Category: Album Reviews

Posted on by Lauren Katulka

“Far From Paradise” – Karen Lee Andrews

Critics of The Voice like to say the reality show hasn’t produced any stars. Perhaps if you take that to mean artists selling truckloads, it’s true. The singers from The Voice certainly don’t have the profiles of Australian Idol’s Guy Sebastian, Shannon Noll, Jess Mauboy, or Anthony Callea. Personally I take a different view of stardom. While fame is exciting, true stars shine simply because they’re doing something fabulous. When you consider that definition, Karen Lee Andrews, better known to The Voice audience as Miss Murphy, is the genuine article.

Of course, The Voice didn’t make Ms Murphy shine so bright. Her talents were already in her. But they gave her a platform to showcase them. Surely they helped open the doors that see her releasing her latest EP Far From Paradise.

What a collection of songs this is. Soulful and bluesy, with so much heart and pain. They feel like instant classics, delivered with so much class.
Opening track “Love You” eases us into a more soulful space, with its earnest declarations and easy groove. “Troubled Mind” is a delicate soul piece which shows the power of restraint. It’s driven by pure emotion and Karen’s powerful voice, which slays each and every time.

After the tenderness of the first two tracks, the dark swampiness of “Going Down” is like a bolt from the blue. If you thought Karen Lee was all sweetness and light, this is the track that dispels the notion. The EP is rounded out by an extended version of “Higher,” an earlier upbeat release which feels right at home here.

What a talent Karen Lee Andrews is. Hopefully she won’t leave us waiting too long for a full-length album. Far From Paradise is a stellar EP, but it leaves me wanting more.

See Karen Lee Andrews performing at Blues on Broadbeach, the country’s largest freee music festival, from May 17 to 20.

Image used with permission from Jessica Davidson

Posted on by Lauren Katulka

“Attrition” – Arig

Arig was born in Sudan after her father and 15-year-old mother fled conflict in Eritrea. They were both determined to find a better life for little Arig, so they applied to come to Australia. Only Arig’s mother was granted a visa, so she bravely left her partner and headed Down Under. When she arrived here, Arig was just two years old. Life wasn’t easy for the pair. Arig’s mother fell into one toxic relationship after another and money was always tight. Music was Arig’s solace then, something that could take her away from the struggles of her life and give her hope for a better future.

Hard experiences like these shape us. If we’re lucky, we can channel them into something beautiful, as Arig has done with her EP Attrition.

Opening track “Mama Said” is an absolute showstopper. It’s dark and brooding, with a killer chorus. When the bar is set so high, it’s exciting but also a little unnerving, because you wonder where the artist will go.

Arig’s vocals on “Leash” are angelic, and it’s got the great groove of a classic slow jam. It’s not all sweetness and light though. The lyrics bite, providing such an enticing juxtaposition.

“Welcome Home” clocks in at just one minute, but this subversive nod to doo-wop is really special.

The complexity of relationships and our desires is explored so eloquently in “77.” “Playlist” strips everything bare, revealing a flawed portrait of the place lost love can often leave us.

After the slick beats that dominate this EP, the closing number, piano ballad “What’s Real,” really stands out. I love the tenderness and vulnerability this song captures. It was unexpected, but in a wonderful way.

Arig’s vocals are undeniable, but the way it interplays with her soundscapes elevates this to another level. Her EP Attrition is so strong, so creative, so soulful, and so interesting. Arig will launch the EP tonight in Brisbane at the Milk Factory. If you’re in the Queensland capital, you don’t want to miss this show.

Image used with permission from Emily Fernandez

Posted on by Lauren Katulka

“Nobody” – The Ruiins

I’ve been sitting on this review for a while, because it’s much more fun to listen to The Ruiins’ new EP Nobody than write about it. I’d have the best of intentions of putting my ideas down, but before long I was singing along to a chorus or grooving my body to the beat. When you’re lost in the music like that, you don’t want to analyse it. You just want to be.

Starting an EP with an instrumental intro is a bold choice, but it gives a great taste of what’s to come. Big driving drum beats, a tune that’s catchy as all get out. It tantalises us like a good entrée, making us salivate in anticipation for the main course.

The next song “Drowning” feels like a single already. It has such strong vocals delivering lyrics with heart, those big drums moving everything forward and encouraging us to tap our feet in time.

“Love Can Start a War” isn’t such a heavy hitter on the surface, with a gentler feel than the tracks that came before, but it packs a real emotional punch with powerful, gritty vocals. These vocals ensure tracks like this and “The Season,” the songs where the band eases their foot from the pedal just a little, never become background music.

