The Band CAMINO @ The Metro, Eora/Sydney – 5 March 2024

I dragged my feet to see The Band CAMINO last night. The show was my third Tuesday night gig in as many weeks. I was off to The Metro, which really isn’t my favourite venue. They attract buzzy bands, but the sound quality is often subpar, the lighting feels like something from a Tim Burton film, and I’m too old for venues that don’t have a generous amount of seats. Any night out in Sydney usually means arriving home after 1am. I also wasn’t sure I was ready to switch gears after such an incredible time with Matchbox Twenty. But despite my reservations, I made another trip down the highway to Eora/Sydney. I am so glad that I did.

I swear, arriving to a line of 300 or so keen punters snaking around the block did nothing to quell my reservations. But then miraculously we found some seats by the bar, with a clear view of the stage, I got a Young Henrys in my hand, and I started to soften a bit. Support act Kian brought the energy, as did the crowd. I’d listened to a couple of his tracks on Spotify, but I think he’s much better in the live arena. He lapped up the enthusiasm of the crowd and was thoroughly enjoyable.

That crowd’s fervour hit another gear once The Band CAMINO took the stage, and didn’t the US band relish it. This was their first visit to Australia, one that was long-awaited if the audience’s reaction was anything to go by. They jumped around and sang out every lyric, whether the band played tracks from their new album The Dark or a song from their very first EP My Thoughts on You. This is the beauty of seeing a band at this stage of their careers. Plenty of people at the Matchbox Twenty shows probably enjoy singles on the radio so thought they’d come to the shows. I’m sure they had a great time, but most of them couldn’t match the enthusiasm of last night’s crowd. I love being a part of audiences like that, even if most of the punters there are less than half my age.

You can see the way the band appreciates it too. It must be surreal to travel half-way across the world, to a country you’ve never charted, to find such ardent support. They lapped it up and put on such a show. I found myself appreciating their musicianship more than ever before. The rock edge to their material came through a little more in the live space, with guitars taking precedence over the synths. Upbeat bangers dominated the set: I loved hearing songs like “1 Last Cigarette”, “Told You So”, and “What Am I Missing?” live. But honestly it was all so good.

I might have been reluctant to head into the city last night, but The Band CAMINO and their exceptional crowd made it easy to leave my misgivings at the door. I am so glad I pushed through that midweek funk, even if I am exhausted today!

Image source: Stephen Katulka

Confessions of a 40-Something Fangirl

I recently shared my jubilation after attending Matchbox Twenty’s first Eora/Sydney show on the long-awaited Slow Dream tour. That was one of three Matchbox shows I attended in just eight days this tour. I considered writing a review of each one, as each was special in its own right, but instead, with the dust settling on that frenetic, fantastic period I thought instead I’d write a post about embracing your deep passion for a band.

Twelve years is an awfully long time to be without live shows from your favourite band. It’s what inspired me to buy tickets to several concerts this tour. Depending on your perspective, three shows in a single tour might be a lot or it might be fairly conservative for a hardcore fan. For me it was the sweet spot. In 2012, the last time Matchbox played Australia, I bought tickets to a single show. I reasoned that I was a wife now, we were saving for a house, I had more important things to spend my money on. In truth though, nothing is more important than embracing a deep passion. I saw my single show and I loved it, but then I crashed hard. So much build-up to a tour and then it was all over in a matter of hours. I swore I’d never just do a single show for this band or Rob solo again.


I haven’t done three shows in a tour since Matchbox came out here for their More Than You Think You Are tour in 2003. I haven’t seen a local show and still travelled interstate since John Mayer came out for his Room for Squares tour in 2002. Back then I was a single woman, still living with my parents. I had no responsibilities beyond a retail job, so I thought nothing of just taking off for a little “me” time. What I learned this tour is that you’re never too far away from that person, no matter how years pass. And you owe it to yourself to nurture that part of you when you can.

