Oceanique Shine With “Emotional Weight”

Western Australian sister act Oceanique are making the most of the long weekend with shows all around the state to support their gorgeous new single “Emotional Weight”. If stunning vocal harmonies make you weak at the knees, you’re going to want to hear this. This beautiful folk ballad is accompanied by an equally stunning video created by local filmmaker Tashi Hall, with creative input from the siblings behind Oceanique, Maddy and Jess Larkman.

“We really wanted to create that feeling of the push and pull of life, with the lighter scenes conveying how people can see you only from the outside, sometimes there is a greater emotion kept within that people don’t see,” the sisters explained. “So, we wanted the blue-toned scenes to feel more weighty, to show that emotion. We feel very grateful to have worked with Tashi on this project, it was so much fun to film, and it was a perfect mix of creative minds!”

Tashi was also full of praise for Oceanique.

“From the first meeting to the final edit, Maddy and Jess were a treat to collaborate with,” she gushed. “Their many wonderful ideas made the experience of filming the music video so fun and exciting to create together. Their communication and comfortability in front of (and behind the camera) helped facilitate an all-round smooth and calm process that was exceptionally enjoyable. They each have such a wonderful and warm presence that is a joy to be around – and a beautiful experience to capture on film.”
If you’re in Western Australia, don’t miss your chance to see Oceanique at their upcoming intimate gigs.

22 April 2022 – Vancouver Arts Centre, Albany (with Tracey Barnett)
23 April 2022 – House Concert, Bunbury (with Tracey Barnett)
24 April 2022 – The Cidery, Bridgetown (with Tracey Barnett – FREE)
25 April 2022 – Settlers Tavern, Margaret River (with Tracey Barnett – FREE)
29 April 2022 – Four5Nine, Perth (supported by Tanaya Harper, Cecilia Brandolini & Ruby Taylor)

Image used with permission from This Much Talent; credit: Bridget Julie-Anne

Yorke Takes Sound to Next Level With New Single “next life”

We’re only a quarter of the way in, but it looks like this year will be massive for Yorke. She’s just released a poptastic new single “next life” and announced some headlining shows in addition to some impressive support gigs.

Yorke’s debut EP Liberosis was one of my favourite releases of 2020. It perfectly showcased her introspective lyrics and knack for perfect pop melodies. But I feel Yorke has taken her sound up a few notches with “next life.” While it acknowledges dark feelings of denial and anger, there’s a euphoric optimism that I just can’t resist. Yorke penned the song in a single day with JIM ALXNDR (James Vincent).

“James really took the time to make sure that every word/melody was considered and purposeful allowing for a certain type of vulnerability that’s rare when you first meet someone. It felt like going back to my roots of pure storytelling and that’s why it came together so well,” Yorke explained. “When it was time for production, we already knew what we wanted and spent the rest of the day messing around with different equipment and warped effects. I’m a huge fan of James’ work and had goosebumps the entire day.”

Yorke also produced “next life’s” music video, working alongside director Kyle Caulfield.

“There was a spectacle about this video and the concept that we didn’t want to feel like a music video, we were really pushing for an international cinematic look,” he added. “We wanted it to feel more like a movie or movie trailer, to help the audience digest themselves in the story. It was important to create a new world with the locations, the styling, and other creative choices that help facilitate the story of the song. Exploring the five stages of grief was a big theme of the clip, and it was interesting to explore the representation of these feelings and emotions visually. I also had a lot of fun structuring the scenes and narrative around the arrangement of the song, both James and Grace have both really brought to light some very special sonic moments in this track.”

As I mentioned, Yorke has a stack of gigs on the horizon. She’ll support San Cisco in her hometown of Byron Bay before playing her own gigs and supporting Amy Shark on shows around regional Victoria.

