Hattie Oates Impresses With “Used To Be”

I fell in love with Hattie Oates’ music when she released her debut single “She’s All Yours” in early 2019. She was just 15 then, but I saw something so special in her. Now 17, with a little more life experience behind her, I think she’s sounding even better. Her latest track “Used To Be” is a brilliant track that’s sure to resonate with fans of Amy Shark and G-Flip. This is approachable, honest pop music with a fresh sound that begs for repeat listens. While it sounds cutting-edge, Hattie took inspiration from the past.

“In a nutshell, this song is about nostalgia. Whether it’s a person, place or time, it’s a memory that is forever repeating itself in your mind, and one you just wish you could go back to,” Hattie said. “Honestly, it is probably one of the most personal songs I have released yet. Every time I sing it, I’m hit with a highlight reel of the one of the best summers of my life, hence why I want to go back to how it ‘used to be’. But even so, while the core message is a little sad, performing it is liberating.”

While she hasn’t got any upcoming gigs, give her Facebook page a follow so you can be first to know when she’s hitting a venue near you.

Image used with permission from POPCOM

Birdz and Ngaiire Make Beautiful Music Together on “Fly”

Melbourne hip-hop act Birdz has teamed up with Sydney soul chanteuse Ngaiire for a gorgeous new single “Fly.” This is really uplifting stuff, with two of the country’s most exciting BIPOC voices, both with different styles, coming together to create something beautiful.

“As Indigenous people, we carry with us the oldest living cultures in the world,” Birdz said. “That’s something sacred that no one can ever take from us – it’s that energy that holds our heads up high no matter what the world throws at us.”

The song saw Birdz teaming up with his longtime producer and friend trials, but they knew they needed a great soul voice to really elevate the song.

“We had the hook idea in the stash for ages and I eventually came back to it to record the verses months later. Once we had a decent demo, trials and I knew we needed a soulful singer to really bring it home. I’ve always been a huge fan of Ngaiire’s and think that she’s hands down one of the best singer-songwriters in the country.”

“Fly” was one of the first tracks Birdz wrote for his new album project, which is scheduled for release later this year. If it’s all this good, it’s going to be pretty special.

Image used with permission from Island Records Australia

Tom Myers Rocks Out With “On My Head”

Papa vs Pretty founding member Tom Myers is striking out on his new solo single “On My Head.” This track feels like an instant classic. Those fuzzy guitars, driving drums, and edgy vocals are taking me back to a time when bands like Silverchair and Something for Kate ruled the airwaves.

It’s a rocking song that exorcises some of the demons Tom’s felt in recent years. He penned the track just after Papa vs Pretty went their separate ways in 2014, although he admits it also addresses some of the feelings brought up by the unexpected deal of his bandmate Luke Liang in 2018.

“The song touches on the anxiety and disillusionment I felt during this period,” he said.

“On My Head” is the second track lifted from Tom’s forthcoming EP. If it’s full of bangers like this, I’ll be one happy listener.

Image used with permission from Footstomp Music

Tim Hart Announces East Coast Album Tour

Tim Hart’s recently released album Winning Hand has been a real slow burner for me. I quite enjoyed it when I listened on its February release, but I couldn’t rave about it. However, I’ve found myself gravitating back to it time and time again over the last month. It’s one of those albums that gets a little richer with every listen. I’m now raving about tracks like “Cold Comfort” and “Ace of Hearts” to anyone who’ll listen. In fact, I’m enjoying it more than any of the music he released with Boy & Bear! If you haven’t listened yet, go do it. If it doesn’t grab you right away, give it a little time. It’s pretty awesome.

I tell you all this because Tim has just announced his Winning Hand album tour. He’ll make stops along the East Coast and bring these great tunes to the people. You’re going to want to get on this one. And make sure you arrive early enough to catch the incredible Moon Saloon in the supporting slot. Tickets are available now from the venues.

7 May 2021 – The Junk Bar, Brisbane (7pm show)
14 May 2021 – The Vanguard, Sydney (6pm and 9:30 pm shows) early show)
15 May 2021 – The Wesley Anne, Melbourne (3pm and 8pm shows)
16 May 2021 – Baby Black Cafe, Bacchus Marsh (4pm show)

Image used with permission from Maths and Magic

Down For Tomorrow Gets Philosophical With “Good Person”

Sydney indie-punk act Down For Tomorrow espouses key life lessons in their latest single “Good Person.” It doesn’t rock quite as hard as many of the band’s other material, but it’s great to hear a slightly softer side. There’s also some stirring instrumentation and powerful vocals from frontman Cody Stebbings to satisfy faithful fans.

“’Good Person’ is about coming to terms with the fact that we are responsible for our own lives,” he explained. “It traverses that understanding that we are a manifestation of our knowledge and experiences, and that life’s content reflects our truest thoughts.”

As an added bonus, “Good Person” comes packaged with a B-side, “Full Circle.” This track returns to Down For Tomorrow’s roots, with all the angst the punk band has built their reputation on.

“’Full Circle’ is a quick return to the feelings that gave life and blood to our earlier offerings” Cody noted. “A reminder that it is possible to progress and see improvement by visiting the past from time to time.”