So this time, three shows. A couple of days in between each one to catch my breath and get excited about the next one. I’m so glad I did it. The first show totally overwhelmed me. It was a whirlwind, with my emotions just on the surface through the whole thing. It was beautiful, but I was so glad I had Mulubinba/Newcastle a few days later to enjoy a little more calmly. I was a couple of rows further back, so I felt I could take that one in a little more, without all my heightened emotions getting in the way. In Meeanjin/Brisbane a few days after that I had second row seats, so I was just in it. I allowed myself to take photos in just two songs and put my camera away for the rest of it. In Mulubinba/Newcastle, without my husband there, I felt pressure to capture all the moments and that took me out of songs. In Meeanjin/Brisbane, I told myself just to remember them, feel them. They’re all in there. I danced hard, I sang loud (the evidence it all over my friend’s videos!), I was there.

Oh, and somewhere in there, I happened to catch a flight with my favourite band. I’m not a great believer in manifesting or things of that nature, but I’m thrilled I got some time to chat to them, to thank them for returning after all this time, to get signatures on my favourite album 15 years after my original signed copy was stolen. It really made this tour better than I could have ever hoped it to be.

The beautiful thing about seeing more than one show on a tour is that every extra gig feels like a bonus. I have had the most wonderful, exciting, week or so of my life, but I’m not crashing as I rejoin the real world. I’m holding memories close and they’ll satisfy me until the next time, whenever that may be. I know with the cost of living, not everyone is in the position to see multiple shows on a tour, to travel interstate. Not everyone has friends and family willing to put them up or drive them around when they’re there. Not everyone has a spouse willing to support them taking time out from their adult responsibilities for a while or a job that’s as flexible as mine. But if you CAN do it, I definitely recommend that you do. It’s good for the soul. As Rob Thomas encourages in one of their new songs “Rebels”, “Let go and be yourself right now.” Believe me, it’s really good advice.

Image source: Stephen Katulka

Matchbox Twenty @ Qudos Bank Arena, Eora/Sydney – 20 February 2024

Music can be such a powerful force. It can help you feel seen and understood at times when you think no one in your orbit gets you. It can lift you up and it can comfort you. If you’re lucky, you find a band that resonates with you so deeply that their music becomes a companion for you throughout your life. The band evolves as you do, and you somehow stay in alignment. For me, that band is Matchbox Twenty. I can’t write a review of their Eora/Sydney show last night with any sense of objectivity, but I can share what it was like to see my favourite band after 12 long years.

Siobhan Cotchin was an interesting choice of opener for a night featuring two bands who had their biggest hits in the ’90s. Personally I was thrilled to see her perform live after being impressed by so many of her singles. She’s such a fierce presence on stage. She sounded incredible, and looked every inch the rock chick flanked by nearly identical long-haired male guitarists. But there were a few things working against her. She was a fresh artist playing on a bill with some fairly-established bands. And her set started at 6:45, so people were still shuffling around and finding their seats. If it got to her she didn’t show it, but I wish she’d been able to have the captive audience she deserved.

You could feel the energy levels lift a notch when the Goo Goo Dolls took the stage. These guys haven’t toured Australia for 22 years and I could tell there were many die-hard fans relishing their return. Just not enough for lead singer John Rzeznik’s liking apparently. I hate to be a downer when there was so much to like about their set. They played everything I wanted to hear in their generous 45 minutes on stage, which is impressive considering how closely I’ve followed their career over the years. They sounded great and performed with a lot of energy. But there was a sense of entitlement from John that I found so off-putting. He made comments that the people sitting near the front must really love their expensive seats, because they didn’t want to get off them, and later called them miserable. When people did respond enthusiastically, he commented that we did have a pulse. I’m not into artists who want to tell me how to spend my time at their shows. If it feels right to stand, I’ll stand. But often I want to sit, especially as I get older, and that’s my right too. I think he needs to remember that his band was the support act, one who had just two top 30 hits in this country. I love their music, and many more than those two big songs, but his attitude really took the gloss off their solid set.

Oh Matchbox Twenty. The love I have for this band runs so deep. I spent the whole first song, “Friends,” sobbing because I was just so overwhelmed. Listening to those lyrics which reference being surrounded by community, the way I always feel at a Matchbox show, really hit home. My feelings were so heightened all the way through this gig as I listened to the songs that were the soundtrack to my life and spent time with the men that created them.

