Jacob Butler Tries Something New with “Get Right Round”

Forget what you thought you knew about Jacob Butler. He’s gone in a completely different direction with his new single “Get Right Round.”

I never thought I’d see the day where Jacob was creating dance rock with lyrics which reference twerking, but I suppose it’s a good thing that he refused to be stuck in a rut. I honestly wasn’t sure to make of it at first, but by the end I was tapping my toes.

“Get Right Round” will be featured on an upcoming deluxe rerelease of Jacob’s debut album Reason, as well as a few other new songs. What do you think about this brand new sound?

Bella Union Becomes the Melbourne Folk Club

From April 23, Carlton’s Bella Union will be transformed into The Melbourne Folk Club. This transformation will see some of the world’s finest folk singers playing for locals in a weekly concert series.

Jordie Lane, Davey Lane, Mick Thomas, Liz Stringer and more will encourage folks to venture out on Wednesday nights to enjoy some great music.

If that sounds right up your alley, make sure you head to the website and become a member of the Melbourne Folk Club. Your free membership entitles you to discounted tickets, a free Mountain Goat beer on entry, pre-sales, and more.

If you need further convincing, here’s the upcoming lineup!

23 April 2014 – Jordie Lane and Special International Guest
30 April 2014 – Melody Pool, The Little Stevies, and Davidson Brothers
7 May 2014 – Liz Stringer, The Mae Trio, and James Kenyon
14 May 2014 – Marlon Williams, Mick Thomas, and Suzannah Espie
21 May 2014 – Grand Slavo, Sal Kimber, and Brendan Welch
28 May 2014 – Sweet Jean, Davey Lane, and Sara Retallick

Image used with permission from Heartstop Music

Leah Flanagan Wows Me with “Everything”

Leah Flanagan’s one of those awesome performers who’s been plugging away in the background for years without ever really breaking through.

She was nominated for Best New Artist at the 2008 Deadly Awards, but she’s not a household name like other nominees Jessica Mauboy and Dan Sultan. She’s performed on stage with the likes of John Cale, Ricki-Lee Jones, Sinead O’Connor, Meshell Ndegeocello, and Gurrumul. Her songs have appeared in ABC TV shows like “Dirt Games” and “The Gods of Wheat Street.”

If there’s ever song that should propel Leah into the spotlight, it’s her new single “Everything.” It’s so simple and tender, poetic and romantic. There aren’t bells and whistles about it, but it’s anchored by a whole lot of heart. Do you love it?

The Jezabels Go DIY

With their homecoming tour just around the corner, The Jezabels have decided to release their first ever DIY film clip to promote their new single “Angels of Fire.” The music video was filmed in and around London by their talented photographer friend.

“Our friend Jo is a photographer so we enlisted her to be our DOP. She had some really nice touches which helped. Filming London isn’t that difficult either though,” said the band’s lead guitarist, Samuel Lockwood said. ”The song is partly about time and ageing, and what city could better convey that sort of thing.”

The “Angels of Fire” video is available exclusively online. Enjoy!

Puberty Blues’ Ashleigh Cummings Duets with Dan Webb

Is there anything that Ashleigh Cummings cannot do? When she’s not delighting TV audiences as Debbie Vickers on Puberty Blues, it seems she’s a budding songstress. She makes her recording debut on the sublime “Sleep,” the lead single from Dan Webb’s upcoming debut album Sandstorm.

Sandstorm is scheduled to hit stores on May 9. Dan’s proved himself to be a prolifically talented singer-songwriter over the years, so I’m sure that long-awaited album is going to be sensational.

INXS Back on Top

So I might have missed the recent chart success of Kylie and 5 Seconds of Summer, but I’m glad my blog’s back in working order to report about INXS’ return to the top of the albums charts with their greatest hits album The Very Best. This gives INXS’ album their sixth week at the top, which is a new record for the classic rock band.

The John Butler Trio have also jumped up the charts. Their newie Flesh & Blood is back at number 10 this week after jumping five positions. It looks like their current tour is helping sales along nicely!

5 Seconds of Summer might have fallen this week, but “She Looks So Perfect” is still selling well. It’s at number four this week. While it’s dropped, Peking Duk are climbing steadily with “High.” The track, which features guest vocals from Nicole Millar, has jumped one position to sit at number seven this week.

Finally rounding out the top 10 singles we’ve got Sia. After charting with her guest vocals on David Guetta’s song “Titanium,” “Chandelier” marks her first ever top ten appearance as a lead artist.

