Fieu Releases “Running”

Some days you just feel taking off, leaving behind all of the responsibility and baggage and bullshit and starting over. Queensland pop act Fieu taps into that desire in her brilliant new single “Running.”

It’s a bolder and more commercial sound than we’ve seen from Fieu at the past, which could be the influence of her collaborator Joel Quartermain of Eskimo Joe shining through. Either way, I like it. If you do too, make sure you catch Fieu at one of the remaining shows of her east coast tour.

18 November 2015 – The Pier, Port Macquarie
19 & 20 November 2015 – Australian Music Week, Sydney
22 November 2015 – Element Bar, Coffs Harbour

Image used with permisison from Fieu

Barry Conrad Shows There’s Life After X Factor

X Factor fans might know him as Barry Southgate, but Barry Conrad is quick to let music lovers know that chapter of his life is firmly behind him. As if to prove the point he’s emerged with a brand new name (dropping his surname in favour of his middle name) and a brand new single “Anywhere We Go.”

I listened to the single version first, and honestly I wasn’t that impressed. It was a bit overproduced and too polished for my taste. But I’ve always loved Barry, so I decided to give the song one more try and listen to the version he did on The Morning Show.

This is where it’s at. Without the bells and whistles of a studio, the song’s laid bare and it’s better for it. Changing his name late in the game means Barry really has to start again in terms of building his brand, but he’s got the talent to do just that.

Georgi Kay Explores Dark Side with “God of a Girl”

Georgi Kay’s single “In My Mind” might have earned has an ARIA and a Grammy nomination, but it didn’t really get me going. I was looking for a bit more meat from this Aussie songstress, and I found that in abundance in her new single “God of a Girl.”

This is a dark and powerful number which explores the mind of an abuse victim and what happens when you push someone past their breaking point. It’s much more stripped back than “In My Mind,” which allows you to really appreciate Georgi’s smoky tones.

It might not fill a dancefloor like her previous single, but I think it’s great stuff. Unfortunately I only have access to a sample to play for you, but if you like what you hear head to Georgi Kay’s website and sign up to her mailing list to get a free download of the song.

Falls Get Nostalgic With “When We Were Young”

Former Sydneysiders Falls might be living in Los Angeles now, but when they’re releasing music as beautiful as their latest single “When We Were Young,” I’m happy to keep on covering them on Sounds of Oz.

This track sees the band back to their country-folk best after the release of the previous single, the cinematic “Let In The Light.” Both tracks come from Falls’ most recent album Omaha.

They were slated to come back home to play the Gorgeous Festival, but after that was cancelled I’m not sure they’ll be making the trip. Hopefully it won’t be too long before we see this talented twosome back on Aussie soil.

“Psalm IV: Den Sista Sorgen” – Lindsay Phillips

Folk’s one of my favourite genres, but I don’t often hear a voice that brings something new to the mix. Lindsay Phillips does that with songs that he dubs Gothic folk on his new album Psalm IV: Den Sista Sorgen.

I could imagine a king’s servant playing this sort of stuff in a medieval court. There’s a real romance about the songs, which make reference to royalty, honour, and sacrifice. The lyrics are truly poetic. Lindsay’s rich deep voice is also something I haven’t heard from a lot of folk singers. The opening song “Two Princes” drew me in immediately. “Mourning of a Golden Age” also really resonated with me. It painted such a vivid picture in my mind when I heard it.

I do love stripped back songs anchored by the strum of an acoustic guitar. However, as the album wore on I found myself wanting to hear a little bit more, some light and shade, some variation. While the lyrics were so well crafted the melodies started to feel a little samey.

Psalm IV: Den Sista Sorgen is a bit of a snowflake in the modern folk scene. I appreciate its uniqueness, and it shows Lindsay Phillips has certainly got talent. But I think I would have loved it more as an EP. As a full-length album, there’s just not enough variety to keep me interested.

Psalm IV: Den Sista Sorgen is available now from Lindsay Phillips’ Bandcamp page.

Image source: Lindsay Phillips Bandcamp page

Owen Rabbit Wows Me with “Denny’s”

Melbourne’s Owen Rabbit’s one of those artists that’s intrigued me for some time. I find the soundscapes he crafts captivating, but often his songs haven’t packed the emotional punch I’m looking for. He’s gotten it so right with his new single “Denny’s” though.

I just love this song. I play it and get to the end and play it again. The presser calls it abrasively pop-infused, which is such a great turn of phrase for this raw and utterly compelling track.

“I suffer from depression and anxiety. One night of panic attacks and delirium in Los Angeles was a catalyst for a long journey through different therapists, doctors and dosages,” he explained of the song’s inspiration. “I’m in a better place now. I’m glad I got help. I’m lucky that I have music in my life. Denny’s is about that night and how I changed. ”

Owen Rabbit is kicking off a tour supporting JOY tomorrow night, so if you love what you hear make sure you arrive at the venues early to support him.

13 November 2015 – The Foundry, Brisbane
14 November 2015 – Beaufort St Festival, Perth
14 November 2015 – Jack Rabbit Slims, Perth
20 November 2015 – Good God Small Club, Sydney
28 November 2015 – End of the Line Festival, Belgrave

Image used with permission from Rare Finds

Archie Roach Celebrates 25th Anniversary of Charcoal Lane

Archie Roach is one of Australia’s most beloved artists, a veteran of the industry after 25 years in the business. Charcoal Lane is the album that kicked it all off, and a quarter of a century after its release Archie is celebrating with a reissued album and shows all around the country.

