LANY @ Hordern Pavilion, Sydney – 25 May 2022

Midweek gigs are tough! You get to a certain age and it takes a lot to get you out in your local area, let alone make the trip from the Central Coast to Sydney for a show. But LANY put on one of the greatest live shows I’ve ever witnessed. I might be hurting now, but I was not going to miss it. So back to the Hordern I trudged, ready to back up the weekend’s Dermot Kennedy gig.

Adelaide act Bjéar were a late addition to the line-up after the original support act Sasha Alex Sloan couldn’t make the trip. The enthusiastic crowd didn’t mind the last-minute change one bit. The applause when they took the stage was so rapturous my husband asked me whether the crowd knew this wasn’t the main act. I can’t say, but I can say the young crowd ate up what they did. Meanwhile, I sat there feeling every one of my 42 years. There were moments I enjoyed, especially when the bassist took the mic and we discovered she has the most gorgeous voice. Overall though, the ambling songs and overuse of the vocoder left me feeling a bit disconnected. But as I say, the majority of the young crowd loved it, so maybe there’s something there I’m missing.

While Bjéar weren’t my cup of tea, LANY were all that and more. Near the top of the show, frontman Paul Klein told us we were going to have the best night of our lives. It’s an audacious claim, but I’m not sure he was wrong. I can’t honestly remember a time when I had more fun. Paul has such relentless energy. He’s a born performer, on the whole time whether he’s dancing about or jumping on platforms during upbeat numbers or taking us on a more emotional journey with a tender ballad. As an audience member, it’s infectious. It might have been late on a school night, but we were all partying along with him.

In the three years since LANY last played here, they’ve released two albums. I wondered whether old favourites might be sacrificed for new material, but this set was perfect. I’m not sure I’ve ever seen a band get the balance so right. New favourites like “never mind, let’s break up”, “ex i never had”, and “cowboy in LA” took their place against classics like “Thick and Thin” and “Super Far”. I was thrilled to hear so many songs from Malibu Nights, the album that turned me onto the band, make the set. And then there were the deep cuts! After a band releases four albums, you don’t expect to hear early EP tracks like “pink skies” make the set. What a treat!

Speaking of fans, what a joy they are. I must admit, it’s still a little weird to go to concerts where most members of the audience are less than half your age. But after being annoyed by the incessant chatter at the Dermot Kennedy show, I appreciated these fans even more. They were so respectful of the artists, not just the headliner but the support act too. They were properly in it, singing along to every lyric, holding their phones aloft like cigarette lighters, soaking up every moment. No wonder by the end of the show Paul told us that we were the best audience of the Australian tour. He might say that in every city, but we’ll take it. He also assured us they’ll be back next year, the year after that, and every year for the rest of their lives. If they do, so will I. Because nothing is more fun than a LANY show.

LANY will play Margaret Court Arena in Melbourne tomorrow night and Fortitude Music Hall in Brisbane on Sunday night before they head to New Zealand. If you’re on the fence about a weeknight gig, just buy the tickets. Life is too short to miss shows this good.

Image source: Stephen Katulka

Nicole McKinney Releases “Cool” New Single

I might be all loved up and married now, but my inner teen is still in there embracing angry female music. I think most of us have been in the wrong relationship where we felt like being the cool chick made us a doormat. Nicole McKinney rails against it in her powerful new single, “Cool”.

“This song is about female empowerment, inspired by the day I decided to take back my power and leave my boyfriend at the time,” she explained. “I finally realised what I deserved and no longer cared about being the “cool” girlfriend who just puts up with everything.”
And in case you’re wondering, getting all that frustration out at Huntinground Studios felt pretty damn good!
“I very much enjoyed the recording process for the track,” Nicole added. “It was really fun and creative. I also got to add some yelling which was very cathartic!”

After recently supporting Great Gable in Byron, Nicole has just been announced on the lineup for the Jungle Love Music and Arts Festival, which hits Jimna on September 2 to 4. Expect to hear much more about her as the year goes on.

Image used with permission from Habit Music Co.

Waxflower Headlining East Coast EP Tour

After recently wowing crowds as the support act for Trophy Eyes, Waxflower are ready to headline their own shows. The Brisbane pop-punk act will showcase songs from their latest EP on The Tour of What Went Wrong which kicks off next week.

These guys are known for their high-energy shows and anthemic set lists that encourage you to sing along. While the shows celebrate their latest releases, you can expect plenty of your old favourites will also get a run.

The Sound of What Went Wrong EP is on all your favourite streaming services now. Get acquainted if you’re not already, because it’s chockful of bangers. Then get your tickets to one of the following gigs.

