Liam Gale & The Ponytails Go Their Own Way With “It’s Alright, Speak Nice”

Liam Gale & The Ponytails are offering an exciting taste of their upcoming release “’The Desire Lines,” dropping the single “It’s Alright, Speak Nice” for your listening pleasure.

This is such an original track, with a trippy psychedelic rock feel meeting some sexy jazz grooves. Rosie Jackson brings some soul to the track, which touches on reckless drinking, religion, forlorn love, and bushfires.

Liam Gale & The Ponytails are playing several shows around Sydney over the coming weeks, including one in Marrickville tonight. Here are the places you can catch this talented band.

17 April 2018 – Lazybones Lounge, Marrickville
29 April 2018 – Upstairs at Fred’s, Camden
11 May 2018 – Sofar Sounds, Sydney (secret show)

Baby Animals Back to Best With “Tonight”

Baby Animals were the real surprise packet of this year’s Red Hot Summer shows for me. They were one of the only acts I’d never seen live before, and their blistering sets made me wonder why I’d left it this long. Suze deMarchi oozes cool and the band is one of the tightest I’ve ever seen. I also appreciate that they weren’t like so many other acts resting on their laurels. Trading on nostalgia is easy, but bringing new music to an audience takes balls. The new single “Tonight” was a highlight of the set, a track I wanted to make sure you all wrapped your ears around.

Baby Animals do too, so they’re touring the country as headliners to support its release. Expect to hear more tracks from their forthcoming EP along with all your old favourites at the following shows.

22 June 2018 – Corner Hotel, Melbourne
23 June 2018 – The Gov, Adelaide
29 June 2018 – Doyalson RSL, Doyalson
30 June 2018 – Waves, Wollongong

Image used with permission from Revolutions per Minute

Harry Carman’s New Single “Prisoner” Much More Than Pop

Canberra’s Harry Carman defies genre with his new single “Prisoner.” The press release claims it’s “a melodic, up-tempo 3-minute pop song” but that description doesn’t go far enough. The brass hooks and bass have a real jazzy flavour, and those wailing guitars are pure rock. It takes the listener on a real journey, engaging from start to finish.

“When I wrote ‘Prisoner’ I was broke, sleeping on a friend’s couch and living a self-destructive lifestyle. My first EP was out, and I wanted the rock star lifestyle – sex, drugs and rock & roll – the problem was that I wasn’t a rock star, in fact far from it,” Harry explained. “’Prisoner’ is a song about breaking up with that way of life and focusing on the music, I wrote the song from the perspective of an abusive relationship, because that’s what it was, an abusive relationship between myself and the person I wanted to be.”

“Prisoner” comes from Harry’s upcoming EP State of Sedation, which should drop in the middle of the year.

Leading Rock Musicians Celebrate AC/DC as Bon But Not Forgotten

AC/DC cover bands are a dime a dozen, but few have the credentials of Bon But Not Forgotten. This supergroup features some of the leading names in Australian music, including former AC/DC members Simon Wright and Tony Currenti, premiere guitarist Phil Emmanuel, The Angels and Choirboys member James Morley, and Electric Mary frontman RUSTY.

Bon But Not Forgotten will play shows around the country this July to celebrate Bon’s birthday. They’ll play all your favourite and some hidden gems most of the tribute shows are too scared to trot out. The next best thing to seeing the originals, don’t miss Bon But Not Forgotten.

6 July 2018 – The Charles Hotel, Perth
7 July 2018 – The Yarraville Club, Yarraville
8 July 2018 – Cherry Bar, Melbourne
13 July 2018 – The Factory Theatre, Marrickville
14 July 2018 – Entrance Leagues Club, Bateau Bay

Image used with permission from AAA Entertainment

Mitch King’s New Single Will Make You a Believer

“Believe,” the new single from Queensland indie folk singer Mitch King is like chicken soup for this cold-ridden music blogger. It’s got a beautiful message delivered so sweetly with an acoustic guitar and Mitch’s superb vocals.

“The more you believe the more you’ll create what you want out of life,” Mitch explained of the song’s inspiration. “Sometimes you have to let go of old ways of thinking and ingrained programs in the mind to sincerely believe in yourself, goals and passions.”

Amen. This stunning song is paired perfectly with the film clip, shot in picture-perfect New Zealand.

Mitch plans to spend the rest of 2018 recording, writing, releasing, and playing live gigs. He’ll play BBQ Bazaar at Burleigh tomorrow night from 7 pm.

