Vaudeville Smash! Release Debut Album

Melbourne’s Vaudeville Smash! are bringing back New Wave sounds with the release of their debut album Dancing for the Girl.

The fun single “Look at Me” gives us a taste of the album, which hit stores yesterday. It’s got a gorgeous blend of dance and pop that makes children of the ‘80s like me feel all warm and nostalgic.

Vaudeville Smash! will kick off their Dancing for the Girl tour in Adelaide next month before they travel up and down the East Coast. With the band generating major buzz in North America, it might be our last chance to see them for a while!

8 June 2013 – Jive Bar, Adelaide
14 June 2013 – The Corner Hotel, Melbourne
21 June 2013 – UTS Glasshouse Bar, Sydney
22 June 2013 – The Beresford, Sydney
27 June 2013 – The Loft, Chevron Island
28 June 2013 – Sol Bar, Maroochydore
29 June 2013 – The Joynt, Brisbane
30 June 2013 – Beach Hotel, Byron Bay

Brittany Cairns Back with “Behind the Scenes”

All eyes are firmly on the new crop of The Voice contestants, but it’s worth noting that some of last year’s finalists are carving out credible careers away from the glare of the television cameras. One such talent is Brittany Cairns, who’s just released her new single “Behind the Scenes”.

If you’re a Taylor Swift fan, you’re going to love this. There are similar sweet vocals and the diary-style narrative recounting the optimism of young love feels very familiar. It’s pretty inoffensive stuff and it’s not likely to change the world, but that’s not a criticism. It takes real talent to create a song so accessible. Brittany’s had a little help from Rod Conley on that score, but she’s clearly got some songwriting chops. I’m looking forward to hearing more from Brittany when she releases her debut EP later this year.

Darren Percival @ Lizotte’s, Kincumber – 26 April 2013

I’ve been reading a lot of criticism about The Voice lately. I’ve heard that the program exploits its artists, that it doesn’t recognise the talent of established musicians, that industry professionals shouldn’t appear in the first place, that it’s gimmicky and fake and not the place Australians should turn to when discovering local music. I don’t deny the talent of many Aussie musos slogging away in the pubs and clubs. I accept this program isn’t an arena that many musicians would feel comfortable competing in. But when I question the value of a program like The Voice, I just have to look at Darren Percival.

Darren was one of those musicians I knew before he stood in front of those four chairs last year. I’d seen him sporadically live before then, singing backup vocals for James Morrison, and Jimmy and Mahalia Barnes. It took that program to take Darren to the front of the stage. And that’s just where I like him.

There’s something about the promise of a Darren Percival performance at Lizotte’s Kincumber that is irresistible to me. I’ve now seen him three times at the venue since he won The Voice, and every show’s been special. Darren seems so comfortable here, in this small space where punters can pass him handwritten notes acknowledging their parents’ wedding anniversary and milestone birthdays. He seems to thrive on the intimacy that comes when he can step down off the stage and walk amongst us, sitting down beside one adoring fan, taking the hand of another. There’s none of that inevitable distance that comes from a larger venue, and we all lap it up.

Much like the last time I saw Darren, the set contained highlights from Darren’s time on The Voice, the Ray Charles covers featured on his latest album, and a few other favourites. The blend doesn’t change too much, but there are always a few surprises. Who on earth would have expected a cover on Eddy Grant’s “Electric Avenue”? That alone might have been worth the price of admission, but I also hung on every word of his incredible version of “Georgia on My Mind”, and his solo take on “Without You”, the song he sang with mentor Keith Urban while on “that reality show”. His rousing rendition of “Hit the Road Jack”, with back-up singing from the captivated audience, was also spectacular.

You can say what you want about The Voice, but I’m thrilled it exists if only to see artists like Darren headlining concerts like the one I witnessed. I wonder which of the new breed I’ll be raving about in this way next year?

Image source: own photo

Atlas Genius Poised to Conquer America

Adelaide double act Atlas Genius might just have what it takes to be our next big export. The lads are putting in the hard yards now after the recent release of their debut album When It Was Now.