4 June 2022 – Waywards, Sydney
17 June 2022 – The Gasometer Hotel, Melbourne
18 June 2022 – Black Bear Lodge, Brisbane

Image used with permission from Habit Music Co.; credit: Mitch Lowe

Hannah May Celebrates New Beginnings With “Earthside”

We last heard from Kiwi-born, Gold Coast-based singer-songwriter Hannah May as the announcement of a federal election seemed imminent. Listening to her environmentally-conscious track “Written in the Sea”, I couldn’t help thinking about all the possibilities of changing government and having leaders who seemed to care about the climate.

Now I’m listening to her new song “Earthside”, in the wake of Labor’s victory. Suddenly the party in charge is talking about electric vehicles, meeting global biodiversity targets, and an independent environmental protection agency. What a shift! “Earthside” was inspired by Hannah’s unborn niece and the connection she felt to this life she didn’t yet know. When new babies come into our lives, you can’t help but think about the world they’re entering. It feels right hearing a song like “Earthside” now, a track that’s so gentle, like a lullaby, while so many of us feel calm and optimistic for the future.

“Earthside” comes from Hannah May’s soon-to-be-released debut EP. Expect more music with a message when that drops.

Image used with permission from Hannah May

Dermot Kennedy @ Hordern Pavilion, 21 May 2022

If there was ever a sign that Australia’s moving into a new phase of pandemic life, it’s the steady stream of international performers arriving on our shores. I finally broke my international gig drought on Saturday night when I caught Dermot Kennedy at the Hordern Pavilion.

I was thrilled to see Miiesha named as the support on this tour. Her album Nyaaringu was one of my favourites of 2020, so I was pretty excited to finally see her live. That album, released as the Black Lives Matter movement gained traction made such insightful comments about culture, race, and division. What a shame the sound mix didn’t do her justice. While her band was fire, the mix which put their instruments over Miiesha’s vocals was disappointing. Miiesha’s words deserve to be heard. She gave such energy and swagger, but it couldn’t quite make up for the mess coming out of the speakers. I’m going to have to catch her again some other time.

Thankfully those sound issues were sorted by the time Dermot took the stage. I’m not sure my heart could have taken having this moment tainted by sound issues. According to my Spotify stats, Dermot was my most-streamed artist of 2021. There’s something special about musical pandemic discoveries. At a time when so much of the world seemed dark and grey, finding the right music can bring colour. Seeing that person who lifted you up delivering the songs that you felt right down to your bones is special. He started with “Lost,” a song that reminds me so much of my husband and the dark time he went through stressed about a job that he eventually lost. I sang along with every fibre of my being, feeling such jubilation and joy. I’m sure we’ve all had those experiences, where someone comes on stage and you just feel such overwhelming happiness. What a rush.

The beautiful thing is that it happened so many times. Those moments with those songs that were just so perfectly exquisite. Me connecting with the songs, as so many people in the sold-out room did. Dermot connecting with the people in the room and his own songs. The emotion in his voice attested to that. What a thing to witness.

While Dermot was perfect and I’m sure a great proportion of the crowd was too, unfortunately, my experience was marred by some punters. I’ve always been a really attentive concertgoer. You’re there to listen. Sing along, absolutely, but it’s not the place to have a conversation. Especially not in the quiet moments. I cringed as I tried to listen to Dermot’s words between songs, hoping he couldn’t hear the chatter as he explained their inspiration. I tried desperately to drown the murmur of voices out as he so beautifully sang “For Island Fires and Family” acapella. Maybe it makes me a stick in the mud, but there are plenty of other places to chat with your mates, double-fist booze, and take selfies. We’ve been without international artists for so long. How about we just soak up the moments we have with them?

That annoyance aside, Dermot was everything I hoped he would be. His voice was spinetingling. I found myself wiping away tears more than once. He’s such a special performer. I only hope that next time he tours he plays venues where the whole crowd gives him the attention he deserves.

Image source: Stephen Katulka

Timi Afilaka Drops Potent New Single, “Chemistry”

If your Monday is feeling a bit flat, feast your ears on “Chemistry”. The latest track from South African-born, Perth-based indie-pop act Timi Afilaka should put the groove back in your day. Even if it’s only for a few minutes, this song will make you feel better.

“I wrote this song with my good friend, Griggs, the same week we met for the first time. He is the producer, mixer and mastering engineer behind this track,” Timi explained. “We hit it off on Instagram and collaborated on a few songs prior to this meet-up. He was living in Cape Town, and I was living in Johannesburg. We eventually planned to meet up in person; he took a flight to Johannesburg and stayed at my place for a week. We made a song for five days out of that week, and ‘Chemistry’ is one of my favourite songs that came out of it. While Griggs was producing the instrumental, I began writing the lyrics. The song is essentially about embracing the good and bad moments in life but keeping an optimistic mindset through it all. I didn’t think about it that way, but subconsciously I called it ‘Chemistry’ because that’s exactly what Griggs and I had.”

Timi’s definitely got something special. I’m really looking forward to hearing more from this exciting talent.

