Posted on by Lauren Katulka

Gotye Stays on Top of Singles Charts

Gotye has now achieved a massive eight consecutive weeks on top of the Aussie singles charts with his monster song “Somebody That I Used to Know.” The track, which features Kimbra on guest vocals, is now an impressive four times platinum. It’s also the only Aussie song to sit inside the top ten, or even the top twenty. I’m not sure what’s helped Gotye cut through in this chart which is generally dominated by international acts, but I’m impressed.

His album Making Mirrors has fallen a few spots to sit at number four, but with impressive debuts from Blink 192 and Tony Bennett, not to mention the staying power of the seemingly invincible Adele, this is still a fair effort. All that new chart action has also seen The Jezabels slip from number two to nine with their debut Prisoner.

Click below for all the action in this week’s ARIA top ten.
Continue reading “Gotye Stays on Top of Singles Charts” →

Posted on by Lauren Katulka

Q & A with Myles Mayo

Things are on the up for Myles Mayo. After earning critical acclaim with his self titled debut album last year, he’s preparing to release a new EP and head out on the road with Skipping Girl Vinegar. I caught up with the Adelaide muso recently to chat about his latest release, the upcoming tour, and what makes Radelaide such fertile musical ground.

You’re just about to release a new EP Leave the Party. What can you tell me about it?
It’s got five tracks. Leave the Party is the second single from my debut album that I released earlier in the year and the track has been re-mixed by Australian producer Paul McKercher (You Am I, Eskimo Joe, Hoodoo Gurus, Augie March, The Cruel Sea, Pete Murray). Also on the EP are two brand new recordings and several other cuts from the album.

Once an artist releases a full-length album they don’t often go back to recording EPs. What attracted you to going back to that short recording form?
It is mainly a promotional tool EP/single because I’m doing some touring in Oct/Nov 2011 and we wanted to release something for this period.

You’re heading out on the road with Skipping Girl Vinegar to promote both the EP and the debut album you released last year. Are you looking forward to that?
Yes, very much looking forward to playing up the east coast again. The new band have been really enjoying the live shows over the past six months or so.

It looks to be a pretty cruisy tour, with weekend shows and lots of time in between. What do you plan on doing in your downtime?
With these sorts of weekend hop style tours we all come back home to our respective day jobs, study, families etc. and get on with slowly trudging through this existence.

Continue reading “Q & A with Myles Mayo” →

Posted on by Lauren Katulka

Meat Loaf Performs Train Wreck Medley at AFL Grand Final

The Cats might have taken home the crown, but just as many people are talking about Meat Loaf’s woeful performance at yesterday’s AFL grand final. As a league girl I missed it live, but I really shouldn’t have bothered with an internet search.

On paper it looked like a winner. Sports fans have always loved The Meat, and with a medley of his greatest hits all the fans could sing along. Sadly though, they probably sang better than the big man himself.

Frankly I couldn’t make it more than a few minutes through this video. The tuneless performance just made me sad, and hurt my ears. I actually predicted this kind of disappointment way back when his Aussie tour was announced in June, but I didn’t anticipate just how poor his vocals would be. You’ve got to wonder why he’d put himself out on stage when he just can’t deliver. He can’t be hurting for dollar, and while I understand the desire to be on stage doing what he loves the fans deserve better.

I’m thrilled that I decided to err on the side of caution and give his Guilty Pleasures tour a miss. I’d much rather keep the memories I have of his amazing ’94 tour, which still rates as one of my favourite shows, rather than have them tarnished by this sort of thing. To anyone who does have tickets to the upcoming shows, I’m sorry. I have a feeling you’re in for a long, excruciating night.

Kellie Clarkson and Eskimo Joe must be feeling pretty good right now. Whatever they bring out for the NRL grand final today, it’s going to run rings around this train wreck.

Posted on by Lauren Katulka

Q & A with Five Coffees’ Dean Adams

Sydney’s Five Coffees are looking to take the country by storm with their funky debut EP Flatline. I caught up by the band’s resident sax man, keyboardist, composer and all round nice guy Dean Adams to chat about his band’s unique sound, their EP, and what comes next.

I’ve heard people refer to so many genres when talking to about your music. How would you describe your sound?

