“Nothing to Lose” – Hollow Coves

The mercury might be falling, but Hollow Coves are keeping the summer vibes flowing with their cool new album Nothing to Lose. Full of chilled out tunes that will have you thinking of the sun, surf, and sand, this album sounds good at any time of year.

The first thing that struck me about this album is how accessible it is. These acoustic-driven folk-pop songs feel familiar, a little nostalgic, from the very first listen. It’s a gift to create music that feels so comforting, while remaining fresh. Most of these songs aren’t singles, but they still manage to evoke memories and feelings of peace from the get-go.

The first couple of listens I just let myself get swept away by the sound. However, the more I listened (and trust me, I’ve listened a lot) the more I heard the wisdom of these songs. Tracks like “Nothing to Lose” and “Harder to Fake It” remind us of the importance of making the most of moments and living our most authentic self. The single “Photographs” celebrates physical photos and the simplicity of a time before mobile phones were so ubiquitous. “Let’s Go” and “Purple” are beautiful love songs, but they also emphasise the healing power of travel and escape from the daily grind. “On the Way” reminds us that we don’t need to have it all figured out, that we can continue to grow and find our feet as we journey forward. You can’t make an album like this as a band starting out. It takes some seasoning to gain such maturity in music and message.

Nothing to Lose sounds good from the first listen, but sit with it a while and I know you’ll discover its deeper beauty. Hollow Coves are celebrating its release with shows all over the country. Check them out anywhere you can.

26 March 2024 – Gloria-Theatre, Cologne
28 March 2024 – Muziekgieterij, Maastricht
29 March 2024 – TivoliVredenburg – Ronda, Utrecht (SOLD OUT)
30 March 2024 – Zeche Carl, Essen (SOLD OUT)
31 March 2024 – Uebel & Gefährlich, Hamburg
2 April 2024 – Columbia Theater, Berlin
3 April 2024 – MeatFactory, Prague
4 April 2024 – Simm City, Vienna
5 April 2024 – Technikum, Munich
7 April 2024 – Magazzini Generali, Milan
8 April 2024 – Komplex 457, Zurich
9 April 2024 – Les Docks, Lausanne
11 April 2024 – Halle02, Heidelberg
12 April 2024 – Opderschmelz, Dudelange
13 April 2024 – Le Trabendo, Paris (SOLD OUT)
14 April 2024 – AB Ballroom, Brussels
16 April 2024 – O2 Forum Kentish Town, London
17 April 2024 – Brudenell Social Club, Leeds (SOLD OUT)
18 April 2024 – Academy 2, Manchester
5 June 2024 – Union Stage, Washington DC
6 June 2024 – The Foundry, Philadelphia
8 June 2024 – Warsaw, New York City
10 June 2024 – Paradise Rock Club, Boston
11 June 2024 – MTELUS, Montreal
12 June 2024 – Danforth Music Hall, Toronto
14 June 2024 – Lincoln Hall, Chicago
15 June 2024 – Fine Line, Minneapolis
17 June 2024 – Gothic Theatre, Denver
19 June 2024 – The Grand at the Complex, Salt Lake City
22 June 2024 – El Rey Theatre, Los Angeles
23 June 2024 – Venture Music Hall, Ventura
24 June 2024 – Bimbo’s 365 Club, San Francisco
26 June 2024 – Aladdin Theater, Portland
27 June 2024 – The Crocodile, Seattle
29 June 2024 – Vogue Theatre, Vancouver
30 June 2024 – Capital Ballroom, Victoria
24 October 2024 – The Church, Christchurch
25 October 2024 – Tuning Fork, Auckland San Fran, Wellington
26 October 2024 – San Fran, Wellington
2 November 2024 – The Tivoli, Meeanjin/Brisbane
8 November 2024 – Republic Bar, Nipaluna/Hobart
9 November 2024 – Lion Arts Factory, Tarntanya/Adelaide
15 November 2024 – Enmore Theatre, Eora/Sydney
16 November 2024 – Forum, Naarm/Melbourne
22 November 2024 – Freo.Social, Boorloo/Perth
23 November 2024 – The River, Wooditup/Margaret River

Main photo credit: Catherine Bernier

Flight Path Theatre Hosts Theatre and Bands for Broke Down Music Box

For nine days this month, the Flight Path Theatre in Bulanaming/Marrickville will host an arts festival with a difference. Each night of Broke Down Music Box, which runs from March 21 to 30, will see a performance of “Cowboy Mouth”, a one-act play from Sam Shepard and punk trailblazer Patti Smith, followed by live music from some of the area’s best independent bands.

