I have a confession to make. I am a Eurovision tragic. I might wax lyrical about talented singer-songwriters, but all I really need to enjoy a song is a wind machine, some sequins, and a dramatic key change. Sadly our musicians are ineligible to join in the fun beyond voting in SBS’s unofficial poll. However, our local artists are celebrating the spirit of the event with a new compilation album called Mélodie Française.
This unusual disc sees some of Australia’s brightest stars tackling classic and contemporary French songs. The album will feature cuts from Lisa Mitchell, The Jezabels, Dappled Cities, and Gossling and Oh Mercy’s beautiful take on “La Minute de Silence.”
Mélodie Française will be released midyear through Original Matters in Australia and stream exclusively through France’s Deezer.com.
Whether she’s operating as solo artist or as one half of Geppetto, I’m enamoured with Emma Dean. So I was thrilled to see she’s released a brand new EP. “Phoebe (With Her Whole Heart)” gives us a taste of what we can expect from White, a recording that’s billed as a collection of “off-kilter ballads about new beginnings.”
And yes, after hearing it I’m just as in love with what Emma does. This is divine.
Inland Sea cofounder Jeremy Hunter is stepping out on his own with the recent release of his debut self-titled EP. The EP is a collection of acoustic guitar-driven folk-rock tunes that should delight fans of the genre. It includes this gorgeous single, “Picking Up the Pieces”.
Less than a month after touring the United Kingdom with Inland Sea mid-2012, Jeremy holed himself up in the mountains outside Brisbane with his pal and producer Konstantin Kersting. They spent three days out of the bustle of the city, crafting the five songs that would become this release. Jeremy impressively played every instrument on the recording to ensure the tracks captured exactly what he hoped to express. Some might call him a control freak; I think the approach is genius.
Jeremy will launch the EP with a show for hometown fans at Brisbane’s Black Bear Lodge on May 26, and another at St Kilda’s Prince Public Bar on May 31.
As I’m shivering here with my fluffy dressing gown on and my heater blasting, the warmth of summer sun seems a distant memory. But Mali Mali have got me reminiscing with the release of their debut music video “Song for the Sun.”
This is a gorgeous folky number which hints at what’s to come on the curiously named album Gather ‘Round the Gooseclock, which was not so coincidentally released today. If you love what you hear, it’s available to download now.
Melbourne electropop duo Private Life are giving us a taste of their self-titled EP with the release of their first single “Mine”.
The track’s melodic synth score and Renee Anderson’s slightly raspy vocals take me right back to the 1980s. It’s so much fun, but there’s also an emotional sincerity that elevates it above your average pop song. Private Life has shared stages with Garbage, Sam Sparrow, and Owl Eyes, but with songs like this in their arsenal it’s only a matter of time before they get their own spotlight.
Private Life’s new EP, which features the fabulous “Mine”, hits stores on May 20.
When he’s not wowing crowds as one half of Busby Marou, Tom Busby is making beautiful music with his housemates Stephen Ryan and Brett Gibson. Together they are Good Oak, a three-piece creating some of the most gorgeous folk music I’ve heard in some time.
The Queensland band’s just released their debut self-titled EP which includes the beautiful single “The Bear Song”. The harmonies are exquisite, and while it’s gentle it’s definitely a song that stays with you. Songs don’t always need to scream loudly to make an impression, do they?
If you love what you hear, make sure you catch Good Oak supporting their EP’s release on The Big Strong Bear Tour.
23 May 2013 – Gov’s Espresso, Mermaid Beach
24 May 2013 – The Armidale Club, Armidale
25 May 2013 – Brighton Up Bar, Sydney
26 May 2013 – Hoey Moey, Coffs Harbour
The fun single “Look at Me” gives us a taste of the album, which hit stores yesterday. It’s got a gorgeous blend of dance and pop that makes children of the ‘80s like me feel all warm and nostalgic.
Vaudeville Smash! will kick off their Dancing for the Girl tour in Adelaide next month before they travel up and down the East Coast. With the band generating major buzz in North America, it might be our last chance to see them for a while!
8 June 2013 – Jive Bar, Adelaide
14 June 2013 – The Corner Hotel, Melbourne
21 June 2013 – UTS Glasshouse Bar, Sydney
22 June 2013 – The Beresford, Sydney
27 June 2013 – The Loft, Chevron Island
28 June 2013 – Sol Bar, Maroochydore
29 June 2013 – The Joynt, Brisbane
30 June 2013 – Beach Hotel, Byron Bay
Following a successful crowd-sourcing campaign, Jen Cloher will release her third album In Blood Memory next month.