29 April 2022 – Beach Hotel, Byron Bay (supporting San Cisco)
1 May 2022 – Golden Shores Festival, Gold Coast
26 May 2022 – Northcote Social Club, Melbourne
27 May 2022 – Waywards, Sydney
12 July 2022 – Wangaratta Performing Arts & Convention Centre, Wangaratta (supporting Amy Shark – SOLD OUT)
14 July 2022 – Riverlinks, Shepparton (supporting Amy Shark)
16 July 2022 – Gippsland Performing Arts Centre, Traralgon (supporting Amy Shark – SOLD OUT)
17 July 2022 – Gippsland Performing Arts Centre, Traralgon (supporting Amy Shark – SOLD OUT)
19 July 2022 – Lighthouse Theatre, Warrnambool (supporting Amy Shark – SOLD OUT)
20 July 2022 – Bendigo Ulumbarra Theatre, Bendigo (supporting Amy Shark – SOLD OUT)
21 July 2022 – Wendouree Centre for Performing Arts, Ballarat (supporting Amy Shark)
22 July 2022 – Horsham Town Hall, Horsham (supporting Amy Shark – SOLD OUT)
23 July 2022 – Costa Hall, Geelong (supporting Amy Shark)
27 July 2022 – Mildura Arts Centre, Mildura (supporting Amy Shark – SOLD OUT)

Image used with permission from Island Records Australia

South Summit Releases Stellar New Single, “Tired of Waiting”

South Summit never seem to put a foot wrong. New single “Tired of Waiting” is another high-quality rock track from the Perth act. Frontman Isaiah Reuben’s heartfelt vocals are the perfect foil for the quality musicians he surrounds himself with.

“The meaning of the song itself is about the realisation that this person you thought you needed to depend on to be loved, was actually dragging you down and keeping you lost in a state of confusion through their manipulation and unreliability,” explained lead guitarist Fynn Samorali. “The progression of the song then continues to a point where enough is enough, it’s time to take a stand and distance myself from this situation that is holding me back from independence, because I’m tired of waiting. This independence then gives you the ability to achieve a happiness that comes from self-love and the freedom it brings.”

South Summit have spent the past six months selling out shows at iconic Perth venues like Jack Rabbit Slims and Badlands. Now that borders have opened up, they can’t wait to share their live show with punters all around the country.

“Our upcoming tour is definitely one of the highlights of our career so far,” enthused drummer Nathan Osbourne. “Travelling to play a show has always been a dream of ours and it all seems a bit surreal. Due to current COVID restrictions, it’s actually easier to play a gig over East than Perth, giving us a really good opportunity to play around the country and get our name out there.”

Discover what all the fuss is about at one of the following gigs.

20 May 2022 – Prince of Wales, Bunbury (FREE)
21 May 2022 – The Fire Station, Busselton (FREE)
27 May 2022 – Penny’s Bandroom, Melbourne (FREE)
28 May 2022 – Vic On The Park, Sydney (FREE)
3 June 2022 – Greaser Bar, Brisbane (FREE)
4 June 2022 – Festival of The Stone, Byron Bay
10 June 2022 – Mojo’s Bar, Fremantle
11 June 2022 – The River, Margaret River
17 June 2022 – Froth Craft Brewing, Exmouth
25 June 2022 – Leederville HQ, Perth (ALL AGES)

Image used with permission from Beehive PR

The Velvet Club Release High-Energy Rocker, “Love Me The Same”

The Velvet Club offer the mid-week pick-me-up you’ve been searching for with their brand new single “Love Me The Same”. It’s a high-energy rock track with a raw, garage feel I can’t get enough of. It rocks hard, but its lyrics reveal the band’s softer side.

“Lyrically, the song is about the feeling of knowing you have people around you that support you and look after you, no matter what is going on in your life. It might not even be a person, it could be your dog!”, explained lead vocalist AJ Tilyard. “I guess it’s just about unconditional love and the feeling that comes with being loved unconditionally even if things aren’t going great at the time. It’s a comforting feeling to know you have support.”

The band recorded the song at Collingwood’s Sunset Pig Studios, determined to bring some of the spontaneity of their live shows to the track.
“Our main goal for this song was to encapsulate the live energy of it and I think with Sam [Swain] at the helm we were able to pull it off and make a really big, energetic live-sounding track!”, AJ explains.

Speaking of live energy, it’s not too long before you can soak it up for yourself. The Velvet Club will play shows in the East Coast capitals in June.
16 June 2022 – Frankies, Sydney
18 June 2022 – Leadbeater, Melbourne
24 June 2022 – Greaser, Brisbane

Image used with permission from Habit Music Co; credit: Ben Chung

“Remember” by jnr. is Perfect Pop Music

Sydney producers Ben Siva, Nico Scali, and Max Jacobs have been writing music together for nearly 10 years. They’re also talented producers and performers in their own right. Recording under the name jnr., they’ve just released their debut single “Remember” and it’s such a bop.