Predominately its jazz inspired hip hop. We have always been inspired by funk like James Brown and the Cat Empire too. 70s keyboard legend Don Blackman (Earth Wind and Fire, Parliament) last week called us funky! It was the ultimate compliment.

You all come from such different musical backgrounds. How did you find one another and form Five Coffees?
I met Guy whilst studying at the Conservatorium of Music. We recruited the rest of the band members from all areas of their lives. I used to play in a covers band with singer Ay La Garde and play weddings with bass player Dave Groves!

You’re just about to release your debut EP Flatline. What can you tell me about it?
I wrote many of the tunes in 2008 after graduating from The Con. At the time, they were just eight-bar riffs. Now they are fully laid out, proper tunes with vocals and lyrics that amaze even me!

It’s got an unlikely title for music that’s supposed to engage and excite people. Why Flatline?
“Flatline” is the name of the final track on the EP. It best summarises what Five Coffees is all about: male and female disco/funk with sharp horn lines and a ripping sax solo.

Continue reading “Q & A with Five Coffees’ Dean Adams” →

Posted on by Lauren Katulka

Tyla Out After Most Drawn Out X Factor Elimination

Well the votes are in, and Australia ruled that Jacqui Newland and Tyla Bertolli didn’t party hard enough on this week’s X Factor performance show.

And that sentence above is as much as I wrote before getting the shits with Channel Seven and their drawn out coverage of The X Factor eliminations. By all means have your international guests, but when 8:30 rolls around and the bottom two contestants haven’t even sung off, let alone one eliminated, then there’s a problem.

I’m longing for the good old days of Australian Idol, when they managed to get those eliminations done in half an hour. An hour is really a stretch for these kinds of things, but more than an hour is ridiculous.

I’ve only got so many slots on my PVR, and there are Spicks and Specks and Glee both reliably starting on time. And so I decided I wasn’t going to sacrifice one of those because Seven couldn’t get his finger out. I planned to rise bright and early and just watch it on that Plus7 thing they’re always banging on about. Surprise surprise, there was no “sing for your life” performances on there. I’m not sure whether they were cut from the telecast or just the catch-up, but either way I have no clue what happened. With this week’s X Factor elimination being so drawn out I can’t say that I care. I was well and truly over it.

At the end of the day, Tyla was sent packing after only Ronan voted to keep her around. I can’t blame him; she’s quite the looker. I’d still err on that side as I remember the potential Jacqui showed us early on, but I’m really hoping she gets those nerves under control. She can’t keep singing this badly and hope to progress far.

Image source: Ernesto Ferreyra @ Stock.xchng

Posted on by Lauren Katulka

The X Factor Parties On

Given my cold, I’m not planning on partying any time soon. Thank goodness for The X Factor who brought a party to my lounge room tonight. And I didn’t even need to change out of my pyjamas!

Audio Vixen kicked off proceedings with The Zutons’ “Valerie.” I liked it but I didn’t love it. The retro styling was great, and I was thrilled that the band upped the performance factor, but there wasn’t enough harmonising for my tastes. That’s where this band really excels; when those voices came together it was amazing, but I was left wanting more. Perhaps that’s a smart move though. Could it bring them back next week?

Declan Sykes upped the ante with Panic at the Disco’s “I Write Sins Not Tragedies.” I am really enjoying Declan because he’s not predictable. I love his theatricality, and while the vocals weren’t always the strongest his unique delivery to me is much more interesting than hitting all the notes just right. Talk about making a song your own.

Mitchell Callaway was up next with Kid Rock’s ”All Summer Along.” I must admit, as a musical purist I’ve always hated this mash-up of “Sweet Home Alabama” and “Werewolves of London,” but Mitchell didn’t go close to redeeming the song for me. He looked a bit scared up there, perhaps because of all those scantily clad ladies?
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Posted on by Lauren Katulka

Adam Cousens Gives Me a Musical Pick-Me-Up

I’m battling a cold at the moment. My head is pounding, my muscles are achy, and frankly I just want to sleep until it goes away. But Adam Cousens managed to cut through my malady with the good vibes of his new single “This Road Ahead.” It got a lovely folk-country sweetness to it that is infectious in the best possible way. Even though I’m feeling poorly, I couldn’t help but smile on hearing it.

