Those Shock “The Voice” Eliminations

Regular readers may have noted that I haven’t reported on The Voice as I have other reality music franchises. It’s been a deliberate exile to be honest. While I’m tuning in I want to experience this one rather than feeling that pressure to type away each evening. Besides, no one needs to read what I’m writing around those late 10 pm finishes.

But I felt like weighing in now in the face of some shock eliminations. Having watched the first American series I knew what we were in for. I was so excited by the talent I saw, although I was nervous knowing the battle rounds were to come. These are tough, with singers paired up, forced to sing songs that may play to their competition’s strengths more than their own, forced to compete directly against other major players. It’s cutthroat stuff. I can’t say I was happy with every decision made last night, but it’s the nature of a format designed to keep the pace moving.

Much has been made of Mahalia Barnes elimination. Her battle with Prinnie Stevens divided us in the lounge room. I understood why Joel paired them as they were bound to split votes, but it would have been a loss whichever way it fell. For what it’s worth I would have backed Mahalia, but I wonder whether that’s because I’ve seen her live many times before.

Honestly I was most disappointed by the matchup of Adam Hoek and Rachael Leahcar. It was only ever going to go one way, and Adam ended up feeling like a sacrificial lamb. I think the competition will be a lot poorer without him. With a different song and a different partner it could have been so different.

The Mitchell Thompson and Fatai Veamatahau battle also divided us. Frankly the performance was so searing neither of them deserved to depart. But it’s the nature of the beast, and again we lost another talent far too soon.

The Voice is far from an even playing field. I expect more shocks as I watch this evening. But I prefer this cutthroat fast-paced show over those drawn out reality TV shows any day, don’t you?

Image source: Wikimedia Commons

My Thoughts on Prince Ticketing Woes

I’ve just returned home after a few days away, so I haven’t had time to weigh into the Prince ticketing debacle. That might be for the best, as it allowed me a few days to cool off!

You’ve probably already read about the dramas in the news, but I thought I’d chime in with my own perspective. I was nervous about scoring these tickets. It’s unusual for concerts to go on sale without a presale these days, and I was concerned about the volume of prospective purchasers flooding the site. I’d read the stories about Ticketek’s system crashing for other popular concerts, and I was anxoius I’d encounter something similar here. It turned out my fears were true.

The site was painfully slow from the get go, but eventually it spat out some great tickets. I attempted to pay for them, only to be told there was an “unspecified error.” And again, and again as the site’s timer counted me down before logging me out and releasing those coveted tickets back to the masses. And so I remained logged out, seeing only a message telling me of high traffic, for another 15 minutes. I called frantically on the phone at the same time with no success. Finally I was in the site again. And along it crawled until it spat out some nosebleed tickets. Disgusted, I threw them back and persevered until at 10:30, an hour and a half after my Prince concert ticket buying adventure began, I secured two reasonable tickets to the Brisbane show. They’re not as good as the ones I was first told were mine, but after reading some horror stories I feel like one of the lucky ones. My gal pal Lisa and I will undoubtedly have an awesome time at the show.

What troubles me most is the lack of responsibility Ticketek’s taken for the whole affair. Its managing director said “We are aware that some customers experienced a ‘timed out transaction’ and whilst we understand this can frustrate eager fans, it is important to understand that a limit on the time allowed per transaction is one of the key measures put in place to ensure fair access to as many fans as possible.” Fair call, but it says nothing of the way the site crawled and refused to accept the payment of countless fans. We all were doing our level best to complete our transactions in a timely fashion, but the site glitches made it an impossibility.

While Ticketek refuses to take any responsibilitybfor the whole affair it seems little will change. I’m admittedly a tech novice but it seems the site needs an upgrade to cope with those high demand days. Presales help ease the demand, but where there isn’t time to allow one offering different sale times for different cities seems a sensible measure. It’d also be nice to somehow see scalpers stamped out. I hated thinking they were buying the good seats while I was locked out of the site. eBay seems to suggest they were.

Infuriated fans have suggested a boycott, but while Ticketek continues to sell for some of the biggest local and international touring acts such measures seem like cutting off a proverbial nose. And so I’ll persevere, but I really hope Ticketek gets its act together soon. Music fans deserve better.

Image source: Scott Penner @ Wikimedia Commons

Secretive George Calls it a Day

After two years together and the release of a self-titled EP, Melbourne band Secretive George are calling it a day.

They came, they saw, they rocked with shows up and down the East Coast. And now they intend to go out in a blaze of glory with one final show for hometown fans. See Secretive George’s swan song at The Evelyn Hotel on April 26. With 11 of their closest band pals on the bill, it’s promising to be a very big night!

Image used with permission from Secretive George

Cold Chisel Go to the Movies

Most of us weren’t lucky enough to score tickets to Cold Chisel’s upcoming show at the Hordern Pavilion, but we don’t have to miss out. The show will be beamed to cinemas around Australia live on April 18.

Fans can see the performance as it unfolds in high definition with Dolby 5.1 sound. Given that the Hordern’s a bit of a shed, I wouldn’t be surprised if it sounds better at the movies! The band promises to play tracks from their brand new album No Plans as well as a healthy arsenal of their hits.

“We’re really proud of this new album and want as many people to hear it as possible”, explained Chisel frontman Jimmy Barnes. “The idea of having this gig beamed out to Cinemas seemed like a great way of getting people to hear a few of the new songs live as well as all the ones they know. We’ve played a lot of gigs around Australia over the last 35 years but this will be the first time we’ve played in over 100 places on the same night!”

