"Laser Graffiti" – The Galvatrons

lasergraffiti

It’s a pretty gutsy move for a band to open an album with a full choir declaring “We’re here to save the world.” When these are the first lines of your debut album, it’s even riskier. Yet something about The Galvatrons makes you believe them.

Just like that dramatic opening, Laser Graffiti is an album impossible to ignore. Everything is big: the guitars, the synth chords, and ego. But that’s the point. This is a disc which takes its cues from Van Halen, Queen’s Flash Gordon soundtrack, and the pretentious hair bands of the 80s. Some might accuse it of being derivative, but it also sounds like nothing else on the modern music landscape.

The Galvatrons wear their influences and hearts on their sleeve. They may be flamboyant, but their unwavering belief in that vision encourages listeners to go along for the ride. The band captures our imagination with lyrics about driving the car too fast, staying out all night, and skipping school. Those familiar themes are so appealing to someone of my vintage who remembers hearing them first on Poison and Bon Jovi albums, and they might just inspire today’s rebellious teens.

The Galvatrons are either crazy or geniuses. No one makes a record like this today. Yet as the closing strains of the final track “Galaxy Destroyer” repeated the refrain, “We’re here to save the world,” I believed them. They won’t do it by reversing climate change or ending any wars. But The Galvatrons compel us to punch our fists in the air and remember how good music can feel, and that’s a start.

Image source: Cream; Newscom

Jimmy Barnes Goes Back to the Blues

He might be 53 years old, but Jimmy Barnes shows no signs of slowing down. The Aussie music veteran recorded not one, but two new albums in a recent trip to the United States.

The first is a prequel to his famous Soul Deep album, titled The Rhythm & the Blues. As the name suggests, the covers disc will feature bluesy numbers from the 50s and 60s.

Jimmy assembled an all-star band for the disc, including guitarist Johnny Lee Schell (Lucinda Williams, BB King), pianist Mike Thompson (Eagles), bassist Reggie McBride (Aretha Franklin, James Brown, Stevie Wonder) and drummer James Gadson (Quincy Jones, Bill Withers). Being the consummate professionals that they are, the album was recorded in just three days. We’ll hear a taste of it next month when the first single is released.

While stateside Jimmy also teamed up with Jonathan Cain, the co-writer of “Working Class Man” for another original rock album. Who knows whether another single so strong will grace this disc, but I can’t help crossing my fingers.

We can expect both albums to hit record stores soon.

Image source: DianeSunshineCoast @ Wikimedia Commons

Q & A With Nick Beresford-Wylie of Hancock Basement

Canberra band Hancock Basement are ready to take Australia by storm with their catchy tunes and infectious energy. I caught up with the multi-talented Nick Beresford-Wylie (he sings, and plays guitar, keyboards, and saxophone!) to hear about the Canberra music scene, his love of vinyl, and the band’s upcoming Sydney shows.

You won the Triple J Trackside Unearthed competition last year. How many doors has that title opened for the band?
Winning the Trackside Unearthed competition has certainly been a great help as it earned us national exposure and radio airplay, which in turn have helped us in booking shows and reaching a wider audience. It’s also great to be able to say we’re a Triple J Unearthed band.

What was it like to play for the crowds at the Trackside festival?
Playing Trackside was a pretty great but slightly bizarre experience. Although we were on early we played to a pretty huge crowd of all ages, which was a lot of fun. However, halfway through our set the wind began howling and it started to pour with rain. Then the stage power cut out and our drummer Tom had to launch into an ad lib solo and our singer Craven did some crowd interaction dance moves. After a few nerve-wracking minutes the power came back and we were able to finish our set. The crowd wasn’t phased though and the soloing/dancing received some pretty loud cheers.

You’re from Canberra. What can you tell me about it the music scene there?
Canberra has a lot of talent at the moment although, sadly, this is let down by the lack of live music venues. We were very sad to see the Greenroom close last year (one of Canberra’s long standing dedicated live music venues). It makes it more difficult for local bands to get the chances they deserve. However, Transit Bar, the ANU Bar, The Basement and the Phoenix Bar are still great places to see local rock and indie music.

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Justin Townes Earle Visits Oz

Justin Townes Earle is following in the footsteps of his father, Steve “Copperhead Road” Earle, and carving out a career as an alt-country singer-songwriter. After receiving rave reviews and rapturous applause for his shows in December, he’s heading back Down Under for an extended visit.

Justin’s tour announcement comes on the back of the release of his sophomore effort, Midnight at the Movies. The album showcases Justin’s lyrical genius, musical sophistication, and organic approach to composition.

Justin will be ably supported by Melbourne’s Wagons for all shows, except for Fremantle and Adelaide where Henry Wagons will appear solo.

Tickets for all shows go on sale on July 14 from Love Police.

27 September 2009 – Waverock Weekender, Wave Rock
28 September 2009 – Mojos, Fremantle
1 October 2009 – The Grace Emily Hotel, Adelaide
2 October 2009 – Thornbury Theatre, Melbourne
4 October 2009 – Meeniyan Town Hall
7 October 2009 – Clarendon Guest House, Katoomba
8 October 2009 – Annandale Hotel, Sydney
9 October 2009 – The Zoo, Brisbane

Image source: Bloodshot Records

The Scare Reborn with Oozevoodoo

The Scare are back with a brand new album, curiously titled oozevoodoo.

oozevoodoo is about cleansing and rebirth,” explained Scare frontman Kiss Reid. “It represents the rebirth of this band’s hunger.”

It’s a natural progression from Chivalry, with a heavier attack, back-to-basics rhythms, and more complex vocal melodies. We get a taste of these elements in the disc’s first single, “Could Be Bad,” which is now streaming online.

