Viral Hitmaker Sarah Saint James Captures My Heart With “fake ass friends”

Sarah Saint James has made a splash on TikTok, amassing 2.4 million streams and more than 1.5 million views for user-generated content using her 2021 track “mad at god.” With her latest track “fake ass friends,” she might just make the transition from viral musician to mainstream star.

This single is heartbreakingly beautiful. I feel the loneliness in her vocals and the powerful lyrics, the result of a collaboration with former X Factor winner Cyrus. The understated production lets those two elements shine, drawing you into her world and daring you to listen to her story. I wish I’d heard this song as a teenager. It resonates with me now, but it definitely would have made me feel less isolated then.

“I only got invited to a few parties when I was younger. My small group of friends and I always wanted to go out, but we were so unpopular that we had nowhere to go,” Sarah recalls. “When I was at a party in Year 11, I overheard those so-called friends calling me a loser on the other side of a bathroom door, and that experience inspired this song. I thought about how I’d rather be surrounded by fake friends at parties looking cool, than be at home on a Saturday night watching their stories alone. When I look back, I feel really sad that I compromised myself to be surrounded by fake people – but everyone feels that way at some point, regardless of where you sat in the high school hierarchy.”

Sarah Saint James has more new music coming, with her debut EP Home Is Where The Hell Is scheduled for a March 18 release.

Image used with permission from Bianca Blancato; credit: Jess Gleeson

Get Your Groove On With New Cosmo’s Midnight, “Can’t Do Without (My Baby)”

Saturdays call for tunes that make you want to groove. Whether you’re heading out to one of the country’s many venues that have recently opened their doors or you’re enjoying a party at home, “Can’t Do Without (My Baby)”, the latest release from Cosmo’s Midnight, is your perfect soundtrack.

The track samples a long-forgotten gem from the ’70s, “I Can’t Do Enough For You Baby” by Tommy Tate. With those silky soulful vocals, I have no clue why Tommy wasn’t bigger, but maybe this track will be enough to put him back in the spotlight. Cosmo’s Midnight have worked real magic here, incorporating irresistible elements of electronic and funk production into the track. Listening just makes you feel good!

“It’s strange how people can be nostalgic for eras they’ve never experienced,” Cosmo’s Midnight mused. “For ‘Can’t Do Without (My Baby)’ we wanted to capture the feel of coming of age at the turn of the millennium (even though we were just lil babies at the time) when house music was in its golden age. It was celebratory and ecstatic, which is something we really try to bring out in our tunes. This song is really a celebration of that, which feels especially poignant to us, as we all emerge from 24 months of self-reflection, isolation, and anxiety.”

Cosmo’s Midnight wowed crowds in the back-end of last year with sets at Wildlands Festival, Beyond the City, Lost Disco, and even South Korea’s virtual Busan International Rock Festival. They’re not slowing down either, with plenty of shows supporting Flight Facilities before they jet off to Portugal. If you don’t already have your tickets for one of these gigs, you know what to do!

13 March 2022 – The Cunningham Pier, Geelong
19 March 2022 – Victoria Park, Sydney (supporting Flight Facilities)
26 March 2022 – Sidney Myer Music Bowl, Melbourne (supporting Flight Facilities)
2 April 2022 – Riverstage, Brisbane (supporting Flight Facilities)
9 April 2022 – Bonython Park, Adelaide (supporting Flight Facilities)
23 April 2022 – Darwin Amphitheatre, Darwin (supporting Flight Facilities)
15 July 2022 – Super Bock Super Rock 2022, Sesimbra

Image used with permission from Neighbourhood PR

Get Your Groove On With The Vultures’ Stellar New Single, “Conversations”

Gold Coast indie rockers The Vultures have blown me away with their awesome new single “Conversations.” This track has such a cool indie rock vibe with just a hint of disco sparkle. It’s fresh and fun, with such a great laidback groove. It might just be the last great summer anthem to drop this year. Can’t you just imagine sitting poolside, sipping cocktails, while this bad boy plays? While it reminds me of good times with friends, the lads from The Vultures actually penned this song in response to the isolation they felt during the 2020 Melbourne lockdowns.

“‘Conversations’ is about turning to dreams as a mode of communication at the emergence of a newly chaotic world, separated from our family, friends, and the outside,” they explained. The song is complemented by a dreamy new video clip which the band describes as “a sleek retro green screen throwback of trippy visuals, mirroring the concepts and vibe of the music.”

