Category: Album Reviews

Posted on by Lauren Katulka

“TheStoryOfMyLife” – Tenda McFly

Just as you can’t judge a book by its cover you can’t judge a rapper by his name. The moniker Tenda McFly is a bit naff, but the Brisbane based rapper behind it is one of the most accessible and inventive I’ve heard in some time.

The use of indie pop tunes in his latest release TheStoryOfMyLife makes the music particularly different, whether he’s taking a small sample or remixing an entire song as with Regina Spektor’s “Fidelity” or “Popular” from the musical Wicked. I’d never have imagined a rapper would turn to Broadway for inspiration, but I’m thrilled that he did. It’s very cool. But Tenda McFly doesn’t have to look to the work of others to impress. His tune “Welcome” is a real standout, summery and playful.

It’ll probably take a few listens before I catch all the rapid-fire lyrics, but I have a feeling it’ll be worth the effort. Some of the sexual references get a bit tiresome, sounding almost like the diary entries of a hormonal teenage boy, but there’s enough other, more interesting content to divert our attentions.

Tenda McFly calls TheStoryOfMyLife a mixtape, which is perhaps a more fitting title than an album. Just like any good mixtape it reveals much about the creator and his place in the world, whether he’s buying fake Raybans from eBay or scouting for girls. So often rap music spends so much time commentating about the world around that it forgets the person in the center of it. There’s an intimacy here that I really warm to, and which makes TheStoryOfMyLife worth a few listens. It’s available for free download through Tenda McFly’s Bandcamp page.

Posted on by Lauren Katulka

“Roof Raisers” – Keith!Party

I mentioned when I reviewed Class A’s album Me, Me, Me & Him: The Secret Life of a Receptionist last month that I don’t listen to a lot of rap. Since then more music of this genre has been passing my desk and changing the way I think about rap. The latest is Roof Raisers, the sophomore album of Melbourne’s Keith!Party.

The name is pretty appropriate. This is the kind of album that you’d put on at your next bash to make sure everyone’s dancing and having a good time. It works as a cohesive unit rather than a collection of disparate songs, taking you from crazy floor fillers to songs that are a bit smoother and sexier.

Adding to the party atmosphere is a host of special guest artists. This is nothing new for a rap album, but here it seems less about proving who you know than creating that celebratory vibe.

I love the old school naughtiness of “Sexy is What People Call HD” and the chilled out ambience of “Miracle Flow.” At more than six minutes the closer “The K-Team” drags a bit, but considering the group claims to be the last ones to leave the party perhaps that’s appropriate!

Roof Raisers has a fun, positive vibe with clever lyrics that are definitely worth listening out for. It’s available now through the band’s MySpace page, but will officially launch in Melbourne, Sydney, and Brisbane soon, so keep reading Sounds of Oz for all those details.

Posted on by Lauren Katulka

“Lost in the Moment” – Daniel Lee Kendall

It’s always a struggle to ease myself back into the working week, but it’s something made easier with the accompaniment of good music. This morning I found it in Daniel Lee Kendall’s debut EP Lost in the Moment.

This Central Coast based singer-songwriter creates the sort of gentle, easy music that’s so easy to listen to. It’s understated, but so musically rich and lyrically interesting that it’d be a mistake to dismiss it as mere background music. That being said, this is exactly the kind of disc I’d pop on while sharing a meal with friends, or a few glasses of wine at the end of a night. It’s not brash or bold, but it is beautiful.

If you want to hear what Daniel’s all about before Lost in the Moment is unleashed on October 1, head over to his MySpace page to listen to a couple of tracks!

Image used with permission from Crucial Music

Posted on by Lauren Katulka

“Me, Me, Me & Him: The Secret Life of a Receptionist” – Class A

The world of rap music seems to be a bit of a boys club, so it’s refreshing to see Class A breaking the mould. With her debut album Me, Me, Me & Him: The Secret Life of a Receptionist she looks to redefine what we think about rap music with an originality that goes beyond her gender.

I must admit, I don’t listen to a lot of rap music. I catch the occasional song on Video Hits or Rage, but it’s never really been my thing. In listening to this album, I’ve realised that perhaps my resistant has stemmed from my inability to relate. Rap has always been music that expressed the frustration and anger of the artist at the world around them, but I don’t know the first thing about life in the ghetto or the struggles faced by black men. I’m a white girl from suburban Newcastle after all.