The album showcases the pop sensibilities and synth-laden riffs that had crowds buzzing at South by Southwest. You can get a taste of all that with the band’s latest video “Centered on You”.

South by Southwest was months ago, but it seems Atlas Genius are in no rush to return to home shores either, as they’ve got a stack of shows coming up around the US and Europe. They’ll even appear on The Late Show with David Letterman on May 2 (or May 3 Australian time). Make sure you set your PVRs Aussies! Here are all the places music lovers abroad can see them play. Hopefully we won’t lose this hot new act permanently!

3 May 2013 – Penguin in Soho, New York (Free All Ages Acoustic Show)
4 May 2013 – The Piazza at Schmidt’s, Philadelphia
7 May 2013 – Electrowerzk, London
8 May 2013 – Prinzenbar, Hamburg
18 May 2013 – KROQ Weenie Roast, Irvine
19 May 2013 – Live 105 BFD Festival, Mountain View
20 May 2013 – Soho Restaurant and Music Club, Santa Barbara (SOLD OUT)
22 May 2013 – Harlow’s, Sacremento
24 May 2013 – Wonder Ballroom, Portland
25 May 2013 – Sasquatch Festival, Quincy
26 May 2013 – Venue, Vancouver
29 May 2013 – Kilby Court, Salt Lake City
31 May 2013 – Bluebird Theatre, Denver (SOLD OUT)
1 June 2013 – The Black Sheep, Colorado Springs
4 June 2013 – Fine Line Music Café, Minneapolis (SOLD OUT)
6 June 2013 – Deluxe at Old National Centre, Indianapolis
7 June 2013 – Newport Music Hall, Columbus
9 June 2013 – 3rd & Lindley, Nashville
11 June 2013 – The Norva, Norfolk
12 June 2013 – The Canal Club, Richmond
14 June 2013 – Bayou Café, Albany
15 June 2013 – The Sinclair, Cambridge (SOLD OUT)
17 June 2013 – Met Café, Providence
18 & 19 June 2013 – Bowery Ballroom, New York (SOLD OUT)
20 June 2013 – Wolf Den, Uncasville
21 June 2013 – Firefly Music Festival, Dover
23 June 2013 – The Opera House, Toronto
24 June 2013 – Shelter, Detroit
27 June 2013 – Summerfest, Milwaulkee
30 June 2013 – The Pagent, St Louis
6 July 2013 – Kelowna’s Waterfront Park, Vancouver
10 July 2013 – Ottawa Blues Festival, Ottawa
13 July 2013 – Bunbury Music Fest, Cincinnati
2 August 2013 – Lollapalooza, Chicago
4 August 2013 – Osheaga Music and Arts Festival, Montreal
11 August 2013 – Golden Gate Park Outside Lands Festival, San Francisco
20 September 2013 – Sleep Train Ampitheatre, Chula Vista

Bad//Dreems Calling for “Caroline”

Sometimes you just need a bit of fun to usher in the weekend. And I’ve found it in Adelaide’s Bad//Dreems and the chunky guitars of their new single “Caroline”.

There’s nothing deep and meaningful going on here. We’ve heard the tale of falling in love with the wrong woman before, but its wrapped up in such an infectiously catchy package that I don’t really mind. The clip’s also got such a great Aussie nostalgia to it, that I’m a bit powerless to resist.

If you’re digging Bad//Dreems’ good vibes, make sure you support the boys when they launch the single at the following shows next month.

7 May 2013 – Mum @ World Bar, Sydney
14 May 2013 – CATS @ Rocket Bar, Adelaide
31 May 2013 – The Gasometer, Melbourne

Jen Cloher Readies Fan Funded Album

Following a successful crowd-sourcing campaign, Jen Cloher will release her third album In Blood Memory next month.

The album, which was written over the last six months and recorded in just six days, is the follow-up to Jen’s acclaimed sophomore effort Hidden Hands. The album could have been very dark after Jen lost both her parents at the end of 2011. However, rather than dwelling on her sorrow she decided to create a more positive record.

