Joe Mungovan Drops Hot New Single “Give Me Your Love”

South Coast singer-songwriter Joe Mungovan brings the sexy with his cool new jam “Give Me Your Love.” Before you press play, Joe sets the scene.

“Imagine yourself on a warm summer day in a beautiful city somewhere in Europe. You’ve been spending every day exploring the city, drinking wine in the sun and everything is new and exciting. On top of all of this, you’re falling for a person you’ve just met. ‘Give Me Your Love’ is the soundtrack.”

OK, got that visual in your head? Good. Now take a listen.

Joe directed the video with Mikey Conlon in his hometown of Kiama.

“We were quite restricted with making this video,” he admitted. “The initial idea for it had to change quite drastically when the second lockdown became quite serious in NSW. I decided to make it a one-shot through my beautiful hometown of Kiama. We came up with a rough map of where we wanted to go and winged it a few times. Although we stumbled across a few hurdles (car doors not opening and lights falling over) we got there in the end.”

“Give Me Your Love” gives us a little taste of what’s in store when Joe drops his long-awaited debut album A Flower in the Weeds this November.

Image used with permission from Beehive PR; credit: Mikey Conlon (Conlon Creative)

Montgomery Drops Stunning New Single “Close to Being Apart”

It was love at first listen when I heard “Close To Being Apart,” the dreamy new pop bop from Melbourne singer/songwriter/producer Montgomery. All those titles should clue you in to her talent. Press play and there’ll be no doubt. I must admit, I wasn’t familiar with Montgomery’s music before, but I quickly remedied that after listening to this track. Her latest effort explores the idea of moving through life, forging new connections and letting old ones go in the process.

“I wrote ‘Close To Being Apart’ last year after moving house. There’s a mix of emotion when you’re packing up and moving on to a new place that holds no memories. I found myself reminiscing, holding on to sentiment, while another part of me was desperate to start a new chapter,” Montgomery explained. “’Close To Being Apart’ acknowledges that tension of wanting to move forward or change direction, while still clinging to old memories. Even those I’d proudly thought I‘d already let go of.”

“Close To Being Apart” is our first taste of Montgomery’s sophomore EP, which is due out later this year.

Image used with permission from Habit Music Co.

Charlie Collins Releases New Banger for the Broken Hearted, “Just My Luck”

Failed relationships are no fun, but sometimes the songs that come out of them are. That’s the case with “Just My Luck,” the upbeat new single from Charlie Collins. If you’ve ever invested your heart in the wrong person, you’ll want to crank this one up.

“It’s about the feeling of always throwing yourself in the deep end, but the other person isn’t there to catch you when you fall,” Charlie explained. Thankfully it’s not something she’s had to worry about lately, as she began writing the track in her living room with partner Mitch Sexty. The track went to the next level when Charlie began collaborating with Gabriel Strum, aka Japanese Wallpaper, at Sydney’s Forbes Street Studios.

“Just My Luck” is the latest track lifted from Charlie’s forthcoming sophomore album. There’s no word on a release date, but this song should tide you over until it drops.

Image used with permission from Island Records Australia

“Restless Dream” – Bob Weatherall, Halfway, and William Barton

As a white Australian, I freely admit that I don’t know enough about our Indigenous people, their stories, and the issues they face. Like so many of us, I said I needed to learn more when the Black Lives Matter movement hit the headlines last year, and then life got busy and the media died down and I didn’t do enough. Music can make these stories so accessible though. If, like me, you want to learn more about our Indigenous people, I encourage you to listen to Restless Dream, the new album from Kamileroi elder Bob Weatherall and Brisbane band Halfway, with William Barton.

Six years ago, Halfway and Bob began working together on these songs which tell the story of the Repatriation of Aboriginal Ancestral Remains. As Bob reminds us in the opening number, “Water Horse,” our white ancestors are buried in plots we’ve planned, farewelled in ceremonies of our choosing, and there’s comfort in that. We know where they are. It’s one of those white privileges most of us aren’t even aware of. The remains of our Indigenous people are scattered across the globe, in museums at home and overseas. That’s a confronting thought, but even more so when you understand that Aboriginal religious law dictates that there will be no spiritual peace until the dead are returned to their birthplace and received their traditional last rites.

The painful reality of this situation is realised so poignantly in “The Dawn.” Lines like “We take our ancestors out of the boxes and cradle them in our arms” are gut-wrenchingly poetic. But there’s peace here too, as the album takes us home. The closing number “Bloodlines No. 2” is an uplifting release, full of hope and beauty as the ancestors find peace.

Restless Dream is a concept album like I’ve never heard before. Bob Weatherall’s spoken word is so powerful and William Barton is one of the best didge players in the country. They represent the traditions, while Halfway’s vocals and electric guitars bring these stories into the 21st century. This story starts in the past, but it’s unfolding right now.

Restless Dream is out right now. Bob Weatherall, Halfway, and William Barton will perform the album in its entirety at The Tivoli on September 19 as part of the Brisbane Festival.

Image used with permission from Revolutions per Minute

8th Time’s a Charm for Crystal Cities

I’m not saying that the number of singles is a definitive measure of an album’s quality, but when the eighth single you release from an album sounds as good as “Blood-soaked,” from Sydney band Crystal Cities’ sophomore effort Hold Me Close Hold Me Tight, you know it’s outstanding. I’m rarely a drums fan, but Daniel Conte’s work here is so noteworthy. And let’s just take a moment to appreciate those stellar vocals from Geoff Rana.