Down For Tomorrow will celebrate the release with a string of shows with labelmate FANGZ. Check them out at the following venues:

10 April 2021 – La La La’s, Wollongong
16 April 2021 – The Basement, Canberra
7 May 2021 – The Baroque Room, Katoomba

Image used with permission from Good Intent; credit: Robbie Walcott

Eli Dan’s New Single More Than “Just Another Love Song”

I was instantly struck by the beauty of Eli Dan’s new single “Just Another Love Song.” Much more than its title suggests, the track is romantic without feeling tired, with fresh electronic flourishes and beautiful vocals from Elisha Apurado.

She’s the Eli part of Eli Dan, who brings a modern pop sensibility to the folkier style of her collaborator Danny Hacket. Together they create music that the press release calls a mash-up of the sounds of Sara Bareilles, John Mayer, and LANY. No wonder I’m all about it.

This is just the second single from Eli Dan, who burst onto the scene in 2019 with “Treading Water.” Thankfully the duo won’t leave us waiting another couple of years for more music. There are more singles to come, leading up to the release of Eli Dan’s first EP in October.

Image used with permission from Eli Dan

Help Save Crowbar

It’s no secret that Australia’s coolest music venues have taken a hit in the last year. With governments taking their time to open venues and ease capacity restrictions (and actually follow through on their promises and help out in any meaningful way), some of your favourite haunts are struggling to keep their doors open. Crowbar in Sydney is one of the venues doing it tough, but the owners have come up with an ingenious solution to keep the doors open. They’ve launched a crowdfunder campaign, and you could score some pretty sweet swag for getting involved. Below is a statement from the Crowbar team:

“Crowbar Sydney needs your help! After 12 months of lockdowns and restrictions, Crowbar needs to call on its community of supporters for help to survive. Live music venues around the country are closing down or just holding on by a thread. We are all battling negotiations with landlords, restrictions and reduced income, facing the end of JobKeeper and struggling to pay ongoing fixed costs and debt that keeps piling up. As one of the first industries to close and the last to open, we’ve been hoping that State and Federal Governments might come to our aid, but we’re no longer in a position to patiently wait. And so, we need your help. Without it, we face making the gut-wrenching decision of having to stop the music and close our doors permanently. We’re asking our friends, our fans, our families, and everyone we know to help keep Crowbar alive by donating to our CrowFunder campaign.

In March 2020 COVID-19 restrictions forced us to close our doors and stand down staff while we cancelled months of shows and events. We spoke to our landlords regarding rent and came to some arrangements, and are continuing to negotiate with them. We managed to trade at 1-3% of regular turnover with takeaway sales for the next few months until we were able to open the bar again for a much smaller crowd in mid-June. We were eventually able to put on shows again in late August, returning to 20-30% of trade, dropping from 28,441 ticketed attendees in 2019 to just 8,336 in 2020. With restrictions slowly easing we are now returning to 30-40% of trade.

We have spoken with Ministers, Parliament, MusicNSW, the Australian Hotels Association, APRA and media. We have completed surveys and submitted our gravely reduced figures for turnover and attendance. We have carried on as best we can, working within government restrictions and operating at severely reduced capacities. We have taken loans to keep our staff paid and our doors open, in the hope that the NSW government would step up to help live music venues with something more to survive and put towards operational and fixed business costs like rent, insurance and utilities – something like the Victorian Live Music Venues Program. The grants we have been eligible for, like Live Music Australia, can only be used towards artist fees and venue improvements, which is helpful, but leaves us in a tenuous position with our operational costs when artists and venue capacities are controlled by restrictions and border closures.

Crowbar is an independent, family-operated business, built on 9 years of blood, sweat and tears, and 20 years experience in the music industry. Supporting live music in Australia and nurturing our once-thriving music scene has stood at the forefront of everything we do, and despite this massive hurdle of COVID-19 recovery, we aren’t ready to end the good fight just yet. We are overwhelmed by the tremendous support from our friends, bands and industry colleagues who have donated some amazing prizes and rewards for this crowdfunding campaign.

If we are successful in reaching our target we have a strong hope of recovering through this pandemic to continue putting on the best shows, parties and good times.”

Make a donation for a merchandise reward via Pozible or take part in the online auction for your chance to score some money-can’t-buy goodies including:

  • Lindsay McDougall’s first Frenzal Rhomb guitar
  • Test pressings from Cooking Vinyl for The Bronx, Luca Brasi, The Chats, Modern Baseball, Ceres and heaps more thanks to Cooking Vinyl Australia
  • A limited Mindsnare ‘The Death’ skateboard and ’Credulity’ test pressing
  • A signed Simple Plan drum skin from Oztix
  • A stage backdrop and test pressing from The Amity Affliction
  • Crowbar Brisbane’s infamous inverted neon cross
  • A keg party at your house thanks to Pabst Blue Ribbon
  • A MEGA merch pack from 24Hundred and Unified

Other rewards include gold records, limited edition skateboards, drum and guitar lessons from some of your favourite bands and stacks of signed memorabilia. New items will be added each week, so keep checking in.

