Category: Releases

Posted on by Lauren Katulka

Peach Fuzz Drop “Fall Right Back to You” Ahead of EP Release and Tour

It’s an exciting time to be a Peach Fuzz fan. The Naarm/Melbourne-based indie-rockers have just dropped a fantastic new single, “Fall Right Back to You” ahead of the release of their new EP and headlining tour of the East Coast. I love this song. It’s not just a total banger. It also has some really relatable lyrics about second-guessing the decision to walk away from a relationship.

“The lyrics speak to that feeling of remorse and yearning,” the band said. “When you’re unsure if you made the right call.”

“Fall Right Back to You” comes from Peach Fuzz’s new EP Isn’t it Obvious? which they’ll release on September 17. You can pre-order a fabulous pink vinyl copy here.

“Every song on this EP lets you sing your heart out about some very real and very chaotic emotion you’ve probably had towards someone,” Peach Fuzz shared. “It’s indecisive, emotional, and loud – just like your early 20’s should be.”

You’ll have a couple of weeks to learn all those new lyrics before Peach Fuzz head out on their East Coast tour supported by rising indie-folk act Lottie McLeod.

10 October 2025 – Howler, Naarm/Melbourne
24 Oct 2025 – Blute’s, Meeanjin/Brisbane
25 Oct 2025 – The Trocadero Room, Eora/Sydney

Image used with permission from Blue Music

Posted on by Lauren Katulka

Broken Waves Release Fresh New Single, “The Chase”

Tarntanya/Adelaide indie act Broken Waves have got me grooving with their latest single “The Chase.” This track defies classification, instead drawing influences from the funk, dance, and indie rock genres. As someone who doesn’t think music needs to fit neatly into boxes, I’m just enjoying the vibe.

“It was heavily influenced by our growing obsession with jazz house, electronic textures, and the kind of EDM that prioritises groove over spectacle,” the band said. “We didn’t want to just experiment for the sake of it — the goal was to refine and tighten our approach to songwriting, to make something leaner and more intentional without losing the emotional weight.”

This song is a bit of a sonic left turn for Broken Waves, but I’m here for it. Crank it up and enjoy!

Photo credit: Nick Astanei

Posted on by Lauren Katulka

Platonic Sex Take a Left Turn With Beautiful New Single, “Face to the Flywire”

Meeanjin/Brisbane-based indie-pop band Platonic Sex might have an edgy name, but if you were expecting controversy from their latest single “Face to the Flywire” you might be disappointed. If you want an intimate song that moves you though, this will be right up your alley. It’s so different from the Platonic Sex music I’ve heard, which is much grungier and grittier than this beautiful piano ballad.

Platonic Sex’s singer and guitarist Bridget Brandolini said this song was inspired by their childhood home in Bundjalung Country/Clunes, New South Wales. With five kids the house was pretty crowded, so Bridget’s bedroom was a converted sunroom. “In stormy weather, I’d squish my face up to the flywire to feel the rain and blow smoke out of my room”, they recalled.

The beautiful melody is built on a chord progression that Bridget’s father passed down. “He is the reason I write so much music today,” they said. “He taught me all the lessons he learned about songwriting, even ones I didn’t ask for. We’d sing different things over those chords, and I always found myself coming back to them.”

“Face to the Flywire” is the title track from Platonic Sex’s debut album, which drops on September 19 and is available for pre-order now. Fresh from supporting Ball Park Music around Queensland, Platonic Sex will play the following shows in October.

16 October 2025 – Black Bear Lodge, Meeanjin/Brisbane (supporting jasmine.4.t)
25 October 2025 – ZED50 @ Roma St Parklands, Meeajin/Brisbane

Photo credit: James Caswell

Posted on by Lauren Katulka

Fall in Love With Team Love’s “No Longer My Birthday”

Is there anything better than amazing harmonies? I’ll wait. If you can’t think of anything, I know you’ll dig “No Longer My Birthday,” the latest single from Team Love, as much as I do.

