Guy Sebastian Announces Final Aussie Shows for 2010

Guy Sebastian may be based in the Big Apple these days, but with the original Australian Idol announcing another string of local shows this June and July you’d hardly know he was living abroad!

If you’re a Guy Sebastian fan, you want to get yourself to one of these gigs as they’ll be his last in Oz this year. Consider yourselves warned!

Tickets for all the following dates are on sale from the venues.

Australian Commercial Radio Awards 2009


18 June 2010 – The Palms At Crown, Melbourne (early and late shows)
20 June 2010 – Panthers, Penrith
22 June 2010 – Mounties, Mount Pritchard
23 June 2010 – Southern Cross Club, Canberra
24 June 2010 – Leagues Club, Wyong
25 June 2010 – Workers Club, Revesby
29 July 2010 – Sports Club, Bankstown
30 July 2010 – The Cube, Campbelltown

Sienna Skies Score Closure in Moscow Support Slot

Sydney experimental act Sienna Skies are having a bumper year, with the release of their debut album Truest of Colors and endorsement deals with SJC Drums, Schecter Guitars, and The Guitar Factory.

To cap all that off, the band will support Melbourne progressive rock act Closure in Moscow on their Sydney dates later this month. This comes in addition to Sienna Skies own shows. If you’re in Victoria, South Australia, Tasmania, and Western Australia stay tuned; the lads promise to announce some dates in your states too.

20 May 2010 – Bull n Bush Hotel, Baulkham Hills
21 May 2010 – The Retro Youth Café, Albury
22 May 2010 – Fully Fledged Fest @ Alexandra High School, Victoria
27 May 2010 – Mona Vale Hotel, Mona Vale (supporting Closure in Moscow)
28 May 2010 – The Gaelic Club, Sydney (supporting Closure in Moscow)

Image used with permission from AAA Entertainment

Q & A with Amy Meredith’s Christian Lo Russo

After support slots with Stereophonics and Cobra Starship, Amy Meredith are stepping into the spotlight. Following the success of singles “Pornstar” and “Lying,” the band is preparing to release its debut album Restless on June 4. Today lead singer and keyboardist Christian Lo Russo took time out from the band’s current tour to chat to me about the forthcoming album, their big name support slots, and their loyal fans.

You’re in the middle of your Lying tour. How’s that going?
Really good actually. We’ve been on tour since the end of February actually, so it’s been like a massive rollercoaster road: very exhausting and very fun and exciting at the same time.

You clearly love touring, because as you mentioned you’ve done a couple of tours back to back. What do you love most about being on stage?
I guess I love being in the spotlight and being the centre of attention, ever since I was a kid. No, I’m kidding. You know what? The best thing about being on tour, especially back-to-back tours, is you kind of become tighter as a band. You become tighter than you’ve ever been and you don’t lose touch, it’s almost like practicing continuously for months and months. You become a super-band, so to speak. You don’t even need to have a set list on stage any more and it becomes very intuitive.

The tour before this saw you supporting Stereophonics. What was it like to be a part of that?
It was fun actually. It was really funny because obviously, as you know, that band is massive in the UK. Like on stage levels they sell out Wembleys and Milleniums and 70, 000 people on their own tours. So when we played Brisbane it was really funny, because we played a 1100 capac. in the Hi-Fi Bar. And when we got in there the first thing they said was “Oh, this looks a little smaller than our rehearsal stage.” I go “Yeah, same here.” So that was kind of funny.
But it was definitely an experience to watch a band so professional in everything they do, and obviously they’ve been around for a long time.

You’ve done a few large-scale tours now with Stereophonics, and Cobra Starship. What did you learn being a part of these big productions and watching those shows?
I guess they were such different shows, from seeing Cobra Starship to seeing Stereophonics it was such a different vibe. You definitely learn how different different bands are on tour. Cobra were a party band, and Stereophonics were a much more chilled out band. And I think their performances definitely rung true of those personalities.