Oozevoodoo will hit record stores on August 7. To support the release The Scare will join old mates Children Collide on the Chosen Armies tour. You can also catch them at the Triple J Party at The Gov in Adelaide on Thursday, and the Coaster Festival in September.

Image used with permission from Delinquents

Holy Smoke! Gin Wigmore Readies Debut Album

Honorary Aussie Gin Wigmore is preparing to release her debut album Holy Smoke, hot on the heels of her breakout EP Extended Play.

While the EP was a local production, Gin’s spread her wings for her first long player. It was recorded in Los Angeles with a dream team including Ryan Adam’s backing band The Cardinals, producer Mike Elizondo (Fiona Apple, Eminem, Maroon 5), and Joe Chiccarelli (White Stripes, The Shins, Beck).

And it seems she’s impressed those heavy hitters.

“Gin Wigmore is unquestionably one of the most exciting new artists to emerge in many years,” said The Cardinals’ Neal Casal. “Her songwriting is at once diverse, intelligent, melodic, and soulful. Her voice is raw and emotional, with phrasing far beyond her years. Her debut record is a fully realized statement of intent, promising a great career ahead.”

Holy Smoke will hit record stores in Australia and the States on September 25. Local audiences will get a sneak peek of the new songs are the following shows around the country.

27 August 2009 – Notes, Sydney
2 September 2009 – The Toff in Town, Melbourne
3 September 2009 – Troubadour, Brisbane
12 Sep 2009 – Coaster Festival, Gosford Showgrounds

Image used with permission from The White Agency

Q & A With Mark Sheehan of The Script

The Script are all over local radio and the Australian music charts, and soon the lads from Dublin will be here in the flesh. I chatted with Mark Sheehan ahead of the band’s September tour.

You’ve only recently visited Australia for some shows, yet you’re about to tour here again in September. What keeps you coming back?
What can I say? We’re suckers for the Aussies. We love it there. Aside from the band, Dan [O’Donoghue] and I have been there a few times travelling around a little. We LOVED it. Plus your beer is good!

You’re playing some small theatres while you’re here, yet back home you’ve been performing in stadiums. How do those intimate shows compare to the much larger ones?
I prefer them to be honest. The stadiums are very surreal and the shock settles in after you’re off stage … very annoying. But the smaller shows is where we are from and I find the atmosphere is always electric. We’re on top of the audience. God help them!

I’ve got tickets to your Sydney concert. What can I expect when I see you guys live?
Nakedness! No, I lie. We would clear the building out if we did that. Maybe I’ve just started an idea for last call in bars throughout the world: show them naked Script pictures and clear the shop. We like to call our live shows our time off because no one bothers us up there. It’s the reason why we’re in it so we really savour that and play the best we can. Our shows are high energy, so if the audience is any good then we just excel. It’s a reciprocal energy, so audience and band feed off each other so to speak. This is what we live for.

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Family Tragedy Brings Shannon Noll Back Home

Shannon Noll has cut short his stint in the European production of War of the Worlds following the deaths of three grandparents.

“When I was over in the UK in March, my grandfather died,” Shannon told The Daily Telegraph.

“When I’d just got back over there to start the tour, my grandmother died and about two weeks before the end of the tour my nanna died, which was unexpected.”

Shannon jumped on the next available plane and arrived home just in time for a memorial service for his grandparents and funeral for his nanna. He originally intended to rejoin the War of the Worlds cast in Amsterdam, but has opted instead to stay home with family ahead of his Australian tour, which kicks off in Sydney later this month.

Elvis Costello Announces Aussie Tour

He’s toured with The Attractions and The Imposters, but this time around Elvis Costello is going solo. This cool cat will visit theatres in capital cities around the country this October.

The visit is on the back of Elvis’ new country record, Secret, Profane and Sugarcane, which is recorded in just three days in Nashville.

Elvis will be ably supported by Australia’s latest sensation, Shelley Harland. Tickets for the following dates go on sale on July 21.

8 October 2009 – Fremantle Arts Centre
10 October 2009 – The Palais, Melbourne
11 October 2009 – Wrest Point Casino, Hobart
14 October 2009 – Royal Theatre, Canberra
15 October 2009 – Enmore Theatre, Sydney
18 October 2009 – Brisbane Convention Centre

Image source: Victor Diaz Lamich @ Wikimedia Commons

Children Collide Come Home

Melbourne rockers Children Collide are heading home after a three-week tour of North America.

The lads worked their butts off abroad, playing 15 dates in the United States and Canada. The shows included a gig with Ontario’s own Alexisonfire. It seems the Canadians took a shine to the band, because their debut album The Long Now is getting a release on Dine Alone Records.

Now that they’re back home the band is preparing for their slot on the Splendour in the Grass bill, before they support Jane’s Addiction around the country.

But that’s not all. Not one to sit idly for too long, Children Collide will then join Aussie ex-pats The Scare on the Chosen Armies tour. Here are the dates for that amazing double-act!

3 September 2009 – Karova Lounge, Ballarat
4 September 2009 – The Corner Hotel, Melbourne
5 September 2009 – Republic Bar, Hobart
6 September 2009 – Hotel New York, Launceston
9 September 2009 – Roi Bar, Albury
10 September 2009 – The Harp, Wollongong
11 September 2009 – The Gaelic, Sydney
12 September 2009 – Coaster Festival, Gosford
17 September 2009 – Fowlers Live, Adelaide
18 September 2009 – Rosemount Hotel, Perth
19 September 2009 – Prince of Wales, Bunbury
20 September 2009 – Newport Hotel, Fremantle
24 September 2009 – Sands Tavern, Maroochydore
25 September 2009 – Miami Tavern, Gold Coast
26 September 2009 – Sounds of Spring Festival, Brisbane
27 September 2009 – Stepp Inn, Brisbane

Image source: Children Collide website