Posted on by Lauren Katulka

Elephant Eyes Launch Debut EP

Melbourne act Elephant Eyes are preparing to celebrate the release of their debut EP with a launch show for hometown fans next week.

I’m thrilled to see more from this outfit who thoroughly charmed me with their single “Mother Said” last year. Apparently chronic illness, line-up changes, and the nine-to-five drudge made producing something else a bit slow, but I for one am glad they took the time. The single “India” gives us a beautiful taste of the EP. Lead singer Kate McMahon positively soars on this number about globetrotting from the comfort of your armchair.

The launch is a double headliner show with Susy Blue at Fitzroy’s Workers Club on August 11. Doors open at 1:30 pm, and Elephant Eyes will take the stage at the very civilised time of 3.

Posted on by Lauren Katulka

The Blackwater Fever Tour New Bluesy Single

The Blackwater Fever are celebrating their recent deal with Brisbane management company Pricewar Music with the release of a brand new single “Won’t Cry Over You” and an accompanying tour.

I just love this song. It’s so swampy and bluesy and dirty. It gets underneath your skin from the first listen. It comes from The Blackwater Fever’s third album The Depths, which critics and the band themselves claim is their best yet.

“The Depths is our best release yet and the first we have made entirely under our own steam,” said lead singer and guitarist Shane Hicks. “It was a huge learning curve with much trial and error but in the end I think the result has vividly realised our ideas and vision. This is how we will make albums from now on.”

You can hear tracks from this stellar release, including “Won’t Cry Over You” at the following shows.

3 August 2013 – El Grande Festival, Gladstone
16 August 2013 – The Zoo, Brisbane
23 August 2013 – Spectrum, Sydney
24 August 2013 – Lass O’Gowrie Hotel, Newcastle
6 September 2013 – Solbar, Maroochydore

Posted on by Lauren Katulka

The Beasts of Bourbon Celebrate 30 Years with Live Album & Shows

The Beasts of Bourbon are celebrating three decades in the business with a 3CD live set dubbed 30 Years of Borrowed Time.

The CDs feature sets from All Tomorrow’s Parties, Byron Bay Bluesfest, and a show at Festival Hall.

To celebrate the release, band fixtures Tex Perkins and Spencer P Jones will play their hits and fan favourites with a different Beasts of Bourbon line-up each night in Sydney and Melbourne. Each show promises a different set too, so why not get along to all three? Tickets cost $44 for a single show, $79 for two, and $110 for all three in your nearest capital.

30 Years of Borrowed Time will be available exclusively at the following shows ahead of its digital and in store release in mid-September.

22 Aug 2013 – Factory Theatre, Marrickville (Original line-up)
23 Aug 2013 – Factory Theatre, Marrickville (Low Road line-up)
24 Aug 2013 – Factory Theatre, Marrickville (Current line-up)
29 Aug 2013 – The Memo, St Kilda (Original line-up)
30 Aug 2013 – The Memo, St Kilda (Low Road line-up)
31 Aug 2013 – The Memo, St Kilda (Current line-up)

Image used with permission from Two Fish Out of Water

Posted on by Lauren Katulka

Little Wren Impresses with “Red Shoes”


Debut singles shouldn’t sound as polished as “Red Shoes”, the sultry first single from Sydney songstress Little Wren. It’s a flawless piece of electro pop that has me utterly captivated.

Little Wren’s latest batch of music came about after her dad gifted her a 1980s Juno synthesiser late last year. She recorded it with the equally fabulous Adrian Deutsch in his basement, which just goes to show you don’t need a fancy studio to create something wonderful. The twosome have left their mark all the songs; they played all the instruments and programmed all the drums. If it all sounds this good, I’ll be lining up for a copy.

Loving it!

Image used with permission from Little Wren

Posted on by Lauren Katulka

The Basics Release “So Hard for You”

With their reunion tour a little more than a month away, The Basics are treating us to a cracker new single in the form of “So Hard For You”.

I use the term “new” pretty loosely here, as the track was actually recorded as a demo way back in 2010. It’s been thrust into the spotlight though with the release of this year’s Leftovers compilation.

This ballsy rock number and old-school style video should help us all get in the mood for the following shows.

12 September 2013 – The Spiegeltent, Brisbane
21 September 2013 – Republic Bar, Hobart
26 September 2013 – Theatre Royal, Castlemaine
27 & 28 September 2013 – Northcote Social Club, Melbourne (SOLD OUT)
29 September 2013 – The Corner Hotel, Melbourne
3 October 2013 – Transit Bar, Canberra
4 October 2013 – Oxford Art Factory, Sydney
6 October 2013 – Caloundra Music Festival, Caloundra

Posted on by Lauren Katulka

Elliott Wheeler Captivates with “Baker Man”

Elliott Wheeler has mesmerised me with his debut single “Baker Man”, the first cut from his debut album The Long Time. The long-player hits stores on August 16, but this beautiful song and accompanying clip should help generate some buzz before the official release.

All I have to say about this song is, give it time. It’s very gentle and understated. It certainly doesn’t smack you in the face. But it builds so beautifully that about three-quarters in I was utterly captivated. That gorgeous music video, featuring the talents of animator Marieka Walsh, doesn’t do it any harm either.