This is what I love most about the songs of Class A. Her problems may not be as large as those faced by black rappers, but they come from a very real place. I’m sure most of us understand the frustrations of office life expressed in “Work” and the feelings of lust aroused by the delivery boy in “Milkman.” The songs aren’t life-changing epics, but they’re genuine and quirky, and that makes them incredibly appealing.

As a rap newcomer, I also appreciated the ease with which Class A blended genres. The soulful vocals of Rachael Berry brought another dimension to “Break It Down” and I loved the big band elements of “You Drive.”

Australian rap has had a hard time carving out its own identity, but with acts like Class A I think the scene is getting there. She just does what she does; it doesn’t feel affected and there’s not a hint of cultural cringe. The novelty factor of a female rapper may draw you in, but her songs are of such quality that I think you’ll be pleasantly surprised.

Posted on by Lauren Katulka

Congratulations “Levolution” CD Winners

Congratulations to Renee Hermansen and Stephen Fairbank. They’re the lucky winners of a copy of Juke Kartel’s new album Levolution. Keep an eye on your mail box guys, because the CDs will be heading your way really soon.

I’ve been listening to my copy this morning, and it’s really good stuff which takes me back to the golden age of rock. You know what I mean; the kind of music that makes you want to put your lighters in the air and pound your fists in time with the beat.

I was initially concerned that the disc may sound a bit pieced together, with tracks from previous album Nowhere Left to Hide sitting alongside newer material. Instead it just allows Juke Kartel to showcase their very best material, making it a great introduction for anyone that wasn’t familiar with their music.

I must admit, I only knew bits and pieces myself. When “Save Me” started though I cranked it up, remembering how much it revved me a few years ago. How wonderful to hear it still sounding fresh after all this time.

A lot of Levolution kicks along at a rocking pace. Juke Kartel are very good at these kinds of songs; they give them just enough attitude and aggression without every sacrificing the melodies. But for me the standouts were the quieter moments, “If Only” and “Soul Shaper.” They remind us of a different side of the band, and give the disc the right amount of light and shade. We all know this band can rock, but these tracks prove that there’s so much more to them.

Supernova definitely missed out when they passed on Toby Rand, but something tells me he’s having the last laugh. At the helm of his own original rock act, he’s proving himself to be a real star.

Posted on by Lauren Katulka

“The Murders” – Davey Spicer and the Creatures of Habit

Brisbane band Davey Spicer and the Creatures of Habit deliver groovy organic music with edge with their debut album The Murders.

It’s an ominous sounding title, and one which is perhaps eerier than the album warrants. However, these tunes are a lot darker than your average roots music from Byron Bay. These musicians are no hippies.

The album starts with “Waste of Beautiful,” a groovy tune with biting lyrics. It’s followed up with “Sinner/Saint,” with is so hooky and summery that you almost forget about the sharp words behind it.

Things take a turn for the eerie with “Bad Dream.” It opens to the sound of a sharpening knife, an effective tool for creating that sense of foreboding. Again, the instrumentation is so jaunty that unless you’re listening to the lyrics you might miss the darkness. But it’s there, deliberately underpinning that lightness.

From here the album gets a bit darker and more rock focused until “Love is Insane” brings it back to a less brooding place. The song is playful, despite its harsh truth.

I listened to The Murders a few times on a few different days before it really stuck with me, but when I got it I really got it. This album is full of melodic hooks yet deliciously dark, a wonderful anecdote to so much of the sleepy music around.

Posted on by Lauren Katulka

“Behind Closed Doors” – Walking with Mirrors

It’s impossible to dislike Sydney outfit Walking with Mirrors. With their debut EP Behind Closed Doors they deliver five tracks that easily find their way under your skin. They’re not so revolutionary on the surface, but there’s just something about them.

We’ve all heard this kind of melodic rock before, with its big chords and sing-along choruses. But the conviction behind these songs elevates them above the pack. Lead singer Ryan Burke is a big part of the key to this band’s success. He gives the songs their heart, the gut-wrenching emotion that makes you believe the lyrics, no matter how clichéd some of them might be. I also give props to lead guitarist Jackson Holt, whose blistering hand speed kick so many of the tunes up a notch.

Not that everything hits the mark. While the title track “Behind Closed Doors” is undeniably catchy, when Ryan sings about the pressures of cameras in your face it doesn’t ring true. Perhaps the band simply ascribes to the “fake it until you make it” theory, but it sounds a bit insincere on a debut EP.

