Q & A With Josh Orange’s Gordon Burke

A force on the Eora/Sydney live music scene for more than 20 years, Josh Orange have just released their fantastic new single “Believers and Dreamers (What Have We Become).” A reworked version of a track from their 2024 album Birds For the Bayou, it showcases the talents of this veteran folk-rock act. I caught up with founding member Gordon Burke to chat about the single, the creative team that brought it to life, and what comes next for Josh Orange.

You’ve just released your new single “Believers and Dreamers (What Have We Become)” today. At its heart, it’s a classic protest song. What inspired you to write it?

I once heard someone say if you can’t say it, then sing it. I loved that. The song is a protest song. It’s hard not to get angry about the state of things around us at the moment, and the feeling of helplessness at the behaviour of some very powerful entities. It’s also a very personal look inside ourselves and how much we can ignore before we stand up and do something. The world needs Believers and Dreamers more than ever right now.

What issues are getting you fired up lately?

Have you tried to book a flight recently? Living in Australia and having a lot of family and friends in Europe, I fly most years. It’s gone crazy, literally. And then when you get to Europe you have to change the Aussie Battler into Euros … heart breaking stuff LOL.

While I might joke about a first-world problem, there are a lot of things currently that are hard to watch, hard to swallow and even harder to understand. Our world is changing, but I am not quite sure if it is headed in an entirly good direction. Believers & Dreamers asks some hard questions, both of ourselves and others.

The single is actually a new studio version of “What Have We Become,” which features on your fifth album Birds for the Bayou. What made you want to re-record it?

Great question. We had thought of it as an album track at four and a half minutes long. In saying that though, we don’t write songs to fit in a particular bag. We try and get out of the way of the song as much as possible. This song opened a few live shows in support of the album and we kept getting asked about it after the shows. We decided to go back into the studio and take another look at it, and be very pointed about it. We went into Everland Studios in Sydney in April 2025 to record a single. We then had a great bit of luck getting Tim Palmer to mix the record and do some co-production. He loved it and spent a week working on the song. That was such a great experience.

What really struck me when comparing the single to the album version is the addition of the harp, which isn’t an instrument we normally associate with rock music. How did that come about?

It was one of those cases of just trying something new. A friend of ours Kaela Phillips plays harp in a Sydney orchestra, and we met at a show we were both playing. We simply asked her if she would be interested in playing some harp on a pop-rock song and she said why not. We had no idea what would come out in the studio, but Kaela is amazing, and she has such a beautiful energy, it was a pleasure to have her involved.

I noticed the single was mixed by Tim Palmer, who’s worked with industry heavyweights like Pearl Jam and U2. How did you connect with him?

Back in my youth, I was in an Australian band called Oblivia. We were signed to BMG/RCA. Tim Palmer was in Sydney and came to an Oblivia show. I met him after the show and he quite liked a song we had on the album called ‘Stupid’. To cut a long story short, Tim ended up mixing ‘Stupid”. Funny enough, the song ended up on a compilation CD released by BMG alongside U2’s “Beautiful Day.” I thought he was a talented legend when I was with Oblivia and always wanted a Tim Palmer’s creative touch on a Josh Orange song. “Believers & Dreamers” just felt like the song to get him involved in. We simply reached out with a dump of everything we had recorded and he just loved it. In fact, he said it sounded like a hit song to him, whatever that means these days.

You also reunited with Ben Worsey at Everland Studios for this one. He’s been your engineer for the last few albums. What is it about Ben that makes you want to keep working with him?

Another great question. When you have a band as experienced as Josh Orange at recording, things can happen very quickly. The red light so to speak is not always on, but Ben never misses a beat. He is sharp, fast and he hears the music, he catches things we don’t. He also has a great rapport with the band, which is so important when recording. And he is an amazing mixer. We have been in studios where there is all sorts of fancy coffee machines and fridges full of all sorts of beverages, but we didn’t go back. With Ben you are lucky if there is milk in the fridge, his head is in the music, the placements of mics, the dynamic in the room, the speed of the song … he is literally an extra member of the band when we head into Everland. And that’s the way it should be.

Obviously, everyone should be listening to Josh Orange right now. But who are you listening to at the moment?

Haha, yes of course they should. There is a playlist on our Spotify channel called JO Preshow, and we are always updating it with what we are listening to. I think it’s about 12 hours long now. There is also the vinyl in the home studio which I love to sit back and listen to. Currently that would be Steely Dan, Paolo Nutini, Thin Lizzy, and always some Thom Yorke.