The album, which was written over the last six months and recorded in just six days, is the follow-up to Jen’s acclaimed sophomore effort Hidden Hands. The album could have been very dark after Jen lost both her parents at the end of 2011. However, rather than dwelling on her sorrow she decided to create a more positive record.
“I had written an album worth of songs by the beginning of 2012 but I decided to scrap them and start again. My previous album Hidden Hands had been about loss and I didn’t have the emotional energy to explore that territory again,” she explained. Instead, I wanted to write about what was alive in me.
“In Blood Memory is a live album. Its strength lies in passionate performances from a great band. Drums are spilling into vocal mics and guitars into drum overheads. All of my vocals are live. There is no separation.”
In Blood Memory will hit stores on May 27.
Image used with permission from Remote Control Records
All good things must come to an end, and it’s almost time to bid Mia Dyson adieu as she returns to her adopted home in the United States. However, she’s not leaving without a proper goodbye.
Mia will play her final Australian show for some time at the Bulli Hotel this Friday, April 26. She’s also leave us with one more single, “Fill Yourself”, an upbeat bluesy number which will launch The Moment in the US.
“Fill Yourself has been a favourite of many people on the record and is the track turning heads in the US,” said Mia. “It is bittersweet to be heading back over there. I have absolutely loved being home, so much so that I extended my stay, but it’s time to continue this journey that The Moment has become.”
The thing I missed most about not being able to log in and update my blog was being unable to share great music with you. So I’m taking this opportunity while everything’s working to tell you about Daniel Champagne.
Daniel’s just a young whippersnapper at 23, but he’s got more musical intuition than many older performers. It’s little wonder really as Daniel picked up the guitar at five and began writing songs at 12. Barely in to his twenties he’s just released his second album The Gypsy Moon (Volume 1), a collection of what he calls road songs which hints at more to come.
“Making The Gypsy Moon … was a really long and drawn out process,” he explained. “I had all these songs with me for ages but no time off the road to do anything with them so they mostly just sat in the back seat gathering dust for a long time.”
Eventually he picked those songs up and took them to Pirate Studios on the south coast of New South Wales, Daniel’s original stomping ground, where he reunited with producer Dave Sparks, who collaborated on Daniel’s EPs and debut album. “Once I got back in the studio with Dave it just felt right and I knew it was going to work. It all fell out pretty quickly from there.”
The Gypsy Moon (Volume 1) features the single “Heart Like This”, which got me excited enough to talk about him in the first place. This is such a gorgeous track, the right combination of emotion and melody with beautiful guest vocals from Mikaela Atkins. The album’s out now, and Daniel’s currently touring it around the country. Here are all the places you can see him playing over the next few months.
26–28 April 2013 – Apollo Bay Festival, Apollo Bay
2 May 2013 – Beav’s Bar, Geelong
3 May 2013 – Caravan Club, Oakleigh
4 May 2013 – Northcote Social Club, Melbourne
10 May 2013 – The Loft, Warrnambool
11 May 2013 – Culburra Beach Festival, Culburra Beach
12 May 2013 – Bottlerocket, Nowra
15 May 2013 – Indi Bar, Perth
16 May 2013 – Mojo’s Bar, Perth
18 May 2013 – Singing Gallery, McLaren Vale
19 May 2013 – Semaphore Workers Club, Adelaide
23 May 2013 – Front Gallery, Canberra
24 May 2013 – Mudgee Brewery, Mudgee
25 May 2013 – Taste Cafe, Canowindra
26 May 2013 – Beyond Q, Canberra
30 May 2013 – Sol Bar, Maroochydore
31 May 2013 – Bangalow Bowling Club, Bangalow
14 June 2013 – Mumbulla School Hall, Bega
15 June 2013 – City Diggers Club, Wollongong
16 June 2013 – Brisbane Jazz Club, Brisbane
20 June 2013 – Townsville Folk Club, Townsville
“I had written an album worth of songs by the beginning of 2012 but I decided to scrap them and start again. My previous album Hidden Hands had been about loss and I didn’t have the emotional energy to explore that territory again,” she explained. Instead, I wanted to write about what was alive in me.