Jimmy Barnes @ Lizotte’s – 14 September, 2011

As I get older, it takes something really special to lure me out of home during the week. But the promise of Jimmy Barnes playing at Lizotte’s on Thursday night was so irresistible that even I couldn’t refuse.

I’ve seen Jimmy many times over the years, but never in a place so intimate. If you’ve never been to the Central Coast venue known affectionately as “The Cubby House” it’s hard to imagine just how small it is. Seeing someone there is almost like seeing them at a private party with friends.

I was smiling before anyone even graced the stage, with my belly full of Lizotte’s tasty soft shell crab and delicious herby battered fish. But that smile got even wider when Mahalia Barnes was introduced as our support act. Jimmy’s daughter is always good value, and I lapped up her soulful set. Her modern take on “You Are My Sunshine” was a real highlight, as was the closer which saw Jimmy make an early appearance to sing with his daughter. The name of the song escapes me, but I was singing along in earnest.

It wasn’t too long before the Aussie legend was back on the stage with Mahalia and band in tow. He delivered a surprising set, but one that suited this venue perfectly. Anyone who came hoping to hear Jimmy’s greatest hits might have been disappointed. “Khe Sahn” and “Working Class Man” were notably absent, although he did treat us to a few Chisel and solo singles. The focus though was on songs that shone acoustically, especially those from one of my favourite Barnesy albums, Flesh and Wood. To hear some of my favourite cuts from that recording, especially “Guilty” and “Brother of Mine” was really special. Personally I enjoyed the opportunity to hear some of the songs that don’t usually get a work-out in the live arena; I’ve heard him sing the big numbers enough times at other shows.

The intimate setting made this show very personal. Where normally Jimmy moves quickly from track to track to please the punters, here he felt he could stop and talk to us about the songs a little more. I really appreciated that interaction. One of the most poignant moments of the night came when he stopped to talk about Steve Prestwich before performing one of his late mate’s songs, “When the War is Over” with Mr Percival on guest vocals. I also particularly loved his left of center closer, his version of “Love Me Tender,” again from Flesh and Wood, rather than a more predictable choice.

There are plenty of opportunities to see Jimmy rocking out. I’m thrilled that this week I got to see another side of this Australian music legend.

Image source: Stephen Katulka

Faker Show Oz Touring Love

Faker fans have been waiting three long years, but the band is finally ready to head back on the road for a headlining tour. They’ll travel around the country through October and November, introducing fans to some new music and treating them to a swag of hits.

This is the first time fans will meet Faker’s new line up, which features newbies Chris Stabback and Liam O’Brien alongside founding members Nathan Hudson and Nichols Munnings.

You can get yourself in a Faker frame of mind by heading to the band’s website and grabbing a free download of their new track “Back When Solvents.” The tune comes from the band’s forthcoming EP How Did We Not Get Loved?, a five-tracker which acts as a prequel to the new album Get Loved. The EP hits stores on October 7, while the album is slated for a January 27 release.

If you’re intending on attending one of the following the shows it’s also worth stopping by the Faker website, as you can order your tickets complete with the EP.

20 October 2011 – The Great Northern Hotel, Byron Bay
21 October 2011 – Coolangatta Hotel, Coolangatta
22 October 2011 – The Zoo, Brisbane
23 October 2011 – Joe’s Waterhole, Sunshine Coast
26 October 2011 – Prince of Wales, Bunbury
27 October 2011 – Settlers Tavern, Margaret River
28 October 2011 – The Amplifier, Perth
29 October 2011 – Jive Bar, Adelaide
2 November 2011 – Bended Elbow, Geelong
3 November 2011 – Karova Lounge, Ballarat
4 November 2011 – The Corner Hotel, Melbourne
5 November 2011 – Patch, Wollongong
10 November 2011 – The Cambridge, Newcastle
11 November 2011 – The Standard, Sydney

Image used with permission from Revolutions per Minute

Q & A with Elen Levon

Elen Levon is causing quiet a stir with her sexy new single “Naughty.” I recently caught up with this talented Aussie teen to talk about the track, touring the country with Winterbeatz, and how she’s dealing with her new found fame.

You’ve enjoyed a lot of success quite fast and at such a young age. Who or what keeps you grounded?
I’m surrounded by an awesome team and family that keep me humble and grounded.