If you love upbeat modern pop, this track will be right up your alley. It sounds so fresh and fun, but there’s real weight to the lyrics.

“‘Remember’ deals with grief, nostalgia, and the moment you are forced to put yourself in your parent’s shoes. I think anyone can relate to wanting to remember someone or something from their childhood, but the song has a deeper meaning for me,” Ben admitted. “I’m always drawn to darker lyrical themes and uplifting instrumentals – that push and pull always attracted me to some of my favourite artists. The feeling of knowing oneself is essential to being human. So the writing process was really me thinking about who I would be without my memories.”

jnr. promises fans on their Facebook page that this song is just the beginning of what they have in store for us this year. I can’t wait to hear what comes next!

Image used with permission from Pollen Scout; credit: Megan Donnelly

HALO Vocal Ensemble Announce Intimate Night Cat Show

Melbourne’s HALO Vocal Ensemble are back with a special show at The Night Cat on Saturday 23 April. If you don’t know HALO Vocal Ensemble, there’s no better time to familiarise yourself with their talents. These incredible vocalists put their stamp on RnB, soul, jazz, gospel, and hip hop classics. I’m talking tunes from Nina Simone, Chaka Khan, Outkast, and Destiny’s Child reinterpreted like only HALO Vocal Ensemble can.

Led by powerhouse vocalist Liona Tatafu, HALO Vocal Ensemble shows always feature a revolving roster of artists. With DJ MzRisk, Emma Volard, and Strictly D.T already announced, you can bet there’ll be a couple of surprise appearances as well. This clip from the Melbourne International Jazz Festival gives you just a little taste of what they can do.

HALO Vocal Ensemble sold-out shows at the Melbourne Music Week x Melbourne Museum Summer Plaza Series and Melbourne International Jazz Festival in 2021, so you can bet the remaining tickets for this April 23 show at The Night Cat won’t last long. Head to Moshtix to get yours.

Image used with permission from This Much Talent

Matt Joe Gow Releases Gorgeous New Single, “Sweet Collapse”

You can always trust Matt Joe Gow for classic Americana tunes that just make you feel good. There’s a quiet confidence about what he does that puts you at ease. His latest track “Sweet Collapse” is no exception.

This track ticks all the boxes for me. I’m going nuts for the exquisite three-part harmonies and that piano solo. The track is a sequel to Matt’s song “Georgia Rose”, from his 2016 album Seven Years. How exciting to catch up with the story so many years later!

“Sweet Collapse” is the latest single lifted from Matt’s upcoming fourth album, Between Tonight & Tomorrow. Expect to hear a few more new tunes and all your old favourites at his upcoming New South Wales shows.

20 Apr 2022 – Peel Inn, Nundle
21 Apr 2022 – Outlaw Luncheon At The Dag, Nundle
23 Apr 2022 – MJG & TDL Showcase @ Tamworth Hotel, Tamworth
24 Apr 2022 – The Railway Hotel, Cowra
29 Apr 2022 – Occasional Wine Bar, Boorowa
30 Apr 2022 – Tomerong Hall, Tomerong
1 May 2022 – Golden Barley, Sydney

Image used with permission from Matt Joe Gow

Karise Eden Slays With “Gone”

When you search for Karise Eden on Spotify, the top five most popular songs are covers from her time on The Voice. Perhaps that’s understandable as the reality show catapulted her to stardom. However, that was 10 years ago. She’s released so many great original songs since then. If you’re just replaying that (admittedly incredible) cover of “It’s a Man’s World”, you’re missing the opportunity to really get to know what she can do. Instead of going back to the familiar, I encourage you to listen to her latest song, “Gone.”

This track is so beautiful. It’s everything we loved about Karise all those years ago. Pure soul, pure heart, pure passion. Her voice has never sounded finer. She puts so much emotion into it that I was sure she must have written it herself. Instead, it was a chance meeting that brought this song her way.

“This song was gifted to me by one of the most inspirational women I’ve met in a while … Stef Duzel, Publican of the Macedon Railway Hotel in Victoria. One in a million. A true songstress and songwriter,” Karise recalled. “I’m playing a gig at the pub. She takes me to a room at the back with this bed, guitar, and amps. We’re talking, laughing our heads off – music, life, kids, exes, her pub, you name it!