Team Love are a Victorian band featuring Ruby McGrath-Lester, Ruby Cattell, Monique Bricknell, Shaun Stolk, Paddy McGrath-Lester, and Tom Thomas. All but Thomas sings, ensuring “No Longer My Birthday” and other songs from their repertoire have a beautiful rich sound. I also love how Australian this sounds.

The press release references Americana, and it’s certainly in there, but reinvented with an Aussie twang.
Speaking about this single’s inspiration, Ruby said, “It’s about living life on the outside looking in. The idea that you might not even be lonely because you don’t know what it’s like not to be alone. The world can be a big old solitary place.”

“No Longer My Birthday” comes from Team Love’s sophomore album, which we’ll hear later this year.

Image used with permission from Chris Familton Publicity

Posted on by Lauren Katulka

SoSo Continue Winning Streak With “Candy Mouth”

I’m rocking out this afternoon to “Candy Mouth,” the irresistible new single from Eora/Sydney pop-punk act SoSo. It’s ridiculously catchy with tongue-in-cheek lyrics about navigating the music industry.
“Candy Mouth” comes from SoSo’s forthcoming album So Much For Second Chances, which they’ve boldly predicted will hit number one. Given the quality of all the tracks I’ve heard so far, they might just be right.

“‘Candy Mouth’ was actually the last song we wrote before heading into the studio, and so it was a case of getting in there and working with Stevie to really make sure it slapped,” said SoSo’s frontman Rhys de Burgh. “Lyrically, it’s about that kinda ‘unknown’ of the music industry – trying to convince yourself that you’re doing something worthwhile that resonates with fans, all the while being overlooked by the industry. Watching a tonne of other acts get leg ups thanks to ‘knowing the right person’ can be a real kick in the teeth, having ‘friends’ in the scene suddenly drop all contact once you’re no longer useful and all that typical music industry stuff. So in the end, ‘Candy Mouth’ came to be this song kinda calling out and having a laugh at those people who’ve used their ‘Candy Mouth’ to climb the ladder of success, whilst dealing with some of the fun and frustration of trying to ‘make it’ whilst being overlooked.”

If you want to see a fairytale ending for these musical underdogs, pre-order So Much for Second Chances and help SoSo make their dreams of a number one album come true.

Photo credit: Petey Boy

Posted on by Lauren Katulka

Rainbow Kitten Surprise Drop “Dang” Ahead of Headlining Shows & Ocean Alley Supports

I try to never judge a book by its cover, but occasionally I’m guilty of judging a musical act by their name. Listening to American act Rainbow Kitten Surprise today I was reminded why that can be a bad move. I expected them to be an over-the-top grating cutesy pop act, but they’re actually a really cool, genre-bending alternative act. I was hooked from the first listen of their latest single “Dang” which took me down a Spotify rabbit hole that I’m not in a hurry to get out of.

Rainbow Kitten Surprise have been earning rave reviews for their Thanks For Coming tour, which South Florida Insider called “a masterful display of live music—raw, unpredictable, and utterly unforgettable.” Aussies will get a chance to experience their on-stage energy when Rainbow Kitten Surprise play headlining shows and support Ocean Alley along the East Coast next year.

23 January 2026 – Forum Theatre, Naarm/Melbourne
24 January 2026 – Catani Gardens, Naarm/Melbourne (supporting Ocean Alley)
28 January 2026 – The Tivoli, Meeanjin/Brisbane
30 January 2026 – Brisbane Showgrounds, Meeanjin/Brisbane (supporting Ocean Alley)
31 January 2026 – The Domain, Eora/Sydney (supporting Ocean Alley)
1 February 2026 – Enmore Theatre, Eora/Sydney

Photo credit: Shervin Lainez

Posted on by Lauren Katulka

Swanee and Melinda Schneider Pair Up On “Should’ve Never Let You Go”

They just don’t make music like “Should’ve Never Let You Go” anymore. This duet from John “Swanee” Swan and Melinda Schneider has all the magic of a track from Tony Bennett or Frank Sinatra, but it’s actually a cover of a song Neil Sedaka released in 1980 with his daughter Dara. There’s a beautiful stillness about what they do here. The artists respect the melody and give the lyrics time to breathe. It doesn’t sound like anything people are releasing today, and that’s a big part of what makes it so special.

