Sheppard Ready for Aussie Tour Ahead of UK Dates

It’s hard to believe that it’s been more than two years since hit makers Sheppard headlined an Aussie tour. However, they’re just about ready to do it all again on the back of their latest smash “Keep Me Crazy.”

This is another feelgood pop gem from the Brisbane band. Just try getting it out of your head!

Sheppard looks forward to playing for local fans in more intimate venues before heading to the United Kingdom to support Little Mix.

“Playing live is so important to us and before things get too crazy overseas, we are looking forward to playing for our fans here,” said George Sheppard. “Playing with Justin Bieber around Australia was a dream come true for us, so to get the opportunity to play to our UK fans with a band like Little Mix is yet another opportunity this year where we’ve had to pinch ourselves!”

Make sure you arrive early to catch sets from the stellar support acts No Frills Twins and Reece Mastin.

27 May 2017 – Eatons Hill Hotel, Brisbane
10 June 2017 – The Croxton, Melbourne
11 June 2017 – Metro Theatre, Sydney

The Royal Parks Wow Me With “In The Wrong”

Ordinarily I try to get news to you about new singles or albums before they’re launched. I figure once the launch is done it’s old news and I’ve missed the boat. It takes a really special song to convince me I should post it regardless, because it’s just that good. “In The Wrong” from Melbourne band The Royal Parks is one of those songs.




This is such a sublime piece of music. The harmonies are incredible. Along with other tracks from the band’s album Suburb Home, the song was produced by Noah Georgeson, the Grammy Award winning legend behind music from Joanna Newsom, Devendra Banhart, and Husky.

The album launch is done and dusted, but since The Royal Parks are local it surely won’t be too long before we see the band announcing more shows.

“24 Hours in Lapa” – Tamil Rogeon

It’s rare to listen to music that’s truly different. The stuff that transports you to another world, taking you out of your comfort zone and making you wonder why you don’t listen to more music like it. But that’s just what happened when I listened to 24 Hours in Lapa, the debut solo album from Melbourne composer Tamil Rogeon.

I call it an album, but it seems like so much more than that. Perhaps opus is a more appropriate term. The press release calls is a “mesmerising 12-part song cycle built on Brazilian rhythms, an orchestral score, and subtle electronics.” It’s all these things and more.

24 Hours in Lapa tells the story of Joseph Martin, a young expat who was shot dead in Rio’s party district, Lapa, when he intervened in a mugging. He was celebrating his 30th birthday that fateful night. This musical collection uses the story of this man’s final hours to meditate on themes of vice, impetuosity, and life cut too short.

It’s an ambitious work for one’s first solo effort, but Tamil Rogeon is no stranger to the music scene. He’s part of the orchestral jazz group The RAah Project and the disco/house/funk trio Harvey Sutherland & Bermuda. He’s also been behind a tribute to Stravinsky’s Rite of Spring, performed by a 100-piece orchestra, a soundtrack to a concern screening of the drawn 2010 AFL grand final, and the Red Bull Beat Suite.

For 24 Hours in Lapa, Tamil Rogeon works with Orchestra Victoria and a host of talented vocalists. The result is quite simply incredible. The blend of Brazilian samba and orchestral elements in opening track “De Manha” intrigued me. But as I was introduced to more of the entirely instrumental numbers, 24 Hours in Lapa began feeling like the soundtrack for a Broadway musical. There’s a theatricality about it that’s familiar, although the exotic Latin beats make it feel fresh.

By the time I heard “Does Nothing End?” with sublime vocals from Krystle Warren, I was hooked. This magical, joyous song is so different from “Jealousy,” an edgy rapid-fire hip hop track featuring Raashan Ahmad which comes just a couple of numbers later, but this too is strong. Krystle Warren proves again to be a revelation with “Living in a Dream.” I love her rich tone, which reminds me a little of Nina Simone’s with its commanding presence.

24 Hours in Lapa comes together like a rich tapestry. It has stunning elements that can be appreciated on their own, but it’s when you look at the entire work that you’re truly struck by its impact. It certainly won’t be everyone’s cup of tea, but I encourage you to take a chance on it.

Fall in Love With Until Home’s “Digging Up Skeletons”

Ipswich alternative pop act Until Home has hit it out the park with their brand new single “Digging Up Skeletons.”

“Digging Up Skeletons” is ridiculously catchy. It’s one of those songs that demands a second and third listen. It seems I’m not the only one who thinks so, because the track zoomed into the Top 40 Australian Alternative iTunes Charts on its April 21 release and climbed to number 13 just a couple of days later. Not bad for a band that’s far from a household name at this point.

“Digging Up Skeletons” comes from Until Home’s forthcoming EP. If this track is any indication, it’ll be well worth a listen!

Tim Rogers Joins Cookie Baker for “The Summer”

As the mercury dips, summer is starting to feel like a distant memory. However, you can keep the nostalgic summer vibes going just a little longer with “The Summer,” the latest single by South Australian songstress Cookie Baker featuring You Am I frontman Tim Rogers.