Image used with permission from Good Intent

Edgecliff Ready to Rock You With “I’ll Be Gone”

If you thought musicians from the Northern Beaches were all chilled out surfer types, think again. The lads from Edgecliff are ready to rock you with their latest track “I’ll Be Gone”. This single is unashamedly brash, with plenty of swagger and a riff you’ll have stuck in your head for days.

“The lyrics are about an argument. Whether it is internal or with another person, it is up to the listener to interpret their meaning,” admitted frontman Will Howell. “Basically, the battle of right and wrong. With the music, we just wanted a fierce, snappy song, and it all came together after many songwriting sessions and a contribution from us all.”

If you love what you hear, there’s some good news. According to bass player Kai Stackhouse, the band won’t wait long before hitting us with some more new music.

“We’ve been waiting to release this single for a few months and we are so keen that we also have a few other new tunes ready to dish out ASAP,” he enthused. “We are stoked!”

Edgecliff will delight local fans when they launch the single at Avalon RSL on June 11.

Image used with permission from On the Map PR; credit: Bridget Mackay

Johnny Hunter Serves Up Latest Banger, “Dreams”

Johnny Hunter delivers another tantalising taste of their debut album, Want, with a retro new single “Dreams”. If like me you grew up on the post-punk sounds of the ‘80s, this song will be right up your alley. The track’s lyrics, which explore the way life and the place we live can change in the blink of an eye, are as nostalgic as the song sounds.

“The Sydney I grew up in is a very different Sydney to the one we live in today. Iconic buildings have been knocked down for skyrise apartments and famous music venues destroyed by political legislation,” confirmed lead singer Nick Hutt. “One day you are walking down the street in the sunshine, and the next you’re confined to the four walls of your own bedroom. Johnny Hunter started playing live music during the death of live music in Sydney – wallowing in self-pity and declaring the current state of affairs to be insurmountable would result in this band not existing. The same goes for experiencing any modern-day hardships – we can’t dwell upon them; we need to run with them in order to progress.”

If you love what you hear, make sure you listen out for Johnny Hunter’s debut album Want when it drops on June 24.

Image used with permission from Cult Logic; credit: Tom Wilkinson

Start the Party With Laura Mac

It’s just close enough to the weekend to start the party tunes I think. Queue Laura Mac’s, whose latest single “Don’t Know What I’m Thinking” deserves to get turned up loud at your next shindig. I’ve been moving and grooving to this one at home, but something tells me it’d sound even sweeter surrounded by mates with a bevvy in hand.

“Party, disco, dance – we’re just having fun with it!” explained one half of the Queensland duo, Laura Maclachlan. “All our songs have a different vibe but I feel like we’ve kept our own unique sound. DKWIT is staying up all night partying and loving every second of it. Celebrate every chance you get, party with your mates and dance ‘til you drop… High 5!!”

Laura Mac will play their very first live show supporting British India tomorrow night before playing some East Coast shows in July and August.

21 May 2022 – Solbar, Maroochydore (supporting British India)
29 July 2022 – Greaser Bar, Brisbane (FREE)
6 Aug 2022 – The Last Chance, Melbourne

Image used with permission from Beehive PR; credit: Dane Beesley

“Now and Then” – Eliza & The Delusionals

It feels like I’ve been waiting forever for Eliza & The Delusionals to release an album. I started writing about the band way back in 2018 and singles from this album like “You” and “Save Me” have been out in the world since 2021. However, as the old saying goes, good things come to those who wait. My expectations were high, but Now and Then exceeds them.

It’s hardly the band’s fault that this music has taken so long to reach us though. There was that little matter of the pandemic which made moving forward on so many projects challenging. It was made during the pandemic, but don’t mistake it for a “pandemic album”. It’s far more upbeat than that, focusing on the personal strength and resilience gained during the period than pervading doom and gloom.

Sitting with so many of these songs for so long makes the album feel instantly familiar. We’ve already fallen in love with Eliza’s powerful vocals and the way the band combines rock edge with catchy pop vibes. If you’ve somehow missed all those singles, it won’t take you too long to come up to speed. This music is so accessible, with nods to acts like Michelle Branch, The Cranberries, and even Taylor Swift. Album tracks that are brand new to me like “Lonely” and “All The Time” have become firm favourites.

Now and Then might have taken some time to reach us, but its shimmering optimism is the ideal antidote for the gloomy winter weather setting in. Before the season leaves us, they’ll be spreading their good vibes with capital city shows around the country. Catch them at the following venues:

6 August 2022 – Lansdowne Hotel, Sydney
11 August 2022 – Crown and Anchor, Adelaide
12 August 2022 – Mojos Bar Fremantle, Perth
26 August 2022 – The Zoo, Brisbane
3 September 2022 – Northcote Social Club, Melbourne

Image used with permission from Beehive PR; credit: Luke Henery