Iggy and The Stooges Announce Bluesfest Sideshows

Iggy and the Stooges have announced a swag of sideshows to complement their appearance at next year’s Byron Bay Bluesfest.

Iggy Pop’s iconic band will show they can still push the boundaries will shows in the major capitals. Our very own Beats of Bourbon will also join in the fun, making these shows a must for folks who love their music loud.

Tickets go on sale tomorrow, November 7. Sydney and Adelaide based fans should go to Ticketek and Venuetix respectively at 9 am, while Melbournians should log on to Ticketmaster at 10 am to get theirs!

25 March 2013 – Thebarton Theatre, Adelaide
27 March 2013 – Festival Hall, Melbourne
30 March 2013 – Bluesfest, Byron Bay
4 April 2013 – Hordern Pavillion, Sydney

Photo credit: Sophie Howarth

Q & A with Cogel’s Edward Prescott

Cogel excited me with the epic sound and visually thrilling video of the single “Felusine,” so I was thrilled to catch up with their drummer Edward Prescott. Read on to see what they had to say about their unique sound, their current launch shows, and that oh so cool clip.

Your music really seems to defy classification. For the uninitiated, how would you describe it?
I think the first part of that question is one of the biggest compliments a band could get. So thanks! It’s great that you feel we’ve got our own thing going on.

I would say our sound uses elements of rock, indie, pop and folk. I know that’s not very specific, but hey, let’s keep it broad!

You’re about to launch your EP Nowhere Near for hometown fans in Sydney [the show happened on November 2]. Are you looking forward to that show?
Of course! Haven’t played the Beresford before and it sounds like they treat bands really well there. It’s a free entry gig and the supports are great. Can’t wait.

You played your first EP launch show in Melbourne a couple of weekends ago. How did that go?
It was sweet. The Ding Dong Lounge is another room none of us had seen or played in before.  Our set seemed to be well received.

You’re regulars on the Sydney gig circuit. What’s your favourite local place to play and why?
That’s a tough one. My personal faves are probably The Vanguard, Oxford Art Factory and FBi Social. Great PAs, engineers and vibes in those rooms.

I feel like the Sydney live scene is pretty strong and often gets an unfair rap – there’s a bunch of good smaller venues and pop-up bars that sometimes fly under the radar. And every closure seems to be offset by an opening.

The backyard gig initiatives that have cropped up over the last couple of years are fantastic too. We’ve got friends that run ‘The Gate’ and ‘The Smallest Gig’, which are both doing tremendously well.

I believe a Brisbane launch show is in the works too. When are you expecting to play there?
Hopefully in January. Yet to be confirmed.

I loved “Felusine.” Is it a good indication of what we can look forward to on the rest of the EP?
Thanks! It’s probably the most bombastic track on the EP, but I’d say it’s a good indication of our sound in terms of the dynamic range and the interplay between the violin and the vocal.

Having said that, we always try and approach every song as its own thing. There’s stuff on the EP that’s poppier, there’s stuff that’s vaguely tribal and there’s stuff that’s more atmospheric. Then there’s some stuff that sounds like Psy. Just kidding.

You were pretty creative in funding this EP through Pozible. I see a few people have pledged the amount that will see your guitarist Nick Langley completing their dares. What are some of the wacky stunts we’ll see on YouTube?
He’s only completed one dare so far – which was a ridiculous cover of “Call Me Maybe.”

Some of the other things he has to do are even more absurd. One involves him strapping bacon to his ankles and walking through a dog park. For another, he has to assume the role of Bane and film himself reenacting every scene from The Dark Knight Rises.

Let’s just say we should’ve charged people more for the dares!

The clip for “Felusine” was one of the most interesting I’ve seen all year. How involved were you in that creative process?
Thank you! It was very time consuming and labour intensive, but worth it in the end!

“Felusine” was directed by someone outside the band (the brilliant Tim Gibbs), but we were still very involved. The concept (the whole idea of projecting images onto a statue head) belongs to Nic, our singer. He’s very visual and is always pretty hands-on with our clips. Tim definitely took it to a whole new level though!

