Posted on by Lauren Katulka

Ian Moss Releases “Nullarbor Plain” Ahead of Album Launch and Tour

Ian Moss is proving that his upcoming studio album Rivers Run Dry will be something special with the release of a new single “Nullarbor Plain,” which he co-wrote with country music icon Troy Cassar-Daley. I’d already raved about the title track, but this latest cut is every bit as good.

“The Nullarbor Plain is such an open and harsh part of Australia that I have driven I don’t know how many times with Cold Chisel and by myself. Whilst vast, the beauty of it never ceases to amaze me,” Mossy enthused. “I trust my co-writer Troy Cassar-Daley and I have captured a little of both in ‘Nullarbor Plain’. Who wouldn’t want to do that drive in a 351 shaker!?”

Rivers Run Dry will be released on 21 July 2023. That gives you a bit of time to familiarise yourself with all the new songs before Mossy heads out on his album launch tour which just got bigger. In addition to the full band shows in August previously announced, Mossy will also visit regional centres from October where he’ll play solo and acoustic. Tickets are on sale now for all those dates.

5 August 2023 – The Tivoli, Meeanjin/Brisbane
11 August 2023 – Palais Theatre, Euro Yuroke/St Kilda
12 August 2023 – Enmore Theatre, Eora/Sydney
18 August 2023 – The Regal Theatre, Boorloo/Perth
23-28 August 2023 – Stranded in the Whitsundays, Ngaro Country/Whitsundays
23 October 2023 – Glasshouse Theatre, Guruk/Port Macquarie
27 October 2023 – Lighthouse Theatre, Gunditjmara Country/Warrnambool
28 October 2023 – Hamilton Performing Arts Centre, Gunditjmara, Tjapwurong, and Bunganditj Country/Hamilton
3 November 2023 – Albury Entertainment Centre, Bungambrawatha/Albury
4 November 2023 – The Capital Theatre, Dja Dja Wurrung and Taungurung Country/Bendigo
10 November 2023 – Airlie Beach Festival of Music, Ngaro Country/Airlie Beach
23-26 November 2023 – Queenscliff Music Festival, Wadawurrung Country/Queenscliff
8 December 2023 – Wangaratta Performing Arts Centre, Bpangerang Country/Wangaratta
9 December 2023 – Swan Hill Town Hall, Matakupaat/Swan Hill
15 December 2023 – The Wedge, Wayput/Sale
16 December 2023 – Gippsland Performing Arts Centre, Gunai Country/Traralgon
25 January 2024 – Longyard Hotel, Kamilaroi Country/Tamworth

Image used with permission from Ferris Davies PRM

Posted on by Lauren Katulka

Eimhin Wows Me With Powerful Single, “The Lough”

Yugambeh Country/Gold Coast artist Eimhin has totally floored me with his new single “The Lough.” This is a stunning folky track with a haunting guitar melody and intimate lyrics. It’s a bit of a slow burn, but I know it’ll get under your skin.

“’The Lough’ is about the nature of my grandmother’s death, but it’s about my mother too, and the secrets we keep to try and protect each other,” Eimhin explained. “There is a poem by Helen Steiner Rice that was chosen for my grandmother’s prayer card at her funeral called “When I Must Leave You”. The sentiment is such that one should keep on living even in the face of the grief that comes with the death of a loved one. That’s where I drew the inspiration for the end of the song.”

Eimhin is just about to wrap up his first European dates with a show at Barkett in Berlin tonight. We should be hearing a lot more from him when his debut album drops later this year.

Image used with permission from Kick Push PR

Posted on by Lauren Katulka

Joel Leggett Drops Indie-Folk Gem, “Losing My Mind”

Hailing from Darkinjung Country/Central Coast artist Joel Leggett will warm your frozen heart with his gorgeous new single “Losing My Mind.” It’s the perfect blend of happy-sad, with lyrics exploring feelings of social isolation and a bright folky sound. This one had me at the banjos!

“The track was recorded over two days and depicts a specific time in my life when I suffered from social anxiety due to the pandemic. Not being able to leave the boundaries of my home was almost impossible due to lockdowns and curfews,” Joel recalled. “During and after the pandemic, I struggled with getting out and meeting people. Catching up with friends and being in large groups was hard because I had this mind chatter telling me I shouldn’t be doing these things. I got so used to spending time with my own thoughts, and sometimes it felt uncomfortable. I felt stuck in my own home and stuck in my head; that is where this track came from.”

