Tim Minchin @ State Theatre, Sydney – 27 March 2019

The rise of technology has largely changed the concert-going experience. I often see people snapping photos on their phones or recording entire songs to watch later. In some cases I even observe people checking Facebook or messaging friends during lull moments. We’re so tied to the technology that taking a couple of hours out from it seems unthinkable. So it was refreshing to attend a show on Wednesday night where we told to put the phones on airplane mode, that we should take time out from the virtue signalling, that the sports scores wouldn’t change because we weren’t monitoring them. Thank you, Tim Minchin for creating an environment where we were all in the moment.

Of course, that means no photos, except for the one above I snapped while others were finding their seats. So you’ll just have to imagine his glorious ginger mane, his lean frame clad in black jeans and graphic T-shirt, those sparkling blue eyes framed in guyliner. You’ll have to imagine how furiously he banged on the piano. How he struggled to keep still when he was chatting to us, so he spent the time pacing the stage or performing lunges.

My husband and I have always enjoyed seeing Tim perform on comedy galas and the like, but this was our first introduction to his shows. Given the enthusiastic responses to different songs, I think we might have been in the minority. I kind of liked that though. There’s nothing quite like hearing punchlines for the first time. The laughs came thick and fast, but there was also time for Tim to sound off on the workings of modern society, how we treat one another, and the church. He touched on the George Pell ruling, although he wouldn’t play “that song,” feeling it has served its purpose. Although as any Tim Minchin fan knows, there are plenty of other songs with religious commentary that can still stand in. There were those moments that set my mind whirring, and others where Tim was declaring his love of cheese in a funk-soaked musical number.

While his was the name on the posters, this was no one-man show. He assembled a fantastic band, including Jak Housden (The Whitlams, The Badloves) and one of the tightest brass trios I’ve heard in a while. Even RocKwiz’s Dougal was on hand. I suppose he needs a gig since its axing! It all amounted to a whole lot of fun, laced with some serious social and political commentary. As the poster says, Tim Minchin is “Back,” and given the world’s current climate, just in time too.

Image source: own photo

KG Spreads Positivity With “Come Along”

Canberra’s own KG is never short of something to say. His new release “Come Along” is the perfect follow-up to his 2018 singles “Black Boy” and “Change,” another socially conscious anthem delivered with soul.

This track sees KG collaborating with Sydney artist Mirrah. Her angelic vocals bring a sweetness that balances out KG’s rhymes.

“It’s a song to encourage others to get through the struggles of live and overcome the hard stuff,” KG explained. “Come along on this journey to a better life!”

KG will launch the single for hometown fans at Smith’s Alternative on April 27.

Image used with permission from Beehive PR

Benn Gunn Celebrates Lighter Side of Divorce With “I Got the Boat”

Divorce can be painful and emotional, but it can also be hilarious if you have the right perspective. Enter Benn Gunn, a true blue Aussie country singer who champions the lighter side of conscious uncoupling in his new single “I Got the Boat.”

During the song Benn admits that men can lose a lot of assets when they split from their other halves. However, so long as he’s got the boat, he’s got everything he needs!

Benn’s next show is at the Norfolk Island Country Music Festival on May 20.

The Jensens Help You Start Your Week on the Right Note With “Mt Mura”

It’s so hard to fire up on gloomy grey mornings, but The Jensens have helped put the pep in my step today. The Brisbane indie-rockers’ latest track is “Mt. Mura,” a cool track which brings elements of funk and disco into their genre with fantastic results.

These guys know what they’re doing, delivering this genre-bending track with more confidence that an act that hasn’t even released a debut album probably should. That album is coming though. There’s no release date yet, but with killer tracks like “Mt. Mura” on board, Hyacinth Haze should be something special when it finally drops. Hear a sneak peek when The Jensens play Ivey at The Foundry on April 24.

Image used with permission from GYRO PR

Fall For The Urban Sea’s “Underground Love”

Brisbane soul-rock outfit The Urban Sea has just released its cooler than cool new single “Underground Love.” It’s a slick offering from the six-piece which explores the seemingly limitless relationships options we have available at a swipe of our thumbs.

“Underground Love” has been a favourite among fans at The Urban Sea’s live shows, and it’s not hard to hear why. It’s got me really excited to hear what the band has in store on their next EP.

The Eagles @ Qudos Bank Arena, Sydney – 13 March 2019

Life has been moving at such a frantic pace that I know if I don’t take a little time out of my Sunday to get down my thoughts of The Eagles show a couple of weeks ago, I’m never going to get there. That’d be a shame, because while it’s only March, I’m pretty sure it’ll be the best show I see all year.

My dad passed his love of The Eagles down to me. It’s as much a part of me as my grey eyes that are a spitting image of his own and the way our noses get stuffy when we drink too much red wine. Every time they tour, I’m right there by his side, singing along to the songs that have such a special place in our hearts.

This was a different tour though, one tinged with sadness. We lost Glenn Frey a couple of years ago now. I cried then, and I felt the tears welling up at certain points during this show. When his image was beamed onto the back of the stage in tribute. When the band played “Already Gone,” a song usually so joyous that didn’t quite have the same spark. When the band introduced Vince Gill and Deacon Frey, Glenn’s son. They took over Glenn’s vocals admirably, but it says something that it takes two men to even attempt to replace my favourite Eagles member.

Acknowledging Glenn and his passing was important, but not as important as the music and the brotherhood on stage. While there’s a little hole in the band now, and arguably a bigger one than that experienced when Bernie Leadon, Randy Meisner, or Don Felder left the band, there’s still a great camaraderie between these guys. The new recruits felt every bit a part of the show as the old guard. In time I imagine we might struggle to imagine the Eagles without them, just as I do “new kid” Timothy B. Schmidt.