If you want to do even more to help out, check out Blackcraft Cult’s collaboration benefit range. These T-shirts and hoodies will be great conversation starters for raising awareness of Crowbar’s plight.

Crowbar wants to raise $200,000 in the next 30 days to keep the venue open. Click the links and get involved!

Images used with permission from Deathproof PR

Ben Mastwyk Releases New Single Ahead of Album Launch

Ben Mastwyk releases his album Livin’ in Gold Street this Friday, but the Melbourne artist couldn’t resist the chance to offer just one more taste of the music to come. “Trouble’s What I Found” is the fifth single from the album and perhaps his strongest yet.

I love this song’s cool alt-country feel. The press release describes it as “Dwight Yoakam pushed through a blender and sprinkled with rhinestones,” and that is just so perfect there’s no point in me trying to come up with my own analogy.

“I had just come off the back of a long-term relationship. I was distraught and vulnerable but also excited for new possibilities. Heading out into the world with that kind of energy opens you up to all kinds of people and experiences,” Ben explained of the song’s inspiration. “This song has me questioning my motions. Was I blurring lines between my friendships? Was I being responsible? It’s incredibly autobiographical, but hopefully, also universal. I think we all go through emotionally vulnerable times where we might take missteps in our lives … lean a little too hard on our friends … open ourselves up to people and experiences that may not be completely healthy for us or other parties involved. This song has me looking back, checking in on myself and the way I played during one of my most vulnerable moments. It’s jam-packed full of intensity.”

With so much country crossing over with pop, it’s refreshing to hear music like this which fuses the genre with something darker and more soulful. I can hear a little Chris Isaak, a little Flying Burrito Brothers, and a whole lot of talent in this. If you can too, check out Livin’ in Gold Street when it drops on Friday and experience what Ben is all about in person at one of the following shows.

24 March 2021 – Blue Door Dinner, The Freedom Hub (FREE acoustic show)
25 March 2021 – The Midnight Special, Newtown (Acoustic show)
26 March 2021 – Dashville Nights, Lower Belford
27 March 2021 – Tamworth Hotel, Tamworth, NSW (Album launch – FREE) *
28 March 2021 – Ramblin’ Rascal Tavern, Sydney (FREE)

Image used with permission from Rock This Country

Henry Alexander Shines With Upbeat New Single “Tell The Future”

Henry Alexander has got me grooving with his optimistic new pop-soul single “Tell The Future.” It’s got a great ‘80s vibe and the sort of positive, hopeful message we all need during these challenging times. This song sounds so tight so it’s impressive to hear it was created during challenging circumstances.

“This song evolved greatly during the COVID lockdown in Melbourne, Australia,” Henry explained. “Being forbidden from meeting in person for an extended period of time, we could not have created this track without today’s music recording technology. Bouncing tracks back and forth between the band members, we deeply connected and channelled our feelings in what has been the most challenging times of our lives.”

“Tell The Future” is the latest in a string of singles that have enjoyed strong support on local community radio and college stations in the U.S. With this new release, Henry is cementing his reputation as one of the most exciting young talents around.

Image used with permission from the A&R Department

Delta Goodrem Drops Banging “Billionaire” Single Ahead of Album, Rescheduled Tour

Delta Goodrem has really surprised me with the latest track from her Bridge Over Troubled Dreams album. Billionaire sounds like it could come from the soundtrack of a classic Western. It’s like nothing we’ve heard from her before. While it’s sonically very different, the deeply personal lyrics are a Delta trademark. She wrote and produced this one, so its creation has clearly been a labour of love.

“‘Billionaire’ is one of my favourite songs on the record. It’s gritty, unfiltered girl power,” she explained. “I’ve always been about leading with my heart and soul, and this song is about flipping social constructs on their head and saying, ‘I’m going to stand on my own two feet. I’m going to make things happen for myself.’”

Bridge Over Troubled Dreams will drop on May 14. That gives fans plenty of time to familiarise themselves with the songs, as Delta’s moved dates for the album tour from April and May to September and October. If you got tickets already, they’re valid for the rescheduled shows. However, there are still good seats available if you haven’t secured yours yet.

24 September 2021 – Newcastle Entertainment Centre, Newcastle
25 September 2021 – Royal Theatre, Canberra
30 September 2021 – WIN Entertainment Centre, Wollongong
2 October 2021 – Gold Coast Convention and Exhibition Centre, Broadbeach
6 October 2021 – Townsville Entertainment and Convention Centre, Townsville
8 October 2021 – Brisbane Entertainment Centre, Brisbane
9 October 2021 – Qudos Bank Arena, Sydney
13 October 2021 – RAC Arena, Perth
15 October 2021 – Adelaide Entertainment Centre, Adelaide
16 October 2021 – Rod Laver Arena, Melbourne
21 October 2021 – Kiri Te Kanawa Theatre, Auckland
22 October 2021 – Michael Fowler Centre, Wellington
23 October 2021 – Christchurch Town Hall, Christchurch

Image used with permission from Sony Music Australia