But Walking with Mirrors have a great energy, and a natural music sensibility. They rock hard, but they never forget about taking the audience along for the ride. The five tracks are a little samey, but they also appear to have come from a place of real heartache. There’s a lot to like here, and that helps Behind Closed Doors overcome any shortcomings.

Image source: Walking with Mirrors MySpace page

Posted on by Lauren Katulka

“Anicca” – Greenthief

With a healthy dose of angst and experimentation comes Anicca, the new six-track EP from Greenthief.

Six tracks is ambitious for an EP, but Greenthief are a pretty ambitious band. They love to pair driving guitars and pounding drums with delicate piano and ethereal vocals. They’ve stuck a tune called “Prelude” in the middle of the disc. And you just never know where any song is going to end up.

That was perhaps the most confusing part of this CD for me. I felt I was being taken in one direction, and enjoying it, before the band sent the song to another place. At its worst this kind of treatment lacks focus, and at its best it’s groundbreaking. I admit that I’m still trying to decide.

There’s a lot to like here, especially the opening track “Plea for Sanctuary” with its crunchy guitar chords and hooky chorus, and the epic closer “Grain of Sand.” These tunes hint at the potential of this band. If this is what Greenthief are capable of, I want to hear more of it. They seem to be still experimenting with their sound now and finding their own identity away from their many influences, but this EP hints at real greatness.

Image source: iTunes

Posted on by Lauren Katulka

“Into the Gallery” – Amanda Merdzan

There’s nothing like that feeling you get when you fall in love with a new musician. You want to shout it from the rooftops and share with the world the way this performer makes you feel. I’m lucky; I have a blog for that. So here it is folks: I am utterly enamoured with the music of Amanda Merdzan.

Now before you ask me who let me fill you in. Amanda is a singer-songwriter living just outside Perth, and she’s just released Into the Gallery, an album which is blowing my mind. On it Amanda sings, plays guitar, keyboards, percussion, and even glockenspiel. And oh yes, she touches your heart.

Her acoustic, organic folk songs are some of the best I’ve heard all year. She paints pictures so vivid that you feel you know the characters inside the songs: the lost love, the potential mother-in-law hoping you’ll stay with her son, Esther and her loving husband. She sings with such conviction and truth that you feel the songs in your gut. I shed a tear on listening to the closing track “The Last Song,” a tale of moving on after a breakup, and thought how rare and beautiful it was to be so stirred by music.

I feel so privileged and thrilled to know about Amanda Merdzan and her music, and I hope it’s only a matter of time before the rest of Australia catches up. She deserves every success, because she’s honestly incredible. Here is the video for one of the album tracks “Undress This State,” so you can see for yourself!

Posted on by Lauren Katulka

“Skin” – Useless Children

I pride myself on listening to music of all genres, but I must admit I felt a little out of my depth when I put Useless Children’s new EP Skin into my stereo. It exploded out of my speakers with what initially seemed like a whole lot of noise. I wondered what I’d say about this music that was so heavy, and honestly unfamiliar to me. But as I sat and listened, it all became clearer.

Useless Children were born to the Melbourne punk scene in early 2008. We’re talking about the real punk scene here, not the one commercialised by Top 40 radio. That rebellious energy of their early days is still apparent today, but it’s apparently become darker. Having listened to the EP, I don’t doubt that one bit. It’s aggressive, and a bit confronting, but also invigorating in its frenetic pace.

As I listened I began to appreciate these elements, and the incredible vocals of lead singer and drummer Cinta. How inspiring to see a woman kicking some major arse in such a male dominated genre. I began to hear the melodies that I’d missed at first. I also began to appreciate those moments when such an EP might seem like just the right kind of music, the times when the middle of the road, mellow tunes I typically listen to just wouldn’t do.

Skin is an EP which grabs you by the throat and doesn’t let go until it’s done. In just three tracks, it makes its mark and leaves you a bit breathless. If Useless Children can do all that on a recording, I can only imagine how impressive their live show is. If you love your music turned up to 11, make sure you check the band out at the following shows.

4 September 2010 – Blackwire Records, Sydney (All Ages)
10 September 2010 – Burst City, Brisbane (All Ages)
17 September 2010 – Bar Open, Melbourne (18+)
19 September 2010 – The Nash, Geelong (18+)
24 September 2010 – The Metro, Adelaide (18+)