Bobby Alu Tours New Single, “Take It or Leave It”

Bobby Alu is stepping out from behind the drum kit for the release of his new single “Take It Or Leave It.” The track comes from Bobby’s debut album, which was released last year.

This is such a simple reggae number, stripped back and relaxed. That’s part of its beauty though. In a world with so much overproduced, overlayered music this tune really stands out. It also has me craving summer despite my love of chilly weather, which is some achievement.

Bobby has spent the past six years earning a reputation as one of our finest roots percussionist. He’s a member of the bands OKA and Kooii, and also a regular performer with Watussi, Mal Webb, Nicky Bomba, and a host of other local musicians.

Bobby will promote the new single with shows along the east coast, including performances at Byron Bay Bluesfest.

Here are the places you can catch him!

16 April 2011 – High Tide on the Harbour, Noosa
17 April 2011 – Beach Hotel, Byron Bay
21 April 2011 – The Esplanade Hotel, Melbourne
24 & 25 April 2011 – Byron Bay Bluesfest, Byron Bay
29 April 2011 – Soundlounge, Currumbin
30 April 2011 – Hi Fi Bar, Brisbane

Image used with permission from Heapsaflash

City Riots Take Us On British India Tour with Video Diary

The City Riots seem to be having a ball as they wind their way around Australia supporting British India.

They always say that what happens on tour stays on tour, but the Adelaide indie act is giving us a sneak peek with some video diaries. The first episode has just gone up, and there’s more where that came from. Keep an eye on City Riots’ Vimeo page to see what happens behind the scenes of the following shows!

15 April 2011 – The Coolangatta Hotel, Coolangatta
16 April 2011 – The Annandale Hotel, Sydney
21 April 2011 – The Entrance Leagues Club, The Entrance
22 April 2011 – Port Macquarie Panthers, Port Macquarie
23 April 2011 – The Plantation Hotel, Coffs Harbour
24 April 2011 – The Hotel Great Northern, Byron Bay
25 April 2011 – Kings Beach Tavern, Caloundra
12 May 2011 – The Fitzroy Hotel, Windsor
13 May 2011 – The Cambridge Hotel, Newcastle
14 May 2011 – Hornsby RSL, Hornsby

Image used with permission from Shiny Entertainment

Eskimo Joe Play Acoustic Shows Before Splendour

Eskimo Joe will hone their act leading up to their Splendour in the Grass set with some special acoustic shows around the country. The When We Were Kids concerts will feature yet to be released songs and some old favorites stripped back.

The altruistic lads will donate a portion of the profits from all tickets sold to Close the Gap, an Oxfam initiative to improve indigenous health. You can do your bit and buy tickets to one of the following shows at the venues.

20 May 2011 – Fowlers Live, Adelaide
21 May 2011 – Fly By Night, Perth
26 May 2011 – The Zoo, Brisbane
27 May 2011 – East Brunswick Club, Melbourne
28 May 2011 – Gaelic Club, Sydney

Image source: Johan @ Wikimedia Commons

Scott Spark, Tash Parker, and The Rescue Ships Say Three’s Company

Scott Spark, Tash Parker, and The Rescue Ships are putting sporting allegiances and state rivalries aside for one big East Coast tour next month.

The Three’s Company shows will take in each act’s home state over three big consecutive nights. Fittingly, the hometown hero will headline their own city, supported by the other singer-songwriters on the bill.

The Rescue Ships is the brand new outfit of Sydney’s Elana Stone and Brian Campeau. You might be familiar with their solo work, but with their forces combined their sound is incredible. They’ve been wowing crowds overseas, so the Three’s Company dates will be a kind of homecoming.

Scott Spark impressed me last year with his quirky single “Fail Like You Mean It” and won over crowds while supporting Washington and Tim Rogers. But there’s more to this Brisbane boy than meets the eye. He’s ambitiously co-writing OMFG, a stage show he calls an anti-musical.

Tash Parker rounds out the bills. She’s a bit of a ring-in, as she originally hails from Kununurra in far northern Western Australia, but she now calls Melbourne home. With the debut album Waking Up under her belt Tash has supported major Aussie artists like Gotye, Missy Higgins, and Clare Bowditch.