Josh Orange formed way back in 2004. How do you think you’ve evolved as a band in that time?

The great thing about being in this band is that we are not here for fame or money; that ship sailed a long time ago. We simply love each other’s company. We love to write and spend many hours pulling stuff apart, throwing it in the bin, then taking it back out. Andrew Wass and myself founded the band and we are still as in love as ever with what it gives us. There is a purpose in being able to create something from thin air that has such a wonderful reward. Alex Miller joined very shortly after, and the three of us have been together for 21 years now. We are excited to be releasing a new song. We are like a bunch of brothers really, and we rarely argue at all anymore (wink, wink) LOL.

You’re launching the single at Lazybones on August 28. What can people expect from that show?

This will be an awesome show. We are so excited for this one. There has to be at least two songs from each album in the set, so it will span all five albums and 21 years of writing. We also have the amazing Primitive who is doing so well in Sydney with his hip hop sound. He is an amazing performer and I am personally hanging to see his set. We also having Kadi Paton opening for us on the night. Kadi has a voice that just floored me the first time I heard it, so we are very lucky to have her. We also love playing Lazybones as it is one of the coolest venues in Sydney, with an amazing stage and sound system. We sold it out in February this year, so we are hoping it will be a big night.

After the launch, what’s next for Josh Orange?

We dropped an album in 2024 and we are enjoying playing live at the moment. We don’t tend to make any grand plans; we are a bit laid back in that way. There is some writing happening in the background but nothing heavy at this stage. We will just roll with the punches, I think. That being said, if the musical God’s answered my prayers, I would be performing on the road.

“Believers and Dreamers (What Have We Become)” by Josh Orange is out today. Tickets are on sale now for Josh Orange’s single launch at Lazybones in Bulanaming/Marrickville on August 28.

Images used with permission from Josh Orange

Bumpy Releases Dreamy New Single, “Maambakoort”

Naarm/Melbourne-based Noongar artist Bumpy is back with her breathtaking new single “Maambakoort,” her first new music since the release of her debut EP Morning Sun in 2023. This neo-soul single an exercise in restraint and the perfect vehicle for showcasing her spine-tingling voice.

“’Maambakoort’ means ocean,” Bumpy explained. “This song narrates the way I felt when I entered the saltwater on my country. It felt powerful. It felt dramatic. The wind swirled around me and the light broke through the clouds. It felt like it recognised me. The water connects me to my Ancestors who also swam in those oceans, connecting me to my past, present and future generations.

“I wanted it to be grand like that encounter and the instrumentation to sound like the rumbling and crashing ocean. This track features the choir and specifically my siblings Emmy, Ben and Dan singing language in the climax of the song. It really highlighted the impact of language learning and that with every new word I learn and pass on, affects all the people around me.”

“Maambakoort” comes with this gorgeous music video directed by Emily Dynes. I don’t normally talk fashion on this blog, but I’d be remiss if I didn’t mention that it features stunning outfits from ethical plant-based Afro-Futurist artisan clothing label REMUSE.

Photo credit: Em Dynes

James Reyne Reminisces About US Adventures in “Going Back to Nashville”

James Reyne doesn’t pump out the hits as rapidly as he did in the past, but that just makes new material so much sweeter. His latest track “Going Back to Nashville” is an upbeat country-rock gem that’s at least the equal to anything in his celebrated back catalogue.

The song was inspired by James’ visits to Nashville where he went sightseeing with the legendary and dearly departed singer-songwriter Tony Joe White.

“Back then, a bit of a status symbol was how many head of buffalo you had on your ranch,” he recalled. “Pointing at Wynonna Judd’s place, Tony Joe said in that distinctively deep voice, ‘She’s got like 20 head of buffalo.’”

Think of it as James Reyne’s Lonely Planet guide to Nashville, “where Wynonna’s buffalo roam” and “if it ain’t the heat, it’s the humidity”.

“This song is how I see Nashville,” he added.

James is currently touring around Oz before he heads across the ditch. Tickets are still available for all these shows:

21 June 2025 – The Tivoli, Meeanjin/Brisbane (with Alex Lloyd)
5 July 2025 – State Theatre, Eora/Sydney (with Alex Lloyd)
12 July 2025 – The Palais, Naarm/Melbourne (with Alex Lloyd)
26 July 2025 – Party on the Point @ Sandstone Point Hotel, Ningy Ningy Country/Sandstone Point
30 August 2025 – Brunswick Ballroom, Bulleke Bek/Brunswick
31 August 2025 – Brunswick Ballroom, Bulleke Bek/Brunswick
20 September 2025 – Crowbar, Meeanjin/Brisbane (acoustic duo)
4 October 2025 – Great Hall @ Auckland Town Hall, Auckland

Image used with permission from Revolutions per Minute

Get Hooked on “So Long” by The Addictions

Prepare to discover your next song obsession. The upbeat grooves of “So Long,” by Naarm/Melbourne jazz fusion act The Addictions, are exactly what you need to kickstart your Monday. It starts out subtle but it’s a party by the time the chorus kicks in. While it’s such a vibe, the lyrics reveal an emotional depth.

