Boorloo/Perth born, Nashville-based singer-songwriter Felicity blew me away with her recent single “I’ll Have What He’s Having.” Now that I’ve had an opportunity to listen to her sophomore EP 4PM in the Morning, I’ve discovered that was no fluke. It might be a little early to call it my favourite EP of the year, but it’s certainly a contender.
Felicity has such a strong voice, in every sense of the word. Her tone is incredible, unique and instantly identifiable. Her lyrics toe the line between personal and universally relatable. She’s quirky, but it’s no gimmick. She’s a true original, creating a space where listeners feel comfortable revelling in their own weirdness. I’m not sure I’ve felt this passionate about a female artist since I discovered Tori Amos and Alanis Morissette in the 90s. I’m aware of what a massive call that is, but honestly, Felicity is that good.
With 4PM in the Morning, Felicity shows listeners what a force she is. Its gentle acoustic opening promises sweetness and light, but Felicity quickly dispels those illusions with the caustic lyrics of “Bad Waste of Good Oxygen.” It’s very tongue-in-cheek, mostly, but incredibly cathartic, especially when those massive electric guitar riffs kick in. Felicity moves from taking aim at the wrong partner to herself with the single “I’ll Have What He’s Having.” If you didn’t listen already, here’s your reminder that this is one of the best songs you’ll hear all year.
After two upbeat indie pop numbers, Felicity shows a softer, more vulnerable side with “Half Sad.” This dreamy lo-fi ballad unfolds in a kind of anti-depressant haze, giving us a moment to catch our breath while connecting even more with this incredible artist. “Denver Airport” may be my favourite song on this EP. It’s a plaintive cry for love, no holds barred, totally stripped bare in the way someone can be only when they know they’ve got nothing left to lose. It’s so rare to hear someone so raw on a recording. Don’t be surprised if you’re wiping tears away by the end of this one.
“Carnivorous Butterflies” seems like a relatively subtle way to end such an impactful EP. But if you measure a song just by powerhouse vocals and big instrumentation, you’re missing the point. By stripping things back, Felicity lets her poetic lyrics shine. In case you missed it before, this track leaves no doubt that her songwriting is top notch.
I can’t say enough positive things about 4PM in the Morning. Just go listen. You can thank me later.
Images used with permission from beehive
