Tag: cover

Posted on by Lauren Katulka

Flea Releases Jazzy Frank Ocean Cover

When an artist goes solo, I appreciate a left turn. Don’t give me more of the kind of music you make with your band. I want to hear something new, out of the box. And you don’t get much more out of the box than the music that Naarm/Melbourne-born creative Flea, best known for his work with Red Hot Chili Peppers, has recorded for his solo album. His forthcoming album Honora features Flea on trumpet and bass making fantastic jazz music. I’m totally digging his version of “Thinkin Bout You,” originally recorded by Frank Ocean.

“Channel Orange! When that record came out, it really blew me away,” Flea enthused. “I listened to it ten million times. It was something I just couldn’t stop listening to. I loved it so much and still do. Just one of those real watershed moment records for me. ‘Thinkin Bout You’ is one of the many great songs on that record, and I thought it would be fun to play on trumpet. Then I went to Nate Wolcott, who plays keyboards on Honora on several tunes. He did that string arrangement for me. He stepped up to the plate and really did something beautiful. I just wanted to get the honest beauty of the melody because it’s a great song.”

Flea will release Honora on March 27 before embarking on a solo tour in May.

7 May 2026 – Thalia Hall, Chicago
9 May 2026 – The Opera House, Toronto
10 May 2026 – Théâtre Beanfield, Montreal
12 May 2026 – Webster Hall, New York
13 May 2026 – Black Cat, Washington, DC
16 May 2026 – The Fonda Theatre, Los Angeles
21 May 2026 – Heimathafen, Berlin
22 May 2026 – Paradiso, Amsterdam
26 May 2026 – Koko, London
28 May 2026 – Alhambra, Paris
Photo credit: Gus Van Sant

Posted on by Lauren Katulka

Eliza Hull Covers Silverchair

If you’ve caught the trailer for the new Paramount+ series Playing Gracie Darling, you’re probably wondering who recorded that fantastic version of Silverchair’s “Tomorrow.” It’s none other than our own Eliza Hull. I love the way she’s stripped this song right back to bring some extra gravitas to the lyrics. Something tells me the lads from Mulubinba/Newcastle would approve.

“Reimagining Silverchair’s ‘Tomorrow’ means so much to me, not just as an artist, but as someone who grew up feeling at times inadequate and different,” Eliza said. “As a young person, this song helped me make sense of the world around me. Music was often an escape, and I remember feeling the power of the lyrics. They feel as poignant as ever, in a time when we are seeing greed and money continue to take hold. To now be an artist performing this iconic track feels like a powerful full-circle moment – especially because Daniel Johns recently shared my song ‘Running Underwater’ on his social media, the first I ever wrote about having a disability. I loved reimagining ‘Tomorrow,’ and when recording it, felt a new level of emotion that I didn’t expect. I actually burst into tears.”

This cover’s fabulous, but if you’re craving more Eliza Hull originals you won’t have to wait too long. She recently returned from a songwriting trip to London, where she collaborated with talents like Liam Howe (Lana Del Rey), Brett Shaw (Florence & The Machine), James Knight (Ellie Goulding, The Kooks), and Tom Iansek (Big Scary) on material for her next album. You can catch also see Eliza at the following events:

23 August 2025 – Words of Winter Gala @ Hotel Bellizona, Dja Dja Wurrung Country/Hepburn Springs
6 September 2025 – Big Love Festival @ Chenrezig Institute, Gubbi Gubbi Country/Eudlo

Photo credit: Josh Rodgers

Posted on by Lauren Katulka

Fanny Lumsden Covers Gotye

I’m always impressed by a quality cover, a rendition that breathes new life into a song and makes a statement all its own. So I’m really digging what country artist Fanny Lumsden has done with Gotye’s “Somebody That I Used to Know.” We’re used to hearing this song as a haunting indie-pop duet with Kimbra, but Fanny’s country-folk version features her live band, The Prawn Stars. It was also produced by Matt Fell, Dan Freeman and Fanny, mixed by Matt Fell, and mastered by William Bowden (who mastered Gotye’s original).