Jimmy Barnes @ Civic Theatre, Newcastle – 6 April 2018

Jimmy Barnes was the first musician I ever saw live. I’ve lost count of the number of times I’ve seen him perform since that 1991 show, but I’ve never seen him as I did last Friday night at Newcastle’s Civic Theatre. I thought I had an inkling of what to expect, as we saw him at Lizotte’s just before his Working Class Boy tour kicked off last year. That show incorporated stories and songs, so I expected more of the same. However, this time the musical performances took a backseat to the tales from Jimmy’s second book, Working Class Boy.

This show takes the audience on the journey through Jimmy’s fame, from Cold Chisel’s early days through his solo career, warts and all. There’s no sugar coating here. The highs are high and the lows can be very low. He might have been a hero to so many Australians, but Jimmy doesn’t paint himself that way. He’s not afraid to speak candidly his struggles with addiction, his failures in relationships with industry colleagues, friends, and family, his battles with mental health and self-acceptance.

You can’t tell the stories of Jimmy’s career without music though. A video screen beamed film clips and concert footage, which Jimmy would comment on while many of us sang along. I don’t think he could have gotten away without taking the mic for a few musical performances though. As someone who’s seen Jimmy several times, I relished the opportunity to hear him play material a little unexpected. From a cover of The Turtles’ “Happy Together,” one of the songs the members of Cold Chisel used to sing in the milk van as they made their way to Armidale, to a stripped back version of “Still on Your Side,” a dedication to the people who put up with so much from Jimmy through all these years.

People who expect an equal measure of stories and songs in Working Class Man: An Evening of Stories & Songs might be disappointed. My mum was, as she felt like she’d heard it all before from reading Jimmy’s book. For her the show was tedious, with not enough music for her liking. However, I was thrilled to see something new from Jimmy, something that was so powerful and personal. While Jimmy’s book was brave, there is a certain kind of disconnect that comes from putting something down on paper, while you’re alone, then releasing it into the world. When you’re standing on a stage, looking people in the eye as you talk about taking so many drugs that you’re not sure whether you’ll wake up in the morning or attempting to take your own life, those walls are gone. We rarely see blokey men like Jimmy speaking about the need for therapy and having conversations about mental health and addiction. It’s powerful and, as someone whose family has been touched by suicide, I think it’s necessary.

Leave your preconceptions at the door and embrace what Working Class Man: An Evening of Stories & Songs is; not your average Jimmy Barnes concert but an incredibly moving night from one of Australia’s most important entertainers. The tour will make the following stops around Australia.

13 April 2018 – Empire Theatre, Toowoomba (SOLD OUT)
14 April 2018 – The Star Theatre, Gold Coast (SOLD OUT)
18 April 2018 – Bunbury Regional Entertainment Centre, Bunbury (SOLD OUT)
19 April 2018 – Perth Concert Hall, Perth (SOLD OUT)
21 April 2018 – Keith Michell Theatre, Port Pirie (SOLD OUT)
22 April 2018 – Thebarton Theatre, Adelaide (SOLD OUT)
26 April 2018 – Frankston Arts Centre Theatre, Frankston (SOLD OUT)
27 April 2018 – Costa Hall @ Geelong Performing Arts Centre, Geelong (SOLD OUT)
28 April 2018 – The Palais Theatre, St Kilda (SOLD OUT)
29 April 2018 – Ulumbarra Theatre, Bendigo (SOLD OUT)
2 May 2018 – Centennial Hall @ Sydney Town Hall
3 May 2018 – Centennial Hall @ Sydney Town Hall (SOLD OUT)
7 May 2018 – Isaac Theatre Royal, Christchurch
8 May 2018 – Isaac Theatre Royal, Christchurch (SOLD OUT)
10 May 2018 – Michael Fowler Centre, Wellington
11 May 2018 – Spark Arena, Auckland
12 May 2018 – Claudelands Arena, Hamilton
20 May 2018 – Darwin Entertainment Centre, Darwin
22 May 2018 – Tank Arts Centre, Cairns (SOLD OUT)
23 May 2018 – Tank Arts Centre, Cairns (SOLD OUT)
25 May 2018 – Townsville Entertainment & Convention Centre, Townsville
26 May 2018 – Mackay Entertainment & Convention Centre, Mackay
27 May 2018 – Pilbeam Theatre, Rockhampton
29 May 2018 – Caloundra Events Centre, Caloundra (SOLD OUT)
30 May 2018 – Saraton Theatre, Grafton
1 June 2018 – Joan Sutherland Performing Arts Centre, Penrith
2 June 2018 – Concourse Concert Hall, Chatswood
6 June 2018 – Civic Theatre, Newcastle
9 June 2018 – Palais Theatre, Melbourne
10 June 2018 – Thebarton Theatre, Adelaide

Image used with permission from Ferris Davies PRM

“This Home is Mine” – Stumps

I must admit, I didn’t get Stumps’ new EP This Home is Mine right away. It felt like this Sydney band was trying too hard to be The Smiths. But I have a rule that I won’t turn off any recording before it gets to the end. I know bands have spent time slaving away in the studio laying down their tracks, so they deserve to be heard out.

