Category: Album Reviews

Posted on by Lauren Katulka

“Dr Dream and the Imaginary Pop-Cabaret” – Emma Dean

After hearing the New York Post rave about our own Emma Dean, I knew her sophomore album Dr Dream and the Imaginary Pop-Cabaret must be something special. But I wasn’t prepared for exactly what a magical album it is.

Emma Dean pushes the envelope to create a record that lies somewhere between old school Tori Amos and the Wicked soundtrack. That sounds like a bizarre combination, and I suppose it is, but on listening to the record it all makes perfect sense.

Just like those early Tori Amos recordings, Emma keeps proceedings moving along with her driving piano notes and an innate theatricality. On the surface there doesn’t seem to be the angst of a Little Earthquakes, but don’t dismiss it as frothy stuff. The lyrics plumb some really dark themes, but they’re presented with such color and flamboyance that the casual listener might miss them. Of course, that only makes this complex recording richer on each listen.

Tunes like “Stuck in the Mud” and the single “Sincerely Fearful” seem like they’re made for a modern Broadway musical. Again there’s that great sense of theatre that seems bigger than an album, but it’s not as affected as an old-fashioned show tune might be.

“Something They Can Hold” is another tune worthy of note, a track with such emotional intensity and visceral lyrics that it left me floored.

With Tori Amos mellowing in her middle age, I’m thrilled to see an artist of Emma Dean’s talent picking up the baton. We needed a strong, independent, and individual female voice on the musical landscape, and knowing she’s Australian makes it all the better. Dr Dream and the Imaginary Pop-Cabaret is a very special CD that won’t be leaving my stereo any time soon.

Image source: BigPond Music

Posted on by Lauren Katulka

“Hyperspace Clearance” – Dan Webb

Dan Webb takes his cues from the world of classic rock with his sophomore EP, Hyperspace Clearance.

It’s a suitably far out name for a disc which revels in the music of the 60s and 70s. It’s not a carbon copy of the acts that came before, but Dan certainly wears his influences on his sleeve. He allows the artists of the past to inform his music, adding a hint of psychedelia here and a whiff of progressive rock there.

Perhaps it’s my love of The Doors that makes “These Walls” the standout for me. I love its cool, rollicking bass line and lush Hammond organ. Vocally Dan Webb is a world away from Jim Morrison’s lush baritone, but if the band were to have gone in a different direction I imagine they’d have made a song like this.

Dan’s heavy handed piano style, quirky songwriting, and musical smarts make a big impression. He creates a really lush sound by layering up to six keyboards over one another; it’s reminiscent of Phil Spector’s Wall of Sound in the very best way. Clearly this is an artist who enjoys experimenting. On this disc we see him learning about his potential and sound. But rather than feeling simply like we’re listening to someone testing things out, we enjoy being taken on this musical journey.

In just four songs Dan Webb makes a big impression with Hyperspace Clearance, one which leaves me wondering where he’ll take us next.

Image source: JB HiFi website

Posted on by Lauren Katulka

“New Techniques for Beginners and Champions” – A Family of Strangers

The world of side projects is a bit of a musical mixed bag; for every success there are many more dismal failures. Happily A Family of Strangers, the latest project for The Butterfly Effect front man Glenn Esmond, falls into the former category.

It’s too early to determine whether chart success will follow the band, but it should if their debut EP New Techniques for Beginners and Champions is any indication. This is a really strong collection of six tracks, songs that step away from The Butterfly Effect but not so far as to alienate the band’s strong fan base.

I find these tunes more accessible than those of the iconic Aussie hard rock outfit. There are some big gritty guitar chords and dark lyrics, but the focus on the melody helps the listener connect from the first spin.

Fans of The Butterfly Effect won’t be disappointed with rock anthems like “Don’t Forget (03.03.03)” and “Silly Love Songs,” but I find the tracks that are dramatically different from Glenn Esmond’s previous work a little more intriguing. “Here Without You” shows he is capable of producing a real radio-friendly ballad of love lost. A Family of Strangers exposes their soft underbelly again with “The Velvet Divorce (Follow).” But my favourite track is probably the closer “Farewell, Mr Hooper,” a wild rock sea shanty. It’s such a quirky tune, the kind of thing I imagine a crew of pillaging pirates might create if you handed them electric guitars.

It almost seems unfair to bands starting out to call New Techniques for Beginners and Champions a debut EP, because A Family of Strangers are so experienced and in control of their sound. They’re equally at home in the sunlight and the shadows, and they take us to both places in this recording. It’s a really accomplished first taste of a band I look forward to hearing a lot more from.