Just like the single, The Long Time is no rush job. It’s been six years in the making, and that attention to detail shows. Elliott worked as composer and engineer on the record which has clearly been a real labour of love.

He’s also the bloke behind the music of Baz Lurhmann’s The Great Gatsby, a project which saw him collaborating with the likes of Jay Z, Jack White, and Lana Del Ray as well as adding his own original contributions. Elliott’s impressive resume also features George Miller’s new Mad Max movie and The Chaser TV series. He was also behind that incredible Ship Song Project for the Sydney Opera House back in 2011. How exciting that the musical talents of such a gifted artist can now come to the fore with this release.

Posted on by Lauren Katulka

“Roadtrip Confessions” – Buffalo Tales

I must admit, when I heard Wes Carr was performing under the name of Buffalo Tales, I thought it was as wanky as the next person. However, as I listened to his first album under this new moniker, the shift made perfect sense.

Roadtrip Confessions isn’t a Wes Carr album. While I enjoyed the pop-rock material Wes released after winning the Australian Idol title, it’s markedly different from the music he’s making today. There’s a lot more heart and subtlety here. It’s not so radio-friendly, but that doesn’t mean it’s not accessible. It’s just not obvious or formulaic.

This album is beautifully balanced. One moment we’re thigh-slapping along to “Amsterdam”, the next we’re taken to a more tender, poignant place when he duets with Scottish folk songbird Rachel Sermanni on “Crazy Heart”. The shifts could have been jarring, but the gentle strumming of an acoustic guitar serves as an anchor for these beautiful songs.

It’s hard to single out songs on an album of such quality, but the introspective “Puppet Strings” and romantic “Tricks to Magik” are real highlights. The poetic, gorgeous lyrics of these numbers deserve to be listened to.

It’s interesting that Buffalo Tales’ has chosen to cover Leonard Cohen’s “Take This Waltz” and Rihanna’s “Diamonds”. They’re two very different songs, but they’re both interpreted so cleverly. It’s a good reminder that singing covers, as artists do on programs like The X Factor, The Voice, and Buffalo Tales’ big break Australian Idol, isn’t such a bad thing. Perhaps he hasn’t moved so far from his alter ego after all.

It’s unfortunate that the release of Roadtrip Confessions has been overshadowed by the media natterings about Wes Carr’s new name, because this album is one of the best I’ve heard in recent years.

Image used with permission from the Planetary Group

Posted on by Lauren Katulka

Karnivool Scores Aussie Number One with “Asymmetry”

It seems the wait was worth it for fans, who’ve sent Karnivool’s long-awaited new album Asymmetry to the top of the albums charts. One week in and it’s already the fourth fastest selling album of the year. It’s also history making for lead singer Ian Kenny, who becomes the first singer to nab two number one albums in the same calendar year with two different bands. Of course he paved the way for this achievement when his other act, Birds of Tokyo, scored a number one with March Fires in March.

Bliss N Eso’s Circus in the Sky jumped a couple of positions to take number three this week. Harrison Craig shows he’s still a force, landing at number four five weeks after the release of More Than a Dream. His fellow Voice competitor Luke Kennedy rounds out the top ten with his debut album A Time for Us.

Vance Joy’s risen two spots to become the only Aussie act in the singles top ten with “Riptide”. It sits at number ten this week.

Click below to see this week’s complete top tens.

Continue reading “Karnivool Scores Aussie Number One with “Asymmetry”” →

Posted on by Lauren Katulka

Boy & Bear Take Us to New Zealand with Awesome New Video

Boy & Bear have outdone themselves with the video for their new single “Under a Southern Sun”. The icy clip was filmed in New Zealand, and it contains so much breathtaking footage that I’m tempted to head across the ditch.

The film clip’s release is a timely reminder that Boy & Bear’s sophomore album Harlequin Dream will hit stores on August 16 ahead of the band’s national tour in October.

Posted on by Lauren Katulka

The Darling Downs Reunite for Album Number Three

It’s been many years coming, but superstar duo The Darling Downs has finally graced us with another album, In the Days When the World was Wide.

Now the name The Darling Downs might not mean very much to you, but you’ll certainly know the names of the talent that makes up this very special double act. Kim Salmon was a key member of Scientists, Beasts of Bourbon, The Surrealists, and heaps more. Ron S. Peno made his name with Died Pretty. They’ve been friends for more than three decades, and have been making music for a decade. However, this is their first album together in six years. For the record, they never broke up. “We just had a break”, Ron says.

In the Days When the World was Wide takes its name from a collection of Henry Lawson’s works that Ron loved as a child. The album is striking in its simplicity, with songs that easily blend folk, bluegrass, and indie rock.

“It’s a songwriting cliché to say ‘the songs come from somewhere else’,” Kim says, “and I normally refute that idea. But I cannot explain why writing with Ron works; it’s mysterious. And because it’s mysterious, it seems quite magical.”

In the Days When the World Was Wide hits record stores today.

Image used with permission from Two Fish Out of Water