Category: Album Reviews

Posted on by Lauren Katulka

“This Home is Mine” – Stumps

I must admit, I didn’t get Stumps’ new EP This Home is Mine right away. It felt like this Sydney band was trying too hard to be The Smiths. But I have a rule that I won’t turn off any recording before it gets to the end. I know bands have spent time slaving away in the studio laying down their tracks, so they deserve to be heard out.

It all clicked for me somewhere around the third track, “Matthew McConaughey.” I found myself having fun, tapping my feet along in time with the chorus, which clicks this song into gear. From that moment I was firmly on board.

After listening to this EP once, I felt compelled to go back to the start and try again. Second time around, those early tracks made so much more sense to me. Each song from This Home is Mine is like a sucker punch. Not one clocks in at over four minutes – most tracks are around the three-minute mark – so there’s no time for the band to muck around. They go hard, dropping F-bombs and embracing big chords and thumping drums.

Stumps won’t be everyone’s cup of tea, but This Home is Mine is bloody good fun. It’s bold and raucous, unashamedly unapologetic. Crank it up and give it a chance. If you’re like me, you’ll be glad you did.

I have an inkling this music is going to sound even better in a packed pub with a beer in hand. If you do too, make sure you don’t miss Stumps’ upcoming shows.

14 April 2018 – Waywards, Sydney (supporting Maddy Jane)
20 April 2018 – Gasometer, Melbourne (supporting Maddy Jane)
2 May 2018 – Black Bear Lodge, Brisbane (FREE)
4 May 2018 – Waywards, Sydney
5 May 2018 – Yah Yah’s, Melbourne (FREE)

Image used with permission from Beehive PR

Posted on by Lauren Katulka

“Resurrection” – Daniel Lee Kendall

After a four-year absence from the music scene, Daniel Lee Kendall is back with Resurrection, a new EP which may be his strongest collection of songs yet.

It opens with “No Longer Time to Pretend,” a groovy indie pop pleaser which sends a strong message about living your truth. “The Girl With the Stripe In Her Eye” swept me up in a wave of good vibes. It reminded me of a Paul Simon song, with its clever rhythms and intricate musicality.

“Sweet Sweet Reality” might touch on a relationship that didn’t work out, but it’s happily cathartic rather than mournful, about moving forward rather than dreaming. “Time” discusses similar themes in an equally upbeat fashion. There will be tears, and you can certainly experience them, but don’t lose sight of all the good things life offers too.

There’s a beautiful vulnerability in “Take a Chance on Me,” perhaps my favourite track on the EP. It has such heart. “A La Pyrenees” is a surprising closer. Stripped back with only an acoustic guitar, it stands out among the richly layered tracks on this EP. And did I mention it’s all in French? I caught only a few familiar words I remembered from high school, but it’s a powerful reminder that music is a universal language. It’s beautiful.

Resurrection marks a welcome return to the music industry for Daniel Lee Kendall. Like a fine wine, he’s one of those artists that seems to get better with age. It’s ear-pleasing from the first listen, a real delight.

Posted on by Lauren Katulka

“Suitcase of Stories” – Mastin

The artist formerly known as Reece Mastin has worked hard to make the transition from teen idol to serious adult musician for some time now. The release of Change Colours in 2015 was a key part of that evolution, but it seems to be complete with Suitcase of Stories, released under the new moniker Mastin.

Suitcase of Stories takes off like a shot with the rollicking “The One That Never Gets Away.” It’s got a classic country-blues feel and a dark sexiness about it that I love. There’s a similar brooding sexuality in “The Problem.” It’s a great blues ballad which explores the kind of messy love that makes for the best kind of songs.

“Tell Me All About It” may be the emotional heart of this EP. It’s dark and brooding, with searing lyrics and perhaps the greatest vocal performance of Mastin’s career. It packs such an emotional punch, I got chills.

The single “Not the Man For You” brings the mood back up. It’s a cheeky blues-rock anthem, the kind of track we couldn’t have imagined Mastin releasing in his pop idol days.

The title track is a real showstopper. On an album driven by big rock sounds, this stripped back ballad really stands out. Once again, Mastin wears his heart on his sleeve, with powerfully passionate vocals and honest lyrics.

Suitcase of Stories is an outstanding collection of songs that leaves no doubt that Mastin is an artist to be taken seriously. Forget everything you thought you knew about it him and listen with an open mind. I have no doubt you’ll be impressed.

Mastin kicks off his album tour this month. The Sydney date formerly announced is now cancelled with the closure of The Basement, but hopefully that can be rescheduled soon. Fans in other parts of the country can see him at the following venues.