Doing interesting videos is really important to us; we feel it is virtually as important as the music. There are so many “band-playing-in-a-room” videos out there that we really don’t feel the need to produce one ourselves!

Where does the name Cogel come from?
Nic’s last name is Cogels, so we just dropped the ‘s’, even though Cogel is very much a band, not a solo project.

We wanted a name that didn’t already have a meaning, associated imagery or any kind of pre-existing connotations attached to it. By that I mean we didn’t want something like Smashing Pumpkins, The Shins or The White Stripes, as much as we love those bands.

We wanted something a bit more abstract and devoid of meaning, like Feist or Gotye. And Cogel fit the bill!

Do you have anything else in the pipeline?
Hopefully we’ll be aiming to get an album out next year. At the very least, it’ll be another EP.

Image source: Cogel website

Evil Eddie Tours Solo Album

Former Butterfingers frontman Evil Eddie is celebrating the recent release of his debut solo album Welcome to Flavour Country with a big Australian tour.

Fans can look forward to Evil Eddie fronting a full band, and his own homemade backdrops. Each song performed will be synced up to Evil Eddie’s music videos, including ones made especially for these shows. It sounds like Eddie’s been pretty creative in the lead up to these gigs!

The tour kicks off on Thursday in Byron Bay, before making pit stops in 20 capitals and regional centres over the next couple of months. Tickets are on sale now from the venues.

8 November 2012 – The Great Northern, Byron Bay
9 November 2012 – USQ Club, Toowoomba
10 November 2012 – Sprung Festival, Brisbane
11 November 2012 – Sol Bar, Maroochydore
22 November 2012 – The Patch, Wollongong
23 November 2012 – Entrance Leagues Club, Bateau Bay
24 November 2012 – Great Northern Hotel, Newcastle
25 November 2012 – Transit Bar, Canberra
28 November 2012 – The Brass Monkey, Cronulla
29 November 2012 – The Annandale, Sydney
30 November 2012 – Karova Lounge, Ballarat
1 December 2012 – Northcote Social Club, Melbourne
6 December 2012 – National Hotel, Geelong
7 December 2012 – Ed’s Castle, Adelaide
8 December 2012 – Republic Bar, Hobart
9 December 2012 – Tapas Lounge, Devonport
13 December 2012 – Amplifier Bar, Perth
14 December 2012 – C5, Fremantle
15 December 2012 – Prince of Wales, Bunbury

Image used with permission from Reckoning Entertainment

Matchbox Twenty @ Entertainment Centre, Sydney – 30 October 2012

We’ve all had those bands that have crossed our paths and changed our lives. They provided the soundtrack for pivotal moments, and made us feel less alone in our darkest hour. For me that band is Matchbox Twenty.

I’ve seen them live more times than I remember, but I love them just as much as I ever did. I’m not the angsty teenager I was when they first turned my head, but as their music’s evolved they’ve remained just as relevant to me. And so my excitement was at fever pitch as I headed to the Sydney Entertainment Centre last Tuesday.

I’m ashamed to admit that I missed Evermore’s set, preferring instead to catch up with an old friend over red wine at the Holiday Inn across the road. We took our seats somewhere near the start of INXS’s set. I’d hoped to catch the entire thing, but I soon decided I hadn’t missed much.

INXS are undoubtedly one of Australia’s most enduring rock acts. They have created some of the world’s best pop rock anthems, and they sound just as tight as ever. Yet the parade of lead singers that have fronted the band in recent years has really let them down. Watching newbie Ciaran Gribbin prowl around the stage, I’m still not convinced they’ve got the mix right.

It’s not that Ciaran is a bad frontman, but his voice is pretty unremarkable. His stage manner also feels really derivative. At times it felt he was simply emulating the singers that came before, and I cringed when he thrust his face close to those of the girls in the front row. There can be a fine line between sexy and creepy, and he definitely crossed it. Some of the songs, including my favourite “Never Tear Us Apart” also felt overblown and cheesy. I still found myself compelled to get to my feet and dance around on a few occasions, but that can be attributed to the strength of the songs rather than the performance.