Matchbox know how to get the balance right. There were almost as many songs from their debut album Yourself or Someone Like You as there were from their latest release, Where the Light Goes. Casual fans who only listened to the band on the radio could check off every hit. But then there were those deep album cuts like “Hand Me Down” and “Parade” that those of us who followed their careers more closely relished. More tears.

There’s a special magic about a band who’ve been together for decades. Especially when they aren’t constantly on the road, you can see the camaraderie, the love they have for one another and the music they make together. We missed bassist Brian “Pookie” Yale, who couldn’t make the trip, terribly, but getting to see Rob Thomas, Paul Doucette, and Kyle Cook together was beautiful. I’ve gushed about Rob Thomas before, but I honestly love every member of this band. They play so well together, and they surround themselves with some outstanding musicians who step up and fill the gaps. I can’t express how much I loved spending time with them and the songs that made me last night. I’m so thrilled that I have tickets to two more shows on the Slow Dream tour. I’ve waited far too long for these concerts to be done just yet. Bring on the next one.

Image source: Stephen Katulka

Vaultboy Announces First Aussie Tour

Whenever I get a press release about an up-and-coming artist touring, I love to fire up Spotify and listen to their music. If I’m not into it, I won’t write about it. You all deserve better than that. Imagine my surprise when I entered in vaultboy’s name into my search to discover I’d already “liked” one of his songs. As I pressed play on “everything sucks,” it all came back to me. As I type, I’m listening to more of his music and getting incredibly tempted to snap up a couple of tickets to his upcoming shows.

After all, you can guarantee that when he comes back he won’t be playing the intimate bars he’s gracing this time around. He’s generating some serious buzz at the moment. Rolling Stone named him the King of Sad Songs while SiriusXM’s Hits 1 said he was “one to watch.” He’s also notched up more than 250 million streams across all platforms. Nearly 3.5 million people listen to him every month on Spotify and he’s got close to 2 million followers on TikTok.

Which all means that if you want tickets to vaultboy’s first Australian tour, you’d better get onto it when they go on sale on Tuesday at 11 am. They will not last.

6 June 2024 – Oxford Art Factory, Eora/Sydney (18+)
8 June 2024 – Northcote Social Club, Naarm/Melbourne (ALL AGES)
9 June 2024 – The Brightside, Meeanjin/Brisbane (18+)

Image used with permission from Bigmouth PR

The Fabulous Front Bottoms Heading Down Under

Sometimes it takes a band announcing a tour to put them on my radar. When I heard New Jersey rock act The Front Bottoms were making their “long-awaited return” in April, I wondered who’d been waiting for them! That’s on me though. After hearing their 2023 release You Are Who You Hang Out With, I’m a fan. And I’m kicking myself that I’ll have to miss them due to a holiday in April!

I don’t want you to though. Take a listen. Trust me, you don’t want to find that you were sleeping too once everyone tells you how great these shows were. And I have no doubt that they will be.

Handsome Tours is running a presale tomorrow at 10 am before tickets go on sale to the general public on Thursday January 18 at 10 am.

12 April 2023 – Roundhouse, Eora/Sydney
14 April 2023 – Princess Theatre, Meeanjin/Brisbane
16 April 2023 – Northcote Theatre, Naarm/Melbourne
19 April 2023 – The Gov, Tarntanya/Adelaide
20 April 2023 – The Rechabite, Boorloo/Perth

Photo credit: Jimmy Fontaine

Sophisticated Dingo Announce Aussie Tour For “I Don’t Mind” Single

One of the hardest working bands in the country, Sophisticated Dingo, are hitting the road again. The band will tour the country to celebrate the recent release of their latest single “I Don’t Mind.” We’re used to these guys going full throttle, but this beautiful track shows the duo’s softer side.

Vocalist and guitarist Lewis Matte says “I Don’t Mind” is “a reminder not to take any moment for granted. No one knows how long they have left. Nothing is perfect. Embrace imperfection. Embrace growth through learning from the outcomes of your actions. Be malleable, open to compromise and to building dreams together with the ones you love. Let them inspire you. Speak simply. Embrace what you have. Don’t overcomplicate it. Enjoy the ride.”