“Cowboy Mouth” is an urban fable about a woman who kidnaps a young man at gunpoint to make him a pop prophet, “like a rock-and-roll Jesus with a cowboy mouth.” Critics have described it as “a sizzling, surrealistic 70 minutes”, and “weird, wild, and rather wonderful.” Directed by Anna Houston, Natassa Zoe and Austin Hayden star in the production. Then each show will close out with one of the following acts.
21 March 2024 – Dande and The Lion (Preview)
22 March 2024 – Dande and The Lion (Opening Night)
23 March 2024 – Day Release
24 March 2024 – The Bernies
26 March 2024 – Georgie Jones
27 March 2024 – Locked in Lummo
28 March 2024 – The Polymics
29 March 2024 – Dear Scarlett
30 March 2024 – Elysae

Flight Path Theatre is at Addison Road Community Centre, 142 Addison Road, Bulanaming/Marrickville. Tickets for the Broke Down Music Box events are on sale now from the theatre’s website.

Audrey Powne Goes Solo With “From the Fire”

Vocalist, songwriter, and trumpet player Audrey Powne has been a force of the Naarm/Melbourne jazz scene for years, fronting acts like Leisure Centre and Au Dre and playing as a session musician for everyone from Vince Jones to the Teskey Brothers. Now she’s stepping into the spotlight as a solo artist. Her latest single “From the Fire” gives an exciting taste of her forthcoming debut album. This single is so unique, but it really casts a spell. Leave your expectations at the door, because I know this song will blow them all away.

“The groove and harmonic content is inspired by the music of Herbie Hancock, particularly his 70s albums Secrets and Sunlight which have been a huge influence on me and from which I absorbed a lot of language,” Audrey said. “The layered, harmonised trumpet solo is directly inspired by late, great trumpet player Roy Hargrove who is the most profound influence on me as a trumpeter and who employed similar recording techniques on his records with The RH Factor.”

This track is so impressive, I can’t wait to hear more. Audrey won’t leave us waiting too long for that, as she’ll release her debut album on April 26.

Photo credit: Bianca Milani and Kayzar

Angus Legg Wows Me With “Drugs With My Friends”

Naarm/Melbourne singer-songwriter Angus Legg continues to impress with the release of his latest single “Drugs With My Friends.” Longtime readers will have heard me heaping praise on Angus’ music before … get ready to hear me do it all again. This song’s got a little more of an indie-pop vibe, but it’s anchored by the incredible lyrics that drew me in to Angus’ music. This track acts as a companion piece to “Spaceship,” which Angus released last year.

“‘Spaceship’ is about the sorrow surrounding the earliest stages of my breakup, whilst ‘Drugs With My Friends’ is representative of the genesis of my healing journey. The part where I realised I could begin to be myself again, reclaim my autonomy and freedom, simultaneously learning new things about myself,” Angus explained. “This is the exciting part of the healing journey with a chaotic counterpart, it can often be emotionally overwhelming and lonely, but mostly it’s playful and expressive.”

This is another stunner from Angus Legg. If he’s not already on your radar, he should be.

Image used with permission from beehive

“The Folk Singer” – Kerryn Fields

Kiwi-born, Naarm/Melbourne based singer-songwriter Kerryn Fields has thoroughly captivated me with her new live EP The Folk Singer. This collection of songs is a powerful reminder of the value of simplicity.

In a world where music is often over-produced and over-manufactured, this EP really stands out. Kerryn presents these songs as purely as possible, typically just with her voice and an acoustic guitar. We hear a little harmonica now and again, but that’s it. No backing vocals, no ensemble of musicians, and definitely no studio wizardry. It’s so interesting that this approach is radical today, but I was so struck by the sound of the stillness in these recordings. When you strip away everything but what’s important, those crucial elements are left to shine. And shine they do. These songs are some of the most well-crafted I’ve heard in some time.