Posted on by Lauren Katulka

“Until Then” – Gossling

Like so many other Australians, I recently sat home applauding Angus and Julia Stone as they took home award after award at the recent ARIAS for their sophomore effort Down the Way. Listening to Gossling’s new EP Until Then I wondered whether she’ll need as many long players under her belt before the awards start to flow.

The comparisons to Julia Stone are unavoidable; the artists sound uncannily similar with their breathy, ethereal voices. But Gossling brings more dynamics to her intimate tunes. She isn’t afraid to let that voice of hers soar, matching the lush instrumentals she favors. Her sound is big and full, with strings and pianos joining her voice as the songs reach emotional and musical crescendos.

While her sound is bigger, Gossling is careful to never lose the organic nature of her music with overproduction. Listening to the songs you get the sense that they could have been recorded during a jam session in someone’s living room. There’s that sense of immediacy and truth, as if the tunes were captured in one take.

The EP has just five tracks, mostly tales of love convincingly painted by the lyrics that never stoop to cliches. The epic “Oh Darling” may be one of the most beautiful and stirring songs I’ve heard all year. But I was thrilled to see her experiment a little in “I Was Young,” a tune which steers dangerously close to bluegrass in the rollicking choruses. I hope to see her play a little more with genres and sounds when the inevitable long player is released.

And it is inevitable, because Gossling is that good. We have a glut of talented female singer-songwriters in this country, but I expect to see her standing out from the pack in the coming years.

Image used with permission from Repertoire Publicity

Posted on by Lauren Katulka

“Walk” – Israel Cannan

Israel CannanThat dreaded lurgy of mind is still hanging around, but I heard once that music is the best medicine. I’m not sure whether the gentle strains of Israel Cannan’s new album Walk are helping me get rid of the germs any quicker, but they’re certainly not hurting matters.

This album is my kind of music, with its lush, organic sounds, honest lyrics, and heartfelt delivery. As each track unfolded I found myself thinking just how good it was. I have some early favourites; I love the jangling rhythm and harmonica strains of “To The Left,” the driving beats of “Let It Rain,” and the slow build and emotional words of “Where the Story Unfolds.”

While these tunes are revving me right now, I have a feeling that my list of favourites is going to change after a few listens. While some of them speak to me more than others in this moment, they’re all brilliant. This is the kind of album packed with songs that work together as a unit, rather than seeming like a collection of singles. And again, that’s back to the honesty of this recording; it seems more like an attempt to document a period of time than an effort to make money.

Mellow and gentle, and above all real, Walk by Israel Cannan is the perfect thing for soothing my current malady.

Image used with permission from Stephen Green Consulting

Posted on by Lauren Katulka

“TheStoryOfMyLife” – Tenda McFly

Just as you can’t judge a book by its cover you can’t judge a rapper by his name. The moniker Tenda McFly is a bit naff, but the Brisbane based rapper behind it is one of the most accessible and inventive I’ve heard in some time.

The use of indie pop tunes in his latest release TheStoryOfMyLife makes the music particularly different, whether he’s taking a small sample or remixing an entire song as with Regina Spektor’s “Fidelity” or “Popular” from the musical Wicked. I’d never have imagined a rapper would turn to Broadway for inspiration, but I’m thrilled that he did. It’s very cool. But Tenda McFly doesn’t have to look to the work of others to impress. His tune “Welcome” is a real standout, summery and playful.

It’ll probably take a few listens before I catch all the rapid-fire lyrics, but I have a feeling it’ll be worth the effort. Some of the sexual references get a bit tiresome, sounding almost like the diary entries of a hormonal teenage boy, but there’s enough other, more interesting content to divert our attentions.

Tenda McFly calls TheStoryOfMyLife a mixtape, which is perhaps a more fitting title than an album. Just like any good mixtape it reveals much about the creator and his place in the world, whether he’s buying fake Raybans from eBay or scouting for girls. So often rap music spends so much time commentating about the world around that it forgets the person in the center of it. There’s an intimacy here that I really warm to, and which makes TheStoryOfMyLife worth a few listens. It’s available for free download through Tenda McFly’s Bandcamp page.

Posted on by Lauren Katulka

“Roof Raisers” – Keith!Party

I mentioned when I reviewed Class A’s album Me, Me, Me & Him: The Secret Life of a Receptionist last month that I don’t listen to a lot of rap. Since then more music of this genre has been passing my desk and changing the way I think about rap. The latest is Roof Raisers, the sophomore album of Melbourne’s Keith!Party.

The name is pretty appropriate. This is the kind of album that you’d put on at your next bash to make sure everyone’s dancing and having a good time. It works as a cohesive unit rather than a collection of disparate songs, taking you from crazy floor fillers to songs that are a bit smoother and sexier.