You’re about to release your single “Naughty” which is quite risqué. Did you have any concerns about that considering your age and how people may see you as a role model?
Everyone will have their own perspectives and beliefs on the video and I cannot control that! But my take on it, is a fun dance track that everyone can let go to.

You worked with Israel Cruz on that track, who’s also doing some great things in the Australian music industry. What was he like to work with?
Israel is an amazing talent and cool to work with.

You recently toured the country with some of R’n’B’s biggest names as part of Winterbeatz. What was it like to be a part of that?
It was an honor to be up there with big names like that! I just enjoyed being on the stage and entertaining.

I imagine a lot of the people attending would have been there to see some of the really big acts like Snoop Dogg and Taio Cruz. How did you win them over?
Hopefully with my performance and just having fun with the audience!

What did you learn about performing seeing guys like that at work?
They are all individually amazing artists in their own rights and they do an amazing job at their crafts.

You’re generating such buzz at the moment, it’d be a perfect time to release an album. Is that too far off?
Definitely working on an album and can’t wait to share songs that I have personally written.

You’ve been dubbed Australia’s answer to Britney Spears and Ciara. That’s what other people view you as, but what musician would you like to model your career on?
I would like to create timeless music that everyone connect with and enjoy. I would like to grasp all audiences.

A lot of people are talking about you having this worldwide appeal and crossing over to other markets. Do you think you’ll always call Australia home?
I will always call Australia home because this is where I started but I definitely see myself travelling and writing all over the world.

Do you have anything else in the pipeline that you can tell me about?
I’m just concentrating on my live performances and releasing more singles.

Image used with permission from Revolutions Per Minute

“Nightfall” – Bec Plath

When she’s not keeping company with The Bloodpoets, Bec Plath is creating incredibly moving music as a solo artist. Her EP Unrequited was one of my favourite releases of 2010, and I was thrilled to see her follow it up with another stunner in Nightfall.

There are just four tracks on this short player, which makes it a bit bittersweet. I was captivated from the opener “Obsession,” a song driven by a dark Tori Amos-esque pounding piano. It could easily become too gloomy, but it’s balanced beautifully with its strong melodic core. “What I Was Waiting For” floored me with its passionate delivery and lyrics. It seemed all too soon when the opening strains of “At The End of the Night” began to close this release. This tune starts sweetly, showing a softer side of Bec, but it builds beautifully to become something much bigger.

Nightfall sees Bec Plath delivering more lush and powerful music. It’s another stellar EP from this Queenslander. It only poses the question, when will this incredible talent treat us to a full length album?

Image source: Bec Plath Facebook page

Gotye Makes It Five in a Row

Gotye’s made it five in a row after retaining the top spot on the ARIA Singles Charts again this week. In doing so “Somebody That I Used to Know” has enjoyed the longest stay at the top of any Aussie single since Gabrielle Cilmi clocked up five weeks with “Sweet About Me” in 2001. The last act to better the feat was Savage Garden who spent eight weeks on top in 1997 with “Truly Madly Deeply.” Can Gotye better the Brisbane duo?

The single’s success has also helped Gotye’s album Making Mirrors jump back to number two this week, up one spot from last week. He’s sharing time in the top 10 with fellow Aussies Pete Murray, who sits at number six with Blue Sky Blue, and Icehouse who’ve slipped only a couple of spots to number seven with White Heat: 30 Hits.

Click below for this week’s top 10s.

Continue reading “Gotye Makes It Five in a Row”

A Friday Pick Me Up from Kate Vigo

It’s been one hell of a week for me. While earlier I was looking for music that soothes, as I sat alone in my empty house this afternoon, with my husband en route to America, I was after a pick-me-up. I found it in “Wanna Run” a deliciously playful slice of indie pop from Melbourne’s Kate Vigo.

There’s a lovely retro Cure-esque quality to this tune that had me dancing around my lounge room in my PJs. Hey, I’m here with only the cat watching, so why not? While the good vibes of this tune hit the spot, it’s the lyrical depth behind the melody that makes things really interesting. This song speaks of the struggle of finding your own path in life so eloquently. I’m impressed.

“Wanna Run” is the second single from Kate Vigo’s forthcoming album Blue to Gold, which hits stores in March. That’s an awfully long time to wait, but her hometown fans can get an early fix with her “Wanna Run” launch show. Kate will play The Toff in Town on October 6.