Amen! Sophisticated Dingo have sold out headlining shows before, so don’t go sleeping on these dates. Tickets are available for all shows right now.
8 March 2024 – La La La’s, Dharawal Country/Wollongong
9 March 2024 – Bootleggers, Eora/Sydney
22 March 2024 – Four5Nine, Boorloo/Perth
23 March 2024 – Grace Emily Hotel, Tarntanya/Adelaide
29 March 2024 – Junk Bar, Meeanjin/Brisbane
30 March 2024 – The Gaso Upstairs, Naarm/Melbourne

Image used with permission from Crowd Favourite

Boo Seeka Drops “Come With Me” Ahead of Album Release and Tour

Boo Seeka has just released his hypnotic new single “Come With Me,” and I just know you’re going to love it. It’s such a cool slow burner, the kind of song that sneaks up on you as it builds so beautifully. It’s got a great chill vibe that makes me think of kicking back with drinks and friends by a pool or on some happening rooftop bar.

“Come With Me” will feature on Boo Seeka’s new album Midnight Highlight, which drops on January 19.

Midnight Highlight means a new chapter has been written for me personally, and I can’t wait to go share it with people who want to be part of it,” Boo Seeka said. “I’m not saying we are reinventing the wheel here, but I don’t think anyone can say we sound exactly like any other artist, which is what I think any creative person should strive for. Each album (and each track to be honest) will change, and we are not going to put ourselves in a box for the years to come. What sounds good to us in that moment is what we write and record!”

After playing a bunch of summer festivals and supporting Boy and Bear around Europe and the United Kingdom, Boo Seeka will head out on a massive Aussie tour. I know that sounds like ages away, but the shows are in such small venues I’d probably grab my tickets now while you still can.

16 February 2024 – Solbar, Jinbara Country/Maroochydore
17 February 2024 – The Triffid, Meeanjin/Brisbane
23 February 2024 – Metro Theatre, Eora/Sydney
24 February 2024 – King Street Bandroom, Mulubinba/Newcastle
25 February 2024 – Miami Marketta Laneway, Yugambeh Country/Gold Coast
1 March 2024 – Corner Hotel, Naarm/Melbourne
2 March 2024 – HABA, Bunurong Country/Rye
3 March 2024 – Sooki Lounge, Wurundjeri Country/Belgrave
8 March 2024 – Lion Arts Factory, Tarntanya/Adelaide
9 March 2024 – Uni Bar, Nipaluna/Hobart
15 March 2024 – The River, Wooditup/Margaret River
16 March 2024 – Froth Craft Bunbrewery, Goomburrup/Bunbury
17 March 2024 – Freo.Social, Walyalup/Fremantle
21 March 2024 – Seabreeze Hotel, Yuwibara Country/Mackay
22 March 2024 – Otherwise Bar, Thul Garrie Waja/Townsville
23 March 2024 – Gilligans, Gimuy/Cairns

Photo credit: Ned Kelly

South Summit Release Doco Ahead of EP Tour

Boorloo/Perth band South Summit have just released a new documentary video that takes fans behind the scenes of their success. Called Climbing the Summit, the 10-minute vid was filmed between Eora/Sydney and Naarm/Melbourne while the band was on tour with Beddy Rays. It serves as a time capsule of this young band on the verge of big things.

“The band were a pleasure to work with,” said producer Vincent Trease. “It’s been such a great experience creatively and we got to witness South Summit at a pivotal time in their career as musicians. In such a time of division the message of unity that runs through this doco is in my eyes a great example of reconciliation.”

“I wanted to capture the way that music brings people together, and show that it doesn’t matter where you come from or what you believe in, it’s all about just playing some tunes and having a good time,” added director Elliott Brown. “I firmly believe that South Summit will one day stand among the greatest Australian artists. I aimed to capture their beginnings, a moment I hope people will look back on in the future.”

“This documentary gives us an opportunity to tell our stories, share our messages, and showcase what we do behind the scenes on this crazy journey. We feel like this documentary lets people understand our journey with music, and what we want to be known for. We represent proud cultures throughout the band, but this is not the reason why we are here today. We are here for the love of music. The process was made super cruisy for us by the two guys who made it all happen. Big shoutout to Vince and Elliott for having the vision for the doco and all their hard work to make it happen!”