The Vultures will launch the single officially at hometown venue Mo’s Desert Clubhouse on March 17. It’ll be their first live show in more than six years, so you don’t want to miss it. Listen out for their debut album ESCOBAR dropping later this year.

Image used with permission from GYRO PR

Eliza & The Delusionals Get Me Nostalgic With “Give You Everything”

Eliza & The Delusionals are kicking off an action-packed 2022 with a brand new single, “Give You Everything.” This song is everything I love about the band, earnest and emotive with a floaty, fresh feel that encourages you to press play time and time again. It hearkens back to music from so many female singer-songwriters I loved in the ‘90s. If you had Lisa Loeb and Michelle Branch on regular rotation back then, I think you’re going to love this.

Guitarist Kurt Skuse and frontwoman Eliza Klatt started writing the song in Los Angeles with acclaimed US songwriters Sarah Aarons (Zedd, The Rubens, Childish Gambino) and John Hill (Cage The Elephant, Lykke Li, Charli XCX). Some refinements at home make “Give You Everything” the incredible track you hear today.

“We were sitting around John’s studio talking with Sarah about how we both have had similar bitter experiences within the music industry with certain people taking advantage of our benevolence,” Kurt recalled. “It was nice to be able to open up to someone who could also relate to that situation which made the whole writing process feel really natural and organic. It’s a collective favourite for us on the album and it really shaped the rest of the record thematically and sonically.”

As I hinted to earlier, Eliza & The Delusionals are preparing for a busy few months. They’ll support The Vanns on their national tour before taking their own lap of the country as headliners. Then they’re off to the United States to play Bottlerock alongside artists like P!nk, Twenty One Pilots, and Metallica. Their highly anticipated debut album Now and Then also drops on May 20. Here are all the dates you need:

5 March 2022 – Forum, Melbourne (supporting The Vanns)
6 March 2022 – Torquay, Hotel Torquay (supporting The Vanns)
12 March 2022 – Altar, Hobart (supporting The Vanns early show SOLD OUT)
12 March 2022 – Altar, Hobart (supporting The Vanns late show SOLD OUT)
13 March 2022 – Forth Pub, Forth (supporting The Vanns)
18 March 2022 – Cambridge Hotel, Newcastle (supporting The Vanns)
19 March 2022 – Manning Bar, Sydney (supporting The Vanns)
25 March 2022 – Wollongong Uni, Wollongong (supporting The Vanns)
1 April 2022 – Kambri @ ANU, Canberra (supporting The Vanns)
9 April 2022 – The Leadbeater, Melbourne
17 April 2022 – The Brightside, Brisbane
22 April 2022 – OAF Gallery, Sydney (early show)
22 April 2022 – OAF Gallery, Sydney (late show SOLD OUT)
23 April 2022 – La La La’s, Wollongong
24 April 2022 – Huxley’s, Caringbah
29 May 2022 – Bottlerock Festival, Napa Valley

Image used with permission from Beehive PR; credit: Luke Henery

Listen to FANGZ’s “Falling is Pretty Normal” Loud

If Hump Day is hitting you hard, press play and crank up the volume on “Falling is Pretty Normal.” I can’t promise that FANGZ’s latest single will take away any of the frustrations of your workday, but this aggressive and ultra-catchy track might just make you forget about them for a little while. It’s bold and ballsy with stellar vocals from frontman Joshua Cottreau.

“‘Falling Is Pretty Normal’ was written just after I lost someone close to me,” Joshua explained. “I wasn’t coping at all, and I found myself spiralling without even realising. I would have these vivid dreams in which the departed would be there and it’d feel so real. In that moment I’d be happy. Then my alarm would sound, and the reality would hit me like a tonne of bricks. It’s about learning to deal with loss and knowing that the person maybe gone but the lessons they taught you still live on as long as you remember.”

The song comes from a dark place, but the music video, which pays homage to blink-182’s iconic clip for “What’s My Age Again?”, is pure joy. Keep your eyes peeled for the cameos!

