Category: Album Reviews

Posted on by Lauren Katulka

“Sundown” – DIET.

DIET. might be one of our own, but there’s a decidedly British feel to their sophomore EP Sundown. It seems the Victorian five-piece, which formed in a ramshackle share house at the end of the Northern line of London’s Tube, hasn’t totally shaken off the influence of the Mother Country. That’s a very good thing.

There’s a confidence in the way the British bands play that imbues every track on Sundown. DIET. might play the pub circuit, but they’re got a great stadium rock sound. Surely graduating to those big venues is only a matter of time.

This EP had me punching my fist in the air in time with the drum beat from the opening track “Don’t Need It.” DIET. doesn’t take its foot off the accelerator for “Game Plan.” In fact, it keeps its foot firmly planted to the floor as we’re introduced to one stellar track after another.

The shimmery synths have a nostalgic feel that calls to mind The Cure and Tears for Fears. The electric guitars provide the rock edge. The powerful vocals from Ben O’Loughlin are so compelling.
They might not book stadiums yet, but if DIET. continues creating such accomplished music it’s only a matter of time. Until then, catch them at the following venues celebrating Sundown’s recent release.

4 September 2018 – Woolly Mammoth, Fortitude Valley (Official BIGSOUND Showcase)
5 September 2018 – GYROstream’s Hump Day Happy Hour @ The Valley Drive In, Fortitude Valley (BIGSOUND)
6 September 2018 – The Brightside, Fortitude Valley (Official BIGSOUND Showcase)
27 September 2018 – Evelyn Hotel, Melbourne
28 September 2018 – ‘Hills City’ at Corner Hotel Carpark, Melbourne
30 December 2018 – 1 January 2019 – NYE on the Hill, Gippsland

Posted on by Lauren Katulka

“Gotcha Covered” – The Screaming Jets

You might recall me getting excited about the release of The Screaming Jets’ new album Gotcha Covered. As a kid growing up in Newcastle, these guys were heroes to me. The track listing of Aussie rock classics was inspired, radio-friendly but full of curveballs. You might wonder why, since it’s been out for a couple of weeks now, I haven’t put down my thoughts until this moment. The simple answer is, I’ve been having too much fun listening to it.

All the Jets hallmarks are here: the driving drums, the chunky guitars, Dave Gleeson’s unmistakeable vocals. Add in an impressive collection of songs and you’ve got all the right ingredients for your next barbecue soundtrack.

It bounds out of the gate with a gritty, frenetic take on The Easybeats’ “Wedding Ring.” I love the extra dirt The Jets put on this one. Their take on Razor’s Edge might be my favourite track on an outstanding album. I’d forgotten how much I love this song; their punchy version was a great reminder. But then there’s “Overkill,” perhaps controversially my favourite Men at Work song, given such a great treatment. And then there’s “Errol,” a wonderful take on the Oz Crawl classic. The more I think about it, singling out just one track seems cruel.

“Shadow Boxer” was always going to be a natural fit for the band fronted by The Angels’ current lead singer. It works so well. “The Right Time” is another song which feels like it was made for the Newcastle rockers. The Jets even have a way of making songs I’ve never liked, like the Radiators’ questionable classic “Head” endearing!

Playing on the sacred ground here has some challenges. Risks are essential, but they don’t all pay off in my opinion. While I appreciate the intent of the swampy, bluesy “Darling It Hurts,” slowing down the tempo makes this incredible Paul Kelly track feel a little laboured. But then The Jets take a chance on an epic 14-minute take on “Guitar Band” to close the album, and you’re glad they did.

Gotcha Covered will make the perfect Father’s Day gift for your old man. Just don’t be surprised when you want a copy for yourself too.

The Screaming Jets are currently touring the nation with Boom Crash Opera. Here are all the remaining dates.

17 August 2018 – Kingsford Juniors, Sydney
18 August 2018 – Rooty Hill RSL, Rooty Hill
24 August 2018 – Parkwood Tavern, Gold Coast
25 August 2018 – Hamilton Hotel, Brisbane
31 August & 1 September 2018 – The Gov, Adelaide
7 September 2018 – Ravenswood Hotel, Ravenswood
8 September 2018 – Charles Hotel, Perth
14 September 2018 – Miranda Hotel, Sydney
15 September 2018 – Revesby Workers, Sydney

Image used with permission from Revolutions per Minute

Posted on by Lauren Katulka

“Love Monster” – Amy Shark

Amy Shark’s Love Monster may be the most anticipated Aussie album of the year. Every single she released quickly climbed the ARIA charts, attracting airplay and accolades along the way. Those songs set the bar so high, I wondered whether her debut LP could possibly match my expectations. But the Gold Coast singer-songwriter delivers here.