Image used with permission from Show Off Services

Neil Finn talks Pajama Club Album

Pajama Club, the self-titled album from Neil Finn and his wife Sharon’s new musical venture, hits stores today.

The music we’ve heard is a real departure from the works of Split Enz and Crowded House, and that’s rubbed a few folks up the wrong way. However this video gives us a bit more of an insight into what we’re in for.

Neil and Sharon take us through the disc track by track, explaining the stories behind the songs they’ve created. I must admit, these snippets still aren’t floating my boat but I’m intrigued by the creative process behind them.

Are you excited by Neil’s new musical direction?

“These Pictures Won’t Tell You” – Nik Lone

I’ve had one of those weeks. My internet went down on Tuesday, and has only just returned. Other people might take this as an opportunity to have a holiday, but with deadlines looming I found myself dealing instead with a pocket wi-fi that dropped out frequently in my suburban home, and was crawling when I was online. My parents jetted off to Italy, leaving me feeling very jealous, and my husband started to pack for his two-week business trip to the States. To say I’ve been a bit emotional may be an understatement.

And so predictably I’ve looked to music to soothe the savage beast. And I found it in Nik Lone’s debut solo effort These Pictures Won’t Tell You. As I slipped it in my stereo and the first track “Raining” washed over me I knew I’d made the right choice. The track is a slow burner, beautifully built. I thought what an amazing soundscape Nik had created, with his unique voice another instrument in the mix.

More lush, lovely tunes were to come, particularly the string-laden “Time” and the old-world influenced ballad “Little White.” I found myself enjoying all the tracks, but I had a few niggly issues.

There’s a fine line between creating tracks that burn slowly and ones that are merely sleepy, and I think Nik crosses that sometimes. Some parts frankly bored me. Every song had its moments, but many tunes didn’t sustain themselves for the length of the song. I’d nod in understanding when they reached their pay-off point, but that often came about three-quarters of the way through the track. The radio lover in me noted that many people would have changed the channel by then, missing those really crucial moments.

But These Pictures Won’t Tell You really isn’t a disc for the radio-loving set. It’s challenging and complex. While I appreciate the way it soothed me this week, something tells me I’ll really get it a few weeks from now, or perhaps even longer. For now though I know this is a subtle, gentle album that’s a thing of real beauty. I know it won’t rev everyone, but for the patient listener it’s a find.

Image source: Nik Lone website

Gotye Stays at Number One on Singles Charts

Gotye has made it four straight week at number one on the ARIA singles charts with his track “Somebody That I Used to Know.” Sadly Adele reclaimed her number one spot on the albums’ charts, forcing Gotye’s Making Mirrors down to number three.

Jessica Mauboy also slipped this week. Her track “Inescapable” fell from number five to six, which still isn’t bad considering it’s been hanging around for a month and a half now.

Jack Vidgen also ran out of a little steam. His album Yes I Am fell from number three to six. Something tells me the real testimony to this kid’s talent is what he can manage when the Australia’s Got Talent hype dies down, and he gets a bit of time to record an album rather than just bashing one out.

With so many albums slipping, it’s exciting to see Icehouse score a top five debut for their newest greatest hits collection White Heat: 30 Hits.

Click below for all the chart action.

Continue reading “Gotye Stays at Number One on Singles Charts”

Aussie Guitar Legends Pay Tribute to Jimi Hendrix

Some of Australia’s leading musicians are coming together to pay tribute to the late, great Jimi Hendrix at Sydney’s Enmore Theatre on October 29.

The Experience Jimi Hendrix concert will see the guitar legend’s tunes reinterpreted by Darren Middleton of Powderfinger, Stuart Fraser of Noiseworks, Peter Koppes of The Church, John and Rick Brewster of The Angels, Jack Housden of The Whitlams and The Badloves, Kevin Borich, and heaps more.

Along with all the hits the show will feature two jam sessions at the end of each set which should really be something special. You get that much talent on one stage and how could it be anything but?

If you’re keen I’d jump on the tickets when they go on sale tomorrow from Ticketek. Last year’s show almost sold out, so unless you want dud seats make sure you get in quick!

Image used with permission from Thrill Hill Entertainment