I think on tour with Cobra it was really interesting. One thing I really enjoyed was Gabe [Saporta], the lead singer of Cobra, was very humble. You could learn a lot from him. He was willing to guide you along the way and put you in contact with all his contacts. And when we went into their dressing room after the show and hung out, the first thing he’d ask us was did we want any food, did we want any beer, and then we’d sit down and have a chat. And I asked him one day, “How come the first thing you say before you even say hello is do we want food or beer?” And he said “I just remember what it was like to be the support band and get like one beer to share between six people.” And I thought that was kind of admirable that nature. Because a lot of bands, they get very bitter because it’s almost like when they’re the support they’ve seen so much crap, that when they become the headlining band they do the same thing because it’s now their turn. So I found that really professional of Gabe to kind of go, “I don’t need all this food and drink, come party.” Life lessons on the road are really fun as well, rather than just the performance aspect of things.

Continue reading “Q & A with Amy Meredith’s Christian Lo Russo”

Michael Buble Gives Australia Crazy Love

Canadian crooner Michael Buble is making things really easy for men hoping to ingratiate themselves next Valentine’s Day. He’s announced an Aussie tour for next February and March.

It seems fitting for Mickey to return to Oz, a country he clearly loves, for his Crazy Love tour, at a time when everyone’s thinking about love. Don’t you just adore the synchronicity?

There are nine dates announced so far, but with plenty of space in between I’m betting that this won’t be the final tour schedule. Tickets for the following shows go on sale from the regular outlets on February 28.

Canadian crooner Michael Buble performing live at the SECC in Glasgow


11 & 12 February 2011 – Entertainment Centre, Brisbane
14 & 15 February 2011 – Acer Arena, Sydney
22 & 23 February 2011 – Rod Laver Arena, Melbourne
28 February 2011 – Entertainment Centre, Adelaide
4 March 2011 – Sandalford Wines, Swan Valley
6 March 2011 – Sandalford Wines, Margaret River

Thirsty Merc Strip Back New Track “Mousetrap Heart”

The album’s still some time away, but this video from Thirsty Merc’s forthcoming release Mousetrap Heart has me wanting more. The classic grooves and quirky lyrics of the title track seem like a bit of a return for the Aussie lads, although even in this raw mode I can tell we’re in for something a bit slicker. That should come as no surprise as the Aussies are currently in Los Angeles working with producer Matt Wallace, the man behind Maroon 5’s sound. I can definitely hear his influence in this hooky tune. More please!

John Mayer @ Sydney Entertainment Centre, 8 May 2010

These days John Mayer is more famous for making headlines than playing guitar. It’s a sad state of affairs, but one he seems to be taking on the chin these days. On Saturday night he reminded us of the skills that made him famous when he played the Sydney Entertainment Centre.

I considered writing that Orianthi warmed up the stage, but then I realised that didn’t really tell the story of her opening set. There’s no denying this young Aussie’s talent. She’s impressing all the right people with her incredible skills with an axe. But as a front woman, I’m just not sure she cuts it. There was something very rehearsed and polished about her set, almost like rock and roll by numbers. Even her seemingly off the cuff remarks to the audience between songs sounded as if they were read from a script. Walking off stage at the end of her final number, without even giving the crowd a backwards glance, was the straw the broke the camel’s back for me. It might have been a rock and roll move, but she’s just not big enough to pull such a stunt.

In contrast, John Mayer was warm and gracious as he took to the stage. He gave us a set with equal measures of hits and new material from his Battle Studies album. Both modes of songs seemed to go down a treat; this was an audience of fans who own everything that man does and lap it up accordingly. This showed when John pulled out “In Your Atmosphere” a live favourite that has never made an appearance on a studio album. You wouldn’t have known it though as the crowd sang along enthusiastically to every word.

After seeing Spandau Ballet play the same venue weeks ago, it struck me that this was a very low-key performance. There were no big screens, no costume changes save him taking off his shirt, and no light-show trickery. But that’s exactly what I loved; without all the distractions we focused on the heart of the music. Just as he was at last year’s showcase, John seemed so appreciative of this, thanking us repeatedly for making him feel so at home.