Love Monster was destined to be one of the biggest releases of the year, but its sound is refreshingly small and intimate. While Amy plays with beats and electronic sounds, she doesn’t overdo it. That ensures we can really hone in on the lyrics, which is where Love Monster really excels. The songs feel like diary entries, intimate confessions about relationships and moments in time that she’s sharing with us. Coupled with Amy’s honest vocal delivery, these songs move you. And isn’t that really the most important thing?

Every track here is so, so good. I didn’t quite expect that. When singles shine so brightly you expect the album they’re lifted from to contain some fillers. But I can honestly say that I love every track on Love Monster. I ordinarily pick out standouts and wax lyrical about them, but singling songs out would seem unfair to the ones I didn’t mention. I will say that I was pleasantly surprised by “Psycho,” the song she recorded with Mark Hoppus of Blink-182. I can hear the Blink-182 influence, but it’s restrained in this delicate number. I’ve always been a sucker for a great duet, and this is a great duet.

Love Monster is a beautiful album, raw, real, and relatable. It’s in stores and all your favourite digital retailers now. She’s touring almost everywhere over the coming months. Here are all the dates you need!

3 August 2018 – Osheaga, Montreal
4 August 2018 – Lollapalooza, Chicago
24 August 2018 – HQ, Adelaide (SOLD OUT)
25 August 2018 – Metropolis, Fremantle (SOLD OUT)
30 & 31 August 2018 – The Forum, Melbourne (SOLD OUT)
1 & 2 September 2018 – Enmore Theatre, Sydney (Limited tickets for 2nd)
6 & 7 September 2018 – The Tivoli, Brisbane (Limited tickets for 6th)
8 September 2018 – Nightquarter, Gold Coast
13 September 2018 – Powerstation, Auckland
14 September 2018 – Foundry, Christchurch
15 September 2018 – Hunter Lounge, Wellington
21 September 2018 – Life is Beautiful, Las Vegas
23 September 2018 – Wonder Ballroom, Portland
24 September 2018 – Neptune, Seattle
25 September 2018 – Imperial, Vancouver
26 September 2018 – Capital Ballroom, Victoria
28 September 2018 – Great American Music Hall, San Francisco
1 October 2018 – House of Blues, San Diego
2 October 2018 – El Rey, Los Angeles
5 October 2018 – Amsterdam Bar & Hall, St. Paul
8 October 2018 – Paradise Rock Club, Boston
10 October 2018 – Underground Arts, Philadelphia
12 October 2018 – Irving Plaza, New York
13 October 2018 – Danforth Music Hall, Toronto
3 November 2018 – This That Festival, Newcastle
16 January 2019 – Knust, Hamburg
17 January 2019 – Festsaal Kreuzberg, Berlin
19 January 2019 – Strom, Munich
20 January 2019 – Plaza, Zurich
21 January 2019 – Nachtleben, Frankfurt
23 January 2019 – Luxor, Cologne
24 January 2019 – Badaboum, Paris
25 January 2019 – Paradiso, Amsterdam
27 January 2019 – Rotonde Botanique, Brussels
29 January 2019 – O2 Institute 3, Birmingham
30 January 2019 – Heaven, London
1 February 2019 – Gorilla, Manchester

Image used with permission from Sony Music Australia

Posted on by Lauren Katulka

“Two Sides” – Legs Electric

Legs Electric makes big, ballsy rock in the tradition of Rose Tattoo and Led Zeppelin. It’s a space we don’t often see women occupying, but their music is a welcome addition to the genre. The Perth act’s new five-track EP Two Sides perfectly showcases their hard-hitting signature sound.