“So Long’ embarks the listener on a journey through grief and acceptance all whilst disguising itself with bright tones and upbeat instrumentation,” explained vocalist Ben Pucci.

“So Long” comes from The Addictions’ highly anticipated third studio album Have a Seat, which drops later this year.

Image used with permission from The Addictions

End of Fashion Celebrates 20 Years With Vinyl And Shows

The first thing I did on hearing that End of Fashion are celebrating 20 years since the release of their self-titled debut album was feel old. The second was to fire it up on Spotify. And I’ve got to say, it sounds even better than I remember it.

There’s the monster single “O Yeah” of course, but all the songs around it really stand up. It makes me wonder why they weren’t all over the charts.

The album sounds good on Spotify, but no doubt the special anniversary double vinyl will sound even better. The first record features the original album remastered while the second has rare demos, B-sides, and unheard gems. It also features artwork from the archives, a never-before-released lyric sheet, and a collage of photos submitted by fans. You can preorder yours now from Universal.

“When we made this album, we never dreamed it would still mean so much to people 20 years later. That’s a real gift for us and we wanted to give something back. We put this re-issue together with a lot of love — and a lot of memories…our own and most importantly, the fans. Which is why we got them involved. This is as much theirs as it is ours. To have this out in the world again, on vinyl, with all this amazing material from the archives that we never thought would see the light of day, feels really special,” said End of Fashion frontman Justin Burford.

To celebrate the milestone, End of Fashion will head out on their first national tour in almost a decade. They’re promising to play their debut album in full plus plenty of fan favourites. You know this is going to be big, so make sure you get your tickets before they sell out.

15 August 2025 – The Brightside, Meeanjin/Brisbane
16 August 2025 – Crowbar, Eora/Sydney
22 August 2025 – The Night Cat, Naarm/Melbourne
23 August 2025 – Jive, Tarntanya/Adelaide
30 August 2025 – The Rosemount, Boorloo/Perth

Photo credit: Peter Sherlock

Saif, Samiul Haque, and THKreturns Unite For “Gangladesh”

Aussie hip hop artist Saif has teamed up with the UK’s Samiul Haque and America’s THKreturns for “Gangladesh.” This song delivers more than a fusion of cultures. There’s also a really cool fusion of sounds, with jazz influences and a soulful chorus contrasting beautifully with the rap verses. Make sure you tap into those lyrics that explore class struggles, inequality, and injustice from a global perspective.

Saif opened up on his Instagram page about what motivated him to write “Gangladesh,” noting “Growing up in Dhaka, I could never make sense of something that felt so wrong: I had clothes on my back and food on my plate, but kids who looked just like me stood barefoot on the streets, begging. As a kid, it was impossible to understand. But it stayed with me — always. That contrast, that injustice, followed me everywhere I went.

“It’s what led me to study Economics, to try to make sense of global inequality — why poverty, child labor, and exploitation still shape so much of the world. ‘Gangladesh’ is my attempt to step into someone else’s shoes, to reflect on the weight of these experiences. But it’s only my first step toward a larger purpose: a life committed to international development and meaningful change.

“I never got into music for accolades, money or fame. I turned to music when I had nowhere else to go – when life felt like a bottomless pit. Now, it’s become my channel for hope, reason and action.”

If you want to follow Saif on his musical journey, make sure you follow him on Instagram to learn more about his next moves and the global issues that inspire him.

Image used with permission from Saif

Chuck Sics Wows Me With Debut Single, “Redo”

Chuck Sics shows you don’t need a big studio or years in the business to create a fantastic song. He recorded, produced, and mixed his psychedelic-rock debut single “Redo” in his bedroom studio, but it sounds every bit as polished as a major label release.