“‘Blood-soaked’ tells the tale of the power of the mind,” Geoff explained. “Although you get to choose the outcome, you are not always the winner. Reality is your prize, and is your creation, and that creation can be your greatest achievement or your biggest downfall. I’ve tried to convey this message through the loose narrative of a prizefighter from ancient Greece in a battle of epic proportions, hanging on for dear life.”

The quality of this album is a testament to the band’s commitment. They recorded their debut album, Under the Cold Light of the Moon, at Abbey Road Studios, and where do you go from there? If you’re Crystal Cities, you try something totally new. This time there was no iconic studio or producer. Instead, Geoff decided to learn all he could about the recording process. He applied the lessons he learned from YouTube and other free resources to recording the new material in a Sydney home studio. He was learning on the job, but I can’t imagine him doing better. World-renowned engineer Paul Lani, who’s worked with the likes of Prince and David Bowie, gave the songs a final spit polish before they were released in the world. Give them all a listen on your favourite streaming service.

Image used with permission from The Right Profile

Lady Lash Shows Serious Vocal Chops With “Love My Darkness”

Don’t you just love those voices that stop you in your tracks? Melbourne artist Lady Lash is the latest artist to get me super excited about her sound. Her powerful tone anchors her latest single “Love My Darkness,” forcing you to listen in and take notice.


“Love My Darkness” comes from Lady Lash’s new album Spiritual Misfit, which drops on November 22. If this track is any indication, it’ll be something really special.

Image via Lady Lash Bandcamp

Audition Tape Encourage Dancing at Home With “If I Called Tonight”

Hitting the clubs might be a while off yet, but if you’re like me indulging in a few at-home dance parties, you’re going to want to crank up “If I Called Tonight,” the latest track from Melbourne duo Audition Tape. It’s a polished piece of dance-pop that reminds me of fine Scandi artists like Robyn and Sigrid.

“Written on the brink of calling an ex, I was frustrated and curious. I had clarity about the way I felt three months after the opportunity to say it. I had to answer the question, “What do I do with all of these thoughts and memories now?” And I guess that question was answered – crank the autotune, punch in a 4/4 kick, write a dance song.”

If you haven’t heard about Audition Tape’s music before, don’t worry; they’re just getting started. They launched and began releasing music this year, which is a pretty ballsy move in 2021 I’ve got to say. With that sort of courage and serious talent behind them, the sky’s the limit for Audition Tape.

Image used with permission from Audition Tape

Discover the Wonderful Sounds of Timothy and The Apocalypse

Timothy and The Apocalypse is the solo musical project of Timothy Poulton, who rediscovered his love of music through the COVID pandemic. The project became an outlet for his frustrated creativity. His latest single “Start Again” gives us a taste of what’s in store with his second release Ethereal Event.

“Start Again” fuses classic rock influences with a little 90s rave and modern electronica. It’s a mishmash of sounds that somehow works. I can’t stop listening.

If you love this, you don’t have too long to wait to hear more. Ethereal Event drops on September 17.

Image used with permission from the A&R Department

AViVA Drops Moody New Single, “Melancholy”

If there was ever a time for an artist making what the press release called “emo-pop,” it’s now. With New South Wales and Victorian lockdowns dragging on, I’ll bet that AViVA’s new single “Melancholy” will resonate with more than a few of you.

“Seemingly cheerful and upbeat from the outside, it doesn’t matter what makes you feel that way, sometimes feeling down is the only way you can feel, but the power of the last line ‘it will never be the same’ is where the core message of the song lies,” AViVA explained. “Even though after negative experiences things often aren’t the same, we are always free to learn and grow from our experiences. Feeling melancholy, like so many feelings, is just a temporary state. Things will, as they always do, get better.”

AViVA is giving us all something to look forward to once lockdown ends with shows all around the country. She’s also scheduled to play Spain’s Mad Cool Festival next year. It’s ambitious to announce an Aussie tour right now, let alone international plans, but I have to admire her optimism! If you’re keen on some gigs, put these ones on your radar.

12 Nov 2021 – Enigma Bar, Adelaide (All Ages)
13 Nov 2021 – Wrangler Studios, Melbourne (All Ages)
20 Nov 2021 – Factory Floor, Sydney (Afternoon All Ages)
20 Nov 2021 – Factory Floor, Sydney (Evening 18+)
21 Nov 2021 – The Brightside, Sydney (Afternoon All Ages)
6-9 July 2022 – Mad Cool Festival, Madrid

Image used with permission from Island Records Australia; photo credit: MataisC

Dansy Releases Bold New Single, “Wish U Could”

Kiwi-born, Melbourne-based artist Dansy serves up plenty of attitude with her latest single “Wish U Could.” The track has a real rock edge, but I can also hear Dansy’s pop influences peeking through. Dansy cites The Pussycat Dolls and My Chemical Romance as influences, so it shouldn’t be any surprise that this is powerful track doesn’t sit neatly in any genre box.

I love the song, but imagine hearing it live would be even better. Can you imagine the explosive energy Dansy would bring when she’s feeding off the crowd? Her press release says she loves performing, so hopefully it’s not too long before we can see her up on stage where she belongs. Until then, crank this one up.

Image used with permission from Dansy