As the EP’s title suggests, this collection of songs focuses on the artist. I felt like I really got to know Kerryn through these songs. The EP starts with the title track, which establishes not just the EP’s genre but who Kerryn is as a performer. The tracks to come peel back the layers. The current single “Fork in the Road” is a heartbreaking response to a stranger questioning why she doesn’t have children. “Human Touch,” which explores the longing for human connection, also hits hard. After such deep material, Kerryn brings us back up with a more playful ditty, “I Know Nothing.” “Canadian Folk Song” has a similar upbeat feel, but its lyrics which capture a relationship lost resonate deeply. “Trains & Whistles” provides another perfect snapshot of a moment of connection. “Should I See You Again” brings the EP to a poignant close. It’s a song of love and longing, but also one of strength, of refusing to bend or break to fit into someone else’s mould.

I’ve listened to The Folk Singer several times over the last few days and every time I fall a little more in love with it. It’s an exceptional collection of songs that are honest, personal, and poetic. It’s available exclusively for fans on Kerryn’s Bandcamp page.

Image used with permission from Kerryn Fields

Fingerless Release Live Favourite, “Yes Today”

Meeanjin/Brisbane trio Fingerless have just dropped their epic new rock track “Yes Today.” This song has been a staple of the band’s live set for years, and now we finally get the chance to hear it in all its glory. Fingerless fans will notice it’s a little more mellow than the way the band play it on stage, but this take actually strikes the balance between the live version and the original home-recorded demo.

“The song is about being in emotional turmoil,” says Marc Cheeseman, the band’s lead vocalist, guitarist, and songwriter. “Going through something, but finding it really difficult to put that into words, to actually tell someone. “This line from Bram Stoker’s Dracula kept coming back to me while writing it – something about a ‘painted ship in a painted ocean’, it just fit so well and I felt that it summed up the feeling I was trying to put into the song.”

“Yes Today” is a classic psychedelic-inspired rocker that refuses to conform to modern standards. It’s been far too long since I’ve heard a rock track that runs longer than six minutes and has a killer guitar solo. I’m here for it.

Photo credit: Johnny Pickvance

The Band CAMINO @ The Metro, Eora/Sydney – 5 March 2024

I dragged my feet to see The Band CAMINO last night. The show was my third Tuesday night gig in as many weeks. I was off to The Metro, which really isn’t my favourite venue. They attract buzzy bands, but the sound quality is often subpar, the lighting feels like something from a Tim Burton film, and I’m too old for venues that don’t have a generous amount of seats. Any night out in Sydney usually means arriving home after 1am. I also wasn’t sure I was ready to switch gears after such an incredible time with Matchbox Twenty. But despite my reservations, I made another trip down the highway to Eora/Sydney. I am so glad that I did.

I swear, arriving to a line of 300 or so keen punters snaking around the block did nothing to quell my reservations. But then miraculously we found some seats by the bar, with a clear view of the stage, I got a Young Henrys in my hand, and I started to soften a bit. Support act Kian brought the energy, as did the crowd. I’d listened to a couple of his tracks on Spotify, but I think he’s much better in the live arena. He lapped up the enthusiasm of the crowd and was thoroughly enjoyable.

That crowd’s fervour hit another gear once The Band CAMINO took the stage, and didn’t the US band relish it. This was their first visit to Australia, one that was long-awaited if the audience’s reaction was anything to go by. They jumped around and sang out every lyric, whether the band played tracks from their new album The Dark or a song from their very first EP My Thoughts on You. This is the beauty of seeing a band at this stage of their careers. Plenty of people at the Matchbox Twenty shows probably enjoy singles on the radio so thought they’d come to the shows. I’m sure they had a great time, but most of them couldn’t match the enthusiasm of last night’s crowd. I love being a part of audiences like that, even if most of the punters there are less than half my age.

You can see the way the band appreciates it too. It must be surreal to travel half-way across the world, to a country you’ve never charted, to find such ardent support. They lapped it up and put on such a show. I found myself appreciating their musicianship more than ever before. The rock edge to their material came through a little more in the live space, with guitars taking precedence over the synths. Upbeat bangers dominated the set: I loved hearing songs like “1 Last Cigarette”, “Told You So”, and “What Am I Missing?” live. But honestly it was all so good.

I might have been reluctant to head into the city last night, but The Band CAMINO and their exceptional crowd made it easy to leave my misgivings at the door. I am so glad I pushed through that midweek funk, even if I am exhausted today!

Image source: Stephen Katulka

Oxford Art Factory Hosts ONES TO WATCH

The middle of the week is always a bit quiet on the gig-front, but it doesn’t have to be if you’re in Eora/Sydney. The Oxford Art Factory is hosting ONES TO WATCH Backed By VODAFONE tomorrow night, Wednesday, March 6. The event, hosted by Tait McGregor, showcases the talents of up-and-coming acts Phebe Starr, Adrian Dzvuke, and Chanel Loren.

