Columbus Releases Feelgood Pop-Punk Banger, “Temporary Summer”

Proving that long-distance relationships can really work in the music world, Columbus are rocking my world with their latest single “Temporary Summer.” These guys live in different East Coast cities and had just three days in person to rehearse and record the song. It brings a real spontaneous energy to this track which will make you want to listen again and again.

“I was listening to a lot of early The Killers when I wrote ‘Temporary Summer’, and I wanted to try and channel their uplifting indie-rock drive alongside Columbus’ heartfelt rock/punk style,” explained frontman Alex Moses. “It’s a song about escapism and being somewhere for a short while where everything feels good, and nothing can hurt you – a temporary summer.”

Expect to put “Temporary Summer” on high rotation as the weather warms up! Columbus will support Sly Withers at the Barwon Club Hotel in Geelong on March 31 next year. Keep an eye on their socials to see when they announce more gigs.

Image used with permission from Habit Music Co.

Genesis Owusu, The Kid LAROI Take Out Top Honours at 2021 ARIA Awards

The ARIA Awards are done and dusted for another year, with Genesis Owusu and The Kid LAROI making the biggest splash at the 2021 ceremony. I’ve got to say, I really like the awards online. I love seeing them commercial-free and appreciate the opportunity to watch the entire event, not just the awards deemed popular enough for airtime. World music, jazz, blues, the work of engineers and producers, it all deserves to be celebrated.

However, I felt this year’s award ceremony was missing those moments that become talking points. As I sat through the highlights from past years, I marvelled at some of the top collaborations. I understand the pandemic is still impacting these kinds of events (although there wasn’t a mask to be seen at the party!), but with last year’s star-studded performance of “I Am Woman” we saw how well we could navigate these extraordinary circumstances. Props to the performers who did give it their all, especially the outstanding Genesis Owusu and Budjerah, but I would have loved to see something really unexpected.

Judging by the YouTube comments on the stream, I wasn’t the only one surprised when the event wrapped up around 8:30. I know it’s a school night, but I would have loved to see the event shifted to a later start and finish time. In case you missed it, here are all the winners:

Album Of The Year: Genesis Owusu – Smiling with No Teeth (OURNESS / AWAL)
Best Artist: The Kid LAROI & Justin Bieber – ‘Stay’ (Columbia/Sony Music)
Michael Gudinski Breakthrough Artist: Budjerah – Budjerah (EP) (Warner Music Australia)
Best Dance Release: RÜFÜS DU SOL – ‘Alive’ (Rose Avenue Records/Reprise/Warner Music)
Best Group: RÜFÜS DU SOL – ‘Alive’ (Rose Avenue Records/Reprise/Warner Music)
Best Pop Release: The Kid LAROI & Justin Bieber – ‘Stay’ (Columbia/Sony Music)
Best Hip Hop Release: Genesis Owusu – Smiling with No Teeth (OURNESS / AWAL)
Best Soul/R&B Release: Tkay Maidza – Last Year Was Weird, Vol. 3 (Dew Process/Universal Music Australia)
Best Independent Release: Genesis Owusu – Smiling with No Teeth (OURNESS / AWAL)
Best Rock Album: Middle Kids – Today We’re The Greatest (EMI Music Australia)
Best Adult Contemporary Album: Crowded House – Dreamers Are Waiting (EMI Music Australia)
Best Country Album: Troy Cassar-Daley – The World Today (Tarampa Music / Sony Music)
Best Hard Rock/Heavy Metal Album: Tropical F**k Storm – Deep States (TFS Records/Virgin Music)
Best Blues & Roots Album: Archie Roach – The Songs Of Charcoal Lane (Bloodlines/Mushroom)
Best Children’s Album: Bluey – Bluey The Album (Ludo Studios / Demon Music Group / BBC Studios / Rocket)
Song of the Year: Spacey Jane – Booster Seat (AWAL Recordings)
Best Video: Missing Piece – Vance Joy, Annelise Hickey (Liberation Records/Mushroom Group)
Best Australian Live Act: Lime Cordiale – Relapse Tour (Chugg Music Pty Ltd)
Most Popular International: Taylor Swift – Evermore (Universal Music Australia)
Music Teacher Award: Zoë Barry – Sacred Heart School, Melbourne
Best Cover Art: Kofi Anash & Bailey Howard for Genesis Owusu – Smiling With No Teeth (OURNESS / AWAL)
Engineer Of The Year: Konstantin Kersting
Producer Of The Year: Konstantin Kersting & The Rubens
Best Original Soundtrack or Musical Theatre Cast Album: Angus & Julia Stone – Life Is Strange (BMG/WMG)
Best Classical Album: Genevieve Lacey and Marshall McGuire – Bower (ABC Classic / Universal)
Best Jazz Album: Mildlife – Automatic (Inertia Music / [PIAS])
Best World Music Album: Joseph Tawadros – Hope In An Empty City (Independent / The Planet Company)

Afterthought Live Up to Early Promise With New EP and Single

Pop-punk seemed to fade away for a while, but it’s definitely back with a vengeance here in Australia. There are so many stellar pop-punk acts on the local scene, and Afterthought are up there with the best. Right now I’m really digging “Summerset Stunner,” the latest single from the band’s recently released self-titled sophomore EP. Everything on the EP is fantastic, so once you check this song out make sure you check out the rest.

