Angie Colman Wows Me With “Don’t Wanna”

Walyalup/Fremantle-based singer-songwriter Angie Colman has really impressed me with her latest single “Don’t Wanna.” It’s got more of a pop sound than her previous singles, although its rock edge and confessional lyrics should help fans embrace the shift.

“This release is about having rebound sex trying to move on from an ex. It details meeting nice people and having surface level emotional commitments to some of them, but in the moments where you’re alone your mind still goes to the person you’re really in love with,” Angie said. “I really wanted to take this track in a more fun, pop direction just because of the nature of my life when I wrote this song. I was having such a fun time, meeting new people, exploring my sexuality (this is the first song where I’ve addressed my bisexuality), but all the while trying to avoid feeling this mixture of hatred and love for my ex-boyfriend.”

“It was so fun to play around with the styling of this track,” she added. “It’s my first piece I have co-produced, alongside the wonderful Ryan K Brennan and most of the process of the recording was just Ryan and I in his beautiful West Perth studio pushing buttons on synths and trying out new vocal styles for me.”

Angie has already had a massive year winning RAC Arena Limelight Grant 2024 and playing Nannup Music Festival. Next up she’ll play a free hometown show for Gage Roads Live & Local at A Shed on the Walyalup Waterfront on April 19.

Image used with permission from Blue Grey Pink

Sounds of Oz On Hiatus

I never do this, but I’m going to announce a pause in our regular programming of music news and views. Whenever I go away on holidays, I always manage to create enough posts to go live while I’m gone, but this time it just wasn’t meant to be. So while I’m living it up on a cruise, I’m going to ask you all to bear with me. I’ll be back in business on April 15. Until then, make sure you continue finding all the great Aussie music you can. If you discover something amazing, leave a comment and tell me what it is. I’d love to hear what’s floating your boat when I’m back on dry land.

Image source: Corey Ann @ Flickr.com

Jet City Sports Club Share Their Perfect Summer Playlist

Summer might be behind us, but you can certainly imagine the season’s still here listening to the tunes from Eora/Sydney four-piece Jet City Sports Club. On Thursday they’ll drop their sophomore EP Every Single Dream, featuring the current single “Sunny Morning.” Ahead of the EP release, Jet City Sports Club shared their perfect summer playlist with us here at Sounds of Oz. How many of these songs do you have on repeat?

“Skin” – Spacey Jane
This is a song we listened to heaps during the 21/22 summer when we were a bit earlier on in the band’s career. It feels really free and reflects the fun vibes of summer, paired with some really hitting lyrics – it’s the perfect blend.

“I’m Not Sure” – The Grogans
A band we’ve been lucky to play a handful of shows with across NSW, some of the nicest people you’ll meet. This one’s mad for summer as it’s two minutes of in your face rock, which is always welcome on a summer road trip, Grogs just do that sound so well.

“Midnight Sun” – RVG
Can’t overstate how much we love this album as a whole, and this song is just so powerful. We are lucky enough to be playing the Gum Ball festival in April, which RVG are on too. Come on down everyone!

“Kiss Me Aphrodite” – Oscar the Wild
This song makes you nostalgic for a summer romance you may never have even had. A beautifully heartfelt track with some great tempo and rhythm changes throughout that keeps you constantly engaged and wanting more.

“Dose” – STUMPS
While lyrically one of the sadder songs on this list, it just has this bright upbeat feeling with some beautiful instrumentation that makes you want to dance and sing along when that chorus hits.

“Your Side, Forever” – Middle Kids
This song is so perfect for driving in the summertime. The anthemic bridge is transporting. Taking you away from everything stressful.

“Foam” – Royel Otis
Royel Otis’ entire new album is perfect for getting lost in during the warmer months and Foam is the earworm that’ll get you right into it.

“Cassandra” – Cool Sounds
Get yourself a picnic blanket, and listen to this absolute summery loveliness while cloud watching. Nostalgic guitars and washed out dreamy vocals, make for a perfect, summery dream that we return to frequently.

Jet City Sports Club will bring back all the summer vibes when they release their Every Single Dream EP on March 28. Make sure you take a listen and check them out at one of their upcoming shows:

13 April 2024 – The Vanguard, Eora/Sydney (EP launch)
25 April 2024 – The Gum Ball, Wonnarua Country/Dashville
13 June 2024 – Long Jetty Hotel, Darkinjung Country/Long Jetty (supporting Dear Seattle)
15 June 2024 – Hoey Moey, Gumbaynggirr Country/Coffs Harbour (supporting Dear Seattle)

Photo credit: Ruby Boland

Dylan Wright Wins Australian Idol

Massive congratulations to Dylan Wright, the nation’s newest Australian Idol. I must admit, I got pretty excited when I saw Dylan walk into the first night of auditions. It might have been the country’s first introduction to Dylan’s music, but long-time readers will be no stranger to Dylan’s talent.

I took the photo above way back in 2018, when he supported Nathan Cavaleri at the Rhythm Hut in Darkinjung Country/Gosford. I was so impressed that I bought his EP, The Long Way Home. Then in 2020, I covered his single “Passing Through” here on Sounds of Oz. It’s been so exciting to see Australia discover what we already knew at Sounds of Oz, that Dylan is the real deal. It’s so thrilling to know the nation has chosen an Idol with a wealth of original material who can really use this platform and launch a successful career.