The night predictably took a turn for the better when Matchbox Twenty stepped out on stage. They opened with “Parade,” just as their new album North does, a reminder that they wouldn’t just rest on the hits of the past. However it wasn’t long before those familiar tunes came out to, to rapturous applause.

Matchbox Twenty did a great job of pleasing all their fans, with a set which drew from their entire back catalogue. I was thrilled to see them celebrating not just the singles but other strong album songs like More Than You Think You Are’s hidden track “So Sad So Lonely” and my latest favourite “Our Song.” The delicate “I Will” was gorgeous, and I couldn’t help wiping away tears as they performed “Push,” the first Matchbox song that touched me all those years ago. While I adore Rob Thomas, it was also exciting to see him stepping down from vocal duties for Kyle Cook’s shining moment, “The Way.” INXS returned for the final song, a cover of “Good Times,” an appropriate number considering the smiles on all the musicians’ faces.

This isn’t a night I can write about with any sense of impartiality. Seeing my favourite band is always something so special. I danced until my feet were sore, sang until my voice was hoarse, and marvelled at the magic that always comes when I spend time in the presence of this incredible band. Above all, their set was a set that made me feel. Rob Thomas has a way of making you forget that he’s sung many of these songs for more than a decade. He leaves his heart on the stage. His passion and charisma move you, and he’s only enhanced by his stellar band. And that is why I keep coming back. That is why Matchbox Twenty is my favourite band.

Image source: Stephen Katulka

Alex & The Missing Pieces Announce EP Launches

Acclaimed roots singer Alexis Nicole and her outfit Alexis & The Missing Pieces will launch their new EP Paper Cut Outs later this month.

The Melbourne native travelled to Brisbane to record the EP with Yanto Browning of Kate Miller Heidke and The Medics fame. Members of The Gin Club, The Wilson Pickers, and Good Oak also lent their talents to the project. You can see Alexis talking about the EP in this video.

Given Alexis has two adopted hometowns, it’s only fitting that Alexis & The Missing Pieces will launch Paper Cut Outs in both Brisbane and Melbourne. See them play the Black Bear Lodge on November 21 and The Toff in Town on November 28.

Q & A with Sam Buckingham

Singer-songwriter Sam Buckingham has been a fixture on the Sydney music scene for many years. Now she’s taking her music to the rest of the country with shows to support her latest EP, Fragile Heart. She recently took time out from her busy touring schedule to chat about her new release, her upcoming shows, and what it’s like to be admired by some of the industry’s best.

You’re currently on the road promoting your EP Fragile Heart. What can you tell me about it?
It’s been a long time in the making and I think, more than anything, I feel like it completely sums up who I’ve been, who I am, what I’ve been thinking and feeling over a period of time, and it tells a story

I love the first single “Hit Me With Your Heart.” What was it about that song that made you want to release it?
As soon as I wrote that song (on the floor of an Adelaide backpackers in 2011) I loved it. I actually played it that night at a gig, with a lyrics sheet on the floor, because I was so desperate to show it to people. I think people love it because it’s so honest and really paints a picture of hurt and finding a way to make sense of that and turn it into something positive. It’s a liberating song

I noticed you’re playing both festivals and smaller intimate shows on your current tour. Do you have a preference?
I love them both! No preference. They’re both wonderful in completely different ways.

What do you love about performing?
I love the immediacy of it. I tell a story, people hear it and feel it right in front of my eyes. I feed off the audiences energy, they feed off mine … I love the exchange and being able to see what people are getting from the songs.