“The song is about the aftermath of confessing love for a friend who doesn’t share those feelings, and wishing everyone could forget it happened. Wishing you could disappear, or do it over again,” Chuck said. “The shame of rejection surely drives this need to forget it ever happened, but in the song I also tried to address that the way I dealt with the rejection at that time had not been fair. So the song is also about the pitfalls of self-victimising. Wallowing in sorrow and feeling as though everyone is out to get you – you manufacture this reality to justify your attitude, when really it’s your attitude that’s the problem. It’s a pretty high school problem, and I wish I’d been mature enough to handle the situation differently.”

Chuck Sics has set the bar pretty high on his debut release, but I can’t wait to hear how he evolves as a musician.

Photo credit: Tilly Langford

Harrison Storm Releases Calming New Single, “Find A Way”

Harrison Storm is injecting a little folky goodness into your Thursday with his gorgeous new single “Find A Way.” Penned in a quiet moment during a solo cabin retreat, it’s a celebration of self-care and comfort that so many of us need.

“This song is a conversation between myself and the anxious part of me that I have been nurturing for years. The part that doesn’t feel safe in the world,” Harrison explained. “It’s a very literal song in that sense. The place I’m singing from is the calm, peaceful, and compassionate part of me that exists within, and the version of myself I’m singing to is this part that needs a lot of care and support.”

“Find A Way” gives us our first taste of Harrison’s sophomore album, which he’ll release later this year. He’ll play a couple of shows here in Australia before heading to the United Kingdom and Europe in November. Here are all the dates you need:

3 October 2025 – Mary’s Underground, Eora/Sydney
4 October 2025 – Corner Hotel, Naarm/Melbourne
1 November 2025 – Muhle Hunziken, Rubigen
3 November 2025 – Strom, Munich
4 November 2025 – Flex Cafe, Vienna
6 November 2025 – Lido, Berlin
7 November 2025 – Mojo Club, Hamburg
8 November 2025 – Nachtleben, Frankfurt
9 November 2025 – LUXOR, Cologne
11 November 2025 – Paradiso, Amsterdam
12 November 2025 – Kavka Zappa, Antwerp
14 November 2025 – La Maroquinerie, Paris
16 November 2025 – Whelan’s, Dublin
18 November 2025 – YES, Manchester
19 November 2025 – King Tut’s Wah Wah Hut, Glasgow
21 November 2025 – Union Chapel, London
23 November 2025 – Thekla, Bristol
25 November 2025 – Nalen Klubb, Stockholm

Photo credit: Mikey Conlon

Self Talk Drop Sweet New Single, “Stuck”

If your energy levels are running low this morning, hit play on “Stuck,” the latest single from Naarm/Melbourne five-piece Self Talk. With its punchy guitars and upbeat energy, this indie-pop rock track is better than any caffeine hit. Sitting somewhere between The Mavis’s and Paramore, there’s a real nostalgic charm to this one.

“Stuck is a simple, unashamed love song,” Self Talk explained. “An ode to the early moments of connection and the feelings you feel when you meet someone who gets stuck in your head. We really tried to capture some of those feelings musically — I feel like I can hear the butterflies and electricity and excitement in moments like the synth flourishes, the key change, and the trumpet that comes in at the end.”

Self Talk will launch “Stuck” with a hometown show at The Tote Upstairs on June 13. With support from Sick Visors and Grass Stains, it’s bound to be a fantastic night out. Tickets are available now from Oztix.

Image used with permission from Self Talk

Hassall Impresses With “Overpopulator”

Naarm/Melbourne-based singer-songwriter Hassall hits all the right notes with her relatable new indie-pop single, “Overpopulator.” With intricate lyrics and unpredictably addictive melodic movements, just see if you can resist playing this one a few times in a row.

The song’s music video, filmed by Willem Kingma (Bones & Jones, The Grogans), was shot in several locations around the regional Victorian town of Kolijon Country/Colac. Hassall said the clip aims to replicate the song’s over-caffeinated vibe.

“My favourite part of the day was shooting at our friend Maggie’s house,” she added. “It was a beautiful old house with feature pieces of furniture, and each room was painted a totally different colour, which made it ideal for filming.”

“Overpopulator” comes from Hassall’s debut album Means More to Me Than It Does to You, which drops on July 3. Before that she’ll support Killing Heidi on their 25 Years of Reflector shows, so if you’ve got some tickets make sure you don’t miss her set!

20 June 2025 – The Gov, Tarntanya/Adelaide (SOLD OUT)
21 June 2025 – Magnet House, Boorloo/Perth
26 June 2025 – The Tivoli, Meeanjin/Brisbane
27 June 2025 – Liberty Hall, Eora/Sydney
28 June 2025 – Northcote Theatre, Naarm/Melbourne

Photo credit: Jurek Lubinski