“Should’ve Never Let You Go” is one of the impressive collaborations featured on Swanee’s new album Believe. Fifteen of its 16 songs are collaborations with friends and family members including Jimmy Barnes, Alan and Mahalia Barnes, Diesel, Joe Camilleri, Dave Gleeson, Jack Jones, Colin Hay, Ian Moss, and so many more. Fourteen of its tracks are covers, and it’s fascinating hearing what they bring to such fantastic material.

“Believe is the supreme pizza of Australian rock and soul as it features my friends and family from my 50-year working career,” Swanee said. “This album is about resilience, redemption, and refusing to give up – in music, and in life. I called it Believe because that’s what it takes. Belief in yourself, in second chances, and in the power of a great song.”

While “Should’ve Never Let You Go” is on streaming services, you won’t find the Believe album there. Swanee’s gone old school. You can purchase your choice of CD or double vinyl directly from his website.

Image used with permission from Checked Label Services

Posted on by Lauren Katulka

Tom Harrison Embraces the Blues With “Peace With Me”

“Peace With Me,” the latest single from Tom Harrison, is the sort of music we don’t hear enough of. It’s a gritty blues-rock number that sounds like it comes from the Louisiana Delta rather than the land Down Under. Tom’s gravelly vocals are the perfect foil for the guitar riff that just won’t quit. If you appreciate music with some rough, raw edges, I know you’ll dig this one.

Tom wrote and recorded “Peace With Me” in his home studio, proving that you don’t need all the bells and whistles to make music that matters.

“Peace With Me” gives us our first taste of Tom’s debut album Blood on the Moon, which he’ll release later this year. If this track’s any indication, it’ll be a lot dirtier than the tender folk music he delivered on his Old Growth EP last year. Honestly though, I’m here for the evolution.

Image used with permission from Tom Harrison

Posted on by Lauren Katulka

Sunny Luwe Spreads Sunshine With “Blue Skies”

The weekend is upon us so I figured it was time for some feel-good music. “Blue Skies,” the latest single from three-time QLD Music Award finalist Sunny Luwe, certainly fits the bill. An anthem for moving on from a bad place with positivity, it’s infectiously joyous. So whether you’re feeling those weekend vibes or need a pick-me-up, I know this one will have you smiling.

Sunny said that “Blues Skies” was inspired by the burnout she felt after releasing her debut album.
“I realised I had started chasing external gratification from likes, streams, validation, rather than staying connected to why I create music in the first place,” she explained.

“Blues Skies” comes from Sunny’s next album Feeling Good, which we’ll hear on October 10. She’s got plenty of free gigs coming up which might just give you a chance to hear some more new material. Catch her at the following venues this month.

8 August 2025 – Beach Hotel, Bundjalung Country/Byron Bay (from 8 pm)
9 August 2025 – Distillery Road Market, Yuggera Country/Eagleby (from 6 pm)
10 August 2025 – QPAC for Clancestry, Meeanjin/Brisbane (from 5 pm – with Keely and Birren)
17 August 2025 – The Triffid, Meeanjin/Brisbane (from 3 pm – with Hazel Mei)
24 August 2025 – Chevron Island Street Party, Kurrungul/Surfers Paradise (from 2 pm)

Photo credit: Alisha Todd

Posted on by Lauren Katulka

ALEIA Gets Vulnerable With “Pretty When I Cry”

ALEIA’s got me right in the feels with her beautiful new single “Pretty When I Cry.” It’s a heartbreaking indie folk/pop ballad about being in the wrong relationship. Don’t be surprised if you get a bit choked up listening to ALEIA’s confessional lyrics and heartfelt vocals.

“’Pretty When I Cry’ was written about the desperation of clinging to the belief someone has your best interests at heart when they don’t,” she said. “When you have tell yourself a lie until you trust it as the truth, even when all the sign suggest otherwise.”

ALEIA’s impressed me with two cracking singles this year, and I hear she’s not done yet. Follow her on the socials to learn more about the musical she’ll release in the coming months.

Photo credit: EDIE