South Summit will be back doing what they do best next week playing shows in support of their fabulous third EP Tales of the Yeti. Tickets are limited, so don’t wait too long to get yours.

2 November 2023 – La La La’s, Woolyungah/Wollongong
3 November 2023 – The Lansdowne, Eora/Sydney
4 November 2023 – Howler, Naarm/Melbourne
10 November 2023 – The Brightside, Meeanjin/Brisbane
11 November 2023 – The Northern, Cavanbah/Byron Bay
17 November 2023 – Whammy Bar, Auckland
18 November 2023 – The Loons, Christchurch
19 November 2023 – Meow, Wellington
24 November 2023 – The Rosemount, Boorloo/Perth

Photo credit: Andrew Briggs

Gregory Alan Isakov Announces Aussie Tour

I intended to write about Gregory Alan Isakov’s upcoming Australian tour a little earlier, but his music took me down a streaming rabbit hole. I hadn’t heard of this South African-born, American-based folk artist until I saw his press release, so I had to check out his latest album Appaloosa Bones. And it was so beautiful that I had to fire up Spotify’s “This is Gregory Alan Isakov” playlist to get across some of his earlier material. And before I knew it, hours had passed, my heart was full with his music but I was no closer to writing this article. So here we are.

If like me you weren’t already across his music, fire up Appaloosa Bones, pronto. It’s the sort of dreamy folk music that is so good for the soul. Just don’t be surprised if it inspires you to listen to more and seriously contemplate nabbing some tickets for that tour. Here are all the dates you need!

27 January 2023 – The Tivoli, Meeanjin/Brisbane
28 January 2023 – The Forum, Naarm/Melbourne
29 January 2023 – The Gov, Tartanya/Adelaide
31 January 2023 – Freo Social Club, Walyup/Fremantle
1 February 2023 – Factory Theatre, Eora/Sydney
2 February 2023 – Metro Theatre, Eora/Sydney

Image used with permission from Habit Music; credit: Glenn Ross

“All These Walls” – Gretta Ziller

When Gretta Ziller released her sophomore album Judas Tree, she declared “I don’t want to do the same thing twice.” She stays true to her resolve with the release of her third album All These Walls, an eclectic collection of songs that challenge our perceptions of the alt-country genre.

Gretta might have been nominated for a Golden Guitar, but she’s so different from so many of the artists who make their names at Tamworth. As with her last album she plays with genre, dabbling in pop, soul, blues, and roots. She lays her feelings bare with stunning country ballads like “Dear Damascus” and “Golden Days, encourages us to dance along with bops like “Ain’t Even Your Lover” and “St Louis”, and makes us pause to take in every note of poignant soul-stirrers like “Here I Am” and “Who Knows.” While the album takes us on a sonic journey, Gretta’s beautiful warm voice and knack for storytelling are ever-present forces that unite the material. You always feel like you’re in good hands as you listen, no matter the twists and turns.

I’ve been listening to All These Walls for the last week or so, and honestly, I enjoy it more with every listen. Every song stands up in its own right, but together they beautifully reflect an artist exploring her space in the world, her relationships with others and herself. All These Walls is out today. Gretta Ziller is currently touring, playing mostly acoustic solo shows that really allow her to connect with her audience and the audience to connect with these songs. You can still catch her at the following gigs:

25 August 2023 – The Noojee Hotel, Wurundjeri Country/Noojee
26 August 2023 – George Lane, Euro Yuroke/St Kilda
27 August 2023 – Bayview Country Arts Club, Bunurong Country/Bittern
19-23 September 2023 – Americana Fest, Nashville
29 September 2023 – Deni Ute Muster, Barababaraba Country/Deniliquin
16 November 2023 – Qirks, Wanaruah Country/Kurri Kurri
17 November 2023 – Wingham House, Birrbay Country/Wingham
19 November 2023 – Can You Keep a Secret, Meeanjin/Brisbane
1 December 2023 – The Palais, Dja Dja Wurrung Country/Hepburn Springs
26 January 2024 – Moonshiners, Kamilaroi/Tamworth

Images used with permission from On the Map PR; main image credit: Noah Sole