country on Keppel, Woppa/Great Keppel Island

Image used with permission from Wildheart Publicity

Bella Deer Blossoms With Debut Solo Single “Bloom”

Bella Deer is one of those rare artists who sounds like a seasoned pro straight out of the gate. “Bloom” is her debut single, but you wouldn’t know it by listening to it. Her vocals are powerful and confident, and the song’s lyrics are outstanding. I’m going to be humming that melody for the rest of the day too.

Bella isn’t quite a novice though. She’s shared stages with Husky Gawenda, Thando, and Emma Donovan and The Putbacks. However, this is her first time stepping into the spotlight as a solo artist. Listening to “Bloom”, I’d say it’s about time.

“This song is about struggling with self-confidence and mustering the courage to simply be yourself and accepting who you are and what you stand for,” Bella explained. “When you start to do this, you find that you’re accepted despite those fears. It also explores the frustrations with the lack of meaningful human connections in our society in a tech-obsessed world.”

Bella will play Door Gallery Café in Wathaurong/Fyansford on November 19.

Image used with permission from beehive; credit: Lucinda Goodwin

LOSER Drops First Taste of New EP, “Heaven Can Wait”

Before you hit play on LOSER’s new single “Heaven Can Wait,” hit that volume. Crank it. Trust me. This is one of those killer rock cuts that deserves to be played loud.

“This song was written back in 2019 and was intended to make it on our first album Mindless Joy. It felt like too much of a leap forward for the sound at the time but now it’s making its debut finally!” enthused the band’s frontman Tim Maxwell. “The song’s lyrics portray my feelings towards the fear of death and anxiety, back then I was an anxious wreck and always thought of the worst-case scenario in my head.”

“Heaven Can Wait” is the first track lifted from LOSER’s EP Stadium Dreams on a Bedroom Budget. Rather than dropping it all at once, LOSER is releasing each song individually right through until May 19 next year.

“The whole idea with this EP was to switch up how we’ve released music in the past,” the band explained. “We’ve always been a traditional album band, but this new EP felt like a fresh direction for us musically, so we thought it could be fun to try something a little different in the way we presented it. It’s not a collection of singles, it’s more like a Netflix TV series, where the entire body of work is designed to flow as a whole, but is presented piece by piece.”

Give LOSER follow on Spotify to make sure you don’t miss one! In addition to the songs, LOSER will also drop limited edition merc, exclusive live performance vids, and a special Golden Backstage Pass. Just like Willy Wonka’s golden tickets, this pass will be randomly inserted into one lucky merch buyer’s parcel. The lucky winner will get free tickets to any show LOSER headlines for life. Unless you’ve got the golden ticket, you’ll need to click the links to get tickets for the following shows:

12 November 2022 – Unibar, Tarntanya/Adelaide
17 November 2022 – Crowbar, Eora/Sydney

Image used with permission from beehive; credit: Ian Laidlaw