I’ve also been really excited to see Idol return to it’s former glory this year. The talent has been stellar. I would have been thrilled for most of the top 12 to take the crown. But I’ve also appreciated the format tweaks that have allowed us to see more of the artists than in previous years. Even those eliminated early sang for us more than those who won in previous years, because we heard them through the audition process, group numbers, and eliminations. I’ve always said for artists to have successful careers after any of these reality contests, we need to see them enough times to understand who they are and fall in love with them.

I remember when Idol returned and people said the nation didn’t need another singing contest. Honestly though, I do think we need a singing contest like this, especially when there are so few opportunities for artists to show what they can do on live TV. That goes for both the new talents and more established artists. Unless you’re reading a blog like mine, you probably wouldn’t know Jess Mauboy and Delta Goodrem had new releases. When it’s done right, Australian Idol is good for the country’s music industry. I’m so glad to see it back to its best, and with such a worthy winner. Way to go Dylan!

Image source: own photo

Petersham Bowling Club Announces Sham Fest to Raise Funds for Accessibility Upgrade

I’m a big believer in any measures that help more people enjoy live music. So I’m thrilled to see Petersham Bowling Club announce accessibility upgrade plans for the near future. They’ll form the largest and most important upgrades the venue’s seen in 1972. Of course that doesn’t come cheaply, so the not-for-profit venue will start rattling the tins to make it happen.

The club’s fundraising drive kicks off with Sham Fest, an accessible two-day music festival on April 6 and 7. Local acts including Crocodylus, Good Pash, The Crooked Fiddle Band, and The Morrisons will keep the crowds entertained. There’ll also be line dancing, sea shanty singalongs, lawn bowls, and finska games. In line with PBC’s commitment to accessibility, there’ll be Auslan interpretation for the main acts on both days. It’s free to attend, but make sure you dig deep to support those accessibility upgrades.

PBC is a club with a difference. There are no pokies and it’s run with a focus on sustainability and community. It’s thrived against the odds, and continues to be one of the most important live music venues in Sydney. If you’re local, make sure you attend Sham Fest to show your support. And if you’re not, you can still support the club’s fundraising efforts by clicking this link.

Photo credit: Yeah Rad

Audrey Powne Goes Solo With “From the Fire”

Vocalist, songwriter, and trumpet player Audrey Powne has been a force of the Naarm/Melbourne jazz scene for years, fronting acts like Leisure Centre and Au Dre and playing as a session musician for everyone from Vince Jones to the Teskey Brothers. Now she’s stepping into the spotlight as a solo artist. Her latest single “From the Fire” gives an exciting taste of her forthcoming debut album. This single is so unique, but it really casts a spell. Leave your expectations at the door, because I know this song will blow them all away.

“The groove and harmonic content is inspired by the music of Herbie Hancock, particularly his 70s albums Secrets and Sunlight which have been a huge influence on me and from which I absorbed a lot of language,” Audrey said. “The layered, harmonised trumpet solo is directly inspired by late, great trumpet player Roy Hargrove who is the most profound influence on me as a trumpeter and who employed similar recording techniques on his records with The RH Factor.”

This track is so impressive, I can’t wait to hear more. Audrey won’t leave us waiting too long for that, as she’ll release her debut album on April 26.

Photo credit: Bianca Milani and Kayzar

Oxford Art Factory Hosts ONES TO WATCH

The middle of the week is always a bit quiet on the gig-front, but it doesn’t have to be if you’re in Eora/Sydney. The Oxford Art Factory is hosting ONES TO WATCH Backed By VODAFONE tomorrow night, Wednesday, March 6. The event, hosted by Tait McGregor, showcases the talents of up-and-coming acts Phebe Starr, Adrian Dzvuke, and Chanel Loren.

ONES TO WATCH is a global phenomenon that’s helped launched the careers of acts like Dua Lipa, Halsey, and Olivia Rodrigo. Here at home, it’s been a valuable platform for acts like Teenage Joans, Forest Claudette, Carla Wehbe, Sophisticated Dingo, and Saint Lane.

“We’re thrilled to announce that Chanel Loren, Phebe Starr, and Adrian Dzvuke will be joining our upcoming Ones to Watch showcase in Sydney! We’ve been following these talented acts for some time now, so it’s fantastic to have them become part of the OTW platform,” said Paul Lynch of Live Nation Australia.

If you’d like to attend, simply send an email to rsvp@livenation.com.au to RSVP.

Image used with permission from beehive

Confessions of a 40-Something Fangirl

I recently shared my jubilation after attending Matchbox Twenty’s first Eora/Sydney show on the long-awaited Slow Dream tour. That was one of three Matchbox shows I attended in just eight days this tour. I considered writing a review of each one, as each was special in its own right, but instead, with the dust settling on that frenetic, fantastic period I thought instead I’d write a post about embracing your deep passion for a band.