ONES TO WATCH is a global phenomenon that’s helped launched the careers of acts like Dua Lipa, Halsey, and Olivia Rodrigo. Here at home, it’s been a valuable platform for acts like Teenage Joans, Forest Claudette, Carla Wehbe, Sophisticated Dingo, and Saint Lane.

“We’re thrilled to announce that Chanel Loren, Phebe Starr, and Adrian Dzvuke will be joining our upcoming Ones to Watch showcase in Sydney! We’ve been following these talented acts for some time now, so it’s fantastic to have them become part of the OTW platform,” said Paul Lynch of Live Nation Australia.

If you’d like to attend, simply send an email to rsvp@livenation.com.au to RSVP.

Image used with permission from beehive

Gypsy Road Release Stellar Single, “The 7 Stages of Grief”

Naarm/Melbourne emo/post-punk act Gypsy Road have really impressed me with their latest single “The 7 Stages of Grief.” It’s a real emotional sucker punch, as any good song from this genre should be. But there’s a little more than that going on. When so many acts in this genre sound like they could be from anywhere, this track’s distinctly Australian sound really sets it apart. I also love the way that frontman Alex Centofanti’s raw voice sounds against the purer vocals from Peony Cain.

“This one is about mourning a breakup and feeling like someone you’ve loved has died,” Alex explained. “For the first time ever, we decided to include female vocals and screams, which was a new experience for us. I feel like it adds more depth to the intensity and passion.”

After releasing a trio of EPs, Gypsy Road are preparing to release their first album, Letters to a Friend, From Interstate. Listen out for it in the middle of the year.

Image used with permission from Ruckus PR

James Reyne Guitarist Josh Owen Impresses With “Hold Your Breath”

As a keen James Reyne fan, I’ve been impressed by the guitar prowess of Josh Owen for some time. So my hopes were high for the release of his new solo single, “Hold Your Breath.” Believe it or not, this bluesy rock is even better than I imagined.

If you like what you hear, strap yourself in for plenty more from Josh. He’ll release his debut album, As the Night Falls, in August. Before that he’s got a couple of headlining shows to support the singles. He’ll also play a solo set before rejoining James Reyne Band at all the upcoming Crawl File tour shows. Here’s everywhere you can see Josh in the coming months.

8 March 2024 – The Gov, Tarntanya/Adelaide (supporting James Reyne)
9 March 2024 – The Gov, Tarntanya/Adelaide (supporting James Reyne)
11 March 2024 – Anita’s Theatre, Dharawal Country/Thirroul (supporting James Reyne)
23 March 2024 – Northcote Theatre, Naarm/Melbourne (supporting James Reyne)
7 April 2024 – Northcote Social Club, Wurundjeri Country/Northcote (1pm single launch with Nick Barker)
11 April 2024 – Vanguard, Eora/Newtown (single launch)
12 April 2024 – Sunken Monkey, Darkinjung Country/Erina (supporting James Reyne)
13 April 2024 – Toronto Hotel, Awabakal Country/Toronto (supporting James Reyne – SOLD OUT)
27 April 2024 – The Forth Pub, Punnilerpanner Country/Forth (supporting James Reyne)
28 April 2024 – Longley Hotel, Muwinina Country/Longley (supporting James Reyne)
10 May 2024 – Dee Why RSL, Gadigal Country/Dee Why (supporting James Reyne)
11 May 2024 – Anita’s Theatre, Dharawal Country/Thirroul (supporting James Reyne)
24 May 2024 – Corowa RSL, Wiradjuri Country/Corowa (supporting James Reyne)
25 May 2024 – SS&A, Bungambrawatha/Albury (supporting James Reyne)
7 June 2024 – The Charles, Boorloo/Perth (supporting James Reyne)
8 June 2024 – The Charles, Boorloo/Perth (supporting James Reyne – SOLD OUT)
19 July 2024 – Moncrieff Entertainment Centre, Kabi Kabi Country/Bundaberg (supporting James Reyne)
20 July 2024 – Brolga Theatre, Kabi Kabi Country/Maryborough (supporting James Reyne)
26 July 2024 – Twin Towns, Bundjalung Country/Tweed Heads (supporting James Reyne)

Image used with permission from Revolutions per Minute