Have you made any New Year’s resolutions? Are you cutting back on the booze? Swearing you’ll stick to your exercise regime? Positive you’ll stop biting your nails? Yeah right!
Personally I’ve given up making plans I know I’ll probably break. Instead I make resolutions that will make me happy and easy to follow through with. Like intending to get out of the entertainment centres and see more live music in pubs and clubs.
If that resolution sounds pretty good to you, you’ll want to hear about the second annual SLAM (Save Live Australia’s Music) Day. Last year the event saw more than 150 gigs held in small venues across the country. On February 23, organisers hope to eclipse that effort.
So head to the SLAM Day website and see what’s happening near you. It’s much easier than counting calories!
Image used with permission from Two Fish Out of Water
1 March 2013 – The PA @ Jupiters Casino, Gold Coast (18+ – FREE)
If you’re anything like me, I’m sure you’re probably staring at your computer screen bleary eyed, waiting for the pounding in your head to go away. You need to be eased into 2013 gently. Very gently. And so I figured I’d introduce you to “Halogen Moon,” the lead single from
2012 is winding down, so before we all head off for our New Year’s Eve parties I thought I should cast my mind back to the year that was. Here’s my annual wrap up of everything musical that made 2012 special for me.
Then it was time for The Trouble with Templeton, an outfit that’s grown from solo act to ensemble in recent years. I became a fan in those early days when Thomas Calder adopted his moniker and released his impressive debut Bleeders. He seems at ease with his band, a bunch of talented performers in their own right, but I’m not sure they really fit a venue like Lizotte’s. And I’m not just referring to The Cubby House’s small stage! The sound was turned way up to eleven, a jarring contrast to The Falls’ more delicate set. There’s nothing wrong with being brash and bold, but sometimes less is more. Something tells me I’d have been better able to appreciate their songs if I could catch all the lyrics. It was also disappointing to see “Bleeders” so poorly represented. The cries for “I Wrote a Novel” fell on deaf ears; it would have made the perfect encore if they’d felt like giving us one. Encores are almost mandatory these days, so I was surprised the band didn’t return to the stage.
Sydney pop punk bank