Daniel Lee Kendall on the Comeback Trail

It’s been nearly three years since I reviewed Daniel Lee Kendall’s sublime sophomore EP Talk the Night Away. I raved about the five track collection, but insisted that such a small number of songs was merely a tease. I said that I couldn’t wait for the long player, but it seems I can.

Finally my patience has been rewarded with “Angelique,” the first new song Daniel’s released in years. It’s not that he hasn’t been creative, but it seems he’d been spending too much time in his head, worrying about whether the music would be embraced and whether commercial success would follow. And so his songs sat, gathering virtual dust.

It was clear something had to change, so Daniel set off for some soul searching in the Middle East and Sri Lanka. Then he headed to university, hoping to find the answers there. Finally he was in the right headspace to revisit some 50 demos that had sat idly. “Angelique” was one of those tracks which has been given a second chance as Daniel rediscovered his love of music.

“Here I am, with an album of songs that I once loved, and have learnt to re-love again. Though with a different love. It’s far more like I’m appreciating an old album of an artist in my youth,” he explained in a press release. “It’s almost as though someone else has written these songs, and I can appreciate and enjoy what this person has created and I wish to share them with people again.”

And once again, I can’t wait to hear more, or at least I’m excited that I won’t need to wait too long.

Something for Kate Announce Big Plans for 20th Anniversary

Hearing that Something for Kate are celebrating 20 years in the business makes me feel pretty old. Thankfully the band aren’t showing any signs of such fatigue. They’ll mark the milestone in style with the release of their entire back catalogue on vinyl, deluxe CD, and iTunes, as well as the release of a short film charting their career, a book Paper Trail doing the same, and a big national tour this July and August.

These shows are going to be something pretty special as the band plays two sets every night. The gigs will be jam-packed with delights for fans including B-sides, rarities, and of course those killer hits. The short film will play before each show, and the book will be available from the merch stands. If you can’t make it to the shows you’ll be able to buy it online.

Expect the merch stand to get pretty crowded as the band promises to stop by every night to meet fans and sign the stuff they’ve been collecting for the last two decades.
The re-issued music goes on sale on July 4, the same day the band kicks off their retrospective 20 Year Anniversary tour.

4 July 2014 – Astor, Perth
11 July 2014 – Tivoli, Brisbane
12 July 2014 – Enmore, Sydney
18 July 2014 – Forum, Melbourne (SOLD OUT)
19 July 2014 – Forum, Melbourne (SOLD OUT)
20 July 2014 – Forum, Melbourne
15 August 2014 – HQ, Adelaide

Image used with permission from International Music Concepts

The Vernons Launch “Rollin’ Back to You”

After a busy six months making waves here and abroad, The Vernons are back with a brand new single “Rollin’ Back to You.” This is our first taste of the Queensland rockers’ forthcoming sophomore album Volume II.

I just love how gritty and dirty this track is. It’s all attitude and blues, and has one of the best bass lines I’ve heard in some time.

Fans will get to hear a little bit more from Volume II when The Vernons launch the single at the following shows.

8 May 2014 – Brighton Up Bar, Sydney
15 May 2014 – Boney, Melbourne
22 May 2014 – Black Bear Lodge, Brisbane

Image used with permission from Shake Appeal

John Mayer @ Allphones Arena, Sydney – 24 April 2014

Until I was standing with the crowd at Allphones Arena last week, I don’t think I realised how much I’d missed John Mayer. He’s released a couple of incredible albums since he last visited his shores, and they tided me over until his next appearance. But being there, soaking up his every chord, stamping my feet as the music coursed through me, it occurred to me just how much I’ve missed him. Looking over at my friend Lisa, who’s travelled from Brisbane for the gig, I could tell she felt the same way.

Watching him up on stage, it seemed that he missed us too. Most artists that don’t visit Australia curse the journey and feel it’s much easier to stay away. Not John though. Problems with his vocal chords robbed him of his voice and left him no option but to stay at home and recover. It could have easily spelled the end of his musical career, but instead it helped him create the beautiful introspective Born and Raised and Paradise Valley. So he recuperated, and we waited, and he came back to us stronger than ever.