I’m thrilled John Mayer feels so comfortable playing for us in Sydney, as it means we can look forward to many nights of live music just like this. And as anyone who was there can attest, this is a very good thing.

Image source: Lauren Katulka

“Everywhere is Home” – Paul Greene

Making my way to Mother’s Day lunch yesterday was the ideal occasion to discover Paul Greene’s new album, Everywhere is Home. The album title hints at it, but this really is the perfect travel CD with its gentle grooves and mellow acoustic melodies.

The opener, “Ease Up,” tells us what we’re in for, reminding us that the journey is often just as important as the destination so we should all ease up and enjoy the ride. That gentle touch is prevalent throughout Paul’s music; he’s not the kind of artist that grabs you and shakes you. He sneaks up on you, charming you slowly. I enjoyed this album on its first spin, but now on my fourth or fifth time around I’m in love.

“Everybody Got a Little Love” is a standout, with its classic blues groove. I could imagine “You Should Know” appearing on a Donovan album; there’s something deliciously retro about its slightly psychedelic folk feel. The closer, “Stay On,” sees Paul completely stripped back and stunning.

Everywhere is Home sits nicely between my Josh Pyke and Ray Lamontagne albums. If you’re a fan of these artists, you’re going to eat Paul Greene’s latest disc it up. This is an album that gets to the heart of music, without bells and whistles and pretension.

Image source: Paul Greene website

Happy Mother’s Day!

It’s mother’s day, the day that all good children spoil their mums. I’ll be doing just that, making the drive down the Pacific Highway to have lunch with her, and my grandma. While we spent a lot of my teenage years wanting to kill one another, today I’m lucky enough to consider Mum one of my best friends. I don’t always want to hear what she has to tell me, but I always know where I stand with her. She shares my passions for live music, good wine, and sparkly jewellery. She’s a lot of fun to be around, and I’m definitely looking forward to our lunch.

Anyway, I got to thinking about Mother’s Day, and what songs might be appropriate to share with you before settling on Bachelor Girl’s “Buses and Trains.” How I miss Bachelor Girl. This is one of the most honest songs about a mother-daughter relationship that I can think of it. It’s not overly sappy or sentimental, and thus comes closer to real life than most of the mother songs around. So enjoy this one. And if you are a mum, I hope you have an awesome day!

Bodyjar Boys Back with Cola Wars

Just months after wrapping up their final tour with Bodyjar, Cam Baines and Shane Wakker are back with their brand new outfit Cola Wars.

The lads are joined by Mikey Juler, formerly of For Amusement Only, and Mark Brunott. The new single “Giving It Up” is our first taste of Cola Wars’ debut album Invader, which will hit Australia music stores on June 18 with a Japanese release to follow. It’s got some great hooks and a fantastic energy. And it seems the lads themselves are just as pleased with it.

“We are fully stoked with this recording. I reckon it packs a real punch,” said guitarist Cam Baines. “We produced the whole album with Kalju Tonuma (The Living End, Temper Trap, Evermore) and it came together without a hitch. Some of these songs have been in the incubator for a few years now so it was great to finally do them justice.”

This is the sort of music which will really come alive on stage, so make sure you stay tuned for details of Cola Wars’ first national tour soon!

Daniel Johnston Acoustic Australian Live Set Gets Digital Release

Punters raved about Daniel Johnston’s shows this February. In between slots at the Laneway Festival and theatres, the American singer-songwriter took time out to record an acoustic session in Sydney’s Albert Studios. Now that live set will be released as an EP through Hub The Label and Albert productions.

The 2005 South By South West Music Festival


The EP features many tracks which have never been released live anywhere in the world. Standout local singer-songwriter Old Man River joins Daniel for “Fake Tales of Rock ‘n’ Roll,” just as he did at the Aussie shows.

The live@albertstudios EP will be available for digital download through iTunes on May 21.