Singer-songwriter Dan Webb is preparing to load up the van and get out on the road to support his new EP Hyperspace Clearance. But before he does I caught up with Dan to chat about the tour, the EP, and his love of the keys.
You’re touring along the east coast next month. Are you looking forward to getting out on the road?
I’m not gonna lie – it’s been hard organising this tour, but I am really looking forward to playing these shows. Myband members have been on holiday overseas for a few months so I’ve used that time to develop some new songs. I’ve never performed outside Melbourne so it’s really exciting.
This tour is in support of your new EP Hyperspace Clearance. What can you tell me about it?
I really set out to prove a point on my first EP. It was quite heavy compared to this new one. Capitulation was all about showing people that you can play rock music without relying on guitar. Hyperspace Clearance is taking that same concept but taking it to a whole new level by experimenting with some other styles and genres. It’s an EP with a focused direction, tied together by the theme of travel.
You produced this EP yourself. Why was that important for you?
I wanted to head back to the same studio with the same team of people and see if we could make something that sounded completely different to my first EP. I like setting myself challenges. I had a clear idea of which instruments and microphones I wanted to use and so I wanted to have as much of a creative input as possible.
What’s it like being on the other side of the musical desk?
I have to say straight up that the whole project wouldn’t have been possible without my engineer Matt Voigt. He’s responsible for all of the mixing and he did a really great job. I might be able to give directions, make suggestions and requests but at the end of the day, I can’t make a good recording without a talented engineer.
This is your second EP. How do you think you’ve grown since the recording of the first one?
I feel like I’m developing as a songwriter and I’m becoming a bit more confident and adventurous when it comes to writing songs. I was able to take more risks on this EP as a result. I wanted to explore a few different styles and approaches this time round. I recorded clavinet on a track called “Weekends” for example; it’s only there for a few bars but it’s really funky!
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