The new deluxe edition of Charcoal Lane features new versions of the songs with guest vocals from some of Archie’s best mates including Paul Kelly, Dan Sultan, Emma Donovan, Gurrumul, and Dewayne Everett-Smith. His 1990 Triple J Live at the Wireless records are also included, along with a booklet full of previously unseen images from the era and insightful liner notes. Isn’t it exciting to get a CD with decent liner notes these days? I think so.

The reissued version of Charcoal Lane is in stores now. Tickets are still available for the following shows.

21 November 2015 – The Cambridge Hotel, Newcastle
22 November 2015 – Homeground 2015 @ Sydney Opera House, Sydney (FREE)
3 December 2015 – Theatre Royal, Castlemaine
4 December 2015 – The Thornbury Theatre, Thornbury
6 December 2015 – The Governor Hindmarsh, Adelaide
11 December 2015 – Fremantle Arts Centre Front Garden, Fremantle

Get Down with EMRSN’s Soulful New Single

Aussie soul singer EMRSN has teamed up with Soulection producer Jarreau Vandal for his groovy new single “Down.”

I really love all the flavours on this. At times it’s playful, at others it’s so raw and emotional. The lush instrumentation is gorgeous, and EMRSN’s vocals always impress.

“Down” is lifted from EMRSN’s forthcoming debut album TMRW, which is scheduled for an early 2016 release.

Spookyland Wins Me Over with “Bulimic”

“Bulimic” by Sydney rock act Spookyland is a prime example of the reason I don’t make snap decisions about the music I listen to. When I first hit play, I was put off by the vocals. Honestly, Marcus Gordon has one of those voices grates on me.

But beyond that, there’s a lot to love about this song and as I sat with it for its epic six minutes that’s what came to the fore. It sounds incredible. And the lyrics are superb, meaty and poetic.

“Bulimic is mostly a song about social friction I think, when there’s chaos in your mind, there’s a certain impulse to hurl the whole thing into the toilet bowl to find some kind of self-esteem, but this kind of program is basically doomed. Bulimia of one’s humanity…” Marcus explained in the press release.

So take a listen. Even if you’re not sure at first, stick with it. I promise you this song will reward your patience.

Q & A with Alanna Eileen

Alanna Eileen has been one of my favourite musical finds of the year, so I was thrilled to catch up with her on the release of her new single “Love the Ghost,” our first taste of her forthcoming LP. Here’s what she had to say about the new song, the album to come, and her love of literature.

You’ve just released “Love the Ghost” as your new single. What was it about that song that made you want to release it?
“Love the Ghost” is like the centre from which, thematically, all the other songs on the album arise. It became the first single because I noticed it was reflective of the entire LP. It seemed an apposite introduction for that reason.

Mark Myers from The Middle East produced the single. What was he like to work with?
Mark Myers is great to work with. He also produced my first EP. We recorded it in Cairns, where his studio is based.

The song comes from your album, which is coming out early next year. What can music lovers expect from the LP?
The LP is a collection of ten songs performed on piano and guitar. Like my first EP, it’s lyric-driven and introspective. I wanted the instrumentation to be subtle and for the vocals to remain the primary focus.

How did the process of putting together an album, compared to an EP, treat you?
It was mainly a process of choosing the right songs and examining how they fit together. It’s almost like a concept album in the sense that it retraces and reiterates the same territory and themes over and over. Because it’s my first full-length work, I learned a lot that will hopefully benefit me on future releases.

I noticed you’re not playing any shows to launch the single. Will fans get to see you on stage to celebrate the album’s release?
I’m heading to London in February, where I’ll be playing some small venues in addition to a headline show at the historic St. Pancras Old Church. When I return, I plan to release my second single, “Motion,” with an accompanying video, before an Australian launch and tour.

What can music lovers expect when they come to see you play?
My live shows are very raw; it’s just my voice and, usually, an acoustic guitar. Piano will also feature. I do hope to introduce a band soon, too, which will be a new experience.

Your EP Absence was one of my favourite recordings of the year. What music have you enjoyed listening to this year?
Thank you so much. This year, I enjoyed hearing the new Sufjan Stevens album. I also just found out about Joanna Newsom’s most recent release after returning from recording, which was a lovely surprise. Otherwise, I have mainly been listening to older music – a lot of Nick Drake and minimalist composers like Henryk Gorecki and John Adams. Nico Muhly’s Drones has also been a favourite.

I was poking around your Facebook page and noticed you’re more likely to “like” literary figures than other musicians. What is it about good literature that gets you so excited?
I love language. I feel like I still have an endless amount to learn about everything and that books are great teachers. I find beauty in the stream-of-consciousness prose of Virginia Woolf, the idiosyncratic poetry of Dylan Thomas, David Foster Wallace’s breathless sentences and Hesse’s mystical parables. The way a writer like Camus describes things succinctly, yet with an almost tender attention to detail, taught me a lot about writing when I was a young teen. It promoted the kind of introspection that has largely fuelled my work.

Since Christmas is approaching all too quickly, what’s on your wish list this year?
All my wishes would be for immaterial things. Mostly, I’m just grateful that I can make music and I wish to continue. If I’m able to help others at all, that would also be a wish fulfilled.

Is there anything else in the pipeline you can tell me about?
I’m going to be working on my first music video in London, which will be released alongside my second single. Also, since finishing recording, I’ve started writing songs that feel structurally and lyrically different to my previous ones; I’m already looking forward to releasing them in future.

Alanna Eileen’s single “Love the Ghost” is out now. Her new album is slated for a February 2016 release.