Click below to see this week’s top tens.

Continue reading “INXS Back on Top”

Day on the Green 100th Anniversary @ Bimbadgen Estate, Pokolbin – 22 March 2014

Fresh from my Glen Hansard show, I found myself concert bound again and on the road to the Hunter Valley. It seemed impossible to believe that we were heading out to celebrate the 100th Day on the Green show. It didn’t seem like that long ago that I was sitting with my parents at Bimbadgen Estate during the first run of the winery festival shows. Day on the Green has grown since those humble beginnings. It regularly attracts top notch international acts. But for the anniversary celebrations organisers went back to their roots and assembled one of the best line-ups of Aussie talent I’ve seen in some time.

What a shame that my parents were predictably running late. I found myself looking at my watch repeatedly, calculating just how much of Boom Crash Opera I’d get to see. The answer was, just one and a half songs as I was finding my seat. I was lucky to see that really; my dad let me out of the car early, despite the protests of security, and I ran up to the gates while he was parking. They sounded superb playing two of the big hits – “The Best Thing” and “Onion Skin – and I am kicking myself that I didn’t get to see more. They’ve lost nothing over the years, except for Dale Ryder’s hair.

Thankfully there was plenty more talent on the bill. While my formative years were spent perving on Mr Ryder, my mum’s were spent drooling over Daryl Braithwaite. She was transformed back into a 16-year-old as he took the stage and delivered hit after hit. Dazza’s another of those blokes who seems to lose nothing over the years. He hits those high notes with ease and always puts on such an amazing show. Singing out “The Horses” and “Higher than Hope” with the crowd was magic.

Next up was one of our favourites, Mr Richard Clapton. Oh how we love Richard. Having said that though, after such an incredible set from Daryl, Richard’s seemed to lack a little sparkle. I knew the majority of the songs from seeing him countless times in the past, but they seemed to leave a lot of people scratching their heads. “Girls on the Avenue” went down a treat though. Even when he’s not incredible, Richard’s still bloody good.

Incredible was what we got with another my of mum’s crushes, Ian Moss. The consummate professional, adored by the masses, he delivered a stellar set packed with the hits and a few surprised. As someone who remembers buying Matchbook on cassette (my first album bought with my own money if I’m ever on RocKWiz!), I was thrilled to hear him perform “Mr Rain.” The only thing better than Mossy solo is Mossy with Jimmy. We got a little Cold Chisel reunion during “When the War is Over” which was something I’ll never forget.

Next up were The Angels, the band with the biggest question mark for me. I was well aware of the split, and had wondered just how this incarnation would feel without Doc Neeson up front. I shouldn’t have worried. Rather than feeling like a pale imitation of the original, this Dave Gleeson-fronted outfit has a new lease on life. I might be a bit biased here. I’m Newcastle-bred, and many of the first pub gigs I ever attended were Screaming Jets shows. But he is the perfect frontman for this band he clearly loves so much. He brought real energy to the hits and won over the crowd from the get go. I’ve got to tell you though, the only thing weirder than seeing your parents chanting “that bit” in “Am I Ever Gonna See Your Face Again?” is watching your American husband’s reaction to it all. The poor boy was caught completely unawares. I love that despite eight years here, every now and again Aussie culture can throw him a curveball.

Jimmy Barnes teased us with his appearance during Mossy’s set. We were so ready for him, and he delivered. Jimmy was actually the first musician I ever saw live, way back in the Soul Deeper days, and I’ve been a massive fan ever since. It was a wonderful set which spanned his entire career. He rocked hard and we loved it. I found myself on my feet more often than not, and I screamed myself hoarse. God knows how he keeps up those vocals. Mossy came back to play a few Chisel numbers and it was every bit as special as that first appearance. This time I put my camera down and just soaked it in though. Wow. Being amongst that crowd singing out “Working Class Man” and “Khe Sahn” was out of this world.

All that amazing Australian music in one day is something I’ll never forget. This is the sort of show we’ll still be talking about years later.

Image source: Stephen Katulka

Glen Hansard @ Opera House, Sydney – 20 March 2014

You may or may not have noticed I had a few technical glitches around here. I was all set to tell you about my concert goings to find I couldn’t get into my editing site, or the blog at all. My husband found the same problem, I verified I had indeed renewed the domain, so he directed the problem to our server. They just got back to him and informed him it was always in working order. Curiously, it seems that now it is. Neither of us had any idea what went on, but at least I can finally update you all about those brilliant concerts!