FANGZ is celebrating the release of “Falling is Pretty Normal” with a 10-date tour of the Eastern states kicking off next month. Check them out at the following venues:

5 March 2022 – 4 On the 4loor, Orange
12 March 2022 – Hamilton Station, Newcastle
25 March 2022 – Crowbar, Sydney
26 March 2022 – The Basement, Canberra
1 April 2022 – The Baroque Room, Katoomba
2 April 2022 – Halloween Hysteria, Mansfield
22 April 2022 – Pelly Bar, Frankston
23 April 2022 – The Evelyn, Fitzroy
24 April 2022 – The Eastern, Ballarat
28 May 2022 – La La La’s, Wollongong

Image used with permission from Good Intent; credit: Rhys Bennett – @highvoltagephotography

Helen Shanahan Releases Powerful New Single, “Canvas”

Helen Shanahan lays her heart bare in the lyrics of her latest song, “Canvas.” The song paints a vivid picture of a woman in the wrong relationship. If you love classic female singer-songwriters like Joni Mitchell and Janis Ian, this will be right up your alley.

“The single was inspired by a theme from a songwriting group (I Heart Songwriting Club) I joined in 2018,” Helen said. “The theme was ‘lessons’, and it made me think about how I learnt to make myself small and essentially a doormat for a particular group of people. The song brought up lots of mixed emotions, as it unravelled how that relationship affected my adult life and how I had to ‘unlearn’ my feelings of low self-esteem and worth.”

The song’s themes are mirrored beautifully in the music video, which presents a young girl and eventually a young woman who’s learned to shrink herself to suit the people around her.

“The music video revolves around the concept of what it means ‘to be’ and how we become a summation of our own life experiences,” explained direct Jane Tiouowidjaja. “It’s what we learn over time but also what we decide to tolerate when we relate to those we love.”

“Canvas” is the title track of Helen’s forthcoming album, which drops on March 4. She’ll celebrate its release with a special local launch show at Morley’s Night Owl Studio on March 5.

Image used with permission from On the Map PR

Le Shiv Ready to Rock in 2022

Sydney indie-rock act Le Shiv have released a triumphant follow-up to last year’s singles “When The Kids Grow Up” and “I’m Fine, I’ve Said Too Much, But How Are You.” The latter was Lime Cordiale’s favourite track of 2021, but I think the newie, “The Wait is Over” might be even better. It’s everything I want a rock song to be, with big bold instruments and an anthemic chorus that encourages you to sing along. Is it a little grandiose? Sure. Is that a bad thing? Not even a little bit.

“The title says it all for us. This was one of those nightmare songs you get every now and then as a musician. A song you can’t finish,” the band admitted. “When I came up with the first idea for the song, I knew it was going to be something good and that feeling was almost a hindrance in finishing it. There was this weird unspoken pressure to make sure the song was something special. So it took over two years to finally finish writing and recording it. When we finally got the master back it was so satisfying to hear the hard work. The wait was finally over. It’s just on to learning how to play it live now, which will probably take another couple years!”

“The Wait is Over” is the perfect way to start what’s shaping up to be a pretty big year for Le Shiv. After writing a whole lot of new songs in lockdown, they’re ready to record. They’re also itching to play live as much as COVID allows. Aussie dates are locked in and they hope some US ones will follow. Here are all the places locals can catch them in the coming months.

5 March 2022 – The Workers Club, Melbourne
12 March 2022 – La La La’s, Wollongong
20 March 2022 – Narrabeen RSL, Narrabeen (supporting Skeggs)
9 April 2022 – The Northern, Byron Bay
10 April 2022 – Mo’s Desert Clubhouse, Burleigh Heads
21 April 2022 – Sol Bar, Maroochydore
14 May 2022 – Waywards, Sydney

Image used with permission from Revolutions per Minute

The Black Sorrows Prove They’ve Still Got It With “Saint Georges Road”

The Black Sorrows are often referred to as a nostalgia band. The classics still hit the spot all these years later, but the title suggests their best work is long behind them. After hearing their latest single “Saint Georges Road”, the title track from their 2021 album.

This is the song that you need to write after you’ve lived a life. It represents where the Black Sorrows are now, ruminating on mortality and dealing with grief. It’s heavy stuff, but listening to it is uplifting and beautiful.

After a tough year of lockdowns, Joe Camilleri and the band are back on the road doing what they do best.

“I’m just one excitable boy,” he admitted at the prospect of getting back in front of crowds of music lovers. “It’s as joyous as sunset over the Nile or dawn at Uluru … it just feels great to get back to doing what I love”.

No doubt they’ll play all the hits at these upcoming shows, but I hope there’s room in the set for “Saint Georges Road.” It’s a gorgeous song that might just remind everyone that the Black Sorrows are so much more than a nostalgia band.