If you love music for lyrics, melody, and heart rather than flash, I heartily suggest checking out these shows. Tickets are a bargain costing just $10 on the presales and $12 at the door.

5 May 2011 – The Evelyn Hotel, Melbourne
6 May 2011 – The Globe, Brisbane
7 May 2011 – Spectrum, Sydney

The Cat Empire Headline The Hunter’s Funk N Grooves Festival

The Cat Empire will ensure things are extra funky at this year’s annual Funk N Grooves festival.

The ultimate Aussie party band will join Amy Meredith, Hungry Kids from Hungary, Ash Grunwald, King Tide, at Tyrell’s Vineyard in the Hunter Valley on September 10. The bill is one of the strongest I’ve seen in recent years as it seems to be getting back to that funky, groovy vibe I first fell in love with. Add in one of the most gorgeous natural settings going and you’ve got the recipe for a pretty fabulous Saturday.

Tickets will cost $85 from the Funk N Grooves website, Ticketmaster, and Moshtix. Get yours from May 2.

Image source: Joey O’Rourke @ Flickr

Kanye West and Coldplay Headline Splendour

I’m not quite sure how they manage to do it, but somehow the organisers of Splendour in the Grass always manage to assemble a line-up which is more impressive than the year before. The 2011 bill is headed up by Kanye West, Coldplay, and Regina Spektor in what we’re promised will be their only Aussie shows.

That does leave the way open for sideshows from other Splendour artists including Jane’s Addiction, Pulp, The Hives, and Kaiser Chiefs. Heading up the Aussie contingent we’ve got The Living End, Bliss N Eso, Pnau, The Grates, The Vines, and Eskimo Joe, to name but a few.

Splendour in the Grass will take over Woodfordia in Southern Queensland from July 29 to 31. Tickets will go on sale on May 5 from Moshtix.

Image source: Matthew Field @ Wikimedia Commons

“One Thousand Origami Birds” – Jack Carty

I’ve been a Jack Carty fan ever since his debut EP Wine & Consequence passed across my desk. So I’m thrilled to see the artist he’s grown in to, as showcased by his stunning first long player, One Thousand Origami Birds.

Opening up the cardboard sleeve, you know you’re in for something special. It’s beautifully illustrated with those titular origami birds swarming over landscapes. With the rise of digital media cover art has all but been forgotten, but my inner vinylphile laps up this sort of effort. It really sets the tone for an album that’s a cut above.

The laidback folky sound I fell in love with has been built upon here. It’s still driven by the gentle plucking of an acoustic guitar, but the clever use of strings and brass adds fullness and life. “Grey Sky” is the sort of soaring epic that I can imagine hearing on a Damien Rice disc. “Them There Hills” was another stand-out for me. It seems so simple with its acoustic guitar picking and foot stomping, but it stirred me like an old blues song. The soundscapes Jack paints are matched by earnest, poetic lyrics.

Anyone who’s been reading my blog for a while knows I have a soft spot for acoustic guitar loving songwriting folky musicians. But even I can admit there’s a glut of them. With One Thousand Origami Birds Jack Carty’s proven he has the stuff to stand out from the pack. This album is truly something special.

Short Stack Tour “This Is Bat Country”

The boys from Budgewoi better known as Short Stack are riding high on the success of their brand new album This is Bat Country. The disc has already gone gold and spawned three hit singles, so the lads are planning to celebrate with another national tour.

Short Stack are sure to be in fine form as they’ve just finished supporting Good Charlotte at their shows around the country. No doubt they’ll be hungry to be the headliners again. Heroes for Hire and Because They Can will join the Central Coast band on the road this July.

Short Stack have sold out their last four tours, so I suggest getting your tickets soon if you hope to catch them at the following venues!