It’s so hard to pick a favourite on such a quality collection of songs, but “Water & Waves” might just have the edge here. It’s got such a great summery feel with a hard-hitting sucker-punch of a chorus. It puts a big smile on my face every time.

Bands rarely save their lead singles to the end of an EP, but The Ruiins’ unconventional approach pays off here. I’ve already waxed lyrical about the quality of this song. The title track makes sure “Nobody” ends on a high, ensuring as a listener you feel so good about the EP that you want to press play again. And again. And again. Just six tracks has got me well and truly hooked on The Ruiins.

Nobody is available from all your favourite digital music providers now. The Ruiins will play some local shows to celebrate its release in June.

8 June 2018 – The Cambridge, Newcastle
9 June 2018 – The Union Hotel, Sydney
15 June 2018 – Great Northern Hotel, Byron Bay
16 June 2018 – The Pink Motel, Gold Coast

Image used with permission from Who Collective

Posted on by Lauren Katulka

“Hard Expectations” – Mahalia Barnes + The Soul Mates

Hard Expectations is the third album from Mahalia Barnes + The Soul Mates. It’s been three years in the making, so the title track may be a commentary on how this tight soul outfit feel releasing some new music into the world. If there were nerves though, they don’t show. This is one of the best soul albums I’ve ever heard.

Soul music, real soul music, seems to be a dying art these days. Today what passes as soul seems to have vocal acrobatics and rap breaks. While musical evolution can be important and exciting, it’s refreshing to hear an album like this that takes a genre back to its roots. Listening to Hard Expectations, it’s easy to mistake it for a collection of covers. Its songs are the kind of songs I thought people don’t write anymore. However, in truth just two tracks aren’t original. Curtis Mayfield’s “Hard Times” and The Pointer Sisters “You Gotta Believe” sit comfortably along numbers penned by The Soul Mates and Mahalia’s longtime family friend Don Walker.

Opening track “Love is Fleeting” starts the album with a bang. There’s such a strength in this song. Love might be fleeting, but she’s going to get her man. There’s more strength in the Don Walker-penned “Hard Expectations,” a track which reminds a man that he needs to measure up and meet the standard.
After a few hard-hitting numbers, Mahalia and her band slow things down with “My Love.” There’s a gorgeous tenderness in this song. Her voice is complemented beautiful by the warm brass section and her superb backing vocalists.

“Shake Things Up” might be my favourite track on the album. It’s got such a great groove and a fantastic message about going your own way. “Three Times + I’m Gone” has such an infectious honky-tonk feel. I can imagine being in a smoky bar somewhere, seeing Mahalia and her band play this, and it sounding just like it does on the record. There’s such a spontaneous energy about what they’ve laid down here.

In truth I could tell you how good every single song is though. There are no filler tracks here. That’s unsurprising considering the level of talent in this band. Think Joe Bonamassa, Kirk Fletcher, Prinnie Stevens, and Jade McRae, to name but a few. And of course, the incomparable Mahalia Barnes. Its no coincidence her name is out front and centre. If there was any doubt about it, this album establishes Mahalia Barnes as one of the greatest soul voices in this country.

Hard Expectations is in stores now.

Image used with permission from Ferris Davies PRM

Posted on by Lauren Katulka

“All Worthwhile” – Figurehead

The members of Fremantle band Figurehead might be fresh out of high school, but they’ve just released their second EP All Worthwhile.

This collection of songs has all the passion and enthusiasm you’d expect from a bunch of teens. While this is their second EP, these guys are still delightfully rough around the edges. Acts with indie pop-punk leanings shouldn’t have too much polish though. I think their rawness is one of their strengths.

This is a band who writes about what they know. They’re young guys, so it’s only fitting that their song of heartbreak opening the EP is about a cancelled bus route, not a woman.

Tracks like “Ear to Lend” and “Fade” explore relationships in the way only teens can. I felt a sense of nostalgia listening to these songs about navigating those complex couplings and figuring people and their true motivations out.

“Suits” might be my favourite track on All Worthwhile. It’s got such an infectious energy about it. It’s the kind of track that makes you want to dance like no one is watching.

The whole EP is solid stuff though, the kind of recording that hints at big things from these guys. They’re a little green right now, but they’ve got considerable charm and a massive future ahead.

All Worthwhile is available now from all your favourite digital outlets.

Image used with permission from Jared King PR

Posted on by Lauren Katulka

“This Home is Mine” – Stumps

I must admit, I didn’t get Stumps’ new EP This Home is Mine right away. It felt like this Sydney band was trying too hard to be The Smiths. But I have a rule that I won’t turn off any recording before it gets to the end. I know bands have spent time slaving away in the studio laying down their tracks, so they deserve to be heard out.