The song comes from Adam’s debut album Free Flowin’ Footsteps, which apparently hit stores last October. So why is this the first I’m hearing of it? This is definitely the kind of music that deserves a bit of fanfare.

“This Road Ahead” is officially released on Friday, but you can hear it early here. If you dig it make sure you check out Adam travelling around the country with his band through October and November.

8 October 2011 – Northcote Social Club, Melbourne
10 October 2011 – The Phoenix, Canberra
12 October 2011 – Low 302, Sydney
13 October 2011 – The Phoenix Theatre, Wollongong
15 October 2011 – The Empress Hotel, Melbourne (Afternoon show 4 pm)
20 October 2011 – The Wheatsheaf Hotel, Adelaide
21 October 2011 – Cafe Komodo, Adelaide
5 November 2011 – The Corner Venue, Bendigo
11 November 2011 – Republic Bar & Café, Hobart
13 November 2011 – Longley International, Longley (Afternoon show from 3 pm)

Image used with permission from Dario Phillips Management

Posted on by Lauren Katulka

Gotye On Top Again

Gotye’s “Somebody That I Used to Know” is proving unstoppabable, taking out the number one possie on the ARIA charts for an incredible seventh consecutive week. It’d be getting boring if he wasn’t an Aussie with the support of the country behind him. His album Making Mirrors is also performing impressively, slipping down one to land at number three this week.

I’d bitch and moan about the slide if an Aussie band wasn’t behind it. The Jezabels have zoomed into the charts with a number two debut for their first album, Prisoner. Pete Murray is also hanging on to the top ten. His newie Blue Sky Blue has dropped from six to nine this week.

Click below to see what else has been happening in the ARIA top ten.
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Posted on by Lauren Katulka

Inland Sea, The Rescue Ships, and Jackson McLaren Tour Together

Three of Australia’s most exciting new acts – Inland Sea, The Rescue Ships, and Jackson McLaren – are teaming up for one massive tour. The One, Two Ten Tri-Headline dates will see the up and coming bands introducing audiences to their music.

The Inland Sea wowed me with their debut EP Traitor, so I expect big things from the ten-piece’s new EP which will drop while they’re on the road. The Rescue Ships is the latest project for Sydney jazz chanteuse Elana Stone and Canadian born virtuoso Brian Campeau. Their sound is an interesting melding of folk, rock, and pop; think Sufjan Stevens meets the Wainwrights. Jackson Mclaren rounds out the bill, a cute young thing from Warnambool who’s more interested in the classic sounds of Bob Dylan and Tom Waits than contemporary musical movements.

The bands might not be big names, but they’re making such quality music that these shows are sure to be something special.

7 October 2011 – Spotted Cow, Toowoomba
8 October 2011 – The Globe, Fortitude Valley
14 October 2011 – The National Hotel, Geelong
15 October 2011 – The Grace Darling Hotel, Collingwood
20 October 2011 – Steyne Hotel, Manly (free show)
21 October 2011 – Yours & Owls, Wollongong
22 October 2011 – FBi Social @ Kings Cross Hotel, Kings Cross

Image used with permission from Footstomp Music

Posted on by Lauren Katulka

New Zealand’s Shapeshifter Travelling to Oz

After impressing at this year’s Glastonbury and Big Chill Festivals, New Zealand’s dub-soul outfit Shapeshifter are turning their attentions to our shores.

They’re largely unknown here, but you might have seen them on our shores as part of the Parklife and Big Day Out festivals in years gone by. The Kiwis have released four albums, and the three most recent shot to number one on New Zealand’s indie album charts. Their Aussie tour will celebrate the release of the new single “Twin Galaxies,” which has one of the most incredible music videos I’ve seen in some time.

After producing so much well-received music and playing such high profile shows in their native New Zealand and abroad, you can expect Shapeshifter to perform like a well-oiled machine when they touch down in October.

28 October –Heavyweight Soundz @ Metro City, Perth
29 October – Forum, Melbourne
4 November – The Hi Fi, Brisbane
5 November – Metro, Sydney