He thanked the enthusiastic crowd so sincerely, but we were the ones that should have been thanking him. It’s rare to see an artist playing with so much joy. Clearly he was craving that time on the stage. It was such a gift to witness this man with such enthusiasm for his craft. Casual fans might have lamented the omission of a few singles (“Daughters” and “Bigger Than My Body” spring to mind), but I think he did his best to appease those folks with “No Such Thing,” Your Body is a Wonderland” (a song that rarely makes the set), and “Waiting on the World to Change.”

He might have enjoyed success on the pop charts, but I don’t see John as a singles guy. He was most at his element on songs which allowed him to stretch out a little more, to play with the arrangement and flex his enviable guitar skills. The free-form nature of songs like “Edge of Desire,” “I Don’t Trust Myself (With Loving You)” and the final song of the night, “Gravity,” really allow his talents to shine. His surprising, tender cover of Beyonce’s “XO” further highlighted his skills, and the inclusion of my favourite song from Born and Raised, “Walt Grace’s Submarine Test, January 1967” had me in raptures. The internet tells me he’d played it just seven times before, so seeing John performing it so simply with a steel guitar in Sydney was just heaven.

It had been far too long since my last John Mayer concert, but it was well and truly worth the wait. He’s in such fine form right now, I can only hope he doesn’t leave us hanging too long before announcing a return visit.

Image source: Stephen Katulka

Review: The Gossling Lippie

As a music blogger, I tend to get a steady stream of singles and albums in my letterbox. Receiving a lipstick is a new one for me, but as a girly girl I couldn’t wait to try out The Gossling Lippie designed by Victorian singer-songwriter Gossling and cosmetic queen Shanghai Suzy.

I was in for a real shock though. It’s so bright. The internet assures me that fluoro coral is right on trend, but I’m just not sure that it’s me. Perhaps I need as much time in the sun as my Queensland-based pal Lisa who also gave it a whirl while she was visiting recently. I think the neon shade looks much better on her, although she wasn’t sure about it either.

The funny thing is though, while I’m not sure it’s the most flattering colour for me I really love this lipstick. It’s got a gorgeous subtle grape fragrance that reminds me of being a 90s girl applying Lip Smackers. Those Bonne Bell glosses never felt this luxurious though. It’s so decadently nourishing. It feels like heaven going on, and best of all, it stays there. I get really nervous wearing bright lippie but this one didn’t budge. It even survived the steak dinner my husband made us and a couple of bottles of wine. That sort of staying power makes it perfect for a night out with the girls.

If you’ve got the confidence to wear a colour like this, you’re going to love the Gossling Lippie. It’s available from the Shanghai Suzy website for $12.95.

Image source: own photo

Sheppard and Chet Faker Do it Again

For the second week running we’ve got a pair of Aussies sitting on the top of the charts. Both Sheppard and Chet Faker have continued to dominate the singles and albums charts respectively. With their third week at number one, Sheppard’s “Geronimo” becomes the first song since Guy Sebastian’s “Battle Scars” to enjoy a multi-week run at the top of the singles charts. Chet Faker’s also breaking records. Built on Glass is the first Aussie album to enjoy consecutive weeks at number once since the Sapphires soundtrack reigned in August 2012.

But that’s not the only good news. We’re enjoying a real purple patch, with four singles and six albums sitting in the top 10. All but one album in the top five is a local release too!

Sia is breathing down Sheppard’s neck with her song “Chandelier,” which holds steady at number two this week. Jessica Mauboy and Peking Duk have both fallen a little this week, but they’re still selling well to appear in the top ten. “Never Be the Same” has slipped one spot to land at number seven this week, while “High” has dropped three spots to land at number eight.

Somehow I don’t think Jess will be too disappointed though, as her latest album Beautiful has zoomed from number 17 to number four this week. This is the first time the album’s been in the top 10 since October 2013. She’s just behind INXS, whose The Very Best has dropped to number three this week.

Harrison Craig’s proved he’s got real staying power with L.O.V.E., which sits at number five again. I expect it to linger around a little longer too as we head towards Mother’s Day.

The final two Aussie entries in the albums charts come from Russell Morris and Dan Sultan. Van Diemen’s Land and Blackbird are at number seven and eight respectively.

Click below for the complete top tens.

Continue reading “Sheppard and Chet Faker Do it Again”

Fraser A. Gorman Delivers More Than Just Another Love Song

How’s your Hump Day treating you? I think it’s always a little easier to take when there’s a public holiday looming. Mine’s especially feeling fine as my Brisbane-based best girl friend is heading to my part of the country to see John Mayer with me tomorrow night. That’s giving me an even shorter week, so I’m feeling pretty chilled right now. So “Book of Love,” the new track from Fraser A. Gorman’s forthcoming album feels like the perfect soundtrack.