Adding to the party atmosphere is a host of special guest artists. This is nothing new for a rap album, but here it seems less about proving who you know than creating that celebratory vibe.

I love the old school naughtiness of “Sexy is What People Call HD” and the chilled out ambience of “Miracle Flow.” At more than six minutes the closer “The K-Team” drags a bit, but considering the group claims to be the last ones to leave the party perhaps that’s appropriate!

Roof Raisers has a fun, positive vibe with clever lyrics that are definitely worth listening out for. It’s available now through the band’s MySpace page, but will officially launch in Melbourne, Sydney, and Brisbane soon, so keep reading Sounds of Oz for all those details.

Posted on by Lauren Katulka

“Lost in the Moment” – Daniel Lee Kendall

It’s always a struggle to ease myself back into the working week, but it’s something made easier with the accompaniment of good music. This morning I found it in Daniel Lee Kendall’s debut EP Lost in the Moment.

This Central Coast based singer-songwriter creates the sort of gentle, easy music that’s so easy to listen to. It’s understated, but so musically rich and lyrically interesting that it’d be a mistake to dismiss it as mere background music. That being said, this is exactly the kind of disc I’d pop on while sharing a meal with friends, or a few glasses of wine at the end of a night. It’s not brash or bold, but it is beautiful.

If you want to hear what Daniel’s all about before Lost in the Moment is unleashed on October 1, head over to his MySpace page to listen to a couple of tracks!

Image used with permission from Crucial Music

Posted on by Lauren Katulka

“Me, Me, Me & Him: The Secret Life of a Receptionist” – Class A

The world of rap music seems to be a bit of a boys club, so it’s refreshing to see Class A breaking the mould. With her debut album Me, Me, Me & Him: The Secret Life of a Receptionist she looks to redefine what we think about rap music with an originality that goes beyond her gender.

I must admit, I don’t listen to a lot of rap music. I catch the occasional song on Video Hits or Rage, but it’s never really been my thing. In listening to this album, I’ve realised that perhaps my resistant has stemmed from my inability to relate. Rap has always been music that expressed the frustration and anger of the artist at the world around them, but I don’t know the first thing about life in the ghetto or the struggles faced by black men. I’m a white girl from suburban Newcastle after all.

This is what I love most about the songs of Class A. Her problems may not be as large as those faced by black rappers, but they come from a very real place. I’m sure most of us understand the frustrations of office life expressed in “Work” and the feelings of lust aroused by the delivery boy in “Milkman.” The songs aren’t life-changing epics, but they’re genuine and quirky, and that makes them incredibly appealing.

As a rap newcomer, I also appreciated the ease with which Class A blended genres. The soulful vocals of Rachael Berry brought another dimension to “Break It Down” and I loved the big band elements of “You Drive.”

Australian rap has had a hard time carving out its own identity, but with acts like Class A I think the scene is getting there. She just does what she does; it doesn’t feel affected and there’s not a hint of cultural cringe. The novelty factor of a female rapper may draw you in, but her songs are of such quality that I think you’ll be pleasantly surprised.

Posted on by Lauren Katulka

Congratulations “Levolution” CD Winners

Congratulations to Renee Hermansen and Stephen Fairbank. They’re the lucky winners of a copy of Juke Kartel’s new album Levolution. Keep an eye on your mail box guys, because the CDs will be heading your way really soon.

I’ve been listening to my copy this morning, and it’s really good stuff which takes me back to the golden age of rock. You know what I mean; the kind of music that makes you want to put your lighters in the air and pound your fists in time with the beat.

I was initially concerned that the disc may sound a bit pieced together, with tracks from previous album Nowhere Left to Hide sitting alongside newer material. Instead it just allows Juke Kartel to showcase their very best material, making it a great introduction for anyone that wasn’t familiar with their music.

I must admit, I only knew bits and pieces myself. When “Save Me” started though I cranked it up, remembering how much it revved me a few years ago. How wonderful to hear it still sounding fresh after all this time.

A lot of Levolution kicks along at a rocking pace. Juke Kartel are very good at these kinds of songs; they give them just enough attitude and aggression without every sacrificing the melodies. But for me the standouts were the quieter moments, “If Only” and “Soul Shaper.” They remind us of a different side of the band, and give the disc the right amount of light and shade. We all know this band can rock, but these tracks prove that there’s so much more to them.

Supernova definitely missed out when they passed on Toby Rand, but something tells me he’s having the last laugh. At the helm of his own original rock act, he’s proving himself to be a real star.