Afterthought says “Summerset Stunner is about “wanting to tell someone that you love them but never finding the right time and fearing that you may never find that time.” And haven’t we all been there?

Expect to hear a lot more from these guys in the future. They’re generating a lot of buzz from tastemakers like triple j, 4ZZZ, HEAVYMag, and Milky, and their talent lives up to the hype.

Image used with permission from Good Intent

“ASTON” – ASTON

If there was ever a song that suits a Monday that’s come around far too quickly, it’s “Middle Fingers,” the opening track from ASTON’s recently released self-titled EP. So full of sass and catchy AF, it’s a fantastic track about unapologetically showing your truth.

“Middle Fingers” is fantastic, but I’ll be surprised if you want to stop listening when it’s done. Every song on this release is a catchy pop banger. But we shouldn’t be surprised, as ASTON has an impressive resume writing songs for Evie Irie, Cosmos Midnight, and K-pop act AESPA. It’s no coincidence that this five-track EP has spawned three singles. “Middle Fingers” leads into this trio: “Firebomb,” “Girl is A Gun,” and “Killer Queen.” They’re all addictive, with great energy and personal lyrics. After three singles, you might expect this EP to go out with a whimper, but the final track “Heartbreak Club” is perhaps ASTON’s most relatable. It’s an interesting bookend. “Middle Fingers” was all bravado, but with this song we see glimpses of vulnerability. At least when she’s not talking about fucking some things up!

“The EP is all about growth. Find yourself to lose yourself to find yourself all over again,” ASTON explained. “This is the unofficial official guide to discovering and reminding yourself who the fuck you really are!”

For superb pop music without the saccharine, take a listen to ASTON’s self-titled debut EP.

Images used with permission from Revolutions per Minute

DICE Spread Sunshine With “Stop Sign”

Maybe I’m looking for a sonic antidote to the lingering rain in my part of the world, but I am really gravitating towards summer anthems at the moment. The latest is “Stop Sign,” an absolute cracker of a tune from DICE. Just like recently featured artist outfit, DICE are a fantastic Western Australian band. What is in the water in that part of the country? I’m not quite sure, but I am living for it.

“‘Stop Sign’ is a self-reflection on personal values and self-will to achieve your dreams and desires,” the band explained. “Lyrically the song explores the battles between self-belief and shying away from what you truly want.”

DICE played their first gig in November 2020 and have proved to be an unstoppable force ever since. These guys sell out shows, so make sure you organise tickets now for one of the following gigs.

27 November 2021 – Settler’s Tavern, Margaret River (supporting Dear Sunday)
18 December 2021 – Tone City Christmas Party @ Mojos Bar, Fremantle
26 December 2021 – Out & About Festival @ Port Beach Brewery, Fremantle

Image used with permission from Beehive PR; credit: Odin Fahey

Fall in Love with Brandon Duff’s “Crystal Eyes”

I’m feeling properly charmed by Brandon Duff’s new single “Crystal Eyes.” It beautifully captures the flush of new love with lyrics that really bring the object of his affection to life.

Brandon calls the track “an emotional coming-of-age song. It explores ideas of youth and young love, drawing from experiences of finding someone new in your life and sharing your past heartbreaks to grow closer.

“Being excited to have someone new in your life but with melancholy undertones knowing it may not last. There’s a beauty about finding someone new that makes you feel refreshed and loved, but it can also resurface past feelings of loss that have never really left. I drew on experiences of youth, drinking in parks and staying out in Newtown, trying to find where you fit in the world. I have fond memories of going out with friends in the city and feeling larger than life and wanted to capture that within the song as well.”

“Crystal Eyes” saw Brandon named as a finalist in the APRA Songwriters at the Rocks competition this year. That’s a testament to just how well this guy crafts a song. I can’t wait to hear more. If you’re around Newcastle, you can see Brandon doing his thing as part of Lizotte’s’ Live N’ Local night on February 9.

Image used with permission from Wildheart Publicity

“Armageddon” – Between You & Me

I’ve been sitting on Between You & Me’s new album Armageddon since September, just waiting for the moment when I could encourage all of you to take a listen. I’ve had it on regular rotation since it landed in my inbox, turning to it whenever I needed to energise my day or exorcise my demons. The high-energy pop-punk tracks make me nostalgic for that time in the late ‘90s and early ‘00s when bands like Blink-182, Green Day, and Good Charlotte ruled the airwaves. The bands that make that kind of music seem few and far between these days, but I’m glad Australia has Between You & Me flying the flag.

Like a movie that grips you in front of the screen, Armageddon moves along at an exciting pace. With just 10 tracks and all but one clocking in under four minutes, you never get the chance to get bored here. There’s no filler here either. The tracks are ridiculously catchy. The powerful vocals from frontman Jake Wilton are so compelling. The band is right there supporting him with big punky guitar chords, driving drums, and cool bass simmering under the surface. These guys are so tight. Some might argue that punk should be a little messier than this, but it’s a joy to listen to.