The clip sees Joel travel to scenic Cavanbah/Byron Bay, where he produced the track with long-time friend Manning Allen-Scott.

“I thought dancing around paddocks and hanging out around freshwater streams would be a beautiful way to spend your day if you weren’t stuck at home. Funnily enough, we also ran into Pete Murray while recording this; very inspiring!”

Joel is currently touring around the country. Catch him at the following capitals next month:

1 July 2023 – Livid Skateboards, Boorloo/Perth
6 July 2023 – The Workers Club, Naarm/Melbourne
20 July 2023 – Grace Emily Hotel, Tandanya/Adelaide
28 July 2023 – Low 302, Eora/Sydney

Image used with permission from Good Intent

Posted on by Lauren Katulka

Angus Legg Explores Grief With “Someone I Never Knew”

I feel so blessed to have a close relationship with my dad. He calls me every day, when he’s getting in the car to go somewhere or he’s waiting for Mum outside a shop. She’s said to me a few times that I shouldn’t let him interrupt my workday, but I can’t shake that knowledge that my dad won’t be around forever. And when he’s gone, I don’t want to think that I’ve missed those phone calls. Considering my own relationship with my dad, I was really hit by Angus Legg’s new single, “Someone I Never Knew.” Angus wrote this song to process the grief he felt losing his dad as a teenager.

“My father passed away when I was 19, he was diagnosed with an aggressive form of cancer, and passed weeks later,” Angus said. “’Someone I Never Knew’ is a concept that explores the grief I’ve experienced and worked through during adolescence and into early adulthood. The inevitable truth became evident to me, a loved one cannot experience who you are today, and ultimately never know who you are to become. To me that has been the hardest thing to accept about grief, all the wounds have healed with time, except the idea of not being able to share triumph and failure with someone so close to you, that’s permanent, and the saddest part about death. I express the lyric with an undertone of pride, and gratitude, I wouldn’t be the man I am today without the father I had, and ironically, the growth the death of my father inspired.”

Take a listen to this one. And then, if you still have him around, call your dad. It’s easy to take them for granted, but this song is a powerful reminder that there’s never enough time.

Image used with permission from beehive; credit: Cian Marangos & James Dryden

Posted on by Lauren Katulka

“Hearticulate” – Melita

Proving you don’t need the backing or budget of a big record label, Melita has really impressed me with her debut EP Hearticulate. The Eora/Sydney-based chanteuse recorded this EP with her brother Alex Ertler in their home studio. But listening to this slick, neo-soul affair, you wouldn’t guess at its humble origins.

Melita effortlessly blends fresh neo-soul sounds with classic funk, disco, and yacht rock influences. The ethereal “Greeting” is the ideal introduction, putting Melita’s voice front and centre before we settle into the easy groove of the title track. It flows naturally into “Delusional,” which has some of the most relatable lyrics on the EP. Melita amps up the energy with “Crystal Logic,” a funky floor-filling homage to the disco era before easing us back into a gentler groove with “Behind My Smile” and “Saturn Blues.” In some ways “Hold On to My Mind” is a subtle closer, but while it’s got a mellow groove it’s also probably the most musically complex track on this EP. I could hear the influence of artists like Steely Dan and Boz Scaggs come through, but Melita’s interpreted their sounds in such an exciting new way.

Hearticulate doesn’t have a lot of bells and whistles, but it doesn’t need them. Melita’s stunning voice is an anchor, impressing on each and every track. This EP is a great introduction to a fantastic new talent.

Images used with permission from beehive; main image credit: James Tarbotton

Posted on by Lauren Katulka

Jacob Fitzgerald Back With “Hurt Me Harder”

Jacob Fitzgerald released one of my favourite EPs of 2022, so I’m thrilled to see this Naarm/Melbourne-based musician back on the scene with the release of “Hurt Me Harder.” This is another stellar effort from Jacob. I can’t wait to crank it up on long car trips. And you can never go wrong when you add a sax solo!