It all clicked for me somewhere around the third track, “Matthew McConaughey.” I found myself having fun, tapping my feet along in time with the chorus, which clicks this song into gear. From that moment I was firmly on board.

After listening to this EP once, I felt compelled to go back to the start and try again. Second time around, those early tracks made so much more sense to me. Each song from This Home is Mine is like a sucker punch. Not one clocks in at over four minutes – most tracks are around the three-minute mark – so there’s no time for the band to muck around. They go hard, dropping F-bombs and embracing big chords and thumping drums.

Stumps won’t be everyone’s cup of tea, but This Home is Mine is bloody good fun. It’s bold and raucous, unashamedly unapologetic. Crank it up and give it a chance. If you’re like me, you’ll be glad you did.

I have an inkling this music is going to sound even better in a packed pub with a beer in hand. If you do too, make sure you don’t miss Stumps’ upcoming shows.

14 April 2018 – Waywards, Sydney (supporting Maddy Jane)
20 April 2018 – Gasometer, Melbourne (supporting Maddy Jane)
2 May 2018 – Black Bear Lodge, Brisbane (FREE)
4 May 2018 – Waywards, Sydney
5 May 2018 – Yah Yah’s, Melbourne (FREE)

Image used with permission from Beehive PR

Posted on by Lauren Katulka

“Resurrection” – Daniel Lee Kendall

After a four-year absence from the music scene, Daniel Lee Kendall is back with Resurrection, a new EP which may be his strongest collection of songs yet.

It opens with “No Longer Time to Pretend,” a groovy indie pop pleaser which sends a strong message about living your truth. “The Girl With the Stripe In Her Eye” swept me up in a wave of good vibes. It reminded me of a Paul Simon song, with its clever rhythms and intricate musicality.

“Sweet Sweet Reality” might touch on a relationship that didn’t work out, but it’s happily cathartic rather than mournful, about moving forward rather than dreaming. “Time” discusses similar themes in an equally upbeat fashion. There will be tears, and you can certainly experience them, but don’t lose sight of all the good things life offers too.

There’s a beautiful vulnerability in “Take a Chance on Me,” perhaps my favourite track on the EP. It has such heart. “A La Pyrenees” is a surprising closer. Stripped back with only an acoustic guitar, it stands out among the richly layered tracks on this EP. And did I mention it’s all in French? I caught only a few familiar words I remembered from high school, but it’s a powerful reminder that music is a universal language. It’s beautiful.

Resurrection marks a welcome return to the music industry for Daniel Lee Kendall. Like a fine wine, he’s one of those artists that seems to get better with age. It’s ear-pleasing from the first listen, a real delight.

Posted on by Lauren Katulka

“Suitcase of Stories” – Mastin

The artist formerly known as Reece Mastin has worked hard to make the transition from teen idol to serious adult musician for some time now. The release of Change Colours in 2015 was a key part of that evolution, but it seems to be complete with Suitcase of Stories, released under the new moniker Mastin.

Suitcase of Stories takes off like a shot with the rollicking “The One That Never Gets Away.” It’s got a classic country-blues feel and a dark sexiness about it that I love. There’s a similar brooding sexuality in “The Problem.” It’s a great blues ballad which explores the kind of messy love that makes for the best kind of songs.

“Tell Me All About It” may be the emotional heart of this EP. It’s dark and brooding, with searing lyrics and perhaps the greatest vocal performance of Mastin’s career. It packs such an emotional punch, I got chills.

The single “Not the Man For You” brings the mood back up. It’s a cheeky blues-rock anthem, the kind of track we couldn’t have imagined Mastin releasing in his pop idol days.

The title track is a real showstopper. On an album driven by big rock sounds, this stripped back ballad really stands out. Once again, Mastin wears his heart on his sleeve, with powerfully passionate vocals and honest lyrics.

Suitcase of Stories is an outstanding collection of songs that leaves no doubt that Mastin is an artist to be taken seriously. Forget everything you thought you knew about it him and listen with an open mind. I have no doubt you’ll be impressed.

Mastin kicks off his album tour this month. The Sydney date formerly announced is now cancelled with the closure of The Basement, but hopefully that can be rescheduled soon. Fans in other parts of the country can see him at the following venues.