Opening track “Pleased to Meet You” is a great introduction for the uninitiated, bold and ballsy with a chorus that encourages you to yell along. The single “Deadbeat” first turned me onto this band, and it’s lost none of its self-deprecating charm since the first time I heard it. These plenty of angsty material here to satisfy your inner emo kid, including “Goldfish” and “Supervillain.” Those darker moments are balanced with more optimistic numbers like “Change” and “Better Days.” “Go To Hell,” a collaboration with female-fronted contemporaries Yours Truly is a real treat for fans of the local scene. The album closes with the title track, the only song on the album stretching past the 4-minute mark. It’s the album’s most ambitious track, an epic rock number that gives a hint that this band can do even more than we’re hearing.

What Between You & Me have laid down on Armageddon is so much fun, but they’ve also left me excited about what their next step might be. With a three-year gap between this album and their debut effort, hopefully they won’t leave us waiting too long for the follow-up.


Images used with permission from Hopeless Records and Habit Music Co.

Outfit Brighten Up the Day With “Sunny”

It’s a little grey and gloomy around my part of the country, but outfit are bringing the sunshine with their soulful debut single “sunny.” This cool bop from the Perth trio is so catchy, don’t be surprised if you’re humming it for the rest of the day. Tim Tan wrote the track after struggling to fall asleep.

“The concept surrounded the sentiment of ‘I woke up, but in a way I guess I could have kept sleeping’ describing the cyclical nature of day to day life at the time,” he explained. “We were in between houses, work in the music industry took a dive due to the pandemic and really we just needed a light at the end of the tunnel to move closer to. From there the song grew into a full concept dealing with issues around mental health and finding comfort in what and who you have around you to collectively move towards the sunnier, sunnier, sunnier place.”

Outfit might be brand new, but these guys are no strangers to the music industry. Tim’s songwriting work for local acts Jaguar Jonze and Enschway and K-Pop acts aespa and ENHYPHEN has accumulated around 200 million streams and more than 3 million physical unit sales. No wonder this track is such an earworm!

Image used with permission from Beehive PR; credit: Ciara Isabel Muscat

South Summit Drops Summery New Single “River Days”

If you weren’t already convinced summer is just around the corner, South Summit’s new single “River Days” might get you over the line. This is a cool indie surf-jam that gets me in the mood for coastal getaways and lazy evenings watching the sun set over the waves. This Perth band reminds me a little bit of hot Aussie acts like Ocean Alley and Lime Cordiale, and with songs like this in their catalogue they deserve to be every bit as big.

“When we first wrote it, we knew it had potential and did not want to rush the writing process,” explained the band’s frontman and songwriter Zaya. “We didn’t plan on recording ‘River Days’ this early as we didn’t think it was ready, but we took a leap of faith. We came out with a song that was completely different to what we came in with, which retained the elements of the original demo, but truly captured the meaning behind the words.

“‘River Days’ is a story about the abuse of alcohol and how it can change the people closest to you. It is drawn from many personal experiences and deep emotions. The song is an attempt to show the very personal journey I have taken. ‘Save me from the river’ is a cry for help. Help to be spared from seeing those closest to me change for the worse, help to save them from alcohol and help to stop me from treading the same path.”

If you’re around Perth, there are plenty of opportunities to catch South Summit in the flesh in the coming months. Check them out at the following shows:

19 November 2021 – Amplifier Bar, Perth (supporting LATE 90s)
2 December 2021 – Perth Music Night @ The Sewing Room, Perth
3 December 2021 – Jack Rabbit Slim’s, Perth (supporting Young Robin)
11 December 2021 – The YMCA HQ, Leederville (ALL AGES)
12 December 2021 – Sunday Music @ Fremantle Arts Centre, Fremantle

Image used with permission from Beehive PR

Velvet Bloom Casts a Spell With “Run”

Melbourne chanteuse Velvet Bloom effortlessly fuses jazz and soul influences in her stunning new single “Run.” It wraps you up like a big sonic hug, making you feel all warm and safe and comfortable. Her tone is just beautiful, effortless, easy. If you don’t have goosebumps after hearing this one, I suggest checking for a pulse.

“I remember writing this track during the second COVID lockdown in 2020,” Velvet Bloom recalls. “Restrictions were harsh and ‘Run’ was one of the first songs that I could fully resonate with after a creative lull. Sometimes, risks can be scary and the fear of sacrificing what you already have for something uncertain can cause inner turmoil. ‘Run’ is about overcoming those fears and leaning into the unknown with excitement.”

Despite this project’s relatively short time on the scene, Velvet Bloom has already supported Kim Churchill, Teenage Dads, The Grogans, The Mamas, and stacks more. She also recently played a sold-out show launching this single. Hopefully as the world gets back to normal we’ll have plenty of chances to see her live really soon.

Image used with permission from This Much Talent; credit: Anthony Rennick