“I had written an album worth of songs by the beginning of 2012 but I decided to scrap them and start again. My previous album Hidden Hands had been about loss and I didn’t have the emotional energy to explore that territory again,” she explained. Instead, I wanted to write about what was alive in me.

In Blood Memory is a live album. Its strength lies in passionate performances from a great band. Drums are spilling into vocal mics and guitars into drum overheads. All of my vocals are live. There is no separation.”

In Blood Memory will hit stores on May 27.

Image used with permission from Remote Control Records

Remembering the Fallen with Mick Thomas

I don’t think it’s right to just let ANZAC Day go by without acknowledging it. It’s not just another day. It’s a day for us all to pause and remember those who lost our life fighting for the freedom that we take for granted, and the ones who came back but were never the same.

I’ve done it in the past by posting “I Was Only 19” and “The Band Played Waltzing Matilda”. This year I needed to dig a little deeper, and it saw me discovering this song, “Gallipoli Rosemary” by Mick Thomas. The Weddings Parties Anything singer has always had such a gift for songwriting. This song might never have achieved mainstream attention but it’s still strong, imbued with the emotion fitting for a track recorded on ANZAC Day a couple of years.

Lest we forget.

Mia Dyson Heads Back to US For The Moment Release

All good things must come to an end, and it’s almost time to bid Mia Dyson adieu as she returns to her adopted home in the United States. However, she’s not leaving without a proper goodbye.

Mia will play her final Australian show for some time at the Bulli Hotel this Friday, April 26. She’s also leave us with one more single, “Fill Yourself”, an upbeat bluesy number which will launch The Moment in the US.

“Fill Yourself has been a favourite of many people on the record and is the track turning heads in the US,” said Mia. “It is bittersweet to be heading back over there. I have absolutely loved being home, so much so that I extended my stay, but it’s time to continue this journey that The Moment has become.”

The Moment hits American stores today.

Todd Rundgren Ready to Rock Oz

Legendary guitarist, songwriter, and producer Todd Rundgren will celebrate four decades of hits with a string of shows in Australia this winter.

As well as honouring his extensive back catalogue, Todd will also introduce fans to his latest work State, which will hit stores in May. This is Todd’s 24th solo album, and it proves he’s not fading away.

Todd’s assembled a stellar collection of musicians to join him on stage including keyboardist John Ferenzik (Jefferson Starship), guitarist Jesse Gree, drummer Prarie Prince (Jefferson Starship, The New Cars), and bassist Kasim Sultan (Blue Oyster Cult, Utopia). Enjoy a night of true musicianship at the following shows.

17 July 2013 – The Gov, Adelaide
19 July 2013 – Chelsea Heights Hotel, Chelsea Heights
20 July 2013 – Ferntree Gully Hotel, Ferntree Hotel
21 July 2013 – Corner Hotel, Melbourne
23 July 2013 – Lizotte’s, Newcastle
25 July 2013 – Bridge Hotel, Balmain
26 July 2013 – Whitlam Theatre @ Revesby Workers, Revesby
27 July 2013 – Twin Towns Services Club, Tweed Heads

Image used with permission from Riot House Publicity

R.I.P. Chrissy Amphlett

Australia has lost one of its most unique female voices with the passing of Chrissy Amphlett. The Divinyls frontwoman passed away in New York City following battles with breast cancer and multiple sclerosis. She was just 53 years old.

They broke the mould when they made Chrissy. As a young girl I remember being fascinated by her sexy schoolgirl outfits, fishnet stockings, and husky rasping voice. I couldn’t believe she could get away with singing “I Touch Myself”, and I still think “Boys in Town” is one of the greatest rock songs ever penned.

With her band The Divinyls she earned four top 10 albums locally and one in America. Funnily enough, that shocking “I Touch Myself” song was their biggest-selling single. It reached number one here and cracked the top 10 in the United States and Great Britain. Fittingly the band took their place in the ARIA Hall of Fame in 2006.

Those facts are impressive, but it’s Chrissy’s sass that I’ll remember most. She was fierce, so different, so charismatic. She will be missed.