It’s been three years since I saw Dami Im live. Back then she was just beginning to release some of the confessional music that turned me from a casual fan to a committed member of the “Dami Army.” I feel like her music has gone from strength to strength since that time, so I was thrilled to nab one of the best seats in the house for Saturday’s show at Avoca Beach Picture Theatre.
While The Art House is hardly a large venue, it doesn’t have the intimacy of the little community movie theatre that has become one of Darkinjung Country/Central Coast’s most beloved music venues seemingly overnight. The beautiful art deco cinema room (just the one, this is no multiplex) holds less than 300 people. While there’s a bar in the foyer, once people sit down they stay in their seats, listening to the music attentively and clapping respectfully. We’re even told that if we insist on taking photographs, to hold our cameras low to ensure we don’t annoy other patrons, and to be sporadic as a live event like this is much better experienced with our eyes rather than through the lens of a device. Normally I won’t take any photos, because my usual front row seats cast such a spell. But tickets sell so fast these days that I found myself a few rows back and able to catch a few.
A venue like this is perfect for an EP launch because people are there to appreciate music. They welcome new material and give everyone a chance to properly discover it in real-time. It’s a rare, special thing. Dami clearly relished the opportunity to introduce us to the songs from In Between, an EP written as she processed her emotions on falling pregnant and giving birth. They’re weighty songs, confessional songs which give real truths about this often-confusing time in a woman’s life. Honestly, I think they might be some of the best songs Dami’s ever written. Hearing her speak about that time that inspired this material has given me an even deeper appreciation of this recording.
While the night was a celebration of new material, Dami had time for old favourites. She belted out all her singles, relishing the opportunity to dance around and interact with her band. She even took us back to where it all began with a piano medley of songs that helped her clinch the X Factor crown. And of course she couldn’t leave us without delivering “Sounds of Silence,” the song that launched her into the global consciousness at Eurovision.
I loved Dami’s live show the first time around, but in this special intimate venue, excited to share new music that clearly means so much to her, she might have been even better.
Image source: Stephen Katulka
After a couple of weeks out of the country, I’m thrilled to return to see an Aussie act on top of the album charts. Keith Urban’s album Ripcord has notched up its second week at the top of the charts, which no doubt bodes well for his upcoming Aussie tour.
Unlike so many Eurovision winners, Conchita has refused to fade away. She’s visited Australia several times since her big win, but last Thursday was her first full-length concert in Sydney. And didn’t she do it in style. Backed by the Sydney Symphony Orchestra, on the stage of the Opera House’s concert hall, supported by some of the best talents in the land, this show was so deserving of the diva.
Conchita started the night paying tribute to one of her greatest inspirations, Dame Shirley Bassey. “Where Do I Begin?” was such a fitting introduction to the night, easing us into the performance before Trevor Ashley, appearing as Ms Bassey herself, joined Conchita for a stunning cover of “Diamonds are Forever.” Never one to hog the limelight, Conchita graciously stepped aside to give “Shirley” her moment on “Goldfinger.” Dame Shirley’s shoes are big ones to fill, but Trevor’s vocals and mannerisms were spot on.
The night continued in much the same vein, with Conchita treating us to some of her favourite covers and tracks from her own album, interspersed with anecdotes about her journey and life after Eurovision. She was joined every now and again by our homegrown acts. Courtney Act seems like she’s only gotten stronger since Australian Idol. She joined Conchita for “River Deep, Mountain High” because going solo with an emotional performance of Joni Mitchell’s “Both Sides Now.”
Paul Capsis showed why he’s one of Australia’s most acclaimed cabaret performers, joining Conchita for a breathtaking cover of “Bang Bang (My Baby Shot Me Down).” The enthusiasm with which he performed Nina Simone’s “Feeling Good” was something to behold.
On paper Guy Sebastian might have seemed a little out of place, a fairly vanilla addition on such a fabulously colourful night. However, reprising his breakout Australian Idol performance of “Climb Every Mountain” with Conchita was sublime. “Tonight Again,” the song he sang at Eurovision, was the perfect solo song for this crowd.
There were so many stars, but none shone brighter than Conchita. She anchored the evening beautifully, performing with such elegance and style. She has so much charisma and one of the best voices I’ve heard. I was feeling a little fatigue after so many concerts close together, but as I rose to my feet and confetti rained down while Conchita waved goodbye, I was on cloud nine. What a way to end such a busy concert period.
There’ll be three times the divas at this year’s Altitude event, as Jessica Mauboy, Reigan Derry, and Dami Im join forces to raise funds for the Royal Flying Doctor Service (RFDS) of WA.