Tickets are on sale now through CinemaLive for $39.50. That’s a bit of a bargain as they come bundled with a copy of No Plans. Will you be tuning in?

Image used with permission from Stephen Green Consulting

R.I.P. Jimmy Little

I was saddened to hear the news this evening that Jimmy Little has passed away after a long battle with illness. At the age of 75 he slipped away in his sleep.

Like many music lovers of my generation I became aware of his music in 1999, when artists like Paul Kelly, The Church, and Nick Cave covered his songs on the Messenger album. After that I was impressed when he took on the songs of U2, PJ Harvey, and other modern musicians on his Life’s What You Make It record.

However Jimmy had hits from the 1950s, including songs like “Royal Telephone,” “El Paso,” and the Barry Gibb penned “One Road.”

The music is just one part of the Jimmy Little story though. He founded The Jimmy Little Foundation in 2006 and campaigned tirelessly to increase the life expectancy of indigenous Aussies. He’s got an Order of Australia, a NSW Senior Australian of the Year title, and he’s in the ARIA Hall of Fame.

For all these things and more, he will be missed.

Image source: Jimmy Little website

Partying for a Purpose Raises Funds for Indigenous Music Programs

If you’re going to go out and party next month, why not do it for a good cause? Major Raiser will host Partying with a Purpose at Bondi’s Beach Road Hotel on May 5.

The event, the fourth of its kind, will raise funds for the Music Outback Foundation. This group donates musical instruments to outback schools to ensure our indigenous kids have the same opportunities for culture expression as those in the city.

Ticket holders will be entertained by Brisbane dance act Mitzi, Triple J darlings Glass Towers, as well as Toucan, Colour Coding, Conics, and Lancelot. If you can’t make it to the event you can also download Let’s Band Together, a compilation which features tracks from all contributing artists. You’ll find it at Major Raiser’s Bandcamp page. All proceeds from the digital release will also help the Music Outback Foundation.

If you can get along and support the event though, I suggest getting them early from Moshtix. Coopers Beer will give complementary ale to everyone who buys a pre-sale ticket, and Moshtix will donate a dollar for every pre-sale ticket to the cause.

Image used with permission from Positive Feedback

Jacob Butler Scores South African Deal

Things are on the up for Jacob Butler. Fresh from the release of his new single “Come My Way,” the X Factor and Australian Idol graduate has inked a record deal with South Africa’s The David Gresham Company, the same independent label that takes care of The Temper Trap, Placebo, Nickelback, and Bush.

The deal will expose Jacob’s work to music lovers in South Africa and its territories, including Mozambique, Zambia, and Zimbabwe. “Come My Way” will hit the nation’s radio waves in the coming weeks.

“Come My Way” has also just hit radio after Munich based promoter Robert Larasser became interested in the track.

The “Come My Way” video has been viewed more than 125, 000 since its release two months ago, and it sounds like it’ll have plenty more hits in the months to come!

Hilltop Hoods Still Number One

Hilltop Hoods have maintained their grip on the ARIA album charts. For the second week the band’s latest offering Drinking from the Sun sits at the number one spot.

An Aussie release also rounds out the week’s top ten. 360’s fallen to number ten, from number six last week, with Falling & Flying. It’s a similar story on the singles charts where his track “Boys Like You,” the sole Aussie entry in the top ten, has dropped from number six to eight.

Click below for this week’s complete ARIA top ten charts.

Continue reading “Hilltop Hoods Still Number One”

Morgan Joanel Fashion at Zara Stores

Fashion and music has always enjoyed a special relationship. Our favourite artists wear the best threads, many score the runway shows of leading designers, and some musicians even create their own collections. And if you’re Sydney singer-songwriter Morgan Joanel, you find your face on a T-shirt.

When she’s not creating music, Morgan maintains her fashion blog Mojomade. The T-shirt’s candid image is actually from one of the very first posts on that very blog. It was snapped on a humble Canon camera, yet now it graces a tee from designer store Zara. This isn’t just an Australian exclusive either; the T-shirts are available at Zara stores all over the world. Fashion fans across the globe might not know who Morgan is or what she does, but they’ll be wearing her face!

Global awareness may come yet though, as Morgan’s been busy in the studio. She’s also got a song writing trip to Los Angeles and New York in the works. But before all that she’ll play a few shows around her hometown to promote her current single “Devil’s in the Details.” Sydneysiders, you can catch this hot new talent at the following venues.

24 March 2012 – The Vanguard, Newtown (with Butterfly Boucher)
1 April 2012 – The Vault, Windsor (with Eilen Jewell)
24 April 2012 – Brass Monkey, Cronulla (with Blind River Running)
9 May 2012 – Notes, Newtown (with Tim Chaisson)
18 May 2012 – The Beresford, Surry Hills

Image used with permission from Revolutions per Minute

DaniElle DeLaite Cracks American Dance Charts

Kiama’s DaniElle DeLaite is a relative unknown here in Australia, but she’s burning up the American Billboard dance charts with her new single “Love Sex Goddess.”

“Love Sex Goddess” is the current number five breakout artist on the US chart, an honour which sees her placed with big names like Nicki Minaj and Paulina Rubio. However unlike these acts she doesn’t have the backing of a big record company. Instead DaniElle is going it along with her independent label Lizard E.D.

DaniElle honed her craft in Sydney’s nightclubs before heading to Paris with the promise of a dream licensing deal. When that fell through, DaniElle followed her brother to America. She was an instant hit in the clubs that nurtured Britney Spears, Katy Perry, and Lady GaGa, and with her current single’s success it seems her star is definitely on the up!

Image used with permission from DaniElle DeLaite