12 February 2022 – Twilight Sounds, Bundoora
17 February 2022 – The Lounge Royal Hotel, Nundah
18 February 2022 – Beenleigh Tavern, Beenleigh
19 February 2022 – Great Keppel Island, Hideaway
20 February 2022 – Sunshine Beach Surf Club, Sunshine Beach
25 February 2022 – Dashville Skyline, Belford
26 February 2022 – Sunset Sounds, Yarra Valley (afternoon)
26 February 2022 – Lizottes, Newcastle (evening)
27 February 2022 – Lizottes, Newcastle (afternoon)
5 March 2022 – Ghost Rock Wines, Northdown
6 March 2022 – Ghost Rock Wines, Northdown
12 March 2022 – Lucky 13 Garage, Moorabbin
18 March 2022 – Under the Southern Stars, Adelaide
19 March 2022 – The Point, Portsea (afternoon)
19 March 2022 – Bridgeway Hotel, Pooraka (evening)
26 March 2022 – Sunset Sounds, Mudgee
27 March 2022 – The Palms at Crown, Melbourne
31 March 2022 – Princess Theatre, Launceston
1 April 2022 – Rocky Cape Tavern, Rocky Cape
2 April 2022 – Homehill Winery, Huon Valley
3 April 2022 – Scamander Beach Resort, Scamander Beach
9 April 2022 – Sunset Sounds, Gosford
10 April 2022 – Tallagandra Hill Winery, Gundaroo
14-16 April 2022 – BluesFest, Tyagarah
16 October 2022 – Kickstart Summer Concert Series @ Ascot Racecourse, Ascot

Image used with permission from AAA Entertainment

Maison Hall on Comeback Trail With “Montreux”

After a nearly six-year break, Maison Hall are back together and doing what they love: making music. To celebrate their return, the indie duo has a killer new single “Montreux” that you’ve just got to hear. It’s vibrant and exciting, the perfect marriage of big rock sounds with introspective lyrics.

“Montreux is celebratory,” said one half of the duo, Joe Kneipp. “Not just because we’re still doing this, but because we’re still doing this despite our ‘real-life’ obligations, the distance between us, the total absence of pecuniary success, etc. We are so divorced from any external validations – the simple fact is, I love making music, and I love making music with Ben [Byron]. And we’re gonna keep fucking doing it!”

The song comes with an awesomely creative clip that explores the struggle between creation and survival in the world of capitalism.

“The concept of the clip is pretty on the nose – the juxtaposition between the left and right brain, the creative and the pragmatist, the poetic and the prosaic,” Joe added. “ If you’re a musician, or any creative for that matter, who’s not lucky enough to make all their money from creative endeavours, you’ll understand these tensions. I workshopped it with Ben and then James Cooney, who stars in the clip as the ‘right-brain’ and is part of our live lineup.”

Maison Hall have wasted no time getting back in front of audiences. They made a triumphant return to Brisbane last week and have two more shows to go on their single tour. Catch them at Melbourne’s The Retreat Hotel tomorrow night or Gang Gang Café in Canberra on Sunday.

Image used with permission from On the Map PR; credit: Rylee Olsson

RADICALS Ready to Rock NSW With “falling faster slowly” Tour

Some songs demand to be played loud. “falling faster slowly,” the latest track from Sydney rock trio RADICALS is one of those songs. Trust me, it’s the only way.

“The song is based around the feeling/experience of taking drugs,” lead vocalist Brandon Wade said. “We wrote the song while on drugs and thought it would be the perfect time to write and encapsulate what and how we were feeling. It was a wild experience and we’re stoked the song turned out the way it did.”

The film clip, shot at Huxley’s in Caringbah by Nelson Faulds from Level 48 Visuals, is suitably trippy. It features live performance footage and wild animations cleverly cut together to represent the song’s mind-altering themes.

RADICALS will support the release of “falling faster slowly” with a string of shows around their home state. It all kicks off tomorrow in Sydney. Check them out at the following venue.

11 February 2022 – The Chippo, Sydney
25 February 2022 – Hijinx Alley, Sydney
13 March 2022 – The Stag and Hunter Hotel, Newcastle
19 March 2022 – Ryans Hotel, Thirroul
2 April 2022 – Yours & Owls Festival, Wollongong
9 April 2022 – Huxley’s, Sydney

Image used with permission from Good Intent