You’ve played some amazing festivals and supported some of Australia’s most beloved performers. What are your personal career highlights?
Supporting Washington at the Astor Theatre in Perth was a beautiful and musical life affirming moment. It was a huge crowd and I felt enveloped and accepted by every single one of them. It was a beautiful night. Co-producing this EP with (Australian producer) Paul McKercher was a definite highlight as well. Mostly because it felt like a very real and perfect match … to find someone to collaborate with that perfectly complements and challenges you is no mean feat and every day in the studio was both very intense and very good for the soul … we’ll be finishing off the album together as well.

Continue reading “Q & A with Sam Buckingham”

Jazz in the Vines @ Tyrell’s Vineyard, Pokolbin – 27 October 2012

The week was plagued with unpredictable weather, but the sun was shining on the Hunter Valley last weekend for the annual Jazz in the Vines festival.

The event celebrated its 20th anniversary, and the weather, line-up, and atmosphere was fitting for such a milestone. I can’t remember the weather being kinder to us; it was perfect under the shade of the trees that border the open spaces near Tyrell’s Winery. The navy’s Royal Australian City Big Band was already warming up the crowds when we arrived. It seems we arrived during rush hour as the queues at food and beverage outlets were a little longer than usual, but the variety of stalls ensured we still weren’t waiting too long. Drinks in hand we settled in to catch the second act on the bill, the Dixie Ticklers.

I can’t remember another international act gracing the Jazz in the Vines stage, but this British band fit right in. Despite hailing from the United Kingdom, the Dixie Ticklers had a real New Orleans vibe that took us back to the roots of jazz. With so many artists from this festival pushing the boundaries of exactly what jazz is, it was refreshing to see a band representing the genre so purely.

Grace Knight strayed from her pop roots and celebrated the standards featured on more recent releases. Like the fine wines we were consuming from the good folks at Tamburlaine, her voice only gets better with age. Her version of “I’m a Woman” was killer, and my inner child loving hearing her bust out her Eurogliders’ hit “Heaven (Must Be There).”
Continue reading “Jazz in the Vines @ Tyrell’s Vineyard, Pokolbin – 27 October 2012”

New The Mark of Cain Album in Stores Tomorrow

Way back in July I teased fans that after a decade long wait, they’d soon have a new The Mark of Cain album in their hands. Well rest assured folks, that patience will be rewarded tomorrow when Songs of the Third and Fifth hits stores.

This album has been a long time in the making. The band members commenced work on it way back in 2006, and have taken their time to craft something truly special. With drummer John Stanier now based in America it was never going to be a quick process, but that’s allowed the band to ruminate on their new material and make sure it’s top notch. The Scott brothers stole time with their band made when John’s acts Battles and Tomahawk were in town, and eventually it came all came together. With a track featuring a spoken word section from Henry Rollins no less!

The Mark of Cain will let fans sit with the new material for a few months before embarking on a national tour next year.

Image used with permission from Two Fish Out of Water

It’s Not Over for Panama

The title track’s been floating around the internet for some time, but tomorrow Sydney band Panama will finally release their brand new EP It’s Not Over.

The band flew to Los Angeles to record the EP with acclaimed producer Eric Broucek. The result is a disc which puts a modern spin on ’80s traditions. The single is a fitting introduction to the disc which is as nostalgic as it is innovative.

Look for It’s Not Over in good record stores tomorrow.

Red Ink Tour “Empty Town”

Red Ink will continue their comeback efforts with a tour to celebrate the release of their new single “Empty Town.”

The release of this killer track follows the band enjoying a self-imposed hiatus. After all that time away from local crowds, no doubt Red Ink are itching to get back on stage. They warmed up with their first UK in tour in May, so no doubt they’ll be in fine form at the following shows.

9 November 2012 – The Castle, Dandenong (All Ages)
15 November 2012 – The Toff, Melbourne
16 November 2012 – ‘CATS’ @ Rocket Bar, Adelaide
30 November 2012 – Upstairs Beresford, Sydney
1 December 2012 – Rock Lily, Sydney
7 December 2012 – Can’t Say, Purple Sneakers, Melbourne

Image used with permission from Remedy PR