1 July 2011 – Enmore Theatre, Sydney
2 July 2011 – Festival Hall, Melbourne
8 & 9 July 2011 – Astor Theatre, Perth
15 & 16 July 2011 – The Tivoli, Brisbane
22 July 2011 – Thebarton Theatre, Adelaide
23 July 2011 – Royal Theatre National Convention Centre, Canberra
29 July 2011 – Evans Theatre @ Penrith Panthers, Penrith
30 July 2011 – Newcastle Panthers, Newcastle

Image used with AAA Entertainment

Q & A with Emery’s Toby Morell

Next week South Carolina rockers Emery promise plenty of attitude as they bring their We Do What We Want tour to Australia. I recently caught up with the band’s vocalist Toby Morell to chat about the upcoming shows, the new album of the same name, and why he loves Australia.

You’ve visited our shores before but this is your first time in Australia as the main attraction. How does it feel to step up out of  that supporting role?
It feels great. We love getting to headline. We get to play more songs  and really get to give the crowd our all. It is a little intimidating to do this in a different country but Australia always treats us really well.

This will be your fourth trip to Australia. What makes you want to keep on coming back?
It’s so fun. You guys have great sites, food, and the shows are always really fun to play. It could never get old.

You’ve got a pretty hectic schedule. Will you get any time to play tourist?
I hope so. We have seen a lot on our other trips but it is always nice to see things you’ve only gotten to read about in books or seen in pictures.  I wish we could actually go to the Outback once, but we are scared we will die.

One of the more interesting stops on your tour is EasterFest, which has one of the most eclectic festival line-ups I’ve ever seen. There’s everything from metal to pop to gospel on the bill. Are you looking forward to taking part in such a diverse event?
Yes! We have heard about EasterFest and cant wait to play with all the amazing bands. I think it’s more fun when the bands are so diverse. There is a different kind of music happening all the time. You can’t get bored. It’s impossible.

Given that diversity there’s likely to be a lot of people at EasterFest who aren’t familiar with your music. Why should they check out your set?
I hate to toot our own horn but we really put on a crazy live show. We want to bring the music to life and always try to create a show that you will never forget.

Continue reading “Q & A with Emery’s Toby Morell” →

The Script @ Hordern Pavilion, Sydney – 8 April 2011

It’s been a year and a half since I first saw The Script live. After that show I was buoyed and excited, thrilled to see one of the greatest pop acts of our time doing their thing in the flesh. As they say in the classics, what a difference a year makes.

Let me make it clear: I still think that The Script are one of the greatest pop acts of our time. But walking out after their Sydney show on Friday night, I felt none of the same euphoria.
My mediocre night started with Tinie Tempah. I have no clue who thought it’d be a good idea to pair the inoffensive piano pop of The Script with the stylings of this brash Brit rapper, but it was a weird mix, to say the least. I hated his music, but was amused by his arrogant on stage persona. There’s something very contrived about a performer who demands crowd participation. People will wave their hands in the air and sing along if they feel like it; you really shouldn’t need to push it. I also feel a bit cheated when a performer merely raps over the work of other musicians, but that might just be me. The Video Hits loving crowd on the floor seemed to lap up his set, but I spent it giggling and cringing at his over-the-top antics. At least I was entertained.

Hearing the familiar piano driven music of The Script was a welcome respite from all that hip hop garbage. The Irishmen delivered a really solid set featuring tunes from their self titled debut and their sophomore effort Science and Faith in equal measures. They interacted with the crowd, and I couldn’t help melting every time they told us how much they appreciated our support and country. We sang along loudly to the big hits, no prompting needed. See Tinie? We’ll sing if we want to.

It’s hard for me to put my finger on exactly what was missing, but I certainly didn’t feel the adulation I did the first time around. The venue didn’t do them any favours. The Hordern is like a bit shed, with terrible acoustics and a lack of real intimacy. I certainly felt removed from the band, as often it seemed like they were just performing for the squealing girls in the first few rows. I don’t expect that I’ll get the same show sitting on the sides, but I expect a band used to stadiums to play the room a little more. Perhaps after such a brilliant Cyndi Lauper concert last week, most nights are going to pale in comparison. Either way, there was something missing. A night spent with The Script is always enjoyable, but this show wasn’t quite what it could have been.

Image source: Stephen Katulka