“Dark Paradise” shows these women mean business. This retro number doesn’t take a step backwards or a foot off the throttle. I love its big chunky guitar chords and powerful vocals. “Wanna Riot” takes us from the ’70s to the ’80s, with rebellious lyrics and unbridled passion. It’ll have you punching your fists in the air in no time. There’s more of that rebellion with every biting lyrics of “Shine Right Through.” The drums and bass anchor this track which builds to a crescendo of wailing guitars and vocals. “Strange Addiction” is perhaps the simplest song on the EP. It doesn’t have a lot in terms of lyrics content, but it makes up for that with its driving sound which will have you banging your head in time to the driving beat. “Kingdom” makes a strong final statement. There’s more attitude, great harmonies, and those big chunky guitars that are Legs Electric’s trademarks.

If I have any criticism it’s that Two Sides is a little one-note. There isn’t a lot of light and shade. Legs Electric’s EP rocks hard from start to finish. However, if you’re a fan of unflinching rock music, you’re not going to mind that one bit.

Two Sides is available now from all your favourite digital outlets. Legs Electric are currently playing shows around the country to support its release. See them at the following venues.

27 July 2018 – Rad Bar, Wollongong
28 July 2018 – Last Chance Rock & Roll Bar, Melbourne
29 July 2018 – Whole Lotta Love Bar, Brunswick East

Image used with permission from Firestarter Music

Posted on by Lauren Katulka

“Songs From The Village” – Jess + Matt

The X Factor Australia is becoming a distant memory and I’ve forgotten most of the acts that graced its stage over the years. But not Jess + Matt, who charmed me with their beautiful harmonies, their folky sound, and the romance of their real-life relationship. Something special happens when people in love make music together and that goes double when they’ve got some serious music taste. Over the years they’ve released covers and originals, which didn’t all hit the mark for me. Songs From The Village is the album I’ve been waiting for them to make, a celebration of classic folk music.

This album starts so strong with a jubilant version of “The Times They Are A-Changing.” Their take on “The Boxer,” the second track is another stunner. It builds to an epic vocal crescendo that makes your heart soar. The danger with bringing us so many folk songs though is that the music can become background. It’s admittedly a very gentle record, and there are a few slow spots. However, whenever it starts getting a bit sleepy, Jess + Matt deliver a knockout. Their rollicking version of “Don’t Think Twice, It’s All Right,” hits all the right notes. “Leaving on a Jet Plane” is so special. Jess + Matt are at their best when they get to play off against one another as they do here. It’s so beautiful and believable. Their version of “Both Sides Now” is exquisite.

Jess + Matt are such talented vocalists with an innate musical sensibility. They clearly have fantastic music taste and they know what will work well for their voices. They’re also such natural storytellers, ensuring their takes on songs from Simon and Garfunkel, Bob Dylan, and other American folk pioneers don’t feel like pale imitations. I had high expectations for this release. While I wasn’t wowed by every song, there’s plenty here to get excited about.

Songs From The Village is in stores now. Follow Jess + Matt on Facebook to learn about their pop-up appearances promoting the album.

Posted on by Lauren Katulka

“Storm Boy” – Xavier Rudd

Now with his ninth album under his belt, Xavier Rudd should be considered a veteran of the Aussie music scene. You might assume after releasing so much music, he might be lacking inspiration or struggling to find vital things to say. Storm Boy proves neither is true. Far from showing signs of fatigue, he might be making his best music yet. The press release notes that he’s found love, so perhaps that’s inspired him. Whatever the reason, Storm Boy is a joy to listen to.

It starts so strong with the current single “Walk Away,” a stirring anthem that tugs at the heart string. The next track “Keep it Simple” switches gears. It has such powerful lyrics about unity, with a cool electric reggae vibe. The album likes to keep us guessing like that, never keeping us in the same place for too long.

The delicate title track might be my favourite, with its life lessons and references to the famous Colin Thiele novel. While he’s more than capable of doing a big electric epic, I think Xavier is strongest he pares things back in songs like this, “Honeymoon Bay” and “Best That I Can.” However, the bigger numbers add some balance.

This is an album not just of big songs but also songs of big importance. “Gather the Hands” is such a moving call to arms, a track which addresses our relationships with our indigenous brothers and sisters and how we move forward together. “True to Yourself” is another insightful masterstroke, a tender folky ballad with a heart of gold. The second verse about a homeless man really resonated with me.

“True Love” might be the most personal song on the album, a reflection on that love the press release touched on. It manages to be both epic and intimate at the same time. Musically there’s so much going on, an orchestra with everything from violins to sitars coming together. But its lyrics are so personal, and they keep the song centred.