Music is such a powerful healer. While my thoughts turned to Glenn from time to time, most of the show I spend singing along to those hits. “One of These Nights,” “I Can’t Tell You Why,” “Lyin Eyes,” a killer version of “Heartache Tonight.” I was in raptures. The harmonies, always an Eagles signature, were flawless. It was fitting to hear Vince Gill’s “Don’t Let Our Love Start Slipping Away” alongside solo hits from Don Henley and Joe Walsh, a true acknowledgement that he’s one of the guys now.

Speaking of Joe Walsh, can I just take a moment to mention just how fantastic he is? My dad has often joked that Joe’s legendary partying has killed just about every brain cell except for those that play guitar. He does that perhaps better than any musician I’ve ever seen, and I’ve seen many of the greats. He’s also hilarious. His solo tracks “Life’s Been Good” and “Rocky Mountain Way,” so special that it made the first encore, were among the gig’s highlights, no mean feat in a show with so many smash songs.

When Glenn passed away, my family and I counted our blessings that we’d been lucky enough to see The Eagles as many times as we have. We didn’t think there’d be another tour. We said our goodbyes then, made peace with it. This time Don said these shows are probably the last we’ll get. If this is goodbye, what a farewell. Again we count our blessings, thankful we got the opportunity to see this outstanding band one last time.

Image source: Stephen Katulka

Jade Gibson Releases Perfect Road Trip Anthem, “The Great Unknown”

Wangaratta country artist Jade Gibson is making me want to pack my bags and take a road trip with her latest single “The Great Unknown.” It’s a classic country track with a distinctly Australian flavour which should see her graduate from playing local BnS balls to big stages.

“The Great Unknown” is the title track from Jade’s five-song EP, which drops on April 12. She’s playing plenty of regional gigs in the near future. Catch her at the following shows.

23 March 2019 – Euroa Rodeo, Euroa
6 April 2019 – Heyfield BnS Ball, Heyfield
13 April 2019 – ‘The Great Unknown’ EP Launch Party, Rutherglen
20 April 2019 – Omeo Rodeo, Omeo
27 April 2019 – Lava Blast BnS Ball, Dundonnell
4 May 2019 – Collie Hotel, Collie
11 May 2019 – Edward River Hotel, Deniliquin
18 May 2019 – Batlow RSL Club, Batlow
25 May 2019 – Henty Football Club, Henty
1 June 2019 – Precinct Bar & Restaurant, Wangaratta
22 June 2019 – Bright Football Club, Bright

Rach Brennan & The Pines Touring Fab New Album

I’ve found myself thoroughly charmed this morning by Here’s to Better Times & Seeing Better Places, the debut album from Victorian indie-pop act Rach Brennan & The Pines. There’s so much warmth and wisdom in this album, which dropped today. And with just nine tracks, the band’s ensured every one is flawless.

Choosing a favourite seems like choosing a favourite child, but current single “Hindsight” has really bowled me over. It’s got all that wisdom I mentioned wrapped up in an upbeat, feel-good poppy package.

“‘Hindsight’ is about a moment of clarity when you realise that you’re no longer young, but not yet old … but even though you might feel stuck or limited in experience, the world around you keeps moving at breakneck pace with no sign of slowing down,” Rach explained. “In this time in your life you either stay still and let it rush past you … or you let go, be kind to yourself and let the current take you.”

Rach Brennan & The Pines have been incredibly busy of late playing single release shows and festivals, but there’s no slowing them down. You can catch this exciting new act at the following shows celebrating the album’s release.

19 April 2019 – Halls Gap Hotel, Halls Gap
2 May 2019 – The Gasometer Hotel, Collingwood
25 May 2019 – The Workers Club, Geelong
30 May 2019 – Marlborough Hotel, Newtown
31 May 2019 – Howlin’ Wolf Bar, Wollongong

Image used with permission from The Right Profile

Martika is No Pop Princess

She shares her name with an ‘80s pop icon, but Melbourne artist Martika is a whole different musician. Just take one listen to her debut single “How Did I Get Here” and you’ll realise our own Martika is much darker and more soulful.

“This song explores the emotional journey of an artist; that lost feeling of being at a crossroads in life,” she explained. “I was unsure of which way to go. I found myself reflecting on my life and where I was, thinking that music should have brought me success at this point – and was it all worth it? It was then the decision of whether to keep on walking down the hard road, striving to make my passion a career or to take the easy road and find stability. This song has helped me vent the frustration of what a struggling artist goes through, and has helped me find the strength to carry on.”

Martika will launch the single for hometown fans at The Toff on April 11.

Baltimöre Charlót Goes Her Own Way With “Metamorphosis” EP

Tasmanian alt-pop act Baltimöre Charlót is pushing the boundaries with her exciting new EP Metamorphosis. In just four tracks, Baltimöre Charlót shows she’s not afraid to do music differently.

I encourage you to track down the whole thing on your favourite digital platform, but if you just listen to one track make it the opener “Serpents.” It’s such a cool track with intelligent production and sultry vocals from Ms. Charlót.

Listening to the EP, it’s incredible to think Baltimöre Charlót wrote, recorded, and mixed it herself over just two weeks in her bedroom studio. That’s some serious talent.

The production is so important to the sound of this EP that I can’t help wondering how she sounds on stage. Hobart locals get their chance to find out when Baltimöre Charlót plays Republic Bar & Café on April 6.

Image used with permission from Pompadour PR