So, first one of the bat, the incredible Glen Hansard. I’d seen him perform several times with Marketa Irglova, but this was my first chance to see him “solo.” Of course, Glen is never really solo. He was ably supported by a posse of musicians, including in parts his sublime support act Lisa O’Neill.

What a breath of fresh air this Irish lass was. She began her set brave and bold, standing alone on the stage just singing a capella from her gut. There’s an intensity about her that is so compelling. She’s a tiny wee thing, a bit of a plain Jane, but she had the most amazing presence. Even when she was joined on stage by her musicians and backup singers, I couldn’t take my eyes off her. Her songs were also incredible, with just the right mix of kook and heart. I can’t remember being so impressed by a support act as I was with Lisa O’Neill. I’m such a fan, and judging by the hush over the Opera House I wasn’t the only convert.

There was a similar hush once Glen emerged with just his beat-up acoustic guitar. He stood on the very edge of the stage, as close as he could to his adoring crowd, as he sang “Say it To Me Now.” It was such a fitting choice, a song with a history that goes back to his time in The Frames, despite it reaching the masses in his breakthrough musical Once. His set drew heavily from these two chapters of his life, while also featuring some of his solo numbers.

Whatever he sang, he gave it his all. This is why I return to his shows time and time again. He never phones it in. He offers every ounce of his soul to his audience, and leaves his heart raw and bleeding out there. He takes the concept of feeling a lyric to the next level.

I wondered how he’d go performing “Falling Slowly” without Marketa there. Leaving it out would have been virtually unforgivable. But he found a willing partner in April, a gorgeous young thing sitting in the seat in front of me with the voice of an angel. This is the second time I’ve been wowed by the audience volunteers in the Opera House, the first being during Idina Menzel’s performance last year. Thank goodness for audience members who only volunteer to sing when they can! She was incredible.

This was billed as a Glen Hansard solo show, but he isn’t a guy that really performs solo. He was backed by an incredible band made up of members of The Frames and other talents. The instruments helped his songs soar. He brought back Lisa O’Neill towards the end of his set to rapturous applause. Seeing them both having so much fun singing “Mustang Sally” was brilliant. And then he added fellow Irish troubadour Damien Dempsey to the mix for two Irish classics, “The Auld Triangle” and the final poignant song, “The Parting Glass.” I might not have ever visited Ireland like so many of the expats in the audience, but I think I was every bit as moved.

As I woke the next morning, I felt like I’d been run over by a truck. Lisa didn’t take the stage until 8 pm, and Glen is such a generous performer that we weren’t back to the Central Coast until well after 2 am. Getting back to work the next morning was a big ask. But I’d do it all again for a show that incredible.

Image source: Stephen Katulka

Gossling Collaborates with Emily Green on Jewellery Line

I love learning about the many talents of our music industry’s best and brightest. So I was impressed when I heard that Gossling has collaborated with Melbourne jewellery designer Emily Green on a fabulous range of handmade accessories.

The collection was inspired by Gossling’s own signature nine bead and big bead necklaces. They’re sure to be a hit with Gossling fans and fashionistas across the country. You can find them on Emily Green’s website from April 1. No joke!

Image used with permission from Secret Service Public Relations

Guards of May Rock Out with Arcadia

Queensland rockers Guards of May show music lovers how it’s done with their epic new single “Arcadia,” which is available for digital download today.

The track features incredible blistering guitar riffs and stunning vocals from Richie Harvey. I love how he effortlessly moves from a fragile falsetto to the stunning, soaring chorus.

“This one’s been a little while in the making. Arcadia is a track we are fiercely proud of,” said bassist Jimmy Harden. “We’ve been saving this one for now – I can’t wait to play it for people everywhere.”

They’ll do just that through autumn, starting with a few shows in their home state.

29 March 2014 – El Grande Festival @ Bojangles Nightclub, Gladstone
4 April 2014 – New Globe Theatre, Brisbane
5 April 2014 – Miami Shark Bar, Gold Coast
10 April 2014 – Ding Dong Lounge, Melbourne
12 April 2014 – Reverence Hotel, Footscray
17 April 2014 – The Captain Cook Hotel, Sydney (FREE)
19 April 2014 – The Great Northern Hotel, Newcastle

Image used with permission from Collision Course PR