After such a powerhouse song, it’s only fitting that Xavier goes back to the kind of small, delicate music he’s famous for with the album’s final track. “Times Like These” has such powerful lyrics about what is true in this world, so it’s only fitting that they take centre stage. It’s a beautiful song, and the perfect final track for what is such a beautiful album.

I’ve listened to Storm Boy at least 10 times now but I keep finding new things to appreciate about it. It’s one of those special releases that only grows richer over time. Start listening now so you’re all across is when Xavier tours the country later this year.

2 August 2018 – UC Refectory, Canberra
3 August 2018 – Uni Hall, Wollongong
4 August 2018 – Enmore Theatre, Sydney
5 August 2018 – Civic Theatre, Newcastle
10 August 2018 – Night Quarter, Gold Coast
11 August 2018 – The Tivoli, Brisbane (SOLD OUT)
12 August 2018 – The Tivoli, Brisbane
17 August 2018 – Odeon Theatre, Hobart
18 August 2018 – Thebarton Theatre, Adelaide
24 August 2018 – The Forum, Melbourne (SOLD OUT)
25 August 2018 – Costa Hall, Geelong
27 August 2018 – The Forum, Melbourne
23 November 2018 – Fremantle Arts Centre, Fremantle
24 November 2018 – 3 Oceans Winery, Margaret River

Image used with permission from Warner Music Australia

Posted on by Lauren Katulka

“Seas Embrace” – The Dreggs

Tuesdays which feel like Mondays are never fun. But I’m finding it extra difficult to just get on with things this morning. On Saturday morning my parents called and let me know our family dog Charlie had passed away. Charlie had been with us for 18 years. He’d regularly stay at my place for weeks at a time while my parents travelled overseas, most recently last month while my parents were in Greece. He’d visit every Wednesday when my parents would come to the coast for pub trivia. I miss him terribly. I was thankful for the long weekend, which gave me time to cry and veg out on the couch. But today it’s Tuesday, and I have deadlines, and I’m supposed to get back to business as usual. That’s a hard thing.

I’ve been trying to surround myself with positive things. I’ve been crying enough, so I don’t need more triggers. This weekend has been all about rom-coms, and now my morning has been all about The Dreggs’ and their new EP Seas Embrace. As its name suggests, this is an EP full of laidback summery tunes that take us to the beach.

I love the cool laidback reggae vibes of opening track “Thinkin’ Bout Tomorrow.” The follow-up “Blue” has such a sense of nostalgia about it. There’s yearning in this tale of lost love, but it’s imbued with a sense of wistfulness rather than wallowing. “Feel Alive” already impressed me, and it is every bit as endearing here. What a charmer this upbeat foot-stomper is.

After so many relaxed summer anthems, the power of “Simple Question” took me off guard. The simple question, “Are you okay?” is one the recent deaths of Kate Spade and Anthony Bourdain have reminded us needs to be asked more often. It’s one which resonates with me now I’m coming to terms with the loss of my dog. Rather than just paying lip-service to a topic of social importance, this song comes from a place of real sincerity and honesty.

“Ocean and Earth” brings the EP back up. It’s perhaps the recording’s most cheerful song, a jaunty ray of sunshine that is guaranteed to make you smile. “Give Myself to You” continues to bring the good vibes. Just see if you’re not clapping along before the first chorus ends.

Bribie Island’s The Dreggs capture the optimistic spirit of their coastal home beautifully. Their EP is the perfect remedy to the blues. Whether you’re struggling with your own stuff or you’re simply praying for an end to these grey, gloomy winter skies Seas Embrace will make you feel better.

Image used with permission from the A&R Department

Posted on by Lauren Katulka

“Too Beautiful for Earth” – All for Darcy

On first listen, All for Darcy’s debut EP Too Beautiful for Earth sounds like simply a classic pop-rocker. It’s an easy listen, featuring songs that feel instantly accessible. But tap into those lyrics and you’ll gain a new appreciation for these tracks.

Too Beautiful for Earth, and indeed the entire band, is a tribute to songwriter Pete Atkinson’s late son, Darcy. Pete had been working on the songs to process the loss of his son, who died in mysterious circumstances in 2012 while in the care of Darcy’s mother’s then-boyfriend. He workshopped them with drummer and footy friend Sam Hickey before bassist Danny Lilly and guitarist Brett LeMin joined the group. Listening to the songs, understanding what inspired them, elevates the experience.