13 April 2018 – Saloon Bar, Launceston
14 April 2018 – Waratah Hotel, Hobart
20 April 2018 – Shoalhaven Bowls Club, Shoalhaven
21 April 2018 – Waves, Wollongong
29 April 2018 – Fowlers, Adelaide
3 May 2018 – Lismore Workers Club, Lismore
4 May 2018 – Surfers Paradise Live, Gold Coast (FREE)
5 May 2018 – The Brightside, Brisbane
6 May 2018 – Sold Bar, Maroochydore
10 May 2018 – Transit Bar, Canberra
19 May 2018 – Winton Supercars, Winton
25 May 2018 – Grand Hotel, Mornington
27 May 2018 – Max Watts, Melbourne
15 June 2018 – The Grand Central Hotel Midland, Perth
16 June 2018 – The Charles Hotel, Perth
12 July 2018 – The Loft, Warrnambool
13 July 2018 – The Workers Club, Geelong
14 July 2018 – SS&A Club, Albury (FREE)

Posted on by Lauren Katulka

“Exile – Songs & Tales of Irish Australia” – Various Artists

I’m not sure where I was in 2016, when a wealth of Australian and Irish talents played the ABC’s Radio National of Exile shows in Melbourne and Brisbane, but the concerts certainly passed me by. Hearing about them doesn’t even trigger a vague memory. However, I’m glad the songs performed as part of these shows are now seeing the light of day as Exile – Songs & Tales of Irish Australia.

This is such an intriguing recording, with songs that tell the story of Irish immigration to Australia, the impact that relocation had on the Irish people who decided to call Australia home and the difference their presence made to our wide brown land.

It’s a diverse album which captures the spirit of Irish people so well. Normally I gravitate to songs with lyrics I can latch onto, but I loved the beautiful instrumental pieces like “O’Carolan’s Welcome” and the stirring “The Orphan/Australian Waters.” “Na Conneries,” performed by Pauline Scanlon, shows the power of a single, pure, beautiful voice. It gave me chills.

Songs like “Moreton Bay,” performed by Declan O’Rourke, and “Mary Kate,” performed by Lynelle Moran, have such a timeless quality. There’s a gravitas about these songs we rarely hear in modern music.

“Silvermines” drew me in to its story of a young Irish woman making her way through the world in such challenging circumstances. Leah Flanagan shines on this track, which may be my favourite on Exile. I also felt my soul stir listening to “Cry of A Dreamer” performed by Sean and Aine Tyrrell.

And you know you’re in good hands when industry legends Paul Kelly and Shane Howard team up for “Farewell Dan and Edward Kelly.” John Spillane’s “Ireland and Australia” is such good fun, the kind of raucous track that calls for a sing-along with pint in hand.

With almost a third of Australians claiming some degree of Irish ancestry, this is an album sure to resonate with many people living here. Exile – Songs & Tales of Irish Australia is out now. Find it in digital stores and physical record stores, where it’s bundled with a live DVD.

Image used with permission from Universal Music Australia

Posted on by Lauren Katulka

“Out of the Oddness” – Tom-Lee Richards

I’ve been intending to review Tom-Lee Richards’ album Out of the Oddness for a few days now. But every time I went to start typing I couldn’t bring myself to do it. This is the kind of music that is just made to be appreciated. It casts a spell which would be broken by the tap-tap-tapping of my fingers on my keyboard. I worried the magic might not be as potent if I started to analyse it, in much the same way that a magician’s tricks lose their wonder once you know how they’re done.

But if I didn’t review it, I told myself, you wouldn’t know how special it is. It’s not a big blockbuster release, so you won’t hear its songs on radio. It would have been buried by all of the other albums on your streaming service. You’d never find it, and that would be a great shame. So after spending days just listening, I reasoned that it really was important I stepped out of that bubble of appreciation and little and put my thoughts down.
From the opening strains of “Beside You,” you know you’re in for something unique. It’s striking in its stripped back soundscape, with just a gentle acoustic guitar and Tom-Lee’s voice easing you in before you’re picked up by the groove of the chorus. From that moment, if you’re lucky, you’ll find yourself like me, carried away by the beautiful music Tom-Lee creates.

He has a gift for creating unique soundscapes which sound so pretty and original. Sonically, this is such a strong album. The instruments come together so beautifully, and Tom’s voice has such a special quality. But there’s more than that at play. The lyrics of these songs are so moving. I felt so caught up in the tracks, whether Tom-Lee is singing of longing in “Beside You” or social isolation in “Madness.” Upbeat fare like “As Far as India” help balance more sombre moments like the title track.

Out of the Oddness is like no album I can remember hearing. It’s truly captivated me. It’s very early in the year to call it, but I wouldn’t be surprised if it ends up being my favourite release for 2018.

Posted on by Lauren Katulka

“Adam & Brooke” – Adam Eckersley & Brooke McClymont

All too often duets albums are released by performers who are friends rather than lovers. They have a certain camaraderie, but any love songs they sing don’t quite ring true. So it’s refreshing to hear Adam & Brooke, the new album by real-life lovebirds Adam Eckersley and Brooke McClymont.

