Looking back through my blog, I’ve admired Alexander Biggs’ music since 2016. As an independent artist, writing, self-recording, and producing his own music, there’s never a lot of fanfare about his releases. They’re quiet songs that cast a spell, providing a few moments of calm in the chaos of the real world. They always leave me wanting a little something more, so I’m thrilled that finally, Alexander has released his first album, Hit or Miss.
If you’re already familiar with Alexander’s music, you know what to expect, and I doubt you’ll be disappointed. If this is your first introduction, it might take you a little time to embrace his songs. They’re much more subtle than music that earns radio airplay or goes viral on social media. But give it time, and I swear it’ll get underneath your skin. You’ll learn to appreciate the gentle strains of acoustic guitar or piano, Alexander’s hushed tones, and the poetic vignettes his words create. The songs feel like diary entries capturing moments in time that fade away all too quickly. There’s romance without schmaltz, bittersweet pain, and emotions kept on the surface. I was familiar with many of these songs, but they’re so much more potent here, with the other tracks providing context and clarity.
I started listening to Hit or Miss this morning. Every time the final notes of the title track faded away, I found myself pressing play again. It’s one of those albums that gets richer and more endearing with every listen. It’s special. You’ll find it on your favourite streaming platforms, but if like me you prefer tangible music, grab a copy of the limited-edition vinyl while you can.
Image used with permission from Maths & Magic