Twelve years is an awfully long time to be without live shows from your favourite band. It’s what inspired me to buy tickets to several concerts this tour. Depending on your perspective, three shows in a single tour might be a lot or it might be fairly conservative for a hardcore fan. For me it was the sweet spot. In 2012, the last time Matchbox played Australia, I bought tickets to a single show. I reasoned that I was a wife now, we were saving for a house, I had more important things to spend my money on. In truth though, nothing is more important than embracing a deep passion. I saw my single show and I loved it, but then I crashed hard. So much build-up to a tour and then it was all over in a matter of hours. I swore I’d never just do a single show for this band or Rob solo again.


I haven’t done three shows in a tour since Matchbox came out here for their More Than You Think You Are tour in 2003. I haven’t seen a local show and still travelled interstate since John Mayer came out for his Room for Squares tour in 2002. Back then I was a single woman, still living with my parents. I had no responsibilities beyond a retail job, so I thought nothing of just taking off for a little “me” time. What I learned this tour is that you’re never too far away from that person, no matter how years pass. And you owe it to yourself to nurture that part of you when you can.

So this time, three shows. A couple of days in between each one to catch my breath and get excited about the next one. I’m so glad I did it. The first show totally overwhelmed me. It was a whirlwind, with my emotions just on the surface through the whole thing. It was beautiful, but I was so glad I had Mulubinba/Newcastle a few days later to enjoy a little more calmly. I was a couple of rows further back, so I felt I could take that one in a little more, without all my heightened emotions getting in the way. In Meeanjin/Brisbane a few days after that I had second row seats, so I was just in it. I allowed myself to take photos in just two songs and put my camera away for the rest of it. In Mulubinba/Newcastle, without my husband there, I felt pressure to capture all the moments and that took me out of songs. In Meeanjin/Brisbane, I told myself just to remember them, feel them. They’re all in there. I danced hard, I sang loud (the evidence it all over my friend’s videos!), I was there.

Oh, and somewhere in there, I happened to catch a flight with my favourite band. I’m not a great believer in manifesting or things of that nature, but I’m thrilled I got some time to chat to them, to thank them for returning after all this time, to get signatures on my favourite album 15 years after my original signed copy was stolen. It really made this tour better than I could have ever hoped it to be.

The beautiful thing about seeing more than one show on a tour is that every extra gig feels like a bonus. I have had the most wonderful, exciting, week or so of my life, but I’m not crashing as I rejoin the real world. I’m holding memories close and they’ll satisfy me until the next time, whenever that may be. I know with the cost of living, not everyone is in the position to see multiple shows on a tour, to travel interstate. Not everyone has friends and family willing to put them up or drive them around when they’re there. Not everyone has a spouse willing to support them taking time out from their adult responsibilities for a while or a job that’s as flexible as mine. But if you CAN do it, I definitely recommend that you do. It’s good for the soul. As Rob Thomas encourages in one of their new songs “Rebels”, “Let go and be yourself right now.” Believe me, it’s really good advice.

Image source: Stephen Katulka

Dane Tutty Impresses With New Single “I don’t want to do this forever”

Mulubinba/Newcastle-based singer-songwriter Dane Tutty has released a powerful new single, “I don’t want to do this forever.” Like his previous single “Church,” it features Jen Buxton on guest vocals. It’s a little heavier than that track, but the pair deliver it with all the conviction that drew me to the previous release. In a world of music that often gets overproduced, it’s so exciting to hear something that’s so raw and authentic.

“The song’s topic isn’t really that easy to describe,” Dane admitted, “It’s more of a collaboration of feelings and experiences of myself and people around me melted into two minutes and 25 seconds”

“I don’t want to do this forever” comes from Dane’s forthcoming EP, scheduled for release later this year.

Photo credit: Mitch Strangman

Tom Thum Launches Online Beatbox Lessons

Have you ever wanted to beatbox like Tom Thum? Now you can with the launch of his Basics 2 Basses masterclass series. This digital course is apparently designed for “anyone with a face,” no matter their experience level. It’ll also teach you a little about the history of beatbox and how its developed to become the cultural force it is today.

Tom is one of the best in the business. He won the first ever Beatbox World Championships, performed the world’s first 60-minute beatbox/orchestral concerto for the iconic BBC Proms, and holds the record for the highest viewed TEDx video of all time. He’s also supported absolute legends like Grandmaster Flash, Chali 2na from Jurassic 5, Hilltop Hoods, and the Cat Empire. So just think of what he could teach you!

“I have managed to corral a huge chunk of what I have learned over the past 20 years and have whittled it down to just over two hours of intensive learning for any skill level,” Tom explained. “Trying to succinctly explain a whole bunch of seemingly inexplicable noises was definitely one of the biggest challenges putting together this course. Trying to make inhuman noises, human, is definitely no easy feat but I feel like I (hopefully) explained it as simply as possible, so no level of detail was missed. In fact, breaking it down to the fundamentals of how the sounds are created taught me a lot about how to approach ways to learn in the future, so not only did I teach most of what I know, I also learned way more than what I thought I would.”

You can sign up for Tom Thum’s Basics 2 Basses course online now.

Image used with permission from beehive