I’m far from the biggest country music fan, but this album quickly won me over. I was smitten by the single “Train Wreck” on its release, but as I listened I discovered there are so many great songs on this album. They explore the good times and the hard times, the sexy times and the struggles. It seems this duo can do everything, from playful tracks like “Love on the Loose” to beautiful ballads like “Smooth.” Stripped back tunes like “Not How I Feel” and “Glad” are particularly affecting.

Separately these country artists have fantastic voices, but the chemistry when they harmonise is off the charts. But this album’s beauty is about more than pretty notes. There’s real truth behind the songs, and that’s so compelling. You hear the yearning, the passion, and the love they have for one another coming through in these powerful tracks.

Between them, Adam Eckersley and Brooke McClymont have 12 Golden Guitars, two APRA awards, and two ARIAs. I wouldn’t be surprised if they add to their already bulging trophy cases with this release. It’s just that good.

Adam & Brooke is in stores now. The talented twosome is currently playing shows together around the country. Here are all the remaining dates.

2 March 2018 – Armidale Ex Serviceman’s Club, Armidale
3 March 2018 – Southwest Rocks Country Club, Southwest Rocks
8 March 2018 – Leftys Old Time Music Hall, Brisbane
9 March 2018 – Lone Star Tavern, Gold Coast
10 March 2018 – South Acacia Ridge Sports Club, Brisbane South
16 & 17 March 2018 – The Pelican Playhouse, Grafton
6 April 2018 – Young Services Club, Young
7 April 2018 – Civic Theatre, Wagga Wagga
12 April 2018 – Toff in Town, Melbourne
13 April 2018 – York on Lilydale, Mt Evelyn
14 April 2018 – Gateway Hotel, Geelong
26 April 2018 – Brass Monkey, Cronulla
27 April 2018 – Leadbelly, Newtown
29 April 2018 – Oaks Hotel, Albion Park Rail
11 May 2018 – Brothers Leagues, Cairns
12 May 2018 – Dalrymple Hotel, Townsville
13 May 2018 – Mt Pleasant, Mackay
15 May 2018 – Glenmore Tavern, Rockhampton
16 May 2018 – Hervey Road Tavern, Gladstone
17 May 2018 – Melbourne Hotel, Bundaberg
18 May 2018 – Caloundra RSL, Caloundra
19 May 2018 – Highfields Tavern, Toowoomba
31 May 2018 – Coomealla Club, Dareton
1 June 2018 – Wheatsheaf Hotel, Adelaide
3 June 2018 – Boston Bay Wines, Port Lincoln
6 June 2018 – Ceduna Memorial Hall, Ceduna
10 June 2018 – Mumballup Tavern, Donnybrook
14 June 2018 – Settler’s Tavern, Margaret River
15 June 2018 – Prince of Wales Hotel, Bunbury
16 June 2018 – Odd Fellow, Fremantle
19 June 2018 – Kalgoorlie Hotel, Kalgoorlie
22 June 2018 – Musicians Club, Broken Hill
23 June 2018 – Cobar Bowling & Golf Club, Cobar
29 June 2018 – Woodburn Evans Head RSL, Evans Head
30 June 2018 – Bush to Bay Music Festival, Hervey Bay
7 July 2018 – Dubbo RSL, Dubbo

Image used with permission from Universal Music Australia

Posted on by Lauren Katulka

“Let’s Talk Monday” – Ayla

Australia seems full of strong female voices at the moment, from the commercial acts like Jessica Mauboy and Dami Im to more alternative artists like Montaigne and Camp Cope. Ayla is another name we can add to the list. She’d impressed me with her singles, but I feel I’ve got a deeper appreciation of her music on listening to her new EP Let’s Talk Monday.

The first track, “Shallow End,” drew me in immediately. It’s such a strong start, with soaring vocals and driving drums. “Like the Other Kids” speaks to anyone who’s felt they didn’t fit in. The next track “Cry Honey Cry” is smouldering and oh so cool.

After some big, bold numbers, the delicate “Used Furniture” helps give Let’s Talk Monday some balance. This delicate portrait of a relationship may be my favourite song on the album. It’s just exquisite. “Porcelain Doll” is a powerful song about the struggle of moving on. The lyrics are so on point here. “Too Cool for June” is such a beautiful way to end the EP, a bittersweet tale of resignation of lost love, wistful but wise.

There’s a quiet power about what Ayla does. Her tone is so rich, pure and haunting. I could listen to her sing the phone book, but the personal, intimate songs on this EP are much better than that. She bares her soul through this collection of songs, and that makes her work so compelling.

Let’s Talk Monday is out now. Ayla is currently launching it with shows around the country. You can see her at Melbourne’s Penny Black on January 19 or Sydney’s OAF Gallery Bar on January 20.