“She tuned her instruments up, while telling me her story, telling me about how she’d written this song, that she envisioned someone like me singing. Then she starts playing her guitar and out bellowed this voice like no other. The kind of voice you only hear from a life that’s been lived, a life that’s loved, been loved and a life that’s been broken more times before. When she began singing, the walls I have to hold everything inside, broke.

“She apologised for making me so emotional. I told her to keep singing. Every lyric that poured out of her spoke so deeply to me. I said I would absolutely love to sing this song and we worked at it, in a heartbeat. And so ‘Gone’ came to be.”

You can just tell this song will be even more powerful on stage. You can see Karise do her thing at one of the following shows:

19-22 May 2022 – Blues on Broadbeach Music Festival @ Kurrawa Pratten Park, Gold Coast
25 June 2022 – River Heads Rocks 2022 @ Hervey Bay
16 February – 2 March 2023 – The Gathering of the Goddesses, Riddells Creek
3 March 2023 – The Gathering of the Goddesses @ Fulton Park Campsite, Forth

Image used with permission from Revolutions per Minute

The Whitlams Cover Perry Keyes For Country Album

A friend introduced me to Perry Keyes’ “The Day John Sattler Broke His Jaw” a few years back. My friends introduce me to a lot of songs, and most of them I probably forget before too long. But this song was different. It was so good that I wondered why we don’t all know it, the way we know “Khe Sanh” and “The Horses”. It’s so good that when you hear it, you wonder why it’s not more well-known. It feels familiar from the first play. Once you do hear it, it’s not easily forgotten. I’m hopeful that a few more people will fall in love with it now that The Whitlams have put their stamp on it.

It’s no accident that this cover has more of a country sound than we’re used to from The Whitlams. It came from an idea hatched by frontman Tim Freedman as he drove between regional stops on his 2021 solo tour. While travelling from Gunnedah to Mudgee, via Black Stump Way, he discovered country radio playing his band’s latest single, “Man About a Dog.”

“I must admit it was a surprise to be played on Kix Country and Triple A Murri Country, but it was very cool,” he said. And it got him thinking. In Mudgee, he called Matt Fell, who produced his solo effort Australian Idle, and said “Put together your dream band. I think I want to make a country album.”

And so, The Whitlams got together with the new Black Stump Band, featuring Rod McCormack (on banjo, papoose, and acoustic guitar), Ollie Thorpe (pedal steel and electric guitar), and Matt Fell on bass. And they made that country album, The Black Stump Sessions, featuring this song.

Sydney photojournalist and director Johnny Barker made the gorgeous black and white video. It features archival footage of Tim’s father, Barrie Freedman, tipping Souths to win that historic rugby league grand final, with captain John Sattler finishing the game despite breaking his jaw. Talk about grit and determination!

The Whitlams, Black Stump Band will play shows all around the eastern states to launch the single later this year.

22 April 2022 – Longyard Hotel, Tamworth
24 April 2022 – Victoria Hotel, Bathurst
28 July 2022 – The Metropolitan Hotel, Mackay
29 Jul 2022 – Mansfield Hotel, Townsville
30 Jul 2022 – Tanks Arts Centre, Cairns
3 August 2022 – Gunnedah Town Hall, Gunnedah
4 August 2022 – Orange Civic Theatre, Orange
5 August 2022 – Royal Hotel, Queanbeyan
6 August 2022 – Bowral Bowling Club, Bowral
7 August 2022 – Tallagandra Hill Winery, Gundaroo
12 August 2022 – Westernport Hotel, San Remo
13 August 2022 – Queenscliff Town Hall, Queenscliff
14 August 2022 – Burrinja Theatre, Upwey

Image used with permission from Wildheart Publicity

Q & A With Barefoot Spacemen’s Scott Renton

Barefoot Spacemen are an exciting Melbourne act combining elements of funk, neo-soul, disco … all the good stuff that makes you want to dance. It’s something we really need after the last two years I think! I recently chatted to the band’s guitarist, Scott Renton, about how the pandemic impacted Barefoot Spacemen and the band’s latest music.

Your new single “NRG” drops today. Why did you decide to release that particular song?
We’ve been recording a bunch of tracks from our upcoming album, so we’re partly rolling a few out as they’re ready but also trying to pick songs that are fun, upbeat, and reflective of the sound we’re working towards. “NRG” is fun to play and hopefully fun to listen to, so it made sense to release this one.