It’s a laidback quirky number with tongue-in-cheek lyrics and a great mellow vibe. It reminds me a little of a Ben Lee song, although I can’t imagine Ben every playing with those delicious surf guitars.

There’s some serious star power behind this song too. It features backing from You Am I’s Davey Lane, King Gizzard’s Stu Mackenzie, and Eagle and the Worm’s Jarrad Brown and James Fleming. Cal Barter recorded it before handing mixing duties to The Drones’ Dan Luscombe.

If you’re a Melbournian you don’t get to see John Mayer tomorrow night as I do, but you could see Fraser launching “Book of Love” at the Worker’s Club. What a great way to kick off the long weekend!

Sheppard & Chet Faker Complete an Aussie Chart Double

It’s so great to see a pair of Aussies sitting at the top of our charts this week. Sheppard are still sitting at number one on the singles charts with “Geronimo.” Meanwhile, Chet Faker has dethroned INXS on the albums charts. His long awaited debut album Built on Glass has debuted at number one.

INXSThe Very Best is still going gangbusters though. It’s at number two this week.

Russell Morris also has reason to celebrate this week. His new album Van Diemen’s Land has debuted at number four, which is the highest position he’s ever achieved on the album charts.

Russell edged out Harrison Craig, although something tells me he won’t be too upset with his number five debut. The hype around Harrison’s died down a bit as the new season of The Voice is upon us, but with L.O.V.E. it seems he’s still on the minds of music fans.

All those debuts have pushed Dan Sultan down the charts, but his latest album Blackbird is still selling well to land at number six. And it looks like The John Butler Trio’s album Flesh & Blood has plenty of life left in it. It’s actually jumped a spot to sit at number nine this week.

Meanwhile on the singles charts, Sia continues to breathe down Sheppard’s neck. Her song “Chandelier” has bounded up to number two this week. Peking Duk hold steady with “High” celebrating another week at number five. Ahead of her big Eurovision performance, Jessica Mauboy’s shot from number 17 up to number six with “Never Be the Same.” “She Looks So Perfect” by 5 Seconds of Summer seems to be on the way out, slipping to number nine.

Click below for this week’s top tens.

Continue reading “Sheppard & Chet Faker Complete an Aussie Chart Double”

Citizen Kay Tours “Manage”

I tend to find hip hop a bit hit and miss, but Citizen Kay never seems to put a foot wrong. I love the way he combines clever lyrics with old school soul and funk sounds. His latest stunner is “Manage,” a groovy track about the fallout from a relationship breakdown.

Citizen Kay will join Adelaide’s Tkay Maidza for a big Aussie tour next month. It’s an excellent opportunity to see some of Australian hip hop’s brightest new stars.

3 May 2014 – Amplifier, Perth
4 May 2014 – Newport, Fremantle
9 May 2014 – Plantation Hotel, Coffs Harbour
10 May 2014 – Alhambra Lounge, Brisbane
16 May 2014 – Shebeen, Melbourne
17 May 2014 – Pirie Social Club, Adelaide
28 May 2014 – Beach Road Hotel, Bondi (FREE)
29 May 2014 – Small Ballroom, Newcastle
30 May 2014 – Transit Bar, Canberra
31 May 2014 – Newtown Social Club, Newtown

Image used with permission from Shake Appeal

Damien Leith Releases New Song for Mothers’ Day

Mothers’ Day will be here before you know it, and Damien Leith is celebrating with the release of a brand new single “Halfway Heart.” After a recent trip back home to Ireland, Damien discovered that the song was his mother’s favourite from his Chapter Seven album, so he decided it had to be the next single.

Damien penned the song in Los Angeles after observing a couple on a less-than-romantic date.

“Lots of different things inspired this song but especially for me it was watching a couple at dinner one night being really distant and I thought that they had lost the spark or given up on their relationship but kept hanging in there only half-heartedly,” he explained.

Damien’s just released the “Halfway Heart” clip, which was also shot in his homeland. Fans can look forward to hearing this song as Damien continues to weave his way around the country on his national tour. He’ll play the Koroit Irish Festival on April 26, and the Glenn Innes Service Club on May 3.