It all clicked for me somewhere around the third track, “Matthew McConaughey.” I found myself having fun, tapping my feet along in time with the chorus, which clicks this song into gear. From that moment I was firmly on board.

After listening to this EP once, I felt compelled to go back to the start and try again. Second time around, those early tracks made so much more sense to me. Each song from This Home is Mine is like a sucker punch. Not one clocks in at over four minutes – most tracks are around the three-minute mark – so there’s no time for the band to muck around. They go hard, dropping F-bombs and embracing big chords and thumping drums.

Stumps won’t be everyone’s cup of tea, but This Home is Mine is bloody good fun. It’s bold and raucous, unashamedly unapologetic. Crank it up and give it a chance. If you’re like me, you’ll be glad you did.

I have an inkling this music is going to sound even better in a packed pub with a beer in hand. If you do too, make sure you don’t miss Stumps’ upcoming shows.

14 April 2018 – Waywards, Sydney (supporting Maddy Jane)
20 April 2018 – Gasometer, Melbourne (supporting Maddy Jane)
2 May 2018 – Black Bear Lodge, Brisbane (FREE)
4 May 2018 – Waywards, Sydney
5 May 2018 – Yah Yah’s, Melbourne (FREE)

Image used with permission from Beehive PR

Get Happy With William Crighton

William Crighton has wowed crowds here in Australia, most recently at Bluesfest, and across North America. He’s been called a visionary and an Australian icon, and seeing him live has been compared to a religious experience. So it’s surprising to discover he only has one album under his belt. That’s all about to change though, with his second album Empire set to drop on May 4.

If May seems too far away, you’re in luck. William is giving us a taste of what’s to come with the release of his single “Happiness.” It’s everything you want it to be, fiery, powerful, passionate, honest, and bloody good.

Look out for Empire when it’s released on May 4.

Image used with permission from Revolutions per Minute

Stevie Burr Releases Stellar Debut Single, “Got A Story”

Stevie Burr sounds like a musical veteran, with some gravel in his voice and a confidence in his lyrics. So it might surprise you to learn that “Got a Story” is the debut single from this Melbourne-based singer-songwriter.

What a debut it is though, full of grit and emotion. Perhaps that’s because he’s lived a hell of a life to this point, leaving a home tainted by drugs and violence at just 13 to live with his grandparents. His grandfather taught him how to play the guitar, which led him to songwriting as he attempted to make sense of his unconventional start in life. He lost several people close to him at just 25, and again music helped get him through. You can hear all of that pain and heartache in this amazing song, which Stevie wrote while living on the floor of his uncle’s one-bedroom public housing flat. Deeply depressed and contemplating his life, he penned this track about his upbringing.

It probably doesn’t surprise you to hear Stevie has plenty of music up his sleeve. After the release of this single, I can’t wait to hear more.

Image used with permission from the A&R Department

“Resurrection” – Daniel Lee Kendall

After a four-year absence from the music scene, Daniel Lee Kendall is back with Resurrection, a new EP which may be his strongest collection of songs yet.

It opens with “No Longer Time to Pretend,” a groovy indie pop pleaser which sends a strong message about living your truth. “The Girl With the Stripe In Her Eye” swept me up in a wave of good vibes. It reminded me of a Paul Simon song, with its clever rhythms and intricate musicality.

“Sweet Sweet Reality” might touch on a relationship that didn’t work out, but it’s happily cathartic rather than mournful, about moving forward rather than dreaming. “Time” discusses similar themes in an equally upbeat fashion. There will be tears, and you can certainly experience them, but don’t lose sight of all the good things life offers too.

There’s a beautiful vulnerability in “Take a Chance on Me,” perhaps my favourite track on the EP. It has such heart. “A La Pyrenees” is a surprising closer. Stripped back with only an acoustic guitar, it stands out among the richly layered tracks on this EP. And did I mention it’s all in French? I caught only a few familiar words I remembered from high school, but it’s a powerful reminder that music is a universal language. It’s beautiful.

Resurrection marks a welcome return to the music industry for Daniel Lee Kendall. Like a fine wine, he’s one of those artists that seems to get better with age. It’s ear-pleasing from the first listen, a real delight.