13 April 2018 – Saloon Bar, Launceston
14 April 2018 – Waratah Hotel, Hobart
20 April 2018 – Shoalhaven Bowls Club, Shoalhaven
21 April 2018 – Waves, Wollongong
29 April 2018 – Fowlers, Adelaide
3 May 2018 – Lismore Workers Club, Lismore
4 May 2018 – Surfers Paradise Live, Gold Coast (FREE)
5 May 2018 – The Brightside, Brisbane
6 May 2018 – Sold Bar, Maroochydore
10 May 2018 – Transit Bar, Canberra
19 May 2018 – Winton Supercars, Winton
25 May 2018 – Grand Hotel, Mornington
27 May 2018 – Max Watts, Melbourne
15 June 2018 – The Grand Central Hotel Midland, Perth
16 June 2018 – The Charles Hotel, Perth
12 July 2018 – The Loft, Warrnambool
13 July 2018 – The Workers Club, Geelong
14 July 2018 – SS&A Club, Albury (FREE)

Posted on by Lauren Katulka

“Exile – Songs & Tales of Irish Australia” – Various Artists

I’m not sure where I was in 2016, when a wealth of Australian and Irish talents played the ABC’s Radio National of Exile shows in Melbourne and Brisbane, but the concerts certainly passed me by. Hearing about them doesn’t even trigger a vague memory. However, I’m glad the songs performed as part of these shows are now seeing the light of day as Exile – Songs & Tales of Irish Australia.

This is such an intriguing recording, with songs that tell the story of Irish immigration to Australia, the impact that relocation had on the Irish people who decided to call Australia home and the difference their presence made to our wide brown land.

It’s a diverse album which captures the spirit of Irish people so well. Normally I gravitate to songs with lyrics I can latch onto, but I loved the beautiful instrumental pieces like “O’Carolan’s Welcome” and the stirring “The Orphan/Australian Waters.” “Na Conneries,” performed by Pauline Scanlon, shows the power of a single, pure, beautiful voice. It gave me chills.

Songs like “Moreton Bay,” performed by Declan O’Rourke, and “Mary Kate,” performed by Lynelle Moran, have such a timeless quality. There’s a gravitas about these songs we rarely hear in modern music.

“Silvermines” drew me in to its story of a young Irish woman making her way through the world in such challenging circumstances. Leah Flanagan shines on this track, which may be my favourite on Exile. I also felt my soul stir listening to “Cry of A Dreamer” performed by Sean and Aine Tyrrell.

And you know you’re in good hands when industry legends Paul Kelly and Shane Howard team up for “Farewell Dan and Edward Kelly.” John Spillane’s “Ireland and Australia” is such good fun, the kind of raucous track that calls for a sing-along with pint in hand.

With almost a third of Australians claiming some degree of Irish ancestry, this is an album sure to resonate with many people living here. Exile – Songs & Tales of Irish Australia is out now. Find it in digital stores and physical record stores, where it’s bundled with a live DVD.

Image used with permission from Universal Music Australia

Posted on by Lauren Katulka

“Out of the Oddness” – Tom-Lee Richards

I’ve been intending to review Tom-Lee Richards’ album Out of the Oddness for a few days now. But every time I went to start typing I couldn’t bring myself to do it. This is the kind of music that is just made to be appreciated. It casts a spell which would be broken by the tap-tap-tapping of my fingers on my keyboard. I worried the magic might not be as potent if I started to analyse it, in much the same way that a magician’s tricks lose their wonder once you know how they’re done.

But if I didn’t review it, I told myself, you wouldn’t know how special it is. It’s not a big blockbuster release, so you won’t hear its songs on radio. It would have been buried by all of the other albums on your streaming service. You’d never find it, and that would be a great shame. So after spending days just listening, I reasoned that it really was important I stepped out of that bubble of appreciation and little and put my thoughts down.
From the opening strains of “Beside You,” you know you’re in for something unique. It’s striking in its stripped back soundscape, with just a gentle acoustic guitar and Tom-Lee’s voice easing you in before you’re picked up by the groove of the chorus. From that moment, if you’re lucky, you’ll find yourself like me, carried away by the beautiful music Tom-Lee creates.

He has a gift for creating unique soundscapes which sound so pretty and original. Sonically, this is such a strong album. The instruments come together so beautifully, and Tom’s voice has such a special quality. But there’s more than that at play. The lyrics of these songs are so moving. I felt so caught up in the tracks, whether Tom-Lee is singing of longing in “Beside You” or social isolation in “Madness.” Upbeat fare like “As Far as India” help balance more sombre moments like the title track.

Out of the Oddness is like no album I can remember hearing. It’s truly captivated me. It’s very early in the year to call it, but I wouldn’t be surprised if it ends up being my favourite release for 2018.