The single features your artwork. Is that a real passion of yours?
Not particularly, if I’m honest! I enjoy creating things in general but I’m not much of an artist at all. Like most bands, we’re running on a pretty tight budget so the more things we can do in-house the better. We’ll get a proper artist or graphic designer on board for bigger projects, but for a single release during the colder months, we figured it would be best to just do it on our own.

You’re launching the single at Colour Club on April 21. What can people look forward to when they see you live?
We try to make our sets fun and filled with stuff people can dance to. Usually it feels like a big party and playing live is the main reason we make music, so we always really enjoy it. We’ve got a great lineup happening with Blue Nude and Jag, along with DJ Uly spinning vinyl afterwards, so there’s an interesting mix of genres and experiences for people to enjoy.

There’s such an excitement about live music at the moment as we move past a lot of covid restrictions. How are you guys feeling about playing again?
Playing live is almost the entire reason we make music. It’s dope seeing people enjoying themselves dancing to something you’ve put hundreds of hours into creating – super rewarding. We’re stoked to be back and to be able to get on with performing and recording, and we feel that energy reflected in the audience, too.

The pandemic was such a tough time for musicians everywhere. How did Barefoot Spacemen cope with the last two years?
Things got pretty grim but we spent a lot of time on the phone to each other talking about our plans for after lockdowns, writing new songs, working on our craft as musicians, and sending each other demos. When we weren’t talking about the band, we’d be on the phone to each other playing Xbox or something together as well, so I pretty much stayed in touch with the band every day throughout lockdowns. That friendship really helped me personally deal with everything at the time and definitely prevented things from spiralling out of control on a number of occasions. It’s been great to start acting on some of the plans we made during that time now that we’re able to.

I found listening to music was one of the big things that kept me sane during the pandemic. Were there any new artists you got into or old favourites you relied on during that period?
It depended a lot on my mood – sometimes I was so bored that I was desperate to find new music, but other times I just wanted the comfort of something familiar. I stumbled upon a few artists that I ended up loving – mostly older funk and disco stuff to try and keep the mood upbeat at home.

“NRG” is the second single from your upcoming debut album. What can we expect from the album?
We’re trying to explore sounds we’ve never dabbled in before, but the album is largely funk, Motown, disco, and hip hop inspired in its instrumentation. We want to produce tracks that people can dance to, vibe to, smoke to, whatever they want. There are a lot of grown-up themes and topics with our vocalist Aaron’s lyrics, which is a bit of a contrast to the playful and groove-centric nature of the music, but I like the dichotomy of it – this idea that you can be crying in the club or on the dance floor, but having a great time.

There’s a real funk influence in all Barefoot Spacemen music I’ve listened to. What do you love about that genre?
It’s just a lot of fun to listen to and even more fun to play. We’ve always been passionate about continuing to improve as musicians and we’ve found that we’re naturally leaning into that genre the longer we spend together as a band. We have a pretty eclectic mix of musical tastes, but funk and disco seems to be a common ground. There’s a lot of room to experiment with the genre as well, so it’s great that we can all bring influences from our own tastes and kind of blend them into this hybrid funk thing we’re trying to achieve with our sound.

It’s been a couple of years since you released your last EP Cabin Fever. What are the key lessons you’ve learned as a band since then?
Tough question! We’ve learned so much. If I had to narrow it down, I’d probably say that we’re learning to accept things that are beyond our control and do things at our own pace. There’s a heap of demand for a constant stream of content with musicians and artists in general these days, and we don’t want to lose sight of the art. So we’ve been focusing on creating for our audience and letting people engage with us at the same pace we’re willing to operate. Taking a kind of quality over quantity approach, despite what everyone has been telling us. That leads to the second lesson, which is learning which external opinions to take on board and which ones aren’t going to help us. I could go on forever about what we’ve learned, but it’s mostly realising the value of improving our craft and how much hard work it takes to make a living in this industry.

It sounds like it’s a really exciting time for the band with the new single release and the album not too far behind. Is there anything else on the horizon? A national tour perhaps?
We’ve been looking at touring both here and overseas, but we’re still working through the logistics and feasibility of it all. It’s definitely something we’d love to do but for now, after two years of setbacks, our sole focus is getting this album finished!

“NRG” is available today on all the major streaming services. Melbourne, make sure you catch Barefoot Spacemen’s single launch show at Colour Club on April 21.

Image used with permission from Barefoot Spacemen; credit: @aynsleymitchell