The song isn’t your traditional summer anthem. There’s a real sense of wistfulness about it, a feeling of longing and despondence which is probably more in keeping with the gloomier autumn weather upon as now. But it’s juxtaposed with the film clip which takes me right back to the warmer weather. I’m not normally one for kids, but watching these tikes running around the Southern Yorke Peninsula has managed to even charm me.

“The Summer” was the first track Cookie recorded for her forthcoming album.

Columbus Gets Acoustic With “Next to Me”

We’re used to hearing punk acts turning their speakers up to 11. But Columbus is going the opposite route with its new five-track EP Next to Me, which drops today. It features a brand new song, the EP’s title track, and acoustic reimaginings of some of the Brisbane band’s past tracks.

“Next To Me is a melancholic falling out, which reminiscences about moments with a past lover,” explained the band’s frontman Alex Moses. “I wrote the song about the feeling of knowing you’re drifting apart from someone and there’s nothing you can do.”

It’s a softer song for the band, and one which marries perfectly with these new arrangements of classic Columbus tracks. Alex said reinterpreting the old songs in an acoustic way was “a very creatively fulfilling process.”
“We’re really proud of the songs and think they stand on their own in contrast to the heavier versions.”

The Next to Me EP is available now.

Pierce Brothers Touring Everywhere to Promote New EP

I meant to write this post a couple of times but instead I found myself falling down a rabbit hole of Pierce Brothers music. The first time I found myself going back through the Melbourne folk-pop duo’s back catalogue, and time got away. Then I received an advance stream of the very EP I meant to write about and listening to it put this article on the back burner again.

That EP, The Records Were Ours, is wonderful by the way. The lead single and opening track “Take Me Out” is a swampy foot stomper, but it shows just one side of this talented duo. There are more sombre moments in “Only One” and “Rhodes.” “Keep in Mind” is the real standout for me. What a song. Alongside the studio tracks there are two live numbers: “Take a Shot” recorded on the Sydney Opera House Forecourt” and “Brother” captured at Paradiso in Amsterdam. Listening to the crowds heaping so much love on the Melbourne siblings is a reminder of the global reach of this phenomenally talented pair.

The Records Were Ours is the first in a trilogy of Pierce Brothers EPs. It drops on May 19, the day after the brothers launch their Australian tour. After that they’re off to Europe and the United Kingdom before winging their way to North America to support Tash Sultana. No matter where in the world you are, there should be a show near you.

18 May 2017 – Metro Lair, Sydney
20 May 2017 – Lorne Hotel, Lorne
25 May 2017 – The Academy, Canberra
26 May 2017 – The Croxton, Melbourne
27 May 2017 – Big Pineapple Fest, Sunshine Coast
3 June 2017 – Pinkpop Festival 2017, Landgraaf
4 June 2017 – Melkwege Oude Zaal, Amsterdam
5 June 2017 – Prinzenbar, Hamburg
6 June 2017 – Feierwerk/Kranhalle, Munich
7 June 2017 – Ancienne Belgique, Brussels
9 June 2017 – The Garage, London
8 July 2017 – Cornbury Music Festival, Oxfordshire
9 July 2017 – Linton Music Festival, Ross-on-Wye
10 July 2017 – Thekla, Bristol
11 July 2017 – Rescue Rooms, Nottingham
13 July 2017 – Studio 2, Liverpool
14 July 2017 – The Deaf Institute, Manchester
15 July 2017 – Zwarte Cross 2017, Lichtenvoorde
16 July 2017 – 4 Daagse, Nijmegen
22 July 2017 – Colours of Ostrava 2017, Ostrava
27 July 2017 – Dr Koncerthuset, Copenhagen
29 July 2019 – Stonerock Festival 2017, Bad Bentheim
6 August 2017 – Festival Esperanzah! 2017, Floreffe
11 August 2017 – Fairports Cropready Convention 2017, Banbury
28 September 2017 – Danforth Music Hall, Toronto
29 September 2017 – Metropolis, Montreal
30 September 2017 – Paradise Rock Club, Boston
2 October 2017 – The Bowery Ballroom, New York
3 October 2017 – Brooklyn Steel, Brooklyn
5 October 2017 – Union Transfer, Philadelphia
6 October 2017 – 9:30 Club, Washington
7 October 2017 – Newport Music Hall, Columbus
9 October 2017 – Thalia Hall, Chicago
10 October 2017 – Cedar Cultural Center, Minneapolis
11 October 2017 – The recordBar, Kansas City
16 October 2017 – Ogden Theater, Denver
18 October 2017 – The Crescent Ballroom, Phoenix
20 October 2017 – Fonda Theater, Hollywood
21 October 2017 – The Fillmore, San Francisco
23 October 2017 – Wonder Ballroom, Portland
24 October 2017 – Neptune Theater, Seattle
25 October 2017 – Commodore Theater, Vancouver

Bob Evans @ Hardys Bay RSL – 22 April 2017

As my husband and I rounded the corner on Saturday night we both asked the same question at the same time: “Is that it?” The building in front of us had a sign advertising Bob Evans’ gig out the front, but it looked more like a beach house than any RSL. The parking lot was packed and families spilled out on the wooden deck, making the place look more like someone’s private party than somewhere we’d see a gig. Walking inside I was still a little confused. There were no poker machines, a decision by management apparently to make this place a little different, and only a flimsy curtain separated the “auditorium” (and I use the word loosely) from the restaurant. Hardys Bay RSL isn’t like any club I’ve been to, but the more I thought about it the more I realised it was the perfect place for an unassuming artist like Bob Evans to play.