The opening number “Highest Mountain” is upbeat and full of fun. You’ll be singing along to the “woohoohoohoos” before the end of the song. “The View” is such a cool track with a groovy bassline, but the lyrics have a darkness and longing to them. ”Darcy’s Song” is the emotional heart of this EP, a moving, stripped-back ballad detailing the things left unsaid and the impact of loss. The amps are switched back on for “Something in the Water,” which touches on how difficult saying goodbye can be.

All for Darcy leave us with “Ordinary Life.” The EP’s lead single, it looks at the way tragedy can shatter our everyday.

“It’s real, one day you’re in a happy simple routine and the next all hell can break loose without any notice,” Peter explained. “The song is written to be uplifting to the listener who may be pushing through a tough time just as I have been through.”

While the songs from Too Beautiful for Earth come from a deeply personal place, we’ve all experienced loss and hardship. All for Darcy tackles the darkness so eloquently, but mixes it with hope and optimism for the future. The EP is an incredible tribute to a life lost too soon and a powerful vehicle for raising awareness of the plight of fathers who don’t have access to their children.

Too Beautiful for Earth is out now. All for Darcy will play The Palace Hotel in Camberwell on June 2.

Image used with permission from A&R Records

Posted on by Lauren Katulka

“Counting Sheep” – Mariah McCarthy

Breaking away from her acclaimed band Deer Prudence, Mariah McCarthy shows he has what it takes to stand on her own two feet with the release of her solo EP Counting Sheep.

The title track bolts out of the gate, instantly sweeping you up and taking you along for the ride. It’s a driving folk ditty that perfectly encapsulates the frustrations and random thoughts that take hold when sleep eludes us. The single “Hail Mary” already charmed me, and it’s every bit as enchanting when heard in its context on the EP. The following track “At Peace” got me. I’m not sure whether Mariah has lived through losing someone through suicide as I have, but her lyrics took me back to that dark, painful chapter. It’s a real gift to be able to move people with your music that way. I love the gentle treatment and innocence of “Caught in the Rain,” and the next track, “Siren Song,” beautifully expresses those feelings we’ve all had when we just can’t resist someone. The gentle, delicate “Seeking Refuge” draws the listener in. It’s such a gorgeous, intimate number. “1821” is the perfect closer, exploring themes of history and our place in the world.

At seven tracks, perhaps Counting Sheep should be considered a mini-album rather than an EP. I can’t imagine it any shorter though, because every track is a stand-out. Mariah is an artist with so much to say and a charming folk sound that makes what she’s sharing with us a joy to hear.

Counting Sheep is available on May 25. Mariah McCarthy will support its release with the following shows.

26 May 2018 – The Wesley Anne, Melbourne
27 May 2018 – Taproom, Castlemaine
2 June 2018 – Old Church on the Hill, Bendigo
16 June 2018 – Martian’s Cafe, Deans Marsh
17 June 2018 – The Door Gallery Cafe, Geelong
22 June 2018 – The Delatite Hotel, Mansfield
30 June 2018 – Kilmore Celtic Festival, Kilmore
1 July 2018 – Gypsy Bar, Echuca
13 July 2018 – Oscar’s Alehouse, Belgrav

Posted on by Lauren Katulka

“Good Money” – Mar Haze

Summer might be behind us, but Mar Haze is spreading with its cool new EP Good Money. There’s such an easy, funky vibe about these guys that makes listening to these five tracks a joy.

Opening track “Fit Freddy” has such a great bass-driven groove. It suckered me in right away, whetting my appetite for what was to come. The title track comes next, with more of a rock edge. The Hammond organ gives this one the feel of an instant classic. “Wonderland” starts out a tender love song but it builds to an epic, emotional rock crescendo. After the power of “Wonderland,” the laidback groove of “Strange” helps us catch our breath. This is one of those happy-sad songs, which bounces along despite its lyrics exploring a relationship breakdown. There’s a dash of reggae in the closer, “Don’t Hold On.” There’s also an element of pathos to the lyrics here, although the big drums and piano chords make sure it doesn’t sound mopey.

Good Money is such a cool EP. Mar Haze seem to ooze charisma with their beachy vibes and laidback grooves. They’re not afraid to rock a little harder or explore some big stuff in their lyrics, but ultimately these guys want you to have a good time. Good Money has all the right ingredients for warding off those winter chills.

Image used with permission from Mar Haze