Image used with permission from Mucho Bravado

Posted on by Lauren Katulka

“Accomplice One” – Tommy Emmanuel

Tommy Emmanuel has been regarded as one of our greatest guitarists for as long as I can remember. Any album he releases is worth listening to because he’s just that good. So how do you improve on that? When you’ve set the bar so high, how do you release a body of work that can stand above the rest? You get together some of your talented musician friends and jam on some of the world’s best songs. Turn on the recording equipment and the rest will take care of itself. That’s exactly what happens with Accomplice One, the latest release from our local guitar hero.

Tommy Emmanuel has assembled a who’s who of talent here, from relative newcomers like Jason Isbell to true legends like Ricky Skaggs and Mark Knopfler. It’s hard to pick stand-outs among the collection of country and folk tunes here. Each song feels special, like real magic has been captured like we’ll never hear again. There is such energy to these songs, the kind of spontaneity that comes from like musical minds come together. Tommy was never known as a singer, although he lends his voice to many of the numbers. I won’t say his vocals will ever set the world on fire, but they get the job done. Other tracks are instrumental, allowing the always exceptional talents of Tommy and his famous friends to take the spotlight. I do have a soft spot for the laidback “(Sittin’ On) Dock of the Bay,” one of several numbers recorded with J.D. Simo and the unique take on Madonna’s “Borderline” with Amanda Shires. “The Duke’s Message,” with vocals from Suzy Bogguss, is such a beautiful way to wrap up this recording.

Accomplice One isn’t just an album for Tommy Emmanuel fans or country music fans. It’s essential listening for all music fans. Accomplice One hits stores and digital outlets on January 19.

Image used with permission from Sony Music Australia

Posted on by Lauren Katulka

“Soul Mumma” – Rochelle Pitt Watson

Rochelle Pitt Watson first hit my radar during her time on the X Factor. Those sorts of shows are a great way to gain exposure, but they don’t really tell you a lot about a musician. I feel like I hadn’t really met Rochelle until I listened to her new EP Soul Mumma.

On a gloomy day here in NSW, the great grooves and the textures of Rochelle’s vocals on the opening track “Should We” are like sunshine. But listen a little closer and you’ll hear this is more than just a funky song. Its politically charged lyrics are inspiring. This is soul music the way the pioneers like Sam Cooke and Marvin Gaye intended it to be.

“I Believe” has a great gospel vibe. Fittingly, Rochelle’s powerhouse vocals take it to church. “Challenge the Exclusion” is a hard-hitting title, but Rochelle takes a softly-softly approach with this song. It’s thematically powerful, but it speaks of unity rather than division and mutiny. It’s a beautiful ballad that moves the heart and mind. “Jimbaraal” is the most hard-hitting track on the album, a swampy, bluesy number with a driving drum and bass beat and squealing guitars. “Resilience” has a great reggae-inspired groove and more dynamite vocals and lyrics. It’s everything Rochelle does best.

The final track “Maudie” is beautiful, a tender track which seems to tell a very personal story. It’s so delicate compared to other the EP’s other songs, with Rochelle reining in her vocals and letting the lyrics do the talking. It’s such a simple but powerful love song that speaks to the heart.

Rochelle Pitt Watson’s Soul Mumma tackles some important issues with the insight her Indigenous heritage affords. Those issues can be confronting, but Rochelle’s sublime vocals and groovy sound help the message go down easily. It’s an EP which shows that really introduces us to the reality TV graduate, proving that she has much more than a killer voice on her side.

Image used with permission from August MGMT

Posted on by Lauren Katulka

“What We Do” – Lou Scarrs

As the guitarist for Money for Rope, Lou Scarrs appeared to be at the top of his game. The band played Glastonbury and South by Southwest, to say nothing of the leading festivals here in Australia. But he risked it all to follow his own musical vision and go solo. If he felt any nerves, they don’t seem to show in his first EP, What We Do.

The music of this EP reminds me a little of the sounds of Robbie Williams or the Kaiser Chiefs. There are vocal similarities with both these British acts, but also a similar rebellious attitude and cockiness that makes Lou’s music irresistible.

The EP bursts out of the gate with the bold title track. I love the deep thumping drums and confident lyrics. “All I Ever Knew” is brooding and intense, and above all totally compelling. “Lapdog” is a song of such strength, an anthem for emotional independence. Lou Scarrs keeps his foot on the pedal for the closing track “Measure Up.” It’s got a similar anthemic quality that’s so satisfying.

The songs of “What We Do” are punchy, with all tracks around that magic three-minute mark. It takes considerable skill to create tracks in that perfect pop form, but this is more than the disposable pop so many commercial radio stations flog. Elements of rock and electronica influence this music, helping it sound fresh and dynamic. Lyrically it’s also so strong. In just four tracks, Lou Scarrs has left his mark.