We tried to grab dinner but the frazzled waitress told me they were far too busy to take our orders just yet. I joked that we didn’t think to book because everything is usually a bit casual on the Coast. She agreed and said she didn’t anticipate the rush either. As word of this place and its intimate gigs spread, perhaps she’s going to have to get used to it.

So instead we took a seat in the main room, a space that felt more like a nanna’s loungeroom than the venue for a gig. Plush sofas lined the walls which were decorated with framed photographs and ornate lamps. It was all very charming. Food came soon enough, the perfect accompaniment for the wine which was better than I expected from a small RSL.

When Bob Evans stepped on to the stage, which was really just a slightly elevated platform, there was little fanfare, save for the Christmas lights adorning his acoustic guitar. I have the feeling that suits a guy like Bob down to the ground though.

I must admit, I’m nowhere near as familiar with his music as many of the transfixed members of the audience were. But in such an intimate setting, you don’t need to know the songs. It’s a setting which lets you hear lyrics and appreciate new music. Not that I was completely in the dark. I was surprised to hear “Nowhere Without You” come out relatively early. He saved “Don’t You Think It’s Time” until much later in the set, but I don’t think the crowd would have minded what songs came out when.

Watching them singing along to all the words, you could see the adoration in their eyes. A few women were so taken by the music, or perhaps the wine, that they got up to dance. It’s no mean feat to boogie along to a guy playing folky music with an acoustic guitar, but I admired their enthusiasm.

It seemed the admiration was mutual, as Bob came out for encore after encore. At the very end he insisted we’d need to be quiet for this one, unplugged his guitar, and stepped off the stage. He did a slow lap of the room, charming each and every one of us, whether we knew the song as most did, or were hearing it for the first time like myself.

Sometimes when I see a show because I was offered tickets, I feel a little disconnect. I can see the way other people love the artist and wish I could be in the moment as they are. But instead I left Hardys Bay RSL feeling privileged that I’d seen a gig I wouldn’t ordinarily see that was so special. Fans catching Bob Evans as he winds his way around the country, you won’t be disappointed. Here are the remaining shows:

3 May 2017 – Clarendon Guest House, Katoomba
5 May 2017 – Camelot Lounge, Sydney
6 May 2017 – Brass Monkey, Cronulla
7 May 2017 – Heritage Hotel, Bulli
11 May 2017 – The Spotted Cow, Toowoomba
12 May 2017 – 5 Church St, Bellingen
13 May 2017 – Black Bear Lodge, Brisbane
1 June 2017 – Baha, Rye
2 June 2017 – The Croxton Front Bar, Melbourne
3 June 2017 – Workers Club, Geelong
8 June 2017 – Grace Emily Hotel, Adelaide
9 June 2017 – Bridge Hotel, Castlemaine

Meg Mac is Back With “Low Blows”

It’s been some time since we heard anything new from Meg Mac, but I think it’s been worth the wait. Her new single “Low Blows” is an absolute cracker.

“Low Blows” tells an intimate story, as you might expect from a track that started its life on Meg’s piano in her Melbourne bedroom.

“The song is about the need to stand up for myself – I don’t speak up or stand up for myself when I really need to,” she explained. “Since releasing it I’ve received lots of messages suggesting I’m not the only one who struggles with this.”

While it had humble beginnings, Meg recorded the track at Fort Worth’s Niles City Sound Studio. It sounds amazing, which is a great sign for the rest of Meg’s forthcoming debut album.

Drum and Percussion Show Hits Sydney Next Month

Drum and percussion enthusiasts, this one is for you. The Sydney Drum and Percussion Show rolls into town next month, and you won’t want to miss it.

The live performance program is particularly impressive, with Thomas Lang (George Michael, Tina Turner), Virgil Donati (Steve Vai, Tommy Emmanuel), and Michael Schack (Netsky) all on the bill. Lang and Donati also promise to play together for the first time ever.

It’s also the perfect place to buy, with a range of vendors selling drum kits, cymbals, traditional, orchestral, hand, and electronic percussion instruments, and accessories, as well as plenty of items exclusive to the show. Attendees can also take part in drum circles and percussion workshops during the event. If you love drums, this is the place to be.

“There’s so much about percussion, it’s the world’s most accessible form of music – people take their first steps in music through percussion,” explained Australian Music Association CEO Rob Walker. “We are excited to showcase our industry’s products and the wealth of local talent that Sydney and Australia has to offer, as well as international guests – three of the best in the world! We seek to educate and entertain, and showcase and grow our drum and percussion community.”

The Sydney Drum and Percussion Show hits Rosehill Gardens Grand Pavilion on May 27 and 28. Tickets are on sale now from the event’s website.

Image used with permission from On the Map PR