“After doing our own version of ‘Somebody That I Used To Know’ on ABC’s Spicks and Specks last year, we started adding it to our live show, and have loved playing around with it so much that we thought it about time we recorded it! It’s the first song that has my whole live touring band on it, and it makes me so happy that each of these people I spend so much time with on the road, brought a little of themselves to the song. We also wanted to feature the harmonies, which are a big thing for us live.”

Fanny and The Prawn Stars are heading to the United Kingdom next month, but they’ll be back before you know it for shows with Paul Kelly and Lucinda Williams.

25 July 2025 – Together Again Festival @ Bolesworth Castle, Cheshire
26 July 2025 – Brudenell Club, Leeds
27 July 2025 – Nice n’ Sleazy, Glasgow
31 July 2025 – Belladrum Festival @ Belladrum Estate, Inverness
1 August 2025 – Arisaig Hall, Arisaig
2 August 2025 – Balquhidder Hall, Balquhidder
3 August 2025 – Three Villages Hall, Arrochar
7 August 2025 – Coughlans, Cork
8 August 2025 – Dolans, Limerick
9 August 2025 – Roisin Dubh, Galway
10 August 2025 – Whelans Upstairs, Dublin
12 August 2025 – YES (PINK ROOM), Manchester
13 August 2025 – Oslo Hackney, London
14 August 2025 – The Exchange, Bristol
15 August 2025 – Beautiful Days Festival @ Escot Park, Devon (SOLD OUT)
16 August 2025 – Country Calling Festival @ Hylands Estate, Essex
17 August 2025 – Komedia Studio, Brighton
20 August 2025 – Forty Five Vinyl Café, York (acoustic show)
21 August 2025 – Solfest @ Solway Coast, Cumbria
22 August 2025 – Greenbelt Festival @ Boughton House, Kettering
23 August 2025 – The Long Road Festival @ Stanford Hall, Lutterworth
26 August 2025 – RAC Arena, Boorloo/Perth (with Paul Kelly and Lucinda Williams)
29 August 2025 – Entertainment Centre, Meeanjin/Brisbane (with Paul Kelly and Lucinda Williams)
30 August 2025 – Qudos Bank Arena, Eora/Sydney (with Paul Kelly and Lucinda Williams)
31 August 2025 – Gympie Music Muster, Kabi Kabi Country/Gympie (with Paul Kelly and Lucinda Williams)
2 September 2025 – Mystate Bank Arena, Nipaluna/Hobart (with Paul Kelly and Lucinda Williams)
4 September 2025 – Entertainment Centre, Tarntanya/Adelaide (with Paul Kelly and Lucinda Williams)
6 September 2025 – Rod Laver Arena, Naarm/Melbourne (SOLD OUT – with Paul Kelly and Lucinda Williams)
7 September 2025 – Rod Laver Arena, Naarm/Melbourne (with Paul Kelly and Lucinda Williams)
5 September 2025 – Dashville Skyline, Wonnarua Country/Hunter Valley
10 September 2025 – Savannah in the Round Festival, Muluridji/Mareeba

Image used with permission from Revolutions per Minute

Posted on by Lauren Katulka

Kingswood Cover Tom Petty

Tom Petty is one of my all-time favourite artists, so when I heard Kingswood had covered his 1994 hit “You Wreck Me,” I knew I had to get my ears around it. While I often appreciate people reinventing songs, I kind of love that Kingswood have stayed so true to the original. They’ve brought their own voice to it, but they also seem to understand that this one of those classics that doesn’t need to be messed with.

“It’s love, chaos, and obsession colliding at full speed,” the band said about this song. “The feeling of being completely wrecked by someone, it’s something we’ve all lived through. Surrendering to a force greater than you’re able to control. The reckless pursuit of something you can’t quite hold onto. When we play it, we’re tapping into that raw, untamed emotion—like going into a boxing ring.”

Kingswood always seem to be on the road, so it’s probably not surprising that this new release also comes with a tour announcement. And it’s a doozy. They’re playing in so many places that there’s bound to be a Midnight Mavericks show near you.

25 April 2025 – Barwon Club, Djilang/Geelong
26 April 2025 – Bridge Hotel, Dja Dja Wurrung Country/Castlemaine
2 May 2025 – Sooki Lounge, Monbulk/Belgrave
3 May 2025 – Odessa’s, Dja Dja Wurrung Country/Creswick
9 May 2025 – Big Easy Radio, Ngaltingga/Aldinga Beach
10 May 2025 – Beer Garden Brewing, Galinyala/Port Lincoln
11 May 2025 – Lefties, Barngarla Country/Whyalla
16 May 2025 – The Setts, Millewa-Mallee Country/Mildura
17 May 2025 – Broken Hill Pub, Wilyakali/Broken Hill
22 May 2025 – Crossroads, Wiradjuri Country/Dubbo
23 May 2025 – Little Albert’s, Wahluu/Bathurst
24 May 2025 – The Beer Shed, Tharawal Country/Leumeah
25 May 2025 – Tallagandra Hill Winery, Candiriro/Gundaroo
30 May 2025 – William Farrer Hotel, Waga Waga/Wagga Wagga
31 May 2025 – Brady’s Railway Hotel, Bungambrawatha/Albury
1 June 2025 – Longstocking Brewery, Panboola/Pambula
6 June 2025 – Alice Spring Brewing Co, Mparntwe/Alice Springs
8 June 2025 – Mayberry, Garramilla/Darwin
12 June 2025 – Roebuck Bay Hotel, Rubibi/Broome
13 June 2025 – Hula Bar, Ngarluma Country/Karratha (FREE)
14 June 2025 – Frothcraft Brewery, Ningaloo/Exmouth
20 June 2025 – Frothcraft Brewery, Boorloo/Perth
21 June 2025 – Frothcraft Brewery, Goomburrup/Bunbury
22 June 2025 – Six Degrees, Kinjarling/Albany
27 June 2025 – The Deck, Gunai Country/Traralgon
5 July 2025 – Riverview Pub, Boonwurrung Country/Tarwin Lower
6 July 2025 – Northcote Social Club, Naarm/Melbourne
10 July 2025 – Avoca Beach Theatre, Darkinjung Country/Avoca Beach
11 July 2025 – Full Throttle Ranch, Awabakal Country/Buttai
12 July 2025 – Backroom @ Coffs Hotel, Gitten Mirreh/Coffs Harbour
13 July 2025 – Beach Hotel, Cavanbah/Byron Bay (FREE)
30 August 2025 – Gympie Music Muster @ Amamoor State Forest, Gimpi Gimpi/Gympie
10 October 2025 – Savannah in the Round @ Kerribee Park, Muluridji Country/Mareeba

Photo credit: Michelle G Hunder

Posted on by Lauren Katulka

Bailey Pickles and Hugo Hui Release Incredible Owl City Cover

Think you know Owl City’s “Fireflies”? I promise you’ve never heard it quite like this. Local talents Bailey Pickles and Hugo Hui have teamed up with the Sydney Conservatorium Choir for a magical version of the synth-pop smash. With its lush orchestral arrangements and harmonies from the choir, it sounds like it belongs on an epic movie soundtrack.

“Our goal was to take the magic of ‘Fireflies’ and expand it into something that feels like the soundtrack to a dream,” Bailey said. “Collaborating with the Sydney Conservatorium Choir was an incredible opportunity to push our vision to the next level.”

“’Fireflies’ is a celebration of everything we love about music, nostalgia, creativity, and the power to transport listeners to another world,” Hugo added. “We’re so grateful to the Sydney Conservatorium Choir for helping us bring this vision to life.”

This is the latest single lifted from Bailey and Hugo’s highly anticipated EP, which features four cinematic covers and two original pieces.

Image used with permission from GYRO PR

Posted on by Lauren Katulka

Helen Shanahan Releases Beautiful Cover of Tim Minchin’s “The Aeroplane”

Tim Minchin’s well-recognised for his hilarious tunes and musical theatre contributions, but many people don’t realise he’s just an incredible songwriter, period. So I’m glad that fellow Western Australian Helen Shanahan is shining a light on one of his more serious, brilliant songs with her cover of “The Aeroplane.” Her voice has the perfect storyteller quality for this incredible track.

“The song resonates deeply with me, especially now, with my second baby due just weeks after its release,” Helen explained. “The lyrics, ‘any fuel or any fire will do / I will fly to you,’ carry a special meaning for me.”

Take a moment to properly listen to this one. Trust me, you don’t want to miss a lyric. It’s really something special.

Photo credit: Tanya Voltchayanska

Posted on by Lauren Katulka

The Whitlams Cover Perry Keyes For Country Album

A friend introduced me to Perry Keyes’ “The Day John Sattler Broke His Jaw” a few years back. My friends introduce me to a lot of songs, and most of them I probably forget before too long. But this song was different. It was so good that I wondered why we don’t all know it, the way we know “Khe Sanh” and “The Horses”. It’s so good that when you hear it, you wonder why it’s not more well-known. It feels familiar from the first play. Once you do hear it, it’s not easily forgotten. I’m hopeful that a few more people will fall in love with it now that The Whitlams have put their stamp on it.

It’s no accident that this cover has more of a country sound than we’re used to from The Whitlams. It came from an idea hatched by frontman Tim Freedman as he drove between regional stops on his 2021 solo tour. While travelling from Gunnedah to Mudgee, via Black Stump Way, he discovered country radio playing his band’s latest single, “Man About a Dog.”

“I must admit it was a surprise to be played on Kix Country and Triple A Murri Country, but it was very cool,” he said. And it got him thinking. In Mudgee, he called Matt Fell, who produced his solo effort Australian Idle, and said “Put together your dream band. I think I want to make a country album.”

And so, The Whitlams got together with the new Black Stump Band, featuring Rod McCormack (on banjo, papoose, and acoustic guitar), Ollie Thorpe (pedal steel and electric guitar), and Matt Fell on bass. And they made that country album, The Black Stump Sessions, featuring this song.

Sydney photojournalist and director Johnny Barker made the gorgeous black and white video. It features archival footage of Tim’s father, Barrie Freedman, tipping Souths to win that historic rugby league grand final, with captain John Sattler finishing the game despite breaking his jaw. Talk about grit and determination!

The Whitlams, Black Stump Band will play shows all around the eastern states to launch the single later this year.

22 April 2022 – Longyard Hotel, Tamworth
24 April 2022 – Victoria Hotel, Bathurst
28 July 2022 – The Metropolitan Hotel, Mackay
29 Jul 2022 – Mansfield Hotel, Townsville
30 Jul 2022 – Tanks Arts Centre, Cairns
3 August 2022 – Gunnedah Town Hall, Gunnedah
4 August 2022 – Orange Civic Theatre, Orange
5 August 2022 – Royal Hotel, Queanbeyan
6 August 2022 – Bowral Bowling Club, Bowral
7 August 2022 – Tallagandra Hill Winery, Gundaroo
12 August 2022 – Westernport Hotel, San Remo
13 August 2022 – Queenscliff Town Hall, Queenscliff
14 August 2022 – Burrinja Theatre, Upwey

Image used with permission from Wildheart Publicity

Posted on by Lauren Katulka

Grace Amos Covers Foo Fighters’ Classic, “Everlong”

The Foo Fighters’ concert in Geelong last night seemed like a turning point in the pandemic. It was the first time an international artist visited our shores and played a full-scale gig since this shitshow began. Friends in New South Wales and Queensland crossed the border and plenty of my Victorian buddies got themselves along. From all the photos and streams I saw, it was a triumph. The set celebrated the hits, concluding with my favourite: “Everlong.” If you missed the gig or just want a little more Foo Fighters music in your life, check out this fab new cover from Sydney artist Grace Amos.