“I find that the deepest forms of love can at times drive you a little crazy. For good or ill. These feelings are usually exacerbated in times of heartbreak and loss, also for good or ill. That’s the throughline of ‘Hurt Me Harder’,” Jacob explained. “It’s about neglecting your feelings of pain to the point of insanity. The whole chorus is a message of ‘nothing you could do would ever hurt me… I’ll always love you’ whilst the heartache is dominating your world. It’s about putting someone on a pedestal, blaming yourself, bottling the pain, and using love as the excuse.”

Jacob Fitzgerald is about to wrap up his Three’s Company tour with Cheap Date and False London. Catch these three amazing talents while you can!

23 June 2023 – The Lady Hampshire, Eora/Sydney
24 June 2023 – Stay Gold, Naarm/Melbourne

Image used with permission from Good Intent

Posted on by Lauren Katulka

Talk Heavy Get Real With “The Song That Plays (When Marissa Shoots Trey)”

After making a splash on the scene in 2022 with the release of their debut EP Jump Into Nothing and gigs supporting The Smith Streets Band, Sly Withers, and Press Club, Meeanjin/Brisbane band Talk Heavy are back with their first release for the year. “The Song That Plays (When Marissa Shoots Trey)” is worth the wait, with its high-energy chords and nostalgic pop-punk feel. And a seemingly random reference to The O.C. is always welcome too!

“To put it simply, ‘The Song That Plays (When Marissa Shoots Trey)’ is about recognising the bad space you’re in, what trauma or response pushed you into that position and making the statement of ‘fuck it, I’m done with this and need to move forward,’” explained Talk Heavy’s lead singer Matt Cochran. “For me personally, I’ve always struggled with weight and comfort eating. I was so physically exhausted touring with Press Club that I couldn’t ignore it anymore, which pushed me to that point where I realised ‘if I don’t change something soon, I’m going to die in the next 5 to 10 years.’”

If you’re in Meeanjin/Brisbane, make sure you catch Talk Heavy at The Brightside on August 15 as part of the epic SIDEFEST lineup.

Image used with permission from Habit Music Co.; credit: Will Johnstone

Posted on by Lauren Katulka

Billy Ocean @ Darling Harbour Theatre, Eora/Sydney – 22 June 2023

For years one of my friends has told me that I needed to see Billy Ocean. When he announced his greatest hits tour, in winter when few other artists tour no less, I knew I’d run out of excuses. Now that I’ve been to my first Billy Ocean concert, I wonder why it took me so long.

Boorloo/Perth neo-soul artist Drea warmed up the crowds with a beautiful set. What a stunning voice she has. I was mesmerised as she layered vocal loops for her opening track before her keyboardist Alfred joined her for her remaining numbers. My husband leaned over and whispered that they reminded him a little of a modern-day Toni Braxton and Babyface. It’s a brave thing to perform a set focused on originals at a show that relies so heavily on nostalgia, but Drea was so captivating that the crowd couldn’t help but pay her respect. You could have heard a pin drop throughout her performance. I made a mental note to follow her on the socials, as she encouraged, to see where she’s playing next.

It’s also a brave thing to announce a greatest hits tour, then open with a song from a new album, but after nearly 50 years in the business, he’s earned the right to do as he pleases. We weren’t left waiting too long for those hits though. When an artist can bring out a track like “Love Really Hurts Without You” as the second song, and back it up with “Get Outta My Dreams, Get Into My Car” just a couple of numbers later, you know they’ve got some songs in their back catalogue. He played all our favourites eagerly, relishing the opportunity to hold the microphone out to better hear us singing his words back to him. His wide smile seemed a permanent fixture throughout the set. I’ve seen artists get a little jaded after decades in the business, admitting they’d rather skip certain singles, but Billy Ocean celebrates his repertoire with pure joy.

You sometimes wonder when seeing an artist of advancing years whether they may be past their prime. Billy Ocean isn’t ready to be put out to pasture anytime soon. While the voices of so many of his contemporaries show signs of age, his vocals are still strong and clear. He might be a little slower, but he still loves shaking his hips and grooving to the beat. I imagined my husband and I might be one of the younger ones in the audience since we were under 10 when he had some of his biggest hits, yet I saw so many people half our age out with their friends and partners having a ball. Even those of us of advancing years forgot how old we really were and joined them on our feet dancing to the closing songs “When the Going Gets Tough, the Tough Gets Going” and “Caribbean Queen.”

My friend was right. I should have seen Billy Ocean years ago. Now I’ve discovered how good he is live, I can only hope that he’s got a few more tours left in him. If he hasn’t visited your city yet, go! Trust me! Tickets are still available for the following shows:

25 June 2023 – Royal Theatre, Ngunnawal and Ngambri Country/Canberra
27 June 2023 – Thebarton Theatre, Tartanya/Adelaide

Image source: Stephen Katulka

Posted on by Lauren Katulka

“Girlhood” – Hayley Marsten

Australia’s female country artists are releasing some incredible music at the moment. Just days after discovering Sammy White’s fantastic debut album Dirty Laundry, I’m getting swept up in Hayley Marsten’s sophomore album Girlhood.

Dramatic strings introduce us to the opening track “Getting Better”, indicating that this is no ordinary country song, or country album. Hayley has always had crossover appeal and she continues playing with genre here. While country sounds anchor the album, “Getting Better” has a classic rock feel made for long drives. The synth sounds of the next track “Drowning Myself” give it more of a pop feel. And then she delivers “Teen Movie,” a tender country ballad with lyrics that reference ‘80s cinematic legend John Hughes. I was once a shy teen who spent too much time hoping for my own Jake Ryan or a friend like Ferris Bueller to make my life more exciting, this one really resonated with me.

From rock to pop to pure country in just three tracks. Hayley Marsten isn’t an artist who likes to stand still. She’s a smart musician, adept at identifying the right sound to tell her stories. She turns up the energy for songs of strength like “I Am a Rich Man” and “I’m Fine, Thanks”. But then she can slow things down for more poignant moments, ensuring we catch every lyric of incredible, intimate songs like “I Knew the Pain” and “My Body Was Not My Own.”

I love Girlhood for similar reasons that I love Dirty Laundry. Both albums unfold like diaries, telling the stories of the strong women at their centre. There are light moments of cheeky humour and darker moments that reveal anger, pain, and loss. In the case of Hayley, her latest release shows a natural evolution. Her debut Spectacular Heartbreak was excellent, but I think Girlhood is even better. Take a listen and check her out on one of the remaining shows on her Girlhood tour, which continues tomorrow night.

23 June 2023 – Low 302, Eora/Sydney
24 June 2023 – The Servo Bar, Dharawal and Dhurga Country/Port Kembla
31 August 2023 – Oodies Café, Taribelang Bunda, Gooreng Gooreng, Gurang, and Bailai Country/Bundaberg

Images used with permission from Revolutions per Minute

Posted on by Lauren Katulka

Howlite Back to Their Best With “Still I Find”

After the pandemic halted their creative flow, Naarm/Melbourne act Howlite are back with a beautiful new single “Still I Find.” This is their first release in two years, and it’s definitely worth the wait. If you love the hauntingly beautiful tunes of acts like London Grammar and Sylvan Esso, I know this will be right up your alley. The vocals from Alison Thom draw you into an epic electronic soundscape.

“The refrain line was originally ‘Still I find, I can’t cry’. It was about going past the threshold of emotion and just feeling numb to everything,” explained Alison, who wrote the song during her hometown’s lockdowns. “But while workshopping the demo, I had a realisation that this darkness wasn’t really helping me anymore, it wasn’t making me feel any better. So, instead, we shifted the lyrics to: ‘Still I find, hope inside’. The song represents itself in that way: our human ability to choose to be optimistic and reorient ourselves to see the best in the situation.”

The cinematic feel of “Still I Find” is reflected in the stunning music video, the first in a trilogy of interconnecting clips for the band. Filmed in Melbourne’s inner north and directed by Guy Perkins and Mike Ridley (Fractures, Gordi, Rolling Blackouts Coastal Fever), the video pays homage to retro science fiction TV programs. Through its depiction of an alien who crashes into Earth, Howlite explores themes of connection, acceptance and the belief in the capacity for good.

After recently launching the single for hometown fans, Howlite are planning a string of dates to reconnect with their fans. Follow their socials for news of those shows when it breaks. Until then, you can catch Howlite supporting Tia Gostelow at Naarm/Melbourne venue The Night Cat on October 7.

Image used with permission from Canteen Agency