As a kid growing up in a time before the Wiggles and Hi-5, Don Spencer created some of the first music I got excited about. I watched him religiously on Play School and Feathers, Fur, or Fins was a permanent fixture in my tape player. So I got a little bit teary watching this video commemorating Don’s latest career milestones. He’s now clocked up 60 years in the music business. His charity, Australian Children’s Music Foundation, is also celebrating its 20th birthday.
I wasn’t really aware of all the great work Don’s doing bringing music to children in schools, juvenile justice centres, and hospitals all over the country but gee it’s inspiring. What a legend!
If like me, watching this video has made you nostalgic for the good old days, or you want to introduce your kids to his incredible body of work, it’s all now available digitally.
“We are so grateful to work with Don Spencer, a trailblazer in children’s music, who has done so much in this field. We are thrilled to have his catalogue available via digital partners – making it even more widely accessible than before!” confirmed Natalie Waller, the head of ABC Music & Events.
So fire up your favourite streaming service and give “Bob the Kelpie” or “Please Don’t Call Me a Koala Bear” another listen!
Image used with permission from Revolutions per Minute
I’m in a pretty romantic mood coming off a long weekend away for my wedding anniversary. If you’re feeling loved up too or you just want to live vicariously through some music, you’re going to dig Rya Park’s smooth new single “Everything We Want.” Dedicated to her partner Nick Tam, the guitarist for punk act Kill Bell and a Melbourne music photographer, this track is so romantic and heartfelt. If you adore a love song grounded in reality rather than saccharine sentiments, this one’s for you.
“This song is about Nick and our little love story. We’ve done so much in the time that we’ve been together; travelled the world, had multiple coffee hang outs at the cafe near the psych hospital I was staying at, lived together, lived apart, but mostly have been each other’s biggest support and best friend throughout it all,” Rya gushed. “You change so much through your 20s and we both have grown so much since first meeting each other six years ago at Beyond the Valley music festival. Some of the stuff we’ve been through together has been challenging but has definitely united us and made us stronger.”
“Everything We Wanted” is the second single from Rya’s forthcoming debut EP Generational. With contributions from Alex Lahey, Gordi, and Edward Quinn (Sycco) it’s already sounding pretty fabulous. Generational drops on June 3, a week before the official launch at the LeadBeater in Richmond on June 10.
Dean Lewis is so prolific, it’s so easy to miss those new singles when they drop. So I’m thrilled he’s rereleased his latest track “Hurtless” in a new stripped-back format. What a beautiful piano ballad this is. Can this guy put a foot wrong? It doesn’t seem like it!
“’Hurtless’ has immediately become one of those special, connecting moments in the live shows,” Dean said. “If there’s one thing my career so far has shown me, it’s that the more painfully honest about my own life I am in my songs – the more they seem to resonate”.
Speaking of live shows, Dean has just kicked off his Sad Boi tour in North America and will travel to Europe next. If you’re abroad, here are all the dates you need!
14 May 2022 – The Underground, Charlotte
16 May 2022 – Union Transfer, Philadelphia
17 May 2022 – The Fillmore, Silver Spring
20 May 2022 – Webster Hall, New York City
21 May 2022 – Roadrunner, Boston
23 May 2022 – MTELUS, Montreal
24 May 2022 – HISTORY, Toronto
26 May 2022 – Saint Andrew’s Hall, Detroit
27 May 2022 – Riviera Theatre, Chicago
28 May 2022 – Fillmore Minneapolis, Minneapolis
30 May 2022 – Ogden Theatre, Denver
31 May 2022 – The Depot, Salt Lake City
2 June 2022 – Malkin Bowl, Vancouver
4 June 2022 – The Showbox, Seattle
5 June 2022 – Roseland Theater, Portland
7 June 2022 – The Regency Ballroom, San Francisco
8 June 2022 – Fonda Theatre, Los Angeles
11 June 2022 – The Observatory North Park, San Diego
12 June 2022 – Marquee Theatre, Tempe
15 June 2022 – Granada Theater, Dallas
16 June 2022 – Emos Austin, Austin
17 June 2022 – Warehouse Live, Houston
20 June 2022 – The Orange Peel, Asheville
21 June 2022 – The National, Richmond
23 June 2022 – Asbury Lanes, Asbury Park
24 June 2022 – Mr. Small’s Theatre, Pittsburgh
25 June 2022 – Deluxe At Old National Centre, Indianapolis
28 June 2022 – The Pageant, St. Louis
29 June 2022 – The Truman, Kansas City
2 July 2022 – Summerfest, Milwaukee
7 July 2022 – Ottawa Blues Festival, Ottawa
8 July 2022 – Quebec International Summer Festival, Quebec
10 July 2022 – Wonderstruck Festival, Cleveland
17 September 2022 – Filadelfiakyrkan, Stockholm
18 September 2022 – Sentrum Scene, Oslo
20 September 2022 – Skråen i Nordkraft, Aalborg
21 September 2022 – Posted, Odense
22 September 2022 – Train, Århus
24 September 2022 – Train, Århus (SOLD OUT)
25 September 2022 – Forum Black Box, Copenhagen (SOLD OUT)
27 September 2022 – Forum Black Box, Copenhagen, Denmark
28 September 2022 – Train, Århus (SOLD OUT)
29 September 2022 – Markthalle, Hamburg
1 October 2022 – Progresja, Warsaw
3 October 2022 – ROXY Prague, Prague
4 October 2022 – Huxley’s, Berlin
6 October 2022 – Live Music Hall, Cologne
7 October 2022 – X-tra, Zurich
9 October 2022 – Magazzini Generali, Milan
11 October 2022 – La Madeleine, Brussels
12 October 2022 – Tivoli Vredenburg, Utrecht
13 October 2022 – Paradiso, Amsterdam
15 October 2022 – Le Trianon, Paris
Image used with permission from Island Records Australia; credit: Darren Craig
Melbourne artist Taylah Carroll has given me tingles with her new track “Have a Party on Me”. Her first release through [PIAS} Australia, it’s the perfect breakup song. If you love your music with a healthy dose of angst, this one’s for you. Taylah worked with director Nick Mckk on the accompanying video, which they filmed in a mid-century Frank Lloyd Wright-inspired holiday rental in regional Victoria.
“We really wanted this clip to feel more cinematic, and it takes itself more seriously than previous ones. In a nutshell – it explores the narrative of a woman who lives alone, and steals lamps in order to conduct a lonesome light show at night,”
Taylah will launch “Have a Party on Me” on me tonight at The Old Bar in Melbourne. Make sure you arrive early for supporting sets from Ruby Whiting and Dogs Don’t Kiss.
Image used with permission from [PIAS] Australia; credit Nick Mckk
Brisbane artist Kedus has just released his silky-smooth new single, “Ballroom Bop,” and it’s an absolute banger. Just see if you can resist grooving along when that beat drops.
“My bro Soulis cooked up the beat and sent it to me and as soon as I heard it I loved it,” enthused Kedus. “I then recorded a melody at my stu and wrote to it and then re-recorded the vocals, and this came out of it.”
Kedus’ “stu” is a home studio he built by the time he turned 15. Since then he’s self-engineered five mixtapes and recorded an EP. This is a guy that’s serious about his music.
This ultra-cool track comes perfectly packaged with a music video inspired by Old Hollywood. It’s an absolute stunner with a classic aesthetic and Kedus at his dapper best. Expect to see and hear a lot more from Kedus this year.
Image used with permission from Warner Music Australia; credit: OB Life
With fans already snapping up tickets to The Show Business Tour, there’s no better time to remind you that Hilltop Hoods are bringing new music to your ears and preparing to tour. If you thought their best music might be behind them, press play on their latest track “Show Business” immediately. With special guest vocals from Eamon (remember him?!), this feel-good single is a real crowd-pleaser.
With the pandemic slowing everyone down, Hilltop Hoods haven’t had the chance to headline shows since The Great Expanse World Tour in 2019. This time around they’re taking A.B. Original, Elsy Wameyo, and DJ Total Eclipse along for the ride. Fan club members could nab their tickets yesterday before Telstra Plus members get in on the action tomorrow. The general sale happens at 10 am on Wednesday 11 May. The last shows sold out, so you can expect these ones will too. Don’t say you weren’t warned!
Pacific Avenue really impressed me with their single “Easy Love” last year. In fact, it was my most-streamed track on Spotify. But I think the Gerringong band might have topped it with “Give It Up For Yourself”. It’s a bright, shimmery indie-rock banger that somehow fuses psychedelic and Brit-pop vibes.
“’Give It Up For Yourself’ is a song that acknowledges and celebrates your life, everything that you are, and everything that you have overcome,” the band explained. “When I was writing the lyrics, I wanted to keep in mind the importance of taking a step back and appreciating how far you have come, no matter how far along you are in achieving your dreams. This song is about giving yourself some credit because if the younger version of yourself could see you today, I’m sure you would be proud.”
A song this good is only going to sound better live, so Pacific Avenue are taking it to capitals all around the country in the middle of the year. Catch them near you, supported by last year’s Unearthed High Competition winners, The Rions.
17 June 2022 – Mojo’s, Perth
18 June 2022 – Jive Bar, Adelaide
24 June 2022 – The Brightside, Brisbane
25 June 2022 – Howler, Melbourne
2 July 2022 – Oxford Art Factory, Sydney
Image used with permission from Good Intent; credit: Charlie Hardy
Western Australian sister act Oceanique are making the most of the long weekend with shows all around the state to support their gorgeous new single “Emotional Weight”. If stunning vocal harmonies make you weak at the knees, you’re going to want to hear this. This beautiful folk ballad is accompanied by an equally stunning video created by local filmmaker Tashi Hall, with creative input from the siblings behind Oceanique, Maddy and Jess Larkman.
“We really wanted to create that feeling of the push and pull of life, with the lighter scenes conveying how people can see you only from the outside, sometimes there is a greater emotion kept within that people don’t see,” the sisters explained. “So, we wanted the blue-toned scenes to feel more weighty, to show that emotion. We feel very grateful to have worked with Tashi on this project, it was so much fun to film, and it was a perfect mix of creative minds!”
Tashi was also full of praise for Oceanique.
“From the first meeting to the final edit, Maddy and Jess were a treat to collaborate with,” she gushed. “Their many wonderful ideas made the experience of filming the music video so fun and exciting to create together. Their communication and comfortability in front of (and behind the camera) helped facilitate an all-round smooth and calm process that was exceptionally enjoyable. They each have such a wonderful and warm presence that is a joy to be around – and a beautiful experience to capture on film.”
If you’re in Western Australia, don’t miss your chance to see Oceanique at their upcoming intimate gigs.
22 April 2022 – Vancouver Arts Centre, Albany (with Tracey Barnett)
23 April 2022 – House Concert, Bunbury (with Tracey Barnett)
24 April 2022 – The Cidery, Bridgetown (with Tracey Barnett – FREE)
25 April 2022 – Settlers Tavern, Margaret River (with Tracey Barnett – FREE)
29 April 2022 – Four5Nine, Perth (supported by Tanaya Harper, Cecilia Brandolini & Ruby Taylor)
Image used with permission from This Much Talent; credit: Bridget Julie-Anne
We’re only a quarter of the way in, but it looks like this year will be massive for Yorke. She’s just released a poptastic new single “next life” and announced some headlining shows in addition to some impressive support gigs.
Yorke’s debut EP Liberosis was one of my favourite releases of 2020. It perfectly showcased her introspective lyrics and knack for perfect pop melodies. But I feel Yorke has taken her sound up a few notches with “next life.” While it acknowledges dark feelings of denial and anger, there’s a euphoric optimism that I just can’t resist. Yorke penned the song in a single day with JIM ALXNDR (James Vincent).
“James really took the time to make sure that every word/melody was considered and purposeful allowing for a certain type of vulnerability that’s rare when you first meet someone. It felt like going back to my roots of pure storytelling and that’s why it came together so well,” Yorke explained. “When it was time for production, we already knew what we wanted and spent the rest of the day messing around with different equipment and warped effects. I’m a huge fan of James’ work and had goosebumps the entire day.”
Yorke also produced “next life’s” music video, working alongside director Kyle Caulfield.
“There was a spectacle about this video and the concept that we didn’t want to feel like a music video, we were really pushing for an international cinematic look,” he added. “We wanted it to feel more like a movie or movie trailer, to help the audience digest themselves in the story. It was important to create a new world with the locations, the styling, and other creative choices that help facilitate the story of the song. Exploring the five stages of grief was a big theme of the clip, and it was interesting to explore the representation of these feelings and emotions visually. I also had a lot of fun structuring the scenes and narrative around the arrangement of the song, both James and Grace have both really brought to light some very special sonic moments in this track.”
As I mentioned, Yorke has a stack of gigs on the horizon. She’ll support San Cisco in her hometown of Byron Bay before playing her own gigs and supporting Amy Shark on shows around regional Victoria.
29 April 2022 – Beach Hotel, Byron Bay (supporting San Cisco)
1 May 2022 – Golden Shores Festival, Gold Coast
26 May 2022 – Northcote Social Club, Melbourne
27 May 2022 – Waywards, Sydney
12 July 2022 – Wangaratta Performing Arts & Convention Centre, Wangaratta (supporting Amy Shark – SOLD OUT)
14 July 2022 – Riverlinks, Shepparton (supporting Amy Shark)
16 July 2022 – Gippsland Performing Arts Centre, Traralgon (supporting Amy Shark – SOLD OUT)
17 July 2022 – Gippsland Performing Arts Centre, Traralgon (supporting Amy Shark – SOLD OUT)
19 July 2022 – Lighthouse Theatre, Warrnambool (supporting Amy Shark – SOLD OUT)
20 July 2022 – Bendigo Ulumbarra Theatre, Bendigo (supporting Amy Shark – SOLD OUT)
21 July 2022 – Wendouree Centre for Performing Arts, Ballarat (supporting Amy Shark)
22 July 2022 – Horsham Town Hall, Horsham (supporting Amy Shark – SOLD OUT)
23 July 2022 – Costa Hall, Geelong (supporting Amy Shark)
27 July 2022 – Mildura Arts Centre, Mildura (supporting Amy Shark – SOLD OUT)
Image used with permission from Island Records Australia
Sydney producers Ben Siva, Nico Scali, and Max Jacobs have been writing music together for nearly 10 years. They’re also talented producers and performers in their own right. Recording under the name jnr., they’ve just released their debut single “Remember” and it’s such a bop.
If you love upbeat modern pop, this track will be right up your alley. It sounds so fresh and fun, but there’s real weight to the lyrics.
“‘Remember’ deals with grief, nostalgia, and the moment you are forced to put yourself in your parent’s shoes. I think anyone can relate to wanting to remember someone or something from their childhood, but the song has a deeper meaning for me,” Ben admitted. “I’m always drawn to darker lyrical themes and uplifting instrumentals – that push and pull always attracted me to some of my favourite artists. The feeling of knowing oneself is essential to being human. So the writing process was really me thinking about who I would be without my memories.”
jnr. promises fans on their Facebook page that this song is just the beginning of what they have in store for us this year. I can’t wait to hear what comes next!
Image used with permission from Pollen Scout; credit: Megan Donnelly