Now I’m going to warn you, this is very different from the Fooies original. But I’ve always believed if you can’t bring something new to a song, why cover it in the first place? The gentle piano treatment really brings out those incredible lyrics. Grace is also in fine voice here. It might be a dramatic departure, but I love it.

“Something about Everlong has always caught my eye,” Grace said. “It’s so beautiful, and so well known that I was confused as to why I couldn’t find a cover of it that really showcases the lyrics. I feel that I’ve really achieved this, particularly with the mix of piano and strings in the instrumental.”

While her next show might not be as big as the Foo Fighters gig, ValleyWays is sure to be a good time. With The Rubens, Middle Kids, Skeggs, Slowly Slowly, and heaps more on the bill, you don’t want to miss this. It hits Onslow Oval in Camden on September 10.

Image used with permission from Star Crossed PR

Posted on by Lauren Katulka

Ali Barter Covers Julia Michaels Ahead of Summer Gigs

Ali Barter has wowed music lovers with the tracks from her sophomore album Hello, I’m Doing My Best, but she’s also capable of releasing a stunning cover. She recently released her take on Julia Michaels’ “Issues,” and it’s really something special.

It’s a beautiful, delicate reworking that doesn’t stray so far from the original that it’ll alienate listeners. You’ll find it on Spotify, but I think there’s something magical about watching it take shape at Prime Recording in Nashville.

Ali is spending more and more time Stateside as her star rises. She’s got a couple of local gigs lined up next year before she returns to the US for South by Southwest.

3 January 2020 – Espy Gershwin Room, St Kilda
5 January 2020 – Summer Sundays, Ballarat
13-22 March 2020 – South by Southwest, Austin

Image used with permission from Inertia Music

Posted on by Lauren Katulka

Hands Like Houses Covers Silverchair, Announces Acoustic Shows

Cover versions are a tricky business. When you take a song beloved by many, it’s often judged more harshly than any original. And when you take on an iconic Aussie band like Silverchair, the knives are likely to come out. As a born and bred Novocastrian, I might be a harsher critic than most. I haven’t like everything I’ve heard from Spawn (Again): A Tribute to Silverchair, but Hands Like Houses has risen to the occasion with a cover of “Ana’s Song (Open Fire).”

This is probably my favourite Silverchair song, and the Canberra band brings just the right mix of pathos and aggression to it.

“It’s impossible to be an Australian band and not have some recognition and appreciation for the huge role Silverchair has played in Aussie music, and the pathway it created for rock in particular,” Hands Like Houses frontman Trenton Woodley explained. “Daniel Johns has such a strong songwriting style, so when were were asked if we were interested in this compilation, it was an intimidating but exciting prospect to try and bring in our own take on their music, while still retaining and respecting what made them such massive hits. We’re stoked on how it came out and hope it, along with the rest of the compilation, does justice to the significance of Silverchair’s role in Australian music history!”

Spawn (Again): A Tribute To Silverchair hits stores on November 17. Hands Like Houses will remind Australia of its own original talents with an acoustic tour next year. It’s something we don’t often see from bands that rock as hard as Hands Like Houses, so if you’re a fan you’ll want tickets to these shows.

18 January 2018 – The Toff In Town, Melbourne
19 January 2018 – The Basement, Sydney
20 January 2018 – The Foundry, Brisbane
21 January 2018 – Capital